'Souvenirs in relation to the Chalet and Mount Buffalo were first mentioned in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg 114. Historica) Manufactured as a souviner of MtBuffalo. Intended to be used, sewn onto a jacket sleeve. Purchased from an opportunity shop and donated.Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).White cotton badge in a shield shape. Has blue machine embriodery around edge and sewn in the centre to represent a snowflake. "MT.BUFFALO" is embriodered in red across the top."MT.BUFFALO"

Judith (Judy) Forras and Christine Smith both represented Australia at the 1964 Winter Olympics in Innsbruck. Judy was a National Ice-Skating champion before becoming an Olympic Alpine Skier. She had already won the Victorian skating title she met her future husband Ernest Forras, owner of the Kooroora Chalet and ski instructor at Mt. Buller. After having four children, Judy came back to skiing, winning every major State and National Title in all three disciplines, Slalom, Downhill and Giant Slalom, therefore gaining automatic selection to the Olympic team for Innsbruck in 1964. The only other Australian woman selected to that team was Christine Smith. She was born in Cooma NSW, Christine learned to ski at an early age. She won the 1961 NSW Junior Champion title before being selected in the Australian Team to ski against New Zealand. Christine gained selection for the 1962 St. Moritz Commonwealth Winter Games. In the 1964 Innsbruck Olympic Winter Games she placed 27th in the Downhill and 28th in the Slalom. Before departing for Innsbruck, members of the team including Ross Milne, completed some of their training at Falls Creek, Victoria where this photograph was taken.This image is significant because it represents two women who were pioneers in the Winter Olympic movement in Australia.A black and white image showing two female skiers, representatives of the Australian Winter Olympic team of 1964.winter olympics innsbruck, judy forras, christine smith

This a booklet of six pages which included a calendar (now missing) and other printed material. The front cover has a sketch of a woman and a dog which appears to have been pasted on at a later date. The pages are stapled.non-fictionBusiness calendar and additional information warrnambool, wine and spirit merchants, duirs and worrell

Michael Forrester b.1866 Branxholme,Victoria,d.1945 age 79 years. Buried Quambatook,he was the 8th of 10 children of parents, Pat and Johanna Forrester, both buried at Wycheproof. A bachelor farmer, Michael worked on the selection property at East Towaninnie.He and his unmarried sister, Ellen Forrester, inherited some of the parents' land, sold it and lived out their final years at Quambatook. Typical of many early local residents,Michael was born into a large family and did not move far from his beginnings. Farming and family was his life. This photograph is of Michael Forrester a local member of the community who spent most of his adult life in the area.Large glass framed 'Heirloom' photo reproduced from a 1940 photo- ornate and oval framed.Coloured formal photo with bronze attachment with words, "portrayed by the artist in a manner and quality befitting work to be passed on to future genertions as a priceless heirloom.Workmanship and materials guaranteed." Heirloom Product Style 37. F.L. Wirth Art Director. Price 5 Guineas.michael forester, branxholme

Historically(1920 to 1927), this ledger not only details the legible hand writing of this era but also the day to day commercial activity in the Kiewa Valley region. The neatness and the diligence of those who were required to pen the information into this ledger was a requirement by all who were involved in commercial trade be it in the city or in the rural area. Emphasis on neatness was ingrained in students at a young age. This era was well before general commercial stock computer based inventories. Generally all students of commerce required an accuracy in writing and arithmetic. Neatness and order were a "selection criteria" requirementThis item clearly identifies the Kiewa Valley as having a substantial financial hub to accommodate the various commercial enterprises within a rural environment Circa 1880's. Although Kiewa Valley had mining, agriculture, cattle and sheep it was also composed of a mixed society, encompassing all levels of society at that period. It identifies some the commercial activities(newsagency) undertaken by specific families farming in the Kiewa Valley and relates their history in the period of 1920 to 1927This ledger has a very thick cover of strong compressed cardboard. It has a cloth covering (Glued on) and is a faded blue colour. The corners of the opening side of the cover are reinforced by suede cloth,in a triangular shape, and enclose both the front and inside portions of the the ledger. The spin is reinforced by a suede section to provide increased strength and protection. The inside cover (both front and back) has an orange and brown bubbles and specks pattern. The grammage of the lined sheets (blue) is approximately 120g/m. The first twelve pages are indented and alphabetically marked with alternating red and black letters (two letters per page except for the last page which has three letters). The remaining pages are numbered in black print at the top outside edge of each page. There are 742 page numbers. Each page has thirty two blue horizontal lines and one double red line (second from top) Each page has thirteen vertical lines starting from the top horizontal double red lines and ending at the bottom of the page. These lines segregate the page into blocks for the date, the transaction and financial input. There are three double vertical red lines which designate the amount of money of each transaction (in pounds shillings,and pence).Located on the top section of the spin (in gold print on red background) "LEDGER" This is framed within a golden printed pattern of straight and squiggly lines.ledger, book keeping, 1920s commercial transactions, local kiewa valley commercial history

Enamel ski badge, awarded for participation in the Chalet Ski School, operated by Bill Marriot. This badge style was from the 60's-70's. 'Souvenirs in relation to the Chalet and Mount Buffalo were first mentioned in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg 114. Historica) Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).Small rectangular brass badge pointed at lower edge. Depicts a skier with "Ski school Mt Buffalo" underneath image. White background, blue skier, red and blue behind lettering. Enamelled pin clasp on back. [.2] same but different colourway."SKI / SCHOOL / MOUNT BUFFALO" ON BACK "R.C. LUKE" (or Loke)

A photo from The Age on 31 August 1960 shows that Sir Macfarlane Burnet, director of the Walter and Eliza Hall Institute was invited to speak at a Legacy club function. He won a Nobel Prize in 1960 for predicting acquired immune tolerance and was best known for developing the theory of clonal selection. For many years there was a Legacy meeting every Tuesday with a guest speaker every week. The article was cut from the newspaper and pasted into a scrap book of press clippings. For many years Legacy kept scrap books of press clippings that related to their work and publicity.A record that prominent Australians were invited to speak at Legacy functions. Guest speakers at Legacy functions were from very different walks of life and the subjects spoken about were many and varied.Newspaper article with a photo of Sir Macfarlane Burnet pasted to brown page of a scrap book .legacy week, speakers, legatee event

The author, Georges M. Ville (or George M Ville) was a French agriculturalist and botanist who lived from 1824-1897. His career began as a pharmacist and he is known for his research and experiments on the effects of nitrogen and chemical fertilisers on plants, mostly on his experimental farm, He wrote several books in his field of work. The book is part of Flagstaff Hill's Pattison Collection, a large group of books and records, some of which are rare and valuable. The collection was owned by the Warrnambool Mechanics' Institute, founded in 1853, and is named after Warrnambool's Public Librarian, Ralph Pattison. The handwritten comment on the fly page infers that the book was purchased by a Government subsidy in May 1910 and received in that same month. The book's publisher, Longman, Green & Co. was originally established by Thomas Longman founded his publishing firm in 1724 in London by the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Artificial Manures: their chemical selection and scientific application to agriculture Author: Georges M Ville Publisher: Longmans Green & Co. Date: 1909 (first published in 1882) Translated [from French] and edited by Sir William Crookes, D. Scl., F.R.S. New edition revised by Sir William Crookes, D. Sc., F.R.S. and John Percival, M.A. Director of the Department of Agriculture, University College, Reading The blue cloth hardcover book with embossed gold text and lines on the spine contains illustrations and tables. It is part of the Pattison Collection. Inscriptions include a label, stamp, stickers and handwriting.Label on spine: "PAT 631.8 VIL" Sticker on front endpaper: "Warrnambool Mechanics Institute and Free Library" Sticker on endpaper: "Corangamite Regional Library Service" Stamp: "Corangamite Regional Library Service" Stamp on Fly: "from Warrnambool Public Museum" Handwriting on fly: "Purchased Govt Subsidy 10th May 1910" "Received May 24th 1910" "[signature]flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longmans green and co. london, artificial manures, chemical selection of artificial manures, scientific selection of artificial manures, georges m ville, george ville, french, agriculturalist, agriculture, sir william crookes, john percival, 1909, 1882, 1910, fertilizers, farming, farm improvement

A cream programme with red lines and black printing on the front cover and the words, ' Programme. E. J. Gravestock presents Alexander Watson The Distinguished English Elocutionist fifth and final Australian tour.' Price 3d. Inside the programme is a list of the works that Watson used to obtain his selections from . These include works of J. M. Barrie, John Buchan, Shakespeare, Dickens and Kippling among others. On the back cover of the programme are the words 'Alexander Watson an Appreciation by David Williamson Editor of the 'Daily Mail Year Book, London.' It follows with an outline of Watson's work history and is dated February 25, 1927.event, entertainment, elocutionist, lydia chancellor, collection, entertainment, elocution, elocutionist, people, performing arts, event, programme, program

Creamy Coloured Card folded in half. Marvellous Melbourne Bicentennial Ball The Royal Exhibition Building Carlton 29th April 1988. Order of Programme. 8.00pm Arrival 8.30 Welcome to Guests Dancing. 9.30 Dinner Dancing. 10.30 Announcement of Prizes. Addresses Dancing 2.00 am Close Music provided by the Wedderburn Old Timers. Menu Hot Chicken Entrée Selection Cold Meats & Salads Tipsy Cake Dinner Mints & Coffee. Acknowledgements Artwork - The Scriptorium Patricia Barth Hose Glassware Seppelt's Wines Trustees of the Exhibition Building Melbourne Parks and Gardens Proudly sponsored by 3AK.person, individual, peter ellis oam

These works are a display of my frustration of hour our family were lucky we were not beheaded, scalped, taken away and impaled as a warning to others not to enter farming lands, which had been traditional lands of the Nganyaywana country. The word 'Policy' represents the White Australia Policy, the word "Lost' stands for those lost including hundreds of family members, 'Jobs' asks why Aboriginal people can only find employment if through Aboriginal positions and policies. The number 3 symbolises myself and my siblings, red is for bloodshed, blue is for secrets and black the family history. Patrice MUTHAYMILES MAHONEY OAM Anewan/Nganyaywan/Dunghutti country. Patrice Mahoney is a printmaker, sculptor, weaver, drawer and painter. Her work challenges mainstream and Aboriginal Australians and is profoundly influenced by space, place and country, taking inspiration from nature, environment and looking forward to a time when she can return to her family's traditional country to make work. In 2012 the artist completed a Bachelor of Visual and Media Arts at Monash University’s Churchill campus (from 2014 Federation University's Churchill Campus). The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat.This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. It was awarded the 2014 Victorian Indigenous Art Awards Federation University Acquisitive Award for for work by a Victorian regional artist. Text, colour, metaphor and Aboriginal symbolism are important components of her work. This work expresses the artist's frustration with unjust situations experienced by traditional owners of Nganyaywana country. The word 'Policy' refers to White Australia Policy, 'Lost' the hundreds of lost family members, and 'Jobs' highlights the difficulty of Aboriginal peple obtaining work, especially outside Aboriginal positions and policy. The number 3 symbolises Patrice Mahoney's siblings, with black used to denote family history. The violently splattered red represents bloodshed, with the blue washing across the work obscuring details and representing secrets. The Selection Panel of the 2014 Victorian Indigenous Art Awards made the following comments on the work: 'The selection panel for the Federation University Acquisitive Award for 2014 were highly impressed by this work and applauded the vigorous use of symbolism and metaphor in a well scripted visual composition. The poignancy of connectedness to the past, memory, place and country is palpable and enhanced by the suggestive employment of text and minimal colour. A provocative and evocative work of art!artist, artwork, patrice mahoney, aboriginal, victorian indigenous awards, jobs, culture, printmaking, drawing, policies, lost, victorian indigenous art awards, available, alumni

EDHS Newsletter No. 269 April 2023 At this meeting we are pleased to have Peter Pidgeon, our vice president, as our speaker to talk about a selection of photographs recently added to our collection. Peter, who is our Digital Collections, Website and Social Media Manager, has scanned and catalogued much of the content on our Victorian Collections website and maintains our website, facebook and social media. The focus of his presentation will be on new additions to the collection, records of interest that have been digitised over the past year and added to Victorian Collections and the processes we undertake.1:26:31 duration Digital MP3 file; 29.7MBaudio recording, eltham district historical society, meeting, society meeting, eltham, activities, catalogue, collections team, peter pidgeon, victorian collections

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Letter to Jack Barker re Special Research Centres Program from the Commonwealth Tertiary Education Commission, ACT. Selection committee and guidelines being established for the selection of Centres. Details will be forwarded when completed. Letter to Derek Woolley from the Office of Minister for Employment and Industrial Relations, Parliament House, Canberra, ACT. Letter thanks him for the invitation to address the students at the Annual Dinner of the Graduate Diploma Course in Occupational Hazard Management, July 1987.Five A4 sheets-typedLetterhead for Commonwealth Tertiary Education Commission. Signature of Hugh Hudson; Chairman. Letterhead of Office of Minister for Employment and Industrial Relations, Parliament House ACT. Signature of Mary McFadden, Personal Secretaryviosh, victorian institute of occupational safety and health, derek woolley, dennis else, commonwealth tertiary education commission, e j barker, special research centres program, hugh hudson, chairman, office of minister for employment and industrial relation, parliament house canberra, mary mcfadden

The xray demonstration was given after the opening of the Mining at Metallurgical Laboratory at the Ballarat School of Mines. "Arrangements for the conversazione in Connection with the opening of the new metallurgical and mining laboratory at the School of Mines are in a forward state, and the inaugural ceremony pro mises to be a most auspicious one. Mr William Fox, of Melbourne, has accepted an invitation to be present, and he will give an X Ray demonstration. Dr Fox's achievements in this direction are well known, and the apparatus he is possessed of is very complete. During the evening Mr W. C. Little and Mr Bishop will give selections on the Pianola, and besides this there will be a first-class graphophone in operation." (Ballarat Star, 22 May 1902)Blue card with black printing.x-ray, ballarat school of mines, metallurgical laboratory, william fox, xray demonstration

This small program was produced for a Massed Bands event held at Elsternwick Park on the 14th of September, 1952 involving brass bands from all over Metropolitan Melbourne and one band from Geelong. Held under the patronage of the Victorian Bands' League, this event involved bands marching from Elsternwick Station to the oval, and then performing a selection of items either on the march or in massed band format. The event was adjudicated by Mr George Harris with trophies awarded to various brass bands. The Massed Bands event was held to raise funds for the Caulfield Citizens' Band who had recently lost their band room due to fire.This little program is of significance as it highlights a typical brass band event in Metropolitan Melbourne. These programs are rare and it indicates the popularity of them and the range of bands that would travel long distances to participate. In a dual purpose, this event also raised money for the local band and was obviously a highlight for the municipality. A small program printed on paper.caulfield district band, city of caulfield, victorian bands' league, caulfield citizens' band, williamstown city band, essendon citizens' band, ringwood citizens' band, malvern municipal band, geelong city municipal band, brunswick city municipal band, prahran city band

Randall Collection: Selection of badges relating to R Bruce Plowman. 7782.7a three brass and enamel badges, with pins; 7782.7b card from donor describing the badges: Description there of ''St Andrews PWMU'' badge - this is actually inscribed on the badge as: ''PYMBC Union of Victoria''; the 1937 Centenary badge is described by the donor as burning Bush group's but this is not noted on the badge itself; 7782.7c handwritten note from donor explaining some detail as to Plowman family and donor's father - he was an Elder at St. Andrews (when Rev. McLean was minister), he was known as the ''Man from Oodnadatta'' re this Australian Inland Mission work, he was at some stage President of the Bendigo Competitions and on the committee.

Book, dark blue faded cover, black tape on spine ( could be later addition to secure book.) 'The Farmer's Guide; a treatise on the diseased of horses and black cattle. With a selection of proved prescriptions and instruction for the management of breeding mares and cows' Published by Blackie & Son, Queen Street, Glasgow, MDCCCXXXIX (1839) Written inside front cover handwritten in pen ' Alex MacDonald, Alex Macdonald, Grieve Culbo' On next page handwritten in pen 'Alex MacDonald, Grieve Coulmony, Pariah of a Ardcheck (?) 1837' Medicine for horses, fenugreek seeds, medicine for horses' Book found in material with Harris Collection, Axedale, although no indication of Harris ownership of book.James Webb, veterinary surgeon.axedale, history, harris family farming

Photocopy of an A4 document - 24 pages, stapled in the top left hand corner - titled "Expressions of Interest for Design of Tramway Museum At Hawthorn Depot" dated 28 Jan 1993. Issued by the Public Transport Corporation, providing an information brochure, description of work, general information, selection criteria, mandatory information, conditions of registration and decisions. Had a number of response forms at rear. Technical Queries were to Bob Roberts. .2 - newspaper advertisement - same title - advertising for EOI for design services. Advert not dated, gives closing date of 19/2/1993. Also has a an advert for a EOI for Provision of Design Maintenance and construction services for the PTC.trams, tramways, hawthorn, ptc, museum, construction, tenders, eoi

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the district working from an original settlement map in an effort to cover all areas. Edward Joseph Price took out Lot 1, Section 1 of the Village Settlement and became the first settler, moving his family up into a slab hut on his selection in 1896. Edward Joseph had two sons (Charles Joseph and Edward John) and a daughter (Kathleen Nathalie Caroline). Edward Joseph Price is holding his grandson Teddie, son of Edward John Price. Photo taken 1936.Black and white photograph in close up showing an old man with a white beard wearing a brimmed hat holding a male toddler under the arms. Reverse of photograph has handwritten description by John Lundy-Clarke.Edward Joseph Price and his grandson Teddie son of Edward John. E. Joseph was the first settler in the Village Settlement choosing LOT 1, part of which is still family property (1974). He worked for the surveyors who were marking out the blocks, and disregarded their advice as to which had the best soil, and so doing he obtained the best commercially. He died in 1943 leaving two sons & daughter. Edward John born 1899 died 1974. Charles born 1892 died 1958. Kathleen born 1895 died 1954. Wife Annie nee Ross died 1932.edward joseph price, edward john price, teddie price

This photograph shows Pike's buggy with Joe Pike, Mrs George Pike, Annie Bruton and Maggie Middleditch on the verandah. Annie Bruton was the wife of Jack Bruton who came to Orbost about 1891. When land was made available for selection at Murrungowar. they took up a selection and embarked in dairying, sheep-farming and pig-raising. They transformed a veritable wilderness into a productive farm by sheer hard work and liberal expenditure. By 1892 he had secured a licence for an hotel and accommodation house, store and the first post office at Murrungowar. For a time she was licensee of the Murrungowar Hotel. In December 1897 he was living at Murrungowar when he made application for a Roadside Victualler’s License for a house situated at Boulder Creek, East Gippsland, containing four rooms in course of erection, exclusive of those required for family. He was a butcher at Orbost in 1902-03 and also had a farm on the Bendoc Road. He was a member of the first Golf committee. After leasing the hotel to Jonson's he moved to Orbost and started brick-making near the Orbost water service basin on the Bendoc Road. He had the order for the bricks required for the Masonic Hall. Mr and Mrs Bruton resided at Murrungowar for 29 years. They let their property to Messrs McDONALD and sons and retired to Orbost in December 1920. Mr Bruton had not been in very good health for the last 4 or 5 years of his life, and about a fortnight prior to his death he got wet at his brick kiln, and contracted pneumonia which led to hiThis is a pictorial record of the the Murrungowar Township which was once a thriving settlement with a hotel, store, post office and school. In the 1890s pioneers were attracted to the area with the promise of a railway from Orbost. However, when the promised railway did not eventuate most of the farms were abandoned. Much of the previously cleared areas have reverted to Forest. Most of the remaining farms are now privately owned eucalypt plantations.A large black / white photograph of five people standing outside a one - storey wooden building. There is an empty buggy behind them with a horse behind it. The building has a sign above the verandah - "MURRUNGOWAR HOTEL ANNIE BRUTON".on front - "Pikes Buggy - Mrs Bruton, Mrs Geo & Mr Joe Pike" ; Herbert Sherwood photographer murrungowar-hotel bruton-annie pike-joe

A book describing beauty spots and waterfalls in the Upper Yarra ValleyPaperback. Front cover has a black and white photograph of Mathinna Falls.A selection of beauty spots within the Upper/ Yarra Region, which once made the valley/ Victoria's foremost tourist destination./ Many of the sites have since been neglected or/ closed to public access, leaving tourists to pass by,/ and travel on to distant places./ By associating episodes of our fascinating past/ with these sites, we learn that there is more than/ just natural beauty to be re-discovered. Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779upper yarra valley, beauty spot, waterfalls

In 1902 a badge was urgently sought for the Australian contingents raised after Federation for Service in South Africa during Boer War. Probably the most widely-accepted version of the origin of this badge is that which attributes the selection of its design to a British Officer, Major General Sir Edward Hutton, KCB, KCMG, the newly appointed commander-in-chief of the Australian Forces. He had earlier recieved as a gift from Brigadier General Joseph Gordon, a military acquaintance of long standing, a "Trophy of Arms" comprising mounted cut and thrust swords and triangular Martini Henri bayonets arranged in a semicircle around a brass crown. To Major General Hutton the shield was symbolic of the co-ordination of the Naval and Military Forces of the Commonwealth. The rising sun badge has been worn by Australian soldiers since 1902. Thus it is a symbol that links soldiers across several generations, and across many conflicts and peace-keeping missions. Its symbolism is at once warlike and hopeful, as it incorporates an array of bayonets to create the form of the rising sun. At the centre sits a crown, symbol of a soldier's allegiance to the Australian nation and the British monarch. Small bronze coloured rising sun badge from a slouch hat. Military badge, general service 'Rising Sun' hat badge, Australian Imperial Force, Stamped oxidised copper alloy sun design in semi-circle around a crown, with the words 'AUSTRALIAN COMMONWEALTH MILITARY FORCES' below. The back has two hooks for attaching the badge to a hat. This is the simple design of 1902 that incorporates an array of stylised bayonets to form a representation of the rising sun. Australian Commonwealth Military Forcesbadge military numismatics rising-sun

Joseph Jordan was born in 1841 in Leicester England and spent over a decade in India with his regiment. In 1867 he gained first prize for his views of Indian scenery. He followed the same profession when he came to Victoria in 1884 and set up a professional photographic studio in Warrnambool He became very well known in the Western District for family photographs as well as official photographs of local councillors and groups as well as views of local scenery. This album is one which was advertised in 1901. Of the two albums in the collection they seem to consist of a core number of the same photographs with others included in the selection. The business was taken over by his son Arthur around 1917. This album includes a number of professionally taken photographs which give a high quality view of Warrnambool and the popular spots around the district at the turn of the century.Faded Maroon cloth over card cover with title in gold lettering on front cover. Advertisements for local businesses inside front and back covers. The album contains a number of black and white photographs from around Warrnambool, including the Titan crane at the Breakwater, banks of the Hopkins, Stephens Coachbuilders, Grand Annual Show, panorama of Warrnambool and Suspension Bridge on the Merri. All are mounted on card. It includes advertisements of J J O Mullane, Bay View Hotel, Hopkins Hotel, T Redford, Royal Hotel, Robinson and Morse, H D Stewart & Co, F Uren.2142 in grey lead inside front cover.warrnambool, joseph jordan, views of warrnambool, photograph album of warrnambool, views of warrnambool 1891

A rare program from the time when films were shown at the Athenaeum Theatre while Frank Talbot leased the theatre. The program has a managerial announcement from Talbot announcing the new policy: "under which the theatre will be devoted exclusively to English and Australian pictures". The company supplying the British films was called British Dominion Films Ltd. Talbot also stated: "It will be part of the managerial policy to screen such Australian films as may be available". The films were preceded by "The Herald" news reel and "The Daily Dozen at the Zoo". The theatre orchestra, playing before and during interval was conducted by Mr J Kost. The music included "Tales of Vienna Woods by Johann Strauss and selections from Sullivan's "The Pirates of Penzance". The program represents a time when films were shown at the Athenaeum Theatre. Records indicate that graphic entertainments started with magic lantern slides in the 1890s and continued with silent movies. The first full-feature film shown in Australia was "The Story of the Kelly Gang" in 1906 at the Athenaeum Theatre and the first talkie to be shown in Victoria, "The Jazz Singer" shown in 1928. Later when Hoyts took over the lease, Cinemascope films were exhibited completing a history of film shown at this one theatre. paper program; 10 pages; coloured front page.

Following the death of his only child Mervin on 23 December 1916 at Magdhaba Egypt, Mr Justice Higgins HB has a small number, possibly as few as six, of memorial books made. He sought permission from Signaller JC Campbell to use a selection of photographs taken at Gallipoli and Egypt. The photographs together with typed copies of several letters written by Captain MB Higgins 8th ALH make up the book. It seems likely this copy of the book was given to the 8th Light Horse Association for safe keeping. Following the closure of the Association the last secretary Mr Matthew Maynes entrusted the book to a relative Mrs Baily to be donated to the 8/13 Victorian Mounted Rifles.This is a rare, historic and artistic example of how one family sought to come to terms with the loss of their only child in the Great War 1914-1918.Leather bound album of 44 leaves containing collection of photographs taken by Signaller JC Campbell and typescripts of two letters written by Captain Mervin Higgins 8th Australian Light Horse AIF during WWI. Cover is faded maroon in colour.Donated by Mrs Baily [held] in trust to late M Maynes 8 ALH [to] VMR Museum 17.11.92world war one (1914-1918), higgins mervin b captain, 8th light horse, higgins henry b justice mr

Legacy raised funds from the sale of Christmas cards for many years. The years these were used is unknown but they illustrate the subjects chosen by Legacy. They were: Princes Bridge and Melbourne City 1970 Flinders Street form the Melbourne railway station (Christmas 1968) Melbourne from the South, near St Kilda Road (Christmas 1972) A bush track at Wonga Park Victoria by Dudley Drew (Christmas 1974) Unknown years: Three wise men, dog with holly, three children around baby Jesus. These came from a selection of cards and order forms from 1960-1974 were part of a scrapbook of Legacy material, mostly promotional material, from the 1960s to 1970s.An example of fundraising material issued by Legacy in the 1960s and 1970s.A sample of Legacy Christmas Cards from a variety of years.fundraising, christmas cards

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Visual and Performing Arts courses include Bachelor of Arts - Visual Arts; Bachelor of Arts - Performing Arts; Graduate Diploma of Music Education; Graduate Diploma of Visual Arts. An outline of what each course provides is given. Selection process outlined. A3 sheet glossy sheet folded in half Coloured sections and print. Photographs Symbol of BUCperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, ballarat university college, buc, visual and performing arts, courses, general information, selection process, bachelor of arts - performing arts, bachelor of arts - visual arts, graduate diploma of music education, graduate diploma of visual arts, applications, kruse collection

''The Loddon Land Swindlers'' - chapter from Research Paper, Graduate Diploma - Regional Studies (History), LaTrobe University College of Northern Victoria (Mark Ritchie, 1992). Research Paper is titled ''Masters, Mediums, Mortals and Mysia - A Regional Study of Land Settlement'' - the first chapter - 21 pages - is titled ''The Loddon Land Swindlers''. Appendix is 'poem' (''The Charge of the Dirty Three Hundred'' (not by Tennyson). Described in the accompanying note to the B.H.S by the author as ''a fascinating event in The History of Bendigo''. It relates to the Amending Land Act of 1865 (known as the 'Grant Act') and to details of the July 1865 involvement of Bendigo people - 200 men - in the Inglewood Land Selections. Reference to 'mediums' and 'dummies'. References to reports of the time in the Bendigo Advertiser.Mark Ritchieinglewood, history, land settlement, amending land act of 1965, james macpherson grant, shamrock hotel, cobb & co, inglewood advertiser, henry byron moore, mr grant minister of lands, dummies, belle-latrobe, inglewood