Photo of a girl that lived at Holmbush dressed for her wedding. The bridesmaid may also be a resident of Holmbush. The man in one photo is likely to be another resident. If this bride was the same as in the newspaper article that was in the album, it gives the name of the bride as Lexie Curtin and the bridesmaid as Nora Southern. The groom was Dr John Ferguson who was also a member of Legacy for some years. The wedding was held at St Patrick's Cathedral. Holmbush at 1267 Burke road, was one of the properties that Legacy used for Junior Legatees. It was purchased 1942. In 1957 Holmbush was renamed Blamey House until it was sold in 1977.A compilation of photos of some junior legatees in the Legacy residences.Black and white photo x 4 of bride and bridesmaid at Holmbush and a newspaper clipping pasted to the pages of an album.residences, holmbush, junior legatees

Social A wedding skirt and bodice in blue satin and blue velvet with gold stripes. The bodice is of blue satin with velvet collar and cuffs. There are 19 pearl buttons at centre front affixed by hooks sewn inside to the backs of the buttons. The buttons commence at 7.5 cm from the top of the collar, the first button of 1cm smaller than the rest of 1.2 cm and buttons are spaced at .8cm apart. The bodice is styled to fit into the waist with a flare over the hips. At the rear there is an opening at centre waist and there is a 15cm x14cm pleated panel inserted with capacity to flare open to 48cm. The bodice is calico lined with extra lining at the underarms. The skirt is made in three layers. The base layer is of brown satin/cotton hemmed in 12 cm blue satin on the outside and blue cotton on the inside. The second layer has a 40 cm pleated base in blue satin with pleats folded to 5cm. This is sewn onto a brown satin/cotton lining reaching to the waist. The outside layer has a velvet panel at front sewn to a 3 cm dark blue satin waist band. The rear of the skirt is gathered into a 6 cm dark blue satin waist band. The pleated satin layer is visible 3 cm below the front velvet panel and the front layer has side openings to 40 cm allowing the pleated layer to show. A 31 cm opening on the RHS of the skirt is affixed with hooks and eyes.In Ink on calico attached label inside bodice "Chris Mackenzie" and calico label in ink on inside of skirt "Mackenzie Christine "clothing, wedding dress, late 19th century

Sepia toned studio photograph of Frank Harbeck and Mary Archibald on their wedding day. Groom in three piece suit white shirt and stiff collar, bride dressed traditionally carrying flowers.genealogy, celebration

Black and white photograph of Emily Margaret Matilda Lee and David Carstairs on their wedding day, she is wearing a dark dress, tight waist, bodice gathered from shoulders to waist and embroidered centre panel, long sleeves with tight cuffs. Fine chain necklace with heart shaped locket, plain unadorned hairstyle. He is wearing a three piece suite, white shirt and dark necktie. Lakes Entrance Victoriaclothing, genealogy

Inscription on the back of the photograph identifies the subject as Sophie May Hogan, age 5, and says that the original photograph was taken in April 1912, when Sophie was a flowergirl at her Aunt Mary's wedding in Ballarat. Sophie was born in Linton in 1906, a daughter of James (Jim) Hogan and Sarah Hogan née Walker. She married Alec Wheeler in 1941. Sophie moved to Skipton with her parents when she was six but maintained contact with her Linton grandparents and cousins throughout her life. Sophie died in 2006. She was the mother of LDHS president Jill Wheeler.Black and white copy of original photograph which shows a young girl wearing a long-sleeve dress which has pintucks, smocking, and lace trim. She has two large ribbons in her hair. The lace trim on her underwear is just visible beneath the hem of her dress, and she appears to be wearing boots, or shoes with long dark socks."Sophie May Hogan / April 1912 / Aged (almost) 6 years / (Flowergirl at her / Aunt Mary's wedding / in Ballarat)".sophie hogan

Dress worn by Alison Watson at the wedding of Angela and Ewan Costain in 1952. Angela was a teacher at Murtoa Primary School. The outfit which included a bonnet and muff was made by Alice Watson, dressmaker, Murtoa. .1 Back and front of flower girl dress. .2 Bonnet displayed on a velvet covered stand. .3 Photograph of bride and flower girl.3 Inside front presentation folder: Best wishes, - Angela and Ewen (Costain) Flower girl Alison Watson (Jobe) Under photograph, bottom L 1952; bottom R Athol Adams Dandenong flower girl dress, alice watson, alumni

Cream coloured long dress with long sleeves and high neck line. Decorated on front and sleeves with lacework. Dress is made of silk and has a belt also made of silk. Petticoat made of cotton underneath.No visible markings.costume, female ceremonial, silk, lace, lacework, wedding, bridesmaid, dress, cream, connie ziebell, janet hubbard, ceremony, marriage.

Black and white copy of original wedding photograph showing the groom wearing pinstriped pants and seated next to his bride who is standing holding a bouquet. She is wearing a high-necked dress with a brooch at her throat and a flowery veil.dan cornish, agnes carne ball, wedding

Black and white copy of original photograph of a man in a dark suit with white collar and buttonhole, seated on an ornate chair. Standing on his right is a lady in a light coloured dress and hat, with her left hand resting on a turned wooden stand, and she is holding a small book in her right hand."Wedding photo c1915 Mr & Mrs John Hanrahan of Snake Valley".mr john hanrahan, mrs hanrahan, anne thomas (nee hanrahan), snake valley

Wedding photograph of Lillian Ball and James Carlyle Bennett, who married in Adelaide in 1910. Lillian Ball was a daughter of Oscar Ball and his wife Elizabeth, née Mitchell. James Mitchell Carlyle Bennett was not related to the Bennett family which ran the butcher's shop. He was mine manager at Dawson's Dam.Black and white copy of original photograph showing a seated man in dark suit, holding hat. A lady standing next to man wearing dress, gloves and large floral hat in an outside setting.james mitchell carlyle bennett, lyle bennett, lillian bennett, lillian ball

Black and white copy of original photograph of a bride and groom. The bride is wearing a white dress with a train spread out in front of her. She is holding large trailing bouquet."Harold Robert Morgan + Bride (nee) Myrtle Alma Yeoman Cornish 1917"harold robert morgan, myrtle alma yeoman morgan (nee cornish), wedding

BHS CollectionFull length royal blue silk embroidered fabric dress with bodice and long sleeves, fully lined with ivory cotton fabric. Hand made. Front of bodice has round neck and dips to a deep V at waistline. Twelve decorative fabric covered buttons from neckline to lower V that taper to stitched down pleats at waistline. Fabric bow at centre front of neckline lined with blue satin. Long sleeves have short capped layer over a flared layer underneath. Top section edged with one row of royal blue cotton fringeing. Lower flared section edged with two rows of royal blue cotton fringeing. Large royal blue fabric bow attached at each elbow. Back of bodice made of six panels to waistline. Centre panel on each side is edged with cotton fringeing. Centre back opening to waist with nineteen hooks and eyes, only one eye remaining. Piping around waistline. Full skirt knife pleats at front below waist. Hemline edged with blue ribbed cotton ribbon. Card inside box with ''Wedding Gown Circa 1850's".costume, female, royal blue silk dress

Katie Sandow & Walter Bonthorn married in 1918. Their children were Mary, George and Lionel.Copy of original wedding photograph, showing seated man holding glove, elbow on side table. Lady standing holding bouquet in right hand, flower spray on dress.katie sandow, walter bonthorn, weddings

Huttley - Martin FamilyB/W: Bride with Bouquet in front of drapes, floral headband, floor length veil. Long sleeved, floor length dress v cut in neck.Lorna Cleland (Nee Huttley) (wedding)huttley, martin

Worn at their wedding at Scots Church, Collins Street Melbourne on 3rd November 1934, Miss Emma Jean Jobson and Mr Herbert John Ellis. The reception was held at Rumpe lmages.( De-accessed wedding dress 3530 & veil 3534.2)Cream satin tee bar button shoe. Medium high heel. See also Garter NA3643, Horseshoes NA3640, 3637 and Cut out shoe NA3645 Ezywalkingcostume, female footwear

Violet Reid married Carl Hoffman in 1926.Black and white copy of original wedding photograph showing a groom in a dark suit and white buttonhole, on the left of a bride wearing a veil with a headpiece made of roses and midcalf length white dress. She is holding a large bouquet.carl hoffman, violet hoffman (nee reid), wedding

Black and white copy of original photograph showing a bride in the middle of her two bridesmaids, all wearing calf length dresses, headscarves and holding bouquets.mrs carl hoffman (nee violet reid), lina hoffman, molly rowe (mrs horace badley of smythesdale), wedding

The oldest child of Susan and William Garnsworthy Bennett, Elizabeth Bennett was noted for her involvement in community and church activities. She was organist at St Paul's Church of England for many years. Elizabeth Bennett married William Todd (the younger, son of William Todd Snr and his wife Sarah, née Thompson) on New Year's Day in 1882, and they celebrated their Golden Wedding in 1932. Elizabeth and William Todd had at least nine children.Black and white copy of original photograph. Photograph is a head and shoulders portrait of a woman whose dark hair has a central parting and is drawn back from her face. She is not wearing a cap or hat. Her dress has a high collar, with lace and a brooch pinned at the throat. The bodice of the dress has pintucks, lace trimming and buttons. Elizabeth (Lizzie) Todd, née Elizabeth Bennett, 1858-1949.elizabeth todd née bennett

Grace Bennett (1875-1960), a daughter of William Garnsworthy Bennett and his wife Susan née Williams, married Neil Wishart in 1898. They had four children - Lydia, Neil, Millicent and William. Grace and Neil Wishart celebrated their Golden Wedding in 1948.Enlarged black and white copy of original photograph which has been mounted on white card. The photograph shows a young woman wearing a dress with a high neck and long sleeves, which has pintucking on the sleeves and bodice. The bodice also has appliqué decorations. The woman is seated on a cane chair and has a small child standing next to her. The child is holding a doll and is wearing a dress with smocking and a lace collar. She has a bow in her hair and is wearing button-up boots.grace wishart née grace bennett, lydia wishart

Elizabeth Bennett, the oldest child of William Garnsworthy Bennett and his wife Susan, née Williams, was born in 1858, and married William Todd on January 1st 1882. They had nine children, all born at Linton. Mrs. Todd was noted for her family, community and church involvements in Linton. William and Lizzie Todd celebrated their Golden Wedding in 1932.Enlarged black and white copy of original photograph which shows an older woman who is wearing a feather-trimmed hat, and a white lace scarf over a dark jacket or dress. She has a spray of flowers pinned to her jacket near the scarf. The photograph may have been taken outside St Paul's Church of England in Linton. Elizabeth (Lizzie) Todd (Mrs. William Todd), 1858-1949.elizabeth (lizzie) todd née elizabeth bennett

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Full length, heavy cream crepe with tie belt and lace overcoat grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Erstine Schlisweg married William Bosse in Germany in 1860, later settled in Nhill districtSettlers in Nhillc 1860 Three piece silk & lace wedding ensemble handmade in Germany, consisting of a silk full length skirt with lace & ribbon trim which hugs the waist, flows into a small train at the back; the high round neck, sleeveless bodice/top tucks into the skirt, is silk with pleats down either side of a lace panel in front; cape is silk, slightly gathered so it elegantly flows over the shoulders, finishing below the hips, is trimmed with lace around the neck and bottom. Lace & ribbon trims wedding dress, william bosse, erstine schlisweg, nhill, german - textiles - handmade

Brenda Crute married Jim Bywaters 19671967 A delightful bridal gown fashioned in chantilly lace cur on empire lines, fitted sleeveless bodice with boat shaped neckline back and front. Sheath skirt. Chapel length nylon organza coat train with butterfly sleeves & edging of chantilly lace. Headdress - Pearlized orange blossom & leaves mounted to a three-tiered nylon tulle veil.wedding dress, brenda crute, jim bywaters, 1967, textiles - bridal - fashion, stawell - wedding

Clare Maud Field married George Thomas Magrath, 24th August 19381938 cream wedding gown, long sleeves, small train, roulette trim on peter pan collarwedding dress, clare maud field, george thomas magrath, 1938, marriage, nhill

1946 White crepe frock fashioned with long sleeves and a round neckline with double collar, the bodice is buttoned through to a curved waistline. A wide belt of the same fabric accentuates the waistline, with a long full skirt extended into a graceful train and matching long gloves. The triple layered veil of tulle, with the longest layer draping down the back of the gown, with an embroidered edge and motif, the top layer of the veil covering the face has the same embroidered motif and on the edge.embroidered motif on the points of the veil, as well as the edge.

Mary Pilgrim married Graham Keam 1953 at Winiam Methodist Church by Rev. A. C. Boquest.The Pilgrim family has been in the district for generations, possibly one of the early pioneers of Winiam, Victoria.A charming white lace frock with a train and scalloped neckline set with diamente. Her veil of embroidered tulle was held in place with a coronet of orange blossoms.scalloped neckline set with diamente, and embroidery on veil.1953 wedding dress, pilgrim, keam, ceremonies, marriage, bride, textiles - bridal - fashion

Owned and worn by Patricia Capp of Dimboola, on her wedding day, when she married Mr. Walter Clark of Nhill.Bridal gown of figured de-lustered satin, with a fitted bodice and scooped neckline with long pointed sleeves and a full-length skirt with deep unpressed pleats. The three-tier veil was held by a circlet of flowers in front with a Dior bow, The bride carried a trailer of white roses and lily of the valley.1964 wedding gown, wedding attire, clothing, formal - clothing, textiles - satin

Faye Falting of Nhill married William Crawford of Nagambie in 1968William and Faye Crawford after their marriage became longtime residents of Nhill. William Crawford is buried in the Nhill Cemetery.The bridal gown is a classical 'A' line styled gown of treebark satin, with a high empire bodice of guipure lace over satin, and lace sleeves. A detachable train fanned from pleats and fell from the high bodice line at the back. wedding dress of faye falting