Burnley College training of students and maintenance of Burnley Campus gardens.Petrol driven chainsaw, coloured with pale yellow enamel paint. 'Canadien 210' Model 2-10 No. 21107. Serial Number (obscured), Power Machinery Ltd, Vancouver, British Colombia, Canadahorticulture, arboriculture, sawing timber, tree maintenance, wood saw, burnley college of horticulture

The Seikosha GP500 Series was offered for various homecomputers, around 1984-1985. All models support 10" endless paper. The case-design is more or less identical, though differently coloured, and badged with different manufacturer & model names. Seikosha GP500AS - Was offered as Seikosha GP500AS for general purpose (serial rs232 port) (http://www.cpcwiki.eu/index.php/Amstrad_DMP1_printer) A brown and beige dot matrix printer printer (GP-500 AS)computer

The donor inherited this Wardana machine from her mother, who bought it in about 1933 and used it to sew garments for her sister's dressmaking business in Frankston, Victoria. The donor often used this machine until she purchased an updated model. There were originally three Ward Brothers who owned the North Melbourne sewing machine business but they had a falling out. This machine's decals on the map of Australia only include the two remaining brothers. The Ward Brothers, G & S Ward, established their sewing machine business in North Melbourne in 1888. The cabinets and ironwork of the machines were made in Australia and the Ward Bros. imported their machines from overseas manufacturers in England, America and Germany. The assembled machines were sold under brand names that included Ward, A.N.A. the patriotic-sounding Australian Sewing Machine Company. The "Wardana" was one of their brands.This sewing machine was fabricated in Australia from imported parts from England, giving a snapshot into the early manufacturing industries that were operating at the time just after Federation.Sewing machine in a wooden cabinet with iron foot-operated cast iron treadle mechanism. The hinged cabinet top opens out to form a worktop. The sewing machine lifts out of the cabinet to sit level with the worktop, resting on two supports within the cabinet. The lockable cabinet door opens from right to left revealing fitted shelves and spikes for spools and bobbins. The gold-painted maker's name is cast into the black treadle. The machine has its original instruction book, oil can, and eighteen accessories in an enclosed cardboard box. The round shallow oil bottle has a rubber dispensing tube. Colourful decals decorate the black body of the machine. Inscriptions include a Serial Number stamped on the bed of the machine. The Wardarna Central Bobbin machine was made in England for the Ward Brothers of North Melbourne.TREADLE: cast into metal ACROSS THE TOPE AND ON THE FOOTPLATE "WARD", "WARD" SERIAL NUMBER stamped into oval plate "28383" DECAL: (Map of Australia ) with images of [two brothers] , "WARDANA" above (logo of the rising sun) DECAL: (Decorative floral design with heraldic-like emblems) above "MADE IN ENGLAND" ARM: "WARDANA" PEDESTAL: "C.B." (representing Central Bobbin) "MADE IN ENGLAND" "MADE IN ENGLAND / FOR / WARD BROS / NORTH MELBOURNE" BOOK TITLE: "Instructions for Treadle Machine" ACCESSORIES: some have indecipherable embossed stamps OIL BOTTLE base: (image of log and short lines radiating from a central inscription (indecipherable)sewing machine, domestic, wardana, ward bros., central bobbin, made in england, north melbourne, c.b., flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, treadle sewing machine, home industry, clothing, dressmaking, clothing manufacturer

This compass is the type used by an artillery unit of the Australian Military Forces during World War 2 and made by J W Handley. Although having owned the factory site since 1935 at 657 Victoria St J W Handley began to produce various items for the Australian Military forces after purchasing and expanding the factory to 655 Victoria St. It appears that he, or some one else may already have been occupying the site for industrial purposes, such as (Manufacturing, Foundry and Electroplating) since at least 1929. J W Handley Pty Ltd was actively producing items for the Military during the war years, a newspaper article from 1939 shows the factory in production and employing 420 people during 1939. J W Handley after the war moved into producing other non military items including a range of fishing reels. The company ceased trading in 1987 and was deregistered as J W Handley Pty Ltd in 1990.The item demonstrates the industrial capability of Australia at the start of World War 2, this item is actively sort by collectors of Australian Military memorabilia and represents a time in Australian history when the country was at war and the general population was concerned about an invasion from Japanese forces. It also therefor is of social significance as many Australians served in the Military forces at that time and the item is complete and in very good condition.A plane table compass, sometimes referred to as a trough compass, used by surveyors and artillery crew to accurately establish magnetic north. The compass is precision machined of brass material with a long needle to ensure accuracy. The compass scale is marked with a centre zero (for magnetic north) and graduations indicating plus and minus five degrees. The compass is housed in a protective wooden case with a sliding lid. The lid has a brass slide which locks the compass needle during periods when the compass is not in use.J.W.H./V Mark 11 D�D. Made by J W Handley Richmond Melbourne, Victoria. Serial number 1333 on boxflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, trough compass, navigation instrument, surveyor's instrument, j w handley, artillery, australian army, trough, plane compass, world war 2

This calculator is like a modern calculator style keypad with a traditional pinwheel calculator. In operation it is similar to other Facit machines. The design from the 1930s was produced without interruption with only slight modifications until the early 1970s.This one hasn't a serial number or Model Number so date is unknown but probably the 1940s - 1950s when the SEC were constructing the Kiewa Hydro Electric Scheme.Used by the SEC Office Staff when the SECV were constructing the Kiewa Hydro Electric SchemeBox shape with grey steel top and sides on a black base. Three thin strips of stainless steel embossed with numbers on the top and clear panels beside them. Front has 3 red and 10 black knobs with arrows on the red and numbers on the black. Sides have stainless steel pedals and winders. The machine is very heavy. See on-line "mechanical calculators.wordpress.com"'Facit' on the front.calculator, facit

Hugo Wertheim (1854-1919), was a merchant and manufacturer and was born on the 12th July 1854 at Lispenhausen, in the German electorate of Hesse-Kassel, son of Meyer Wertheim and his wife Minna, née Heinemann. Hugo reached Melbourne in October 1875. He soon began advertising, from premises at 39 Flinders Lane East, as agent for his father's cousin Joseph Wertheim, a well-established manufacturer of sewing machines. Hugo returned to Germany where he married Joseph Wertheim's daughter Sophie Emilie (1864-1953) on 30 August 1885 at Frankfurt. the couple then came to Melbourne. In a short time, with extensive advertising, Hugo established a substantial business, selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He also mounted elaborate displays at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. O. C. Beale worked with him before setting up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Wertheim opened a large, innovative piano factory at Richmond, Melbourne, intending to produce 2000 pianos and player pianos annually, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis on 11 July 1919 at his home at South Yarra, his wife, two daughters and three sons survived him; Herbert Joseph (1886-1972), the eldest, continued the business. Rupert became a share broker and went on to represent Victoria in inter-State tennis in 1913-27 and Australia in Davis Cup matches against Czechoslovakia in 1922. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices.Early Australians had to be self-reliant in regards to making and mending their clothes and utensils. This sewing machine was one of many items used that exhibit the skill and craftsmanship of the women in these early families. A sewing machine was a necessary part of each home and this item demonstrates how women of the time managed had to become self-reliant in the repair and making of their families clothes to make their household budgets go further.Sewing machine, Wertheim brand “ Syst 182” hand crank operated machine with folding handle, timber case and carry handle. Metal machine is painted black, with remnants of gold, red and green scrolls and floral decoration. Machine has base with inlaid measuring rule across front and 2 holes drilled through the base (perhaps for mounting machine to a bench). Machine tilts open, hinged on one side, after thumb screw is unwound, revealing machine’s workings and serial number. Base has a fitted round, concave, silver metal pin holder with lid that hinges open, and symbol pressed into lid; several pins are inside. Body of machine has brand name transfer across front and oval metal trademark disc on front. Metal sliding covers over footplates have stamped lettering. Timber machine case or cover includes an accessory box with sliding cover and metal hook and eye latch, and inside the box are 23 metal sewing attachments, a disc and a stick of black crayon with maker’s trademark on it paper cover. Workings of machine have seized up. The crayon wrapper has printed on it “For the wonderful Wertheim new family machine made in Germany ‘Syst. 182’”, and the maker’s symbol with “Trademark” beside it. Made for Hugo Wertheim.“WERTHEIM” transfer across front and back of machine body. Cover of pin holder has symbol ‘Wings above a shield’. Maker’s trademark on gold oval disc, “WERTHEIM / FRANCFURT” and picture of a dwarf with a hammer. Left footplate has script “Syst 182”, right footplate has stamp in oval shape “MANUFACTURED IN - - /SPECIALLY FOR / HUGO WERTHEIM” Serial Number “7501”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, hand crank sewing machine, hugo wertheim, wertheim, clothing manufacturer, sewing, syst 182

Set of four Polaroid prints of a Mercury Arc rectified bulb. One photo has written on rear "Hewittic Rectifiers type 500/6". Image i4 has a person standing alongside. See Inscriptions. Craig Tooke, formally of Yarra Trams substations advised 12/8/2020 by email to Warren Doubleday. "An interesting photo. I don’t know who the person in the photo is. More than likely the bulb in from an industrial installation such as mine etc. and not tram or train. The reason is that only Melbourne trams has Hackbridge Hewittic rectifiers that were used for traction. There was three sets of bulbs installed at West Brunswick, Deepdene and Preston. West Brunswick is definitely still in existence and probably Deepdene is still in existence as the old substation was abandoned intact and just left intact. Preston of course has gone and was removed as part of the work done at PWS. Another clue is the number 500/6 which means it was from a 500 kW – 6 bulb unit. The traction units were all in multiples of 150 kW per bulb i.e. the tramway ones were 600 kW rated. The number "40246" is the bulb serial number. Each bulb manufactured had an individual serial number. Interesting the bulbs at Brisbane Tram Museum have the following serial numbers to the ones that were at Essendon tram sub. The bulbs at Essendon of course are now up at Brisbane as spares."On the envelop with the photographs is "Keith Wilkinson Ph Orbost 051 510050" and "For Bill Kingsley 4/10/93".trams, tramways, substation, electrical equipment, electrical engineering, mercury arc

French Gras Bayonet 1879 Length 66cm in Scabbard Width Hilt 10cm Materials Steel Blade and scabbard, handle wood and brassSerial No .41550 on Blade and Scabbard Inscription on Blade Mre d Armes de Etienne aout 1879 (Maufactured at St Etienne August 1879)bayonet gras french

Type used on the RAAF Base by air crew and control tower operators. Electric signalling lamp in grey metal casing, and hand grip with trigger at rear. Mount on top for sighting attachmentRAAF Ref No SA/760 Lantern portable signalling. Admiralty Pattern No 5110D. Serial No. 3901 Year 1942 Amalgamated Wireless A/SIA LTD signal lamp, lantern, communication, signals

Wood-encased telephone (aluminium-reinforced edging strips) in leather carrying case. Hinged lid mostly aluminium (some wooden trim). (Missing from original: Metal dividers/calipers should be held by the leather strips on front of case).Metal instruction plate inside lid - shows wiring diagram with instructions in Japanese. Serial No. (Front of wooden box): 146112 (other inscriptions in Japanese)

Black KM2 bakelite military field use telephone with attached hand-receiver and spiral cord in battery charger.Three plaques, battery instructions, model and serial number, mod.record, off ring and buzz settings, at back: L1, L2, CBS, MAG, CBtelephone, communication, field telephone

Inside the suit it is labelled with abroad arrow mark Code No. 8848 Stores Ref No. 22C/1013 Size MEDIUM Serial No. 1064 Inspector 7

Circulated between 1966 and 1984, the one dollar bank note was issued following Australia's switch to decimal currency. It was later replaced by the dollar coin. Legal tender throughout the Commonwealth of Australia and the territories of the Commonwealth. Issued by the Reserve Bank of Australia, with the signatures of both the Governor of the Reserve Bank (J.G.Phillips), and the Secretary to the Treasury (R.J.Randall) noted on the obverse. Australian one dollar notes carry individual serial numbers.Demonstrates the one dollar note as it was circulated in Australia between 1966 and 1984. It represents currency used by Ballarat passengers to pay their tram fares, and received by SEC Ballarat Tramway crews/staff in wage packets.Orange, yellow and brown minted note on white treated paper. The obverse depicts Queen Elizabeth the II, the Australian Coat of Arms and the "1" denoting value. The reverse depicts Aborginal drawings, including animals and people, as well as the "1".btm, cash, bank notes, australian currency, ballarat tramway museum, australian one dollar note

Used in military aircraft by US Navy Black metal box with lens sights, and steel braid cord and plug connections..U.S. NAVY. B U of ORD. GUN SIGHT MK 18 Mod SIGHT UNIT SERIAL No 501 Eastman Kodak Co ROCHESTER NY

Produced for Montmorency Pharmacy, 45 Were Street Montmorency 3094. Rolls of film were placed in the envelope and sent off to be processed; completed prints were returned to the outlet in the same envelope. Photograph print envelope used by Montmorency Pharmacy; printed in black, blue, red and yellow, both sidesGuardian Family Chemist, serial numbers and bar codes; glossy 10 cm prints marked as ordered, customer telephone number, price and date handwrittenmontmorency pharmacy, photography

An adding machine is like a calculator enabling the user to do addition and subtraction and multiplication and division by repetition. Adding machines provided a printed receipt for each entry and calculators display information on a screen.Adding machines were used in the office and were replaced by calculators and comptometers.Used by a resident of the Kiewa Valley and possibly in the SECV office.Formerly UKV 242 or Contex UKV 253 - Electric (no cord). Beige and grey plastic covered adding machine with blue numbers and black function keys. Paper roll winder and dispenser at the top of the machine. Charcoal coloured plastic base with label and patent information. A blue handle for carrying. 2 small grooved wheels on the base.Left hand front: Addmaster label and logo Base: Label on base - "Addmaster Corp. Made in USA serial number 175614". Patent information labeladding machine, addmaster, mathematics

After 2 years of negotiation between VVAA Representatives and the US Army, the Huey Cobra has landed in Melbourne. The exercise needed the support of our local Member, Mr. Greg Hunt, to ‘clear the way ‘ through the Customs and GST minefield. The helicopter, valued at $7.9 million is complete with full armaments and was brought to Museum standard while ensuring that no weaponry could ever be reactivated. The Museum paid for the helicopter to be ‘brought to museum standard’. This meant in part that the weaponry was rendered innocuous and various structural members were weakened to ensure that the craft would never fly again. Fortunately the alterations are not apparent to the display, and while there are two other Cobras in Australia, this is the only one with full armament. A heavily armed ground attack helicopter with single Lycoming T53-L-13 turbine engineused by the U.S. Army in Vietnam to support Australian & U.S. army ground operations. In addition to the M197 three barrelled 20mm Gatling gun, it carried eight anti-armour missiles and forty eight 2.75mm unguided air to ground rockets. This particular aircraft served in Vietnam from 1968 until 1971 and was damaged twice in combat. The aircraft is currently finished in a low visibility all-over mid green which includes the full US Army insignia and carries the Serial No. 69-15092helicopters, bell, weaponry, cobra, us military equipment, gunship

Course and Speed Calculator MKII - Air speed in MPH and Knots. Wind Speed and direction. In original wooden box. Used on aircraft.RAF Ref. No. 6B/125 - RCAF Ref. No. 6B/52 No. ST2473/40 Anson/Oxford Serial No. 3441S/40 Box Ref. No. GB/120a8

Reproduction of a wartime Ration Book from magazine entitled Images of War 1939-1945 The Real Story of World War II - A Marshall Cavendish Collection in association with the Imperial War Museum. Issue 1 Volume 1Yellowing book with seal on top right hand corner saying "Official Paid". "Ration Book Supplement" on top left hand corner.Ministry of Food, Ration Book Supplement in the name William R. Herring, 1 Walton Way Mitcham 7 July 1941. Class & Serial No: RBIPP609997.ration book, wwii, world war 2

Squat yellow transmitter used in emergency life rafts carried by aircraft on flights over water. Shape enabled it to be held between knees to crank generator to provide signal. Known as the ' Gibson Girl' radio (named after the famous 'Gibson Girl' marketing image who had a curved waist).RA (crown emblem) AF. ID No Y1100/500320. Serial No. 14823. 'Gibson Girl' (named after the famous 'Gibson Girl' marketing neon sign).transmitter, bendix, radio, raaf, aviation

The little boy's father worked for a gold mining company in Malaya. The boy and his mother made it out of Malaya to Bendigo safely. The father volunteered by joining the 4th Pahang Bn of the Federated States of Malaya, serial no 13428 and his rank was Sgt. He was a POW, worked on the Burma railway. The father, Desmond Vandergrift Giblin survived the War. Desmond Vandergrift Giblin has letters and his diary on the Aust War Memorial website.This is a pocket sized memo book. Mottled blue cover with white printing. The spine is dark blue. The cover is hard cardboard. Inside are numerous lined pages. The pages in the first section are used as a scrap book showing news clippings about fund raising for our POW's (Red Cross). 1st clipping shows a little boy, Ian Desmond Giblin, aged 2 yr 10 mth. His father was a POW in Malaya. Other pages in the book are either blank or have a few pencilled financial notations.“July 6th” is written on the little boy's clipping but no year.ww2, red cross, pow's, burma railway, v.a.d.

German Brass Octant. Early 19th century octant, serial number: M2218, with attachable brass lens and comes in a wooden box with a brass handle attached to the back of the box. Octant is comprised of a wooden handle, a brass arc and lenses and black metal body. Octant is a triangular shaped, with brass attachments joined to the top including a brass lens, a mirror, and several other mirrors and lenses. Also called reflecting quadrant.

WW2 standard army issue kitbag.Name and serial number of soldier stenciled on bag. Details of service available on Australian WW2 Memorial Roll. Donated by a family member who was a Montmorency/Eltham sub-branch member.The kitbag consists of a long, brown, canvas cylinder closed at the bottom. The top has an internal canvas flap and eight brass grommets to allow a drawstring type rope to securely close the bag. A metal D-shaped hinged clasp to enable fitting of a padlock (end of straight section of D has been broken off - see photo). The name and army serial number of the owner are stencilled in white paint on the side of the bag. Along side of bag: D.F. NEWTON VX41537 61419 Stencil of "armoured arm holding battleaxe" (see photo - a unit insignia?) On base: D. NEWTON VX31537 61491 "A white solid circle"personal accessory, carry bag

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash