7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

7150: 8 PEOPLE, 3 CLEARLY VISIBLE, TWO MEN AND A WOMAN, THE OTHERS PARTIALLY VISIBLE OR OBSCURED. 7150-1: 8 PEOPLE SEATED AT TABLE 5 IN BACKGROUND, ONE IN MID DISTANCE, TWO IN FOREGROUND ONLY WOMAN IN BLUE IS CLEARLY VISIBLE. 7150-2 $ PEOPLE AT A TABLE ONE WOMAN WITH BACK TO CAMERA. 7150-4: TWO WOMAN AND ONE MAN AT A TABLE. 7150-5: 4 WOMAN AT A TABLE TWO ON RIGHT ONE ON LEFT THE OTHER AT HEAD OF TABLE. 7150-5 5 PEOPLE AT A LONG TABLE ONE MAN PARTIALLY OBSCURED. 7150 THREE PEOPLE AT A TABLE OTHERS AT TABLE IN BACKGROUND UNIDENTIFIABLE Seven Colour photographs, various people seated at tables with glasses and cups.biarri

1. A woman sits a wheelchair as she watches to the right of camera. Her hands are poised in the air, as she waits to clap them together. 2. A man sits on the edge of a hospital bed and looks to camera. 3. Seated woman holds her fingers as she moves them, possibly during a therapy session. 4. Near the window looking towards a large bush, a woman fiddles with her beaded necklace. 5. A man sits on the edge of his made up bed, with a small television, cassette player and cassettes stacked in his bedside table. A family portrait hangs on the wall. 6. Sunlight warms a woman talking to another whilst seated. 6 B/W photographs of nursing home residentsassociation for the blind, elanora home (brighton)

This is the sixth in the series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P These photographs show the eclectic nature of this collection 1. Lance Corporal Albert Ali, 2518 48th Btn, most likely man on right, 2. 2nd Lieutenant Ernest Potter, 68, 38th Battalion 3. Robert William Scott, 3617 and Walter James Browning 3683 57th Btn 4. Grave of Captain Herbert Spencer Dickinson, 600, 57th Btn. KIA 25th September 1917 5. Ralph Edward Cheeseman, 3074 , 57th Btn 6. Jack Bass, 5038, 53rd Btn (most likely man on left) 7. Chaplain C company, 57th Btnpostcards, 57th battalion, edgar dawson dcm

22 of a collection of 70 Black & White photographs taken during the construction of the second Phillip Island Bridge from San Remo to Newhaven by Country Roads Board and Shire of Bass. Contractor John Holland & Co. Pty. Ltd.14 Black & White photographs of the construction of the second Phillip Island Bridge in 1966 - 1969. 351-09: Pile driving on Newhaven abutment. 351-10 & 11: Concrete beams. 351-12: Pile driver. 351-13 & 14: Machinery. 351-15: Dismantled section of cylinder. 351-16 & 17: Coffer dam and pier construction. 351-18: Man up on scaffold. 351-19 & 20: Construction work. 351-21: Two workmen and man leaning on section of handrail exposed to weather. 352-22: View of construction work.Descriptions as above on some. Plus the following Numbering: 351-09: CRB NEG 67-274C. 351-10: CRB NEG 67-542. 351-11: CRB NEG 67-654F. 351-12: CRB NEG 66-605. 351-13: CRB NEG 66-601. 351-14: CRB NEG 68-752B. 351-15: CRB NEG 67-936. 351-16: CRB NEG 67-937A. 351-17: CRB NEG 67-937B. 351-18: CRB NEG 67-1156D. 351-19: CRB NEG 67-1156B. 351-20: CRB NEG 66-1026E. 351-21: CRB NEG 67-940. 351-22: CRB NEG 67-1218Bphillip island bridge construction, 2nd phillip island bridge construction, country roads board, shire of bass, sasha stark

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.St Hilda's Band marching from church 1). Black and white photograph of a group of brass band members playing their instruments whilst marching from a large stone church. At the front of the procession is the priest and band conductor and a third man. The band conductor is Frank Wright. 2). Black and white photograph of a group of brass band members playing their instruments whilst marching out of the gates of a large two storied building along a concrete driveway. On either side is lawn and garden. At the front of the procession is the priest and band conductor and a third man.frank wright, st hilda's band, stone church, brass band

Photocopies of photos. On front written in pencil 1962 Marlene Hazeldene (now Llewellyn) has originals, has framed life governorship Home and Hospital, have originals both hospitals annual reports. Image on front shows Triumph sports car with women sitting up high on seat, in Easter Parade. Presumably Marlene Hazeldene. On back, photo of 4 women, one man. Women dressed formally in suits, dresses and hats. One woman has Mary Keating written on sash. Man in suit. In pencil '1958'. And Bendigo Advertiser.bendigo, bendigo easter fair, 1958, 1962 popular girls

Black and white photograph showing view of fountain at Charing Cross. Shopfronts (Bissets, Mannings), two hansoms at View Point. Cart proceeding north on View Street. Two pedestrians on footpath by the Camp Reserve. On back - stamped in circle - 'Royal Historical Society of Victoria, Bendigo Branch'. In black ink - 'MP260'. In image on buildings 'Geo. S. Bissett, Importer of Drapery, Clothing and Millinery', 'Manning & .. , Drapers & Tailors'. History of object: previous Acc. No. 'MP 260'. Ian Wild, June 2000 'Bendigo Fountain before tramline went to Eaglehawk - prior to 1888'.place, streetscape, alexandra fountain

Summary sheet, photocopied onto heat sensitive paper, odd size, of the various runs start or On times, where started, meal relief times, hours, rates of pay whether one man, two man or assisting rates for Sundays, Saturdays and Weekdays. Not dated. Broken down into AM, PM and assists. Stored with these sheets are a photocopies of each sheet are full size copies made on A3 paper. Spread over two A3 sheets. Photocopies enable better reading than that of the original in many places. Other places already faded out. trams, tramways, timetables, sec, ballarat, crews, rosters

Murray Comrie Collection. Significance of group or purpose of image not known. This photograph is a somewhat faded image created from an older original. Copy probably made by Murray Comrie in the 1970s. A group of employees of the Exchange Store and Tarnagulla Flour Mill Back row, from the left: TT Cheetham, H Johnson, P Sheehan, , W Reilly, Cheetham, B. Llewellyn. Middle row: W Fitzgerald, Carr, C Turner, T Leonard. Front row: W Lawry, D Reilly, B Cousins.Monochrome photograph depicting a group of men (some of them young men) posed in front of a peppercorn tree. Man at far left has a bicycle. Man at far right holding a pipe. Accompanying note identifies subjects as: (Left to right) Back row: P. Cheetham (with bicycle), H. Johnson, P. Sheehan, Mr, Reilly, T. Cheetham, B. Llewellyn (with pipe). Middle row: Mr. Fitzgerald, Mr. Carr, Mr. Turner (with dog), Mr. Leonard. Front row (kneeling): B. Lawry, D. Reilly, B. Cousins. tarnagulla, people

Head and shoulders portrait painting of a man. The man has receding grey hair, and is wearing a blue shirt and brown top, and is painted on a black background. The number '20' is handwritten on both sides of the wooden frame on the back of the artwork. The number '18' is handwritten on both the top and bottom edges of the wooden frame on the back of the artwork. Bottom right hand corner of the frame is printed with the text 'BLARNEY STRETCHERS' and a phone number. Left hand side of frame is printed with the text 'BLARNEY LINEN and STRETCHERS' on upper section, and 'BLARNEY LINEN and' at bottom corner.

Small yellow booklet outline of a man on left of title and woman on right. Bush Music Club Inc. Colonial Subscription Ball 1991 Dancers Companion (A guide to the Quadrilles) The Quadrille Figure 1 (Le Pantelon) (2x32) 8 Top couples R and L through. (without giving hands). 8 Set & turn Partners 8 Top ladies chain. 4 Top couples promenade across set. 4 Half R and L to place. 32 Side couples repeat Figure 2 (Le 'Ete) (4x24) 4 Top couples advance & retire. 4 Cross over (without changing places with partner). 8 Repeat back to place. 8 Set & turn partners. 24 Sides repeat. 48 Top and Sides repeat. Figure 3 (La Poule) (4x32) 4 Lady 1, Man 2 adv, tough RH, retire to opposite place. 4 Lady 1, Man 2 adv, join LH give RH to partner 4 Line of 4 balance fwd & back twice. 4 Men lead partners to opp. Place. 4 Lady 1, Man 2 adv. & ret. 4 Lady 1, Man 2 adv, honour & ret. 4 Top couples, advance & retire. 4 Half R & L to place. 32 Repeat with Lady 2, Man !. 32 Repeat with Lady 3, Man 4. 32 Repeat with Lady 4, Man 3. The Quadrille Figure 4. (La Pastourelle) (4x32) 4 1st couple advance & retire. 4 1st couple adv, lady join 2nd couple. 4 Line of 3 adv. & ret, 1st man retire. 4 Line of 3 adv. Ladies cross to 1st man. 4 Line of 3 adv. & ret, 2nd man retire. 4 Re-advance, form circle with 2nd man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with 2nd couple leading. 32 Repeat with 3rd couple leading. 32 Repeat with 4th couple leading. Figure 5 (La Finale) (4 x 32 + 8) 4 All advance & retire. 4 Turn partners. 4 Ladies adv, curtsey & retire. 4 Men advance, bow & retire. 8 All set & turn corners. 8 Promenade with corner. (men to original place with corner) 96 Repeat 3 times to return to partner. 4 All advance & retire. Turn Partners. Notes: 1 Couples numbered 1 4 2 3 2 Set & turn is a 'balance' set and open hand turn. The Lancers Quadrille Figure 1 (4x24) 4 1st lady, 2nd man advance & retire, 4 Adv, turn two hands, return to place. 4 1st couple lead through across set 4 2nd couple lead through back 8 all set & turn corners. 24 Repeat, 2nd lady, 1st man leading 24 Repeat 3rd lady, 4th man leading 24 Repeat, 4th lady, 3rd man leading Figure 2 (4x24) 4 1st couple advance & retire. 2 1st lady adv to centre, turn to face partner 2 1st couple honour each other. 8 1st couple set and turn then sides form top & bottom lines 4 Lines advance & retire, 4 Advance and turn partners to place. 24 Repeat with 2nd couple leading 24 Repeat with 3rd couple leading 24 Repeat with 4th couple leading Figure 3. (2x32) 4 Ladies advance, curtsey & retire. 4 Men adv, bow, turn by left, bow to partners, then join RH in centre, (ladies RH on partners left elbow). 8 Promenade round set to place. 4 Ladies adv, curtsey & retire again. 4 Men adv, bow, turn by right, bow to partners, join LH in centre, right arm behind partner. 8 Promenade round to set in place. 32 Repeat. The Lancers Quadrille. Figure 4. (4x24) 8 Top couples visit R then L 4 Right Hands around with LH couple 4 then left hands around. 8 Circle left with that couple. 24 Repeat with side couples leading. 24 repeat, top couples visit L then R. 24 Repeat, side couples visit L then R. Figure 5. (4x48 +24) 8 All grand chain 1/2 way round and honour partners. 8 Continue grand chain to place and honour partners. 8 1st couple visit, return to place, facing out with sides in behind. 2 Change places with partner, 2 All rock fwd and back 2 change places again 2 All rock fwd and back 8 Cast out reform in lines 4 Lines advance & retire 4 Advance & turn partners to place 48 Repeat with 2nd couple leading 48 Repeat with 3rd couple leading 48 Repeat with 4th couple leading. 8 Grand chain 1/2 way round and honour partners. 8 continue grand chain to place and honour partners 8 swing partners (R arm round partner, LH in air) Note: All figures walked. Set & Turn is a 'balance' set and open two hand turn. The Prince Imperial's Quadrille Figure 1. (4x24) 4 Top couples visit right, honour sides. 4 Top men retire with partner & side lady to opposite place, (ladies facing each other). 8 Ladies grand chain to places 8 All set and turn partners 24 Top couples repeat back to place. 48 Repeat with side couples. Figure 2 (4 x 24) 4 1st Lady, 2nd man adv & turn in centre finish facing 2nd lady. 2 2nd lady pass through to 1st man. 2 Both couples turn out to place. 4 top couples advance & retire. 4 Ladies chain back to place. (Nariel) 8 Chasse-croise. (4 steps past partner RH turn corner 4 steps back, LH turn with partner.) 24 Repeat with 2nd lady, 1st man leading 24 Repeat with 3rd lady, 4th man leading 24 Repeat wth 4th lady, 3rd man leading. Figure 3 (4x32) 4 1st lady to centre, curtsey to partner. (RH in RH, ACW turn in to centre) 4 2nd lady to centre, curtsey to partner. 4 3rd lady to centre, curtsey to partner.4 4th lady to centre, curtsey to partner. 8 ladies join hands, circle R, small steps after circle R, Men join circle, (giving RH to partner). 4 Balance for 4 (step lift x 4) 4 Turn partners to place, bow & curtsey. 32 Repeat, Lady 2, 1, 4 & 3 to centre 32 Repeat Lady 3, 4, 2 & 1 to centre 32 Repeat, Lady 4, 3, 1 & 2 to centre The Prince Imperial's Quadrille Figure 4 (4x32) 4 Top couples advance & retire. 4 Top couples adv, ladies move to R, as men retire to place. 8 Line of 3 adv & ret twice. 4 Single men adv, bow and retire. 4 Re-advance and turn to face partner. 4 Circle L half way round (with partner & side couple). 4 Half R & L to place. 32 Repeat with side couples leading. 32 Repeat with top couples leading (men moving to left as ladies retire) 32 Repeat with Side couple leading. (Men moving to left as ladies retire) Figure 5 (4x32 +32) 16 Ladies to the right, (RH turn with corner man then continue round to the right turning each man) 4 1st Lady, 2nd man advance & retire 4 re-advance & turn RH (finish facing partners) 8 set & turn partners (finishing in place) 32 Repeat with 2nd Lady, 1st man leading 32 repeat with 3rd lady, 4th man leading 32 Repeat with 4th Lady, 3rd man leading 16 Ladies to the right again. 4 Men turn partners to centre. 4 All bow and curtsey. 8 Promenade set ( hall) Note: Set & turn is a 'balance' set and open hand turn. The Parisienne Quadrille Figure 1 (1x32) 8 Couples R and L through. (without giving hands) 8 set & turn partners 8 Ladies chain. 4 Couples promenade across set. 4 Half R and L to place. Figure 2 (2x24) 4 Couples advance & retire. 4 Cross over (without changing places with partners) 8 Repeat back to place. 8 Set & turn partners. 24 Repeat. Figure 3 (2x32) 4 Lady 1, Man 2 adv, touch RH, retire to opposite place. 4 Lady 1, Man 2 adv, join LH, give RH to partner. 4 Line of 4 balance fwd & back twice 4 Men lead partners to opp. Place 4 Lady 1, Man 2 adv & retire 4 Lady 1, Man 2 adv, honour & ret. 4 Couples, advance & retire. 4 Half R & L to place. 32 Repeat with Lady 2, Man 1. The Parisienne Quadrille Figure 4. (2x32) 4 1st couple advance & retire. 4 1st couple adv, lady join 2nd couple. 4 Line of 3 adv. & ret, 1st man retire. 4 Line of 3 adv. Ladies cross to 1st man. 4 Line of 3 adv. & ret, 2nd man retire. 4 Re-advance, form circle with 2nd man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with 2nd couple leading. Figure 5 (2x32) 4 Couples advance & retire 4 Cross over 8 Repeat back to place. 8 Ladies chain across & back.8 Set & turn partners. 32 Repeat Notes: 1 This 'quadrille' is similar to the first set (1st 4 figures) and is danced as two couple sets. 2 Set & turn is a 'balance' set and open hand turn. Wellington Waltz 8 Honour Partner, honour corner 8 Circle L 7 steps, then tap, tap 8 Circle R 7 steps, then tap, tap 4 Top couples, 2 side-steps to centre and back with lady turning under man's left arm. 4 Waltz across to opposite side 8 Side couples repeat. 8 Top ladies chain across. (pause in centre, turn twice with opp. Man) 8 Side ladies chain across. 8 Grand Chain half way round set. 8 Waltz to man's place. 64 Repeat with side couples leading. Waltz Cotillon 8 Honour Partner, honour corner 16 1st couple waltz the set. 8 Top ladies cross over.8 Side ladies cross over. 8 Top men cross over. 8 Side men cross over. 16 All waltz back to place. Form top & bottom lines, 8 Adv. & ret, cross over. 8 Adv. & ret, cross back. 16 Waltz chain to meet partner. 16 All waltz back to place. Form top & bottom lines, 8 Adv. & ret, cross over. 8 Adv. & ret, cross back. 16 Waltz chain to meet partner. 16 All waltz back to place. 112 Repeat with 2nd couple leading. 112 Repeat with 3rd couple leading. Side lines adv. & ret. 112 Repeat with 4th couple leading. Side lines adv. & ret. Galopade Quadrille 8 Honour Partner, honour corner 8 All galop round set. (Galop half way round set, on opp. Side change places with partner, continue galop to place.) 8 Top couples R & L through. 8 Side couples R & L through. 8 All set & swing partners. 8 All galop round set. 8 Top ladies chain. 8 Side ladies chain. 8 All set & swing partners. 8 All galop round set. 8 1st couple lead through, 2nd on return 8 3rd couple lead through, 4th on return 8 All set & swing partners. 8 All galop round set. 4 1st lady & 2nd man adv. & ret. 4 2nd lady & 1st man adv. & ret. 4 3rd lady & 4th man adv. & ret. 4 4th lady & 3rd man adv. & ret. 8 All set & swing partners. 8 All galop round set. 4 Ladies advance & retire. 4 Men advance & retire. 8 Double ladies chain. 8 All set & swing partners. 8 All galop round set. 8 Top couples waltz the set 8 Side couples waltz the set 8 All set & swing partners. 32 Waltz the hall. The Caledonians Quadrille Figure 1. (2x32) 4 Top couples R.H. across, move CW (Ladies hands joined over Mens). 4 then L.H. across, move ACW. 8 Set & swing Partners 8 Top ladies chain. 4 Top couples promenade across set. 4 Half R and L to place. 32 Side couples repeat. Figure 2. (4x24) 8 1st Man advance & retire twice. 8 Set & swing corners. 8 Promenade with corners (to men's position.) 24 2nd man repeat. 48 3rd and 4th man repeat. Figure 3. (4x32) 4 Lady 1, Man 2 advance & retire. 4 Re-advance, 2 hand turn to place. 8 1st & 2nd couples lead through and back. (1st lead through across, 2nd back) 8 Set & swing corners. 4 All advance & retire. 4 Swing partners. 32 Repeat wth Lady 2, Man 1. 32 Repeat with Lady 3, Man 4. 32 Repeat with Lady 4, Man 3. The Caledonians Quadrille Figure 4. (4x24) 2 Lady 1, Man 2 advance and stop. 2 Lady 2, Man 1 advance and stop. 4 Turn partners back to place. 2 All ladies to the right 4 steps. 2 All men to the left 4 steps. 2 All ladies to the right 4 steps. 2 All men to the left 4 steps. 4 Promenade to place. 4 Swing partners. 24 Repeat wth Lady 2, Man 1 leading. 24 Repeat wth Lady 3, Man 4 leading. 24 Repeat wth Lady 4, Man 3 leading. Figure 5. (4x48 + 16) 8 1st couple visit. 4 Ladies advance, curtsey & retire. 4 Men advance, bow & retire. 8 All set & swing partners. 8 Grand chain 1/2 way round and honour partners. 4 Promenade to place 4 and swing partners. 8 Chasse-croise, (4 steps past partner, RH to corner balance fwd & back, then 4 steps back, LH to partner balance fwd & back). 48 Repeat with 2nd couple leading. 48 Repeat wth 3rd couple leading. 48 Repeat wth 4th couple leading. 8 All promenade set. 8 Swing partners. Note: Set & swing is 'normal' set and cross hand swing. The Lancers Quadrille (BMC version) Figure 1. (4x32) 8 1st Lady, 2nd man advance & swing in centre (with ballroom hold). 4 Partners move 1/2 way across, Centres keep swinging. 4 Promenade partner to opp. Place. 8 1st couple lead through to place. 8 All swing corners. 32 Repeat with 2nd lady, 1st man. 32 Repeat with 3rd lady, 4th man. 32 Repeat with 4th lady, 3rd man. Figure 2. (4x32) 8 1st couple lead up (to 2nd) & retire. 8 1st couple swing in place Form top & bottom lines. 8 Lines adv & retire twice. 8 Swing partners. 32 Repeat with 2nd couple leading. 32 Repeat with 3rd couple leading. (Forming side lines instead) 32 Repeat with 4th couple leading. (Forming side lines instead) Figure 3. (2x32) 4 Introduction - Ladies to the centre and men form a circle around them. 8 Men circle left. 8 Men circle right. Men form a grand cross (LH) Right arm behind partners. 16 Promenade round set. Ladies return to the centre. 32 Repeat - Circle L & R, & Grand Cross. The Lancers Quadrille (BMC version) Figure 4. (2x48) 8 Top couples visit. 4 Tops RH star. 4 then LH star. 8 Tops basket Left. 8 Tops basket Right. 8 Tops circle Left. Tops circle Right. 48 Repeat with side couples leading. Figure 5. ((4x 16+32) + 24) 8 All grand chain 1/2 way round and honour partners. 8 Promenade with partners to place. 8 1st couple lead up, turn and lead out with side falling in behind. 8 Cast out, reform top & bottom lines. 4 Lines advance & retire. 4 Advance & swing partners to place. 8 Swing partners in place. 48 Repeat with 2nd couple leading. 48 Repeat with 3rd couple leading (forming side lines) 48 Repeat with 4th couple leading. (forming side lines) 8 All grand chain 1/2 way round and honour partners. 8 Promenade with partners to place. 8 Swing partners in place. Note: Normal swing here is with hands crossed. 1. The Quadrille 2.The Lancers Quadrille 3. The Prince Imperials 4. The Parisienne Quadrille 5. The Wellington Waltz 6. The Waltz Cotillon 7. The Galopade Quadrille 8. The Caledonians Quadrille 9. The Lancers Quadrille (BMC)person, individual, peter ellis oam

The man on the left is R.H. Trethewey MLA presenting a Diggers Day Perpetual Bowls trophy to Jack Plant President of the Bendigo RSL Sub Branch. Refer Cat No 8094 for trophy with plaques of winners on. Refer Cat No 8129P for Jack Plants RSL history..1) Photograph B & W showing two men holding a trophy between them. .2) Photograph B & W showing a Bowls trophy held by the men in .1)brsl, smirsl, bowls, diggers day,

It is believed that this label comes from the wool shop business of Agnes Ann and Margaret Lillian Rodgers who were the daughters of Charles and Martha Rodgers. Charles was a well known quarry man in Warrnambool. The wool shop was in Fairy Street in the mid 20th century.This label is of interest as a memento of the Rodger's wool shop in Fairy Street, WarrnamboolWhite rectangular label with dark blue text adhered to a piece of grey card.FROM A.A & M.L Rodgers 105 FAIRY STREET, WARRNAMBOOL TELEPHONE 3727wool, rodgers wool shop, warrnambool

Off to Boarding House Picnic 1913 in five horse drawn covered wagons. A group of women in hats and long dresses still waiting to board. A man in long white apron to right of photograph in front of vehicles. Large fir trees and gums in background.Boarding House picnic 1913Boarding House Picnic 1913local history, photographs, horse & wagon, picnics, sepia photograph, betty kus collection, horse drawn wagons, phillip island, bruce bennett

Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a seated man and woman (Joy Etherton).Digital copy of black and white photograph.dorris mclaughlin, joy etherton

There is a man leaning on a bike against the bluestone wall of a building. There are several windows and doors to the establishment. The building opperated as the local hotel until 1977" when a fire burnt through the township of Streatham. The front of the building was distroyed and a smaller hotel operated after the fire. Shows the kind of early buildings in the township of Streatham.Rectangular shape black and white picture.In blue ink the words"Desma Meek" "3" and Burnt in 1977"clothing, hotel, streatham, streetscape

Lorayne Branch's journey to write the definitive history of Henry Sutton received much impetus during this visit to the Ballarat School of Mines. 10 years later the book 'Henry Sutton: Innovative Man' was launched at the Federation University 'Ballarat School of Mines' campus..1) Left to right: Rex Bridges (Ballaarat Mechanics' Institute), Graeme Hood (Federation University Electrical Engineering Lecturer), Lorayne Branch and Jarrod Watt (ABC Ballarat) are engrossed in 'all things Henry'. .3) Descendant of Henry Sutton, Lorayne Branch (right) and University curator Clare Gervasoni stand in the Ballarat School of Mines Old Chemistry Building. Henry Sutton's early telephone would have 'rung' in this building. lorayne branch, jarrod watt, graham hood, clare gervasoni, henry sutton, ballarat school of mines, former sutton's music store, stained glass

Lake Bolac. The concrete weir and water-level adjusted overflow into the man-made channel into Salt Creek on the south side of the lake, circa 1949. The Moreton family is playing in the shallow trickle of water. Malin's windmill and pump can be seen on the bank in the background.lake bolac, salt creek, overflow, moreton, malin, windmill

Back left to right - Rosemary Whitehead (Educator), Christine Watts nee Manning, Lorraine Broad, Margaret Monagle nee Nolan. Front left to right - Margot Cunningham nee Dean, Sue Wilson, Ellen Conroy, Julie Pittard nee Smith.Digital Photomidwifery, 1979, school, bbh, midwifery, 1978, school, bbh, whitehead, manning, broad, nolan, dean,wilson, conroy, smith

Depicts the old Canowie Shed showing the elevated portion on the right to accommodate the top of a "Ferrier" 2 man wool press. Remains of dry stone wall in foreground.. Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee).

Man standing in paddock in front of Hut with hill behind believed to be the Sugarloaf. Probably the McKay's property owned by McKay's (2011). Originally part of Allanvale owned by the Bowtell Family. Located at the end of Graces Hill Road and continuation of Panrock Reservoir Road Extension. stawell

1. A female assists a boy cut his hot dog on a plate. 2. An elderly female and older man engage with each other, in black and white. 3. A young child looks at a brightly coloured book. 4. A Christmas gift exchanges hands.4 digital images originally printed on to oversize blocksvision australia, carols by candlelight, kodak

Print of a painting inspired by the original drawing done by Adam Stephan c1890. A double story sandstone building with a bay window sits behind a metal fence. On the road, driver waits with his horse and buggy as a man and woman stand in the open door to the building. 1 art print in grey/gold frameartwork, sydney industrial blind institution

Photo of a cable tram set at the Port Melbourne terminus, with the grip man and conductor on the grip car. Trailer 449. In the background is Station Pier and shipping. The grip car has the destination of Collins St on the front and "Connects with Collins St electric cars" on the side. Yields information about the Port Melbourne cable tram terminus March 1937, prior to its closure soon after.Negative of a cable grip car at the Port Melbourne terminus. - Black and white print also held.Written on rear of album print "Cable tram No. 449 at Port Melbourne terminus" Written on the back of the second copy is "Graham St Port Melbourne on last day of advertised running although they went on for another week. No. 449, 6 March 1937. photo Wal Larsen." In ink "PSM 3" and in pencil in top right hand corner "176"trams, tramways, cable trams, port melbourne, station pier, tram 449

Women’s magazines during WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all.This is an example of an English women's magazine published during WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 64 pp magazine, titled Woman and Home and Good Needlework Magazine. The front cover has a a coloured picture of a man in a uniform and woman sitting at a round table drinking tea and photographs of knitted jumpers, the patterns of which are inside the magazine.Handwritten on front cover in pencil -Mehlert

The S.E.C.V. published the Bi-Monthly magazine for employees. This one is Vol. 14, No. 8 / April - May. 1956The Journal includes small articles on men who were working on the Kiewa Hydro Electric Scheme.Black and white paper cover with photo of a man working up a power pole. The 'S' has an orange back ground.The back cover also has a photo of a generator.The journal is held together by 2 staples and has 32 pages.secv. kiewa hydro electric scheme. journal.

This photograph shows how the Flying Angel club room was once used. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Dancing was permitted by Padre Oliver in 1932 under strict rules. Black and white photograph with six people standing next to the stage in Flying Angel Club room. One man facing the camera is formally dressed and speaking to a lady who is less formally dressed. Pictures are seen hanging up in the background.On reverse: ILFORD (maker's mark stamped across the back of the photograph). 1940 (slightly faded)photography, flying-angel, club-room, black-and-white, mission-to-seafarers, dance, lhlg, asian, seamen, flinders street