Four badges must be attained for the 2nd Class merit badge: Devotional; Physical; Educational; Social. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.MOK246.1 - MOK246.3 gold yellow coloured cover Methodist Order of Knights handbook for passing the 2st Class merit badge. The book has typed, unnumbered pages and there is a sketch of two jousting knights on the cover. The book is held together with three staples and the binding is of adhesive fabric.methodist order of knights

The Methodist Youth Fellowship was for young people from 15 - 25 years old which met regularly, usually on Friday evenings. They organised camps and summer school conferences. Buninyong is a town 11 km from Ballarat, Victoria.French navy wool blazer with a pocket on the left breast with appliqued Methodist Youth Fellowship emblem. The blazer has yellow grosgrain ribbon at the cuffs and the top of the three pockets; it has two buttons and a buttonhole on the left lapel. It has a black half lining and the sleeves are lined with striped fabric.On breast pocket: "BUNINYONG"methodist youth fellowship, buninyong

The letters of the completed banner were made by different churches within in the presbytery of Gippsland and spell a sentence, presumably, "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.1 "B" with an embroidered boat with the number 1 on the sail. BN068.2 "U" fabric paint words: "LOCH POOWONG east poowong nyora strezlecki kernang athlone" BN068.3 "I" "Korumburra" BN068.4 "L" with a pelican, fishing boat with a net, shells and sand BN068.5 "D" with the UCA emblem and "BUNYIP Garfield Longwarry" BN068.6 "Y" BN068.7 "O" with fabric paint flag, ram, road and trees and a cow BN068.8 "U" BN068.9 "R" with green and yellow wattle in fabric paint BN068.10 "C" with ric-rac round the letter and three churches appliqued in the top left corner BN068.11 "H" edged with pale blue metallic fabric paint BN068.12 "U" with sunrise over the sea with gold chain sunbeams and sequins BN068.13 "R" with fine blue embroidery at each corner and only two tabs BN068.14 "C" with appliqued boat, sky and sun BN068.15 "H" with a black swan with a red beak BN068.16 "L" with appliqued and fabric painted scene of a beach, hills and city smoke on the horizon BN068.17 "O" with painted corn cobs in each corner BN068.18 "R" with cows, hills, sheep and a sack BN068.19 "D" with machine embroidered church "St Matthews Yinnar", hands "Friendship", building "UCA Yinnar", chuch "Holy Innocents YINNAR STH" "(Californian RED WOOD)", tree "BIG TREE grows at Christ Church Boolarra" BN068.20 "!" with fabric brown cow in grass BN068.21 spacer with appliqued house, bushes and barn BN068.22 spacer with appliqued sun with ribbon rays and black white and brown figures BN068.23 & BN068.24 spacer with a small UCA red dove in the centre "B U I L D Y O U R C H U R C H L O R D !"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.2 "U" fabric paint words: "LOCH POOWONG east poowong nyora strezlecki kernang athlone" "U"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.7 "O" with fabric paint flag, ram, road and trees and a cow "O"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.9 "R" with green and yellow wattle in fabric paint. This banner has wo tabs. "R"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.11 "H" edged with pale blue metallic fabric paint "H"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.16 "L" with appliqued and fabric painted scene of a beach, hills and city smoke on the horizon "L"uniting church adult fellowship

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.20 "!" with fabric brown cow in grass " ! "uniting church adult fellowship

The Minstrel symbol is two crossed horns.A pair of royal blue stiffened fabric with chrome metal minstrel symbol epaulets.methodist order of knights

The Minstrel symbol is two crossed horns.A pair of royal blue stiffened fabric with chrome metal minstrel symbol epaulets. The symbols are placed horizontally.methodist order of knights

The Councillor Minstrel symbol is a C and two crossed horns.A pair of royal blue stiffened fabric with chrome metal Councillor Minstrel symbol epaulets.methodist order of knights

The Chancerllor symbol is two crossed keys.One royal blue stiffened fabric with chrome metal Chancellor symbol epaulet.methodist order of knights

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Black woollen long sleeved unlined shirt-waist dress with a side zip, three fabric covered button and two breast pockets. The dress has a collar and has two box pleats at the front and back. It has a white cotton lining at the neck.presbyterian deaconess, deaconess hilda elizabeth foster

Rev Stuart Rea was at Central Mission, Lygon Street, Carlton from 1938-1942.G073.1 Small brown leather suitcase-style case with two lock catches and a handle. The case has a stained wood insert containing G073.2 - G073.9 eight glass communion glasses. The case is lined with navy blue grosgrain fabric and has a small leather label in the lid. Secured in the lid with leather straps is a round silver box, G073.10, with an etched lid, G073.11. G073.12 Silver cylindrical flask with an etched design on the front with G073.13 silver screw top, cork lined, lid. G073.14 Circular white lace mat in a separate section of the box. G073.15 Stained and varnished wooden stand to hold 12 glasses. G073.1 has a name stamped between the handles and a dedication inside."REV STUART G. REA" "THE GIFT OF LYGON STREET METHODIST CHURCH"lygon street methodist church, rev stuart g rea

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D193, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 15 pages (compared to D193, 11 pages) (Two copies)One copy has crisper letters typed over on pages 1 and 5.university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript

This pair of RS161 Grant Featherston Contour Settees (1951) were previously in the Boyd home in Camberwell. Robin Boyd designed the Ivanhoe home and Grant and Mary Featherston (1967).Two two-seater settees, with four timber cigar shaped legs with round flat metal brass feet. Olive green/copper loose weave fabric. Wool/silk blend fabric. Twenty five self-covered buttons. Curvaceous contour shape.walsh st furnishings, settee, featherston, robin boyd

The four Maruni60 chairs are Japanese kit form self-assemble furniture (1961). Purchased from Anderson's furniture store in Chapel St Prahran, the store's back room was considered the coolest furniture showroom in Melbourne. Patricia Boyd had the cushions reupholstered to this purple fabric. These became quite fragile and broke several times and needed repair. The original chairs are currently stored offsite. The current chairs at Walsh St are reproductions (item F033).Set of four timber frame with two purple upholstered cushions for back and seatwalsh st furnishings, robin boyd, maruni

These are reproductions of four Maruni60 chairs (item F032) The originals are Japanese kit form self-assemble furniture (1961) and were quite fragile and broke several times and needed repair. The originals were purchased from Anderson's furniture store in Chapel St Prahran, the store's back room was considered the coolest furniture showroom in Melbourne. Patricia Boyd had the cushions reupholstered to this purple fabric. These reproductions cannot be dismantled.Set of four timber frame with two purple upholstered cushions for back and seatwalsh st furnishings, robin boyd, maruni

These two chairs and another pair of chairs (item F044) are Grant Featherston prototypes of the 1947 Relaxation Chairs. These chairs came from the Boyd family's Camberwell home (666 Riversdale Road, Camberwell, formerly 158 Riversdale Road) and were originally upholstered with webbing. The fixings were modified in the final product relaxation chairs. Robin Boyd designed the Ivanhoe home of Grant and Mary Featherston (1967).Set of two black and grey fine checked wool fabric. Laminated timber legs and frame. 9 self-covered buttons. No arms.walsh st furnishings, robin boyd, grant featherston

The daybed cover here is same fabric as some of the cushions (items F045-F058) located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped dark grey/white heavy cotton. Box pleated at each corner. "skirt" reaches to the floor. Piling around the top edge.walsh st furnishings, robin boyd

The daybed cover here is same fabric as some of the cushions (items F045-F058) located on the two daybeds in the front west facing rooms of the Children's Pavilion.Charcoal grey and off-white striped fitted cover, with self-piping and corner pleatswalsh st furnishings, robin boyd

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. Above this raised portico is the central tower at the front of the house. villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. The cement render is detailed to resemble stone block work.villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches, cement render

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched, rendered widows with later additions such as exterior drain pipe and gate.villa alba museum, conservation photographs, victorian architecture, cement render, windows

Hand written note in the box: "I am Chaplain of Wesley College"Brown leather case with handle and metal locks at front. Blue fabric lining. Three copies of "Order for the Administration of the Lord's Supper", a Wesley College New Testament and Psalms (1947) in fitted slot. Silver salver (12cm diameter) and silver wafer tin (7.5cm diameter) in fitted slots in lid. In body of box: two plain glass bottles with plastic screw tops and two plain corks, a silver goblet (13.5cm high and 7.5cm diameter) and four glass communion tumblers. Small brown bottle with a plastic lid. Includes large white linen communion cloth. Gold lettering on front of set.On case: "The "CHAPLAIN V.T.L. ROBERTS" Inside lid on leather: "THE GIFT OF THE METHODIST PADRE'S AUXILIARY OF VICTORIA"methodist padre's auxiliary of victoria, wesley college

Dress, blue/white denim-type weave, button-through. 7 white buttons and hooks-and -eye at the waist. belt of same fabric with 8 lines of oversewing, white button and two buttonholes. Dress has shirt collar, two patch pockets on skirt and long sleeves with buttoned cuffs and two keepers at waist.costume, sunbury asylum, george evans collection

Belonged to Kathleen Marjorie Dunn (nee McKenzie)Day dress in fine silky fabric. It has a blue, white and green floral pattern on a navy ground. The skirt is gathered to the waist in two places in front and has two darts at the back. The sleeves are short, set in, gathered at the shoulder and end in inverted V shapes. The bodice is shaped with two sets of gathers in front and two darts at the back. The square neck dips to a shallow point in front, fastens with six self-covered shanks behind and is edged with cream net frill (probably discoloured white). There is a side vent wiht four press studs on the left at waist level. The hem is hand sewn.Nonecostume, george evans collection

Two Pair Gloves. One Gold shade short fabric (Suede Like). A longer glove same shading with a very deep fringe around top. McClure familystawell clothing material

Fur stole consisting of two black mink pelts with heads at one end and tails at the other. Heads contain plastic eyes and noses. Black satin lining. Decorative front fastening consisting of a fabric-covered chain secured to a clip at one side and a hook fastening at the other.Label: "FURRIERS / Buckley & Nunn LTD/ MELBOURNE".fur, fur stole, mink, buckley & nunn, department stores