Colour photograph of the Mortuary in Church Street, just prior to demolitionWritten on back of photo: "Mortuary, Church St, Rutherglen" At bottom right on photo: "10 4 '03"mortuary, buildings, church street

Date of issue confirmed on TROVE.Black and white photographic reproduction of an illustrations taken from the Leader, Saturday 21 April 1894, page 31 (bottom half of page).On back of photo: "The Leader, April 21 1894"main street, hotels, gold mines, rutherglen town hall, star hotel, d g hamilton, advance australia hotel, prentice freehold, wine cellars, great northern township

Photograph is of the Stawell Gift trophy taken on a visit by John Hayes to the Common School Museum to give a talk for the Rutherglen Historical Society. John Hayes, the winner of the Stawell Gift in 1954, was a former Rutherglen boy, who also produced "The Glen Guys", a booklet about Rutherglen personalities.Colour photograph of a trophy cup in a glass case. Stawell Gift 1954 John Hayesjohn hayes, stawell gift, the glen guys, common school museum

Colour photograph of the Mortuary in Church Street, just prior to demolitionWritten on back of photo: "Mortuary, Church St, Rutherglen" mortuary, buildings, church street

Parish Schedule of Gooramaddacard with a single microfilm insertschedule

Announcement issued to Bro. W. Williamson, issued on 30th April 1935, for the meeting of 9th May 1935, of the Rutherglen Lodge, No. 188 of the Masons.Paper announcement of meeting of Masons.masons, masonic hall, lodges, meetings

Display was constructed by the Rutherglen Historical Society for the 100th anniversary of ANZAC Day. Each poppy represents one soldier. Those who returned and are buried at the local cemetery are shown at the top. The remainder represent those from the district who died overseas during the War.Wire mesh panel with an arrangement of knitted and crocheted poppies, each with a name attached, to commemorate World War 1 soldiers from the Rutherglen district.At top of display: "ANZACs at Rest in Carlyle Cemetery" Below the third row of poppies: "They didn't Come Home"world war !, world war i, anzac, memorials, poppies

Colour photograph of wreath laying at the Ballarat Arch of Victory in ANZAC Day in 2011.wreaths, anzac day, ballarat, ballarat arch of victory

The Ballarat Trades Hall Eureka Flag The flag originally flew from the flagstaff of the Trades Hall Building in Camp Street Ballarat on 03 December 1942. This prompted many enquiries to teh Ballarat Courier newspapper. The Courier reported that the flag was, in fact, a replica of the origina Eureka Stockade flag. The newspaper reported: "It (seemed) very strange that the town in which Eureka made a name for Australoa and its effort to get freedom from the control for the ordinary man, did not recognise the flag that flew which the first move for freedom was fought out againt big odds." The Trdaes Hall Eureka FLag, made of cotton material, was uded in Union marches during hte 1940s. In later years it was all but forgotten, until in 1981 it was brought to the office of the ten MHR for Ballarat, John Mildren by members of the family that the flag maker boarded with in Ballarat. David Miller, who had a keenintered in the Eureka story and was electorate officer for John Mildren, became custodian of the flag for many years and presented it to the Ballarat Trades Hall for display. In 1994 the Ballarat Trdes Hall Eureka Flag traveled Australia as part of a touring Eureka collection at the time, the Secretary of the Ballarat Regiona Trades and Labour Council, Graeme Shearer said "...The Eureka Fag then, as it does not, sybolises the struggle for basic rights and democracy. On Wednesday 11th July 2001, following a ceremony to mark the refurbishment of the Galloway Monument, the Ballarat Trades Hall Eureka Flag was unveiled at a function in the Ballarat TradesHall by President of the Ballart Trades & Labour Council, Rhonda Young and Premier of Victoria, Steve Bracks. Joe Toscano speaks at Ballarat Trades Hall while standing in front of a replica Eureka Flag.joe toscano, eureka flag, ballary trades hall

Photograph of a plaque in the entrance foyer of the Art Gallery of Ballarat.henry bolte, r.a. mccallum, william ritchie, art gallery of ballarat, ballarat fine art gallery

Colour photographs of a cottage in Hepburn Springs built by artist Victor Zelman.zelman cottage, victor zelman, hepburn springs

Nimons Bridge was built in 1890, as part of the then Ballarat-Linton railway. The bridge is 17 spans with tall timber piers of four driven piles each, with triple sets of diagonal cross-bracing and walers and a single row of longitudinal horizontal bracing between piers. The spans are of a uniform twenty feet (6.1 metres), originally supported by four 21-inch x 9-inch (535 mm x 230 mm) Kauri timber beams per span, following the standard V.R. design of the period. When the superstructure was rebuilt after the 1953 fire, the timber beams were replaced with two 24-inch (610mm) deep rolled-steel-joists on each span. These are marked 'Lancashire Steel Co., Scotland' and are believed to have been second-hand. The deck of transverse-timber planks is 103.6 metres in length. Overall the bridge has an impressive appearance with its exceptionally tall triple-cross-braced piers creating a 'three-tiered' effect, with the deck 19.2 metres above the Woady Yaloak River. The Ballarat-Skipton line closed in 1985. Nimons Bridge has been recently restored, as part of the Ballarat-Skipton Rail Trail. How is it significant? Nimons Bridge is significant for technical, historic and aesthetic reasons at a State level. Why is it significant? Nimons Bridge is technically significant as Victoria's fourth-tallest timber trestle bridge when built, and as the third-tallest surviving example. It is also the second-largest composite bridge combining traditional timber piers with RSJ spans and a timber deck and falls within a select group of fewer than ten timber railway bridges with horizontal longitudinal bracing between the piers and three sets of double cross-bracing on its tallest piers, creating a visually striking 'three tiered' effect that enhances its viaduct form. Nimons Bridge is historically significant as having served initially the mining community at Linton, then the Western District agricultural area and in later years a kaolin quarry at Pittong. Nimons Bridge is historically significant as a representative of the 'light' branch line methodology that stimulated the explosion of railway construction in Victoria during the 1880s, and provides an interesting contrast with the more solid and vastly more expensive railway viaducts built in similar terrain on Victorian main lines, at Moorabool and Taradale, in the late 1850s. Approached by a deep cutting and high embankment at either end, the bridge represents a very cost-effective late 19th century engineering solution to the characteristic physiography of western Victoria with flat basalt plains intersected by deep wide valleys occasionally subject to severe flooding. Nimons Bridge is aesthetically significant for its visually impressive viaduct form, crossing a deep and steep-sided valley that is part of a rich cultural landscape. Within close proximity of the bridge are mullock dumps, tailings, shaft sites and other relics of the deep-lead alluvial mining era. The bridge is the most visually spectacular timber-trestle rail bridge in Western Victoria and is among the most spectacular timber-trestle rail bridges surviving anywhere in Victoria. It is part of the Ballarat-Skipton Rail Trail. Classified by the National Trust :02/10/2000 (http://vhd.heritagecouncil.vic.gov.au/places/67986)Colour photograph of a log bridge known as Nimon's Bridge.ballarat-linton, nimons bridge, nimon's bridge, log bridge, viaduct, timber-trestle rail bridge

ncil.vic.gov.au/places/67986)Colour photograph of a bridge.bridge, scarsdale

Colour photographs of Mount Sturgeon and Mount Abrupt.mount abrupt, mount sturgeon, gariwerd, grampians, mountains, mt abrupt

Colour photographs of Lake Condah Cemetery.lake condah, lake condah aboriginal mission, aborigines, cemetery

This exhibition was curated by Lisa GervasoniColour photographs of an exhibition highlighting some greats from Warrnambool.warrnambool art gallery, exhibition, heritage week, now and then, lj gervasoni

This photograph was taken just before the Barkly Street Uniting Church was auctioned.Colour photograph of a urinal at Barkly Street Uniting Church.barkly street uniting church, ballarat, urinal, toilets

Digital Imagesshrine of remembrance, band, reflection, anzac day, march, commemoration

Numerous Colour photographs of the site and buildings of R. Pascoe, Undertaker, Creswick.r. pacoe, undertaker, creswick

castlemaine, castlemaine market building

Colour photograph of the Castlemaine Manchester Unity Independent Order of Oddfellows Honour Board inside the Castlemaine market Building. castlemaine, castlemaine market building, castlemaine manchester unity independent

Colour photograph of a remnant from Thompson's Foundry inside the Castlemaine market Building. castlemaine, castlemaine market building, thompson's foundry

Colour photograph of a remnant from Thompson's Foundry inside the Castlemaine market Building. castlemaine, castlemaine market building, thompson's foundry

Colour photograph of a remnant from Thompson's Foundry inside the Castlemaine market Building. castlemaine, george clark, george clark and son

Colour photograph of a remnant from Thompson's Foundry inside the Castlemaine market Building. castlemaine, george clark, george clark and son

Creswick ANZAC Centenary Eve Torch Light Processon was part of the Centenary of ANZAC programme.A number of photographs of a massed fire brigade torchlight procession to mark the 100th anniverary since the Gallipoli Landing during World War One. cfa, torch light, commemoration, anzac landing, creswick, night, parade, torch light procession, anzac centenary, buninyong fire brigade, david elms, ballarat fire brigade, creswick war memorial, country fire authority

Captain Hepburn was a squatter who held the license for Smeaton Estate. Colour photographs of Smeaton House, Smeaton, built by squatters John and Elizabeth Hepburn. john hepburn, elizabeth hepburn, smeaton house, squatter, smeaton, architecture

A colour photograph of the former Retallick building on the Australian Catholic University Ballarat Campus.australian catholic university, ballarat campus, acu, retallick, architecture

The foundation stone for this building was laid by the Most Reverend Dr Higgins, Bishop of Ballarat, on 08 September 1911. Colour photograph of a brick building of the former St Joseph's Orphanage, Sebastopol. sebastopol, st joseph's orphanage, blythwood grange

Colour photograph of a garden at the former St Joseph's Orphanage, Sebastopol. sebastopol, st joseph's orphanage, blythwood grange, garden