Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.21 / ‘Scene near the Yarra Flats’ / Albumen silver photograph mounted on board.Inscription on reverse: ‘The scenery in the vicinity of the Yarra Flats is of a very varied character. In some places the River winds its way through flat open country, with scarcely a shrub on its banks; and in others the scenery is of the wildest description. The stream being impeded in its course by fallen timber, is not so rapid here as at other places. The present illustration is a characteristic one of the above place.’nicholas caire, australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.23 / ‘Waterfall scene on the Coliban River, near Elphinstone’ / Albumen silver photograph mounted on boardOn reverse: ‘The scene this illustration presents is but one of the many that exist along the course of this shallow River, which, like its parent the Campaspe, abounds with rocky and romantic scenery. The fall of the River at this place is over one hundred feet, but is broken by a long course of rocks to the lower bed; the actual fall as seen is about forty feet. The Coliban, though only a branch of the Campaspe, derives its name from the fact that its course runs through the Coliban Park. Gold is found in considerable quantities along the banks and in the stream, but at the present time these diggings are worked only by Chinamen.’nicholas caire (1837-1918), australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.25 / ‘Scene on the River Campaspe’ / Albumen silver photograph mounted on boardOn Reverse: ‘The River Campaspe flows into the River Murray, near the Town of Echuca. It is a river of considerable size, and is subject to frequent overflowing of its banks, in consequence of the low flat country through which it runs. Our illustration represents the River during one of the periodical floods, its depth being over thirty feet at the time.’nicholas caire (1837-1918), australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.26 / 'Bend of the River Watt' / Albumen silver photograph mounted on boardOn Reverse: 'The present illustration represents a scene on the River Watt, and is situated in the valley between Mount Juliet and Mount Monda. The immediate neighbourhood abounds with scenery of the wildest and most romantic character. The River here is as clear as crystal, owing, no doubt, to its bed being composed of rock and pebbles. The banks on either side are studded with foliage so dense as to render access to the neighbourhood almost impracticable.’nicholas caire (1837-1918), australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene near the Buffalo Mountains’ : Views of Victoria (General Series) No.41 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This scene is taken from the banks of the Buckland River, which is about five miles distant from the Buffalo Mountains, as seen in the distance. These mountains are frequently covered with snow, in consequence of their great altitude. The Buckland River is a small tributary of the Ovens River, which flows through the Beechworth district, and eventually finds its way to the River Murray. The Bridge which is seen on the right of the picture forms the roadway which leads from the Buckland Camp to the Township of Bright.’nicholas caire (1837-1918), landscape photography

Built by John Bournane, Rockingham had a number of occupants before the newspaper magnate David Syme purchased it in 1902. The house in the 1860s and ‘70s was comprised of nine rooms, and was surrounded by a veranda on the front and sides. It was approached from the Kew road by the curve in front of the Hon. S.G. Henty’s mansion of ‘Findon’.In 1955, the Syme family sold Rockingham to the Red Cross Society to be used as a convalescent home for returned servicemen. The house was sold, demolished, and the land subdivided in 1966.An early panoramic photograph of an early Kew mansion (now demolished), dating from the 1870s.A rare, panoramic photograph (c.1870) of the garden of ‘Rockingham’, during the occupation of the house by W. Gardiner Esq. Rockingham was located beside and above the Barkers Road cutting. The view of the garden in the photograph is of the terraces leading down to the Yarra River. At the time the photograph was taken, the property covered an area of “…nine acres of beautifully laid-out grounds, interspersed with numerous terraces leading down the sloping bank of the river”.rockingham, david syme, kew

The original book plate reflects the colonial use of the River Yarra fro both recreation and industry.View on the Yarra Near Dights Falls. Reproduction of a book plate from an original wood engravingg, showing men and boys on the banks of the River Yarra. The activities represented include logging and fishing. Annotation on reverse: [Original] "Caption: View on the Yarra Near Dights Falls."yarra river, dights falls

The City of Kew was a local government area about 4 kilometres east of Melbourne, the state capital of Victoria, Australia, on the southeast bank of the Yarra River. The city covered an area of 14.56 square kilometres, and existed from 1860 until 1994.Very large aerial photograph of “City of Kew” Scale 1 : 3,000. 1989. “City of Kew” Scale 1 : 3,000. 1989. Photomosaic compiled by Division of Survey and Mapping, Department of Property and Services. © Crown (State of Victoria) Copyright 1990.city of kew, kew (vic.), aerial photography

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Rare variant version of this view of Princes Bridge, from the south-east bank of the Yarra River, looking towards the city of Melbourne, showing landmarks of the period.Polychrome postcard of Princess Bridge in Melbourne.Princess Bridge, Melbourne Miss McGilivray, "Oak Bank", Peterborough, _____. princess bridge -- melbourne (vic.), river yarra, postcards -- melbourne (vic.)

The Yarra River was a major subject for the producers of postcards in Melbourne. This dual image postcard shows images of the Yarra in two locations. Studley Park in Kew was a major location for recreation activities by the people of Melbourne.Image of the Yarra at Sudley Park shows remnant vegetation preserved on the banks of the Yarra in this part of Kew.Monochrome postcard with two images of the Yarra River, the lower image showing the Yarra at Studley Park. The reverse has a handwritten birthday greeting from Eileen to her mother Mrs Clark. Original postage stamp has been removed and slight tearing in top right corner. Two ink stamps KEW HISTORICAL SOCIETY have been added."Mrs Clark, Harp Road, East Kew / Wishing Mother a very happy Birthday and many returns / from Eileen"yarra falls, dual image postcards, yarra river -- studley park -- melbourne (vic.), monochrome postcards

Painting of Melbourne at the time the Lodge held it's inaugural meeting on 23 December 1839 Melbourne Viewed from the south bank of the Yarra RiverThe Lamb in inn the painting is the first meeting place of the Lodge of Australia Felix on 23 December 1839 felix, australi felix, uglv

An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Small black and white photograph of the elderly Orlando Henry Beater Christian in a swim suit on the bank of the River Yarra. He appears to be holding a fishing line. orlando henry beater christian, river yarra, fishing -- yarra river

Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.One of a series of photographs, probably taken by Henry Christian of the Yarra River in Kew. An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.River Yarra at Dight’s Falls, Kew/Fairfield photographed from Kew bank.dight's falls, river yarra, christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.View of grounds of Macauleys boathouse. Gum trees and willows. Stacked embankment. Person rowing boat. Others sitting on bank.macauley's boathouse, yarra river -- kew (vic.), christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.View of Melbourne on the horizon, looking in an easterly direction along the River Yarra. A State Library of Victoria catalogue record says ‘Elevated view along Yarra River, trees in foreground, line of saplings along both banks of the river, bridge in background (possibly Johnson Street Bridge)’. This may be incorrect.The Rose Series P. 3480yarra river -- melbourne, postcards -- yarra river, the rose series postcards, christian-washfold collection

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Monochrome postcard of view of the north bank of the Yarra River between Flinders and Russell Streets. Scene shows palm trees, boats and stores under embankmentThe Rose Series P. 2808yarra river, city of melbourne, postcards -- melbourne, christian-washfold collection

Villa Alba, a two-storeyed residence with rendered masonry walls and a slate roof, stands opposite Studley Park, overlooking the Yarra River. It is believed to have been first built before 1863, but substantially remodelled and enlarged in about 1882-83 for William Greenlaw, the Manager of the Colonial Bank of Australasia. Although the house and its tower must always have been a landmark in the area and the architecture is unusual, almost Norman in style, it is the interior which is the most remarkable feature of Villa Alba. (Source: VHD)Small black and white photographic positive of Vila Alba, 44 Walmer Street, Kew in 1981 when the original 1880s house was surrounded by hospital wards. The latter had been built by the Royal Women's Hospital after it acquired the site in 1950. The site wa Slater transferred to the Mount Royal Hospital before being purchased and converted into a museum of interior design.Verso: "Villa Alba 1981"villa alba -- 44 walmer street -- kew (vic.), mount royal hospital, henry pride wing

Willsmere Park is bounded by the the Yarra River, Green Acres Golf Club, Willow Grove and the Eastern Freeway. The land on which the park is now situated was bought by Thomas Wills at the Crown Land Sales of 1846 (Section 56). From the 1840s to the 1940s it was intensively farmed. The park is dominated by very large playing fields, while planting to the southern boundary was undertaken when the Eastern Freeway was built. It is only along the banks of the Yarra that there is any remnant native vegetation. Willsmere Park is of significance as an area of open land that remains from the flood plain that once dominated northern Kew. (Source: Kew Conservation Study, 1988)Original colour small format polaroid photograph of the 'Kew Billabong' in the Willsmere Park, taken on 16 September 1993."Willsmere Billabong 16.9.93"kew billabong, willsmere park, yarra river -- billabongs

Willsmere Park is bounded by the the Yarra River, Green Acres Golf Club, Willow Grove and the Eastern Freeway. The land on which the park is now situated was bought by Thomas Wills at the Crown Land Sales of 1846 (Section 56). From the 1840s to the 1940s it was intensively farmed. The park is dominated by very large playing fields, while planting to the southern boundary was undertaken when the Eastern Freeway was built. It is only along the banks of the Yarra that there is any remnant native vegetation. Willsmere Park is of significance as an area of open land that remains from the flood plain that once dominated northern Kew. (Source: Kew Conservation Study, 1988)Original colour small format polaroid photograph of the Yarra River in flood at the Willsmere Park, taken on 16 September 1993."Yarra River at Willsmere Park Flooding 16.9.93"willsmere park, yarra river -- floods -- kew (vic.)

Willsmere Park is bounded by the the Yarra River, Green Acres Golf Club, Willow Grove and the Eastern Freeway. The land on which the park is now situated was bought by Thomas Wills at the Crown Land Sales of 1846 (Section 56). From the 1840s to the 1940s it was intensively farmed. The park is dominated by very large playing fields, while planting to the southern boundary was undertaken when the Eastern Freeway was built. It is only along the banks of the Yarra that there is any remnant native vegetation. Willsmere Park is of significance as an area of open land that remains from the flood plain that once dominated northern Kew. (Source: Kew Conservation Study, 1988)Original colour small format polaroid photograph of flooding in the Willsmere Park, taken on 16 September 1993."Flooding of shared path from Willsmere Billabong 16.9.93"willsmere park, yarra river -- floods -- kew (vic.), kew billabong

Willsmere Park is bounded by the the Yarra River, Green Acres Golf Club, Willow Grove and the Eastern Freeway. The land on which the park is now situated was bought by Thomas Wills at the Crown Land Sales of 1846 (Section 56). From the 1840s to the 1940s it was intensively farmed. The park is dominated by very large playing fields, while planting to the southern boundary was undertaken when the Eastern Freeway was built. It is only along the banks of the Yarra that there is any remnant native vegetation. Willsmere Park is of significance as an area of open land that remains from the flood plain that once dominated northern Kew. (Source: Kew Conservation Study, 1988)Original colour small format polaroid photograph of flooding in the Willsmere Park, taken on 16 September 1993."Flooding of Willsmere Park from Yarra 16.9.93"willsmere park, yarra river -- floods -- kew (vic.)

Willsmere Park is bounded by the the Yarra River, Green Acres Golf Club, Willow Grove and the Eastern Freeway. The land on which the park is now situated was bought by Thomas Wills at the Crown Land Sales of 1846 (Section 56). From the 1840s to the 1940s it was intensively farmed. The park is dominated by very large playing fields, while planting to the southern boundary was undertaken when the Eastern Freeway was built. It is only along the banks of the Yarra that there is any remnant native vegetation. Willsmere Park is of significance as an area of open land that remains from the flood plain that once dominated northern Kew. (Source: Kew Conservation Study, 1988)Original colour small format polaroid photograph of flooding in Willsmere Park resulting from heavy rain on 15 September 1993."Flooding of Willsmere Park from Yarra 16.9.93"yarra river -- floods -- kew (vic.), willsmere park

Willsmere Park is bounded by the the Yarra River, Green Acres Golf Club, Willow Grove and the Eastern Freeway. The land on which the park is now situated was bought by Thomas Wills at the Crown Land Sales of 1846 (Section 56). From the 1840s to the 1940s it was intensively farmed. The park is dominated by very large playing fields, while planting to the southern boundary was undertaken when the Eastern Freeway was built. It is only along the banks of the Yarra that there is any remnant native vegetation. Willsmere Park is of significance as an area of open land that remains from the flood plain that once dominated northern Kew. (Source: Kew Conservation Study, 1988)Original colour small format polaroid photograph of Willsmere [Kew] Billabong on September 1993."Willsmere Billabong 16.9.93"yarra river -- floods -- kew (vic.), willsmere park

The River Yarra was a popular subject for photographic postcards. The postcards provide an interesting perspective of plantings on the banks of the Yarra at various periods. Small, sepia coloured real photo postcard of the River Yarra at Kew. The bird's eye view, presumably taken from Victoria Street Bridge shows the banks of the Yarra in the foreground densely planted with weeping willows. There is also canoe in the foreground. The expanse of lawn in the middle ground is that of 'Swinton', the tower of which can faintly be seen at the top centre of the view. "RIVER YARRA AT KEW / REAL PHOTO SERIES M. 2908 "real photo postcards, yarra river -- kew (vic.), postcards -- 1920s

The photograph is believed to be taken in 1936. The rowers are young women- so this may be a school crew.Black and white photograph of 9 rowers and 2 oars on the banks of the Hopkins River, Warrnambool.No names given.

There was a (Warrnambool) Ladies Rowing Club from about 1913. They were autonomous with their own shed, committee and coaches.The photograph is of a ladies crew in a sweep four. They are beside the bank of the Hopkins River, Warrnambool.The back of the photograph has "Before a training spin on the Hopkins River 1936".rowing, warrnambool, hopkins river, ladies rowing, warrnambool rowing club, warrnambool ladies rowing club, city of warrnambool rowing club, city of warrnambool rowing club

Black and white photograph of four ladies on the banks of the Hopkins River, Warrnambool. They have shorts, white long sleeve shirts and a dark tie on. These ladies are featured in other rowing photographs- and are believed to be a ladies sweep four crew.rowing, warrnambool, hopkins river, ladies rowing, warrnambool rowing club

The Club learnt of a memorial plaque dedicated to the to the Warrnambool Rowing Club members who enlisted for World War One, when writing the Clubs history. Every member of military age enlisted. The original plaque was unveiled in November 1916 and a Norfolk Pine planted on the Hopkins River bank - in memory of T. Redford.The tree stands however the plaque has not been found. The Club has updated the names and had a new plaque made. On 7th August 2016 - 101 years after one rower- Major Thomas Redford died - it was rededicated. The flyer is the advertisement / invitation for the day.A4 paper colored flyercity of warrnambool rowing club, warrnambool rowing club, warrnambool, world war one, first world war, rowing, memorial

In 1988, as part of a Defence of Mainland Australian policy, defence of facilities of strategic importance in northern Australia were allocated to Army Reserve units. ‘A’ Squadron was allocated the defence of Tindal Air Force base located 15 KM outside Katherine in Northern Territory. Consequently the Squadron deployed on Exercise ‘Northern Explorer’ to gain first-hand knowledge of operating conditions for mounted and dismounted patrolling in the area.Colour photograph of Lance Corporal R. Van. De Velde picking native figs on bank of Ferguson River, Northern Territory during Exercise "Northern Explorer." Soldiers of ' A ' Squadron 8/13 VMR had received instruction of bush food by Major Les Hiddens aka ' The Bush Tucker Man. '100 mm x 100 mm

In 1988, as part of a Defence of Mainland Australian policy, defence of facilities of strategic importance in northern Australia were allocated to Army Reserve units. ‘A’ Squadron was allocated the defence of Tindal Air Force base located 15 KM outside Katherine in Northern Territory. Consequently the Squadron deployed on Exercise ‘Northern Explorer’ to gain first-hand knowledge of operating conditions for mounted and dismounted patrolling in the area.Colour photograph of vehicle patrol of ' A " Squadron 8/13 VMR accessing the viability of a crossing point of Ferguson River during Exercise ' Northern Explorer. The patrol decided the Armoured Personnel carrier could descend the shale bank but not climb out again.