Born at Spring Hill in 1866, Louisa Spencer married William Michael Grigg, a carrier/haulage contractor, in 1891. They lived in Ballarat where their first two children were born, then moved to Linton in about 1895. For a short period after this the family went to Western Australia, before returning to Linton in about 1900. Louisa and William Michael Grigg had five children - Georgina Myra (called Ena), Lilian Violet (called Cis), William Spencer (eventually known as "Bill Grigg Snr"), Nellie, and Spencer Lancelot. Louisa Grigg died in 1952.Black and white copy of original photograph of an older lady wearing glasses and a black hat with a feather on the left. She is wearing a light coloured outfit with a white collar and lots of buttons down the front. Louisa Caroline Grigg (Mrs. W. M. Grigg)"Mrs W Grigg, mother of Mr Billy Grigg."louisa caroline grigg (née louisa caroline spencer)

Mary Hepbuirn (or Hepburn) married Henry Francis in 1857, and they had nine children. In the 1870s they acquired land south-west of Linton, where they lived and farmed for many years. They called their property "Newland".Black and white copy of original photograph of an older lady seated in a wheelchair, dressed in black, featuring a fancy cap.mrs henry francis (née mary hepbuirn or hepburn)

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

Elizabeth (Bessie) Mercer, a daughter of Henry Boyd Mercer and Deborah Mercer née Sinclair, was born 23/8/1873 at Spring Hill (near present-day Pittong). She attended Spring Vale State School where she achieved her Merit Certificate. She registered as a teacher in 1891 and completed further training to become a teacher of gymnastics in 1896. Bessie married David Brown of Chepstowe, and they farmed at Pittong. They had two children, Vera and Roy. Bessie Brown died in 1940. Bessie and her sister Emma were very involved with the war effort during World War I, and after the war they were presented with certificates of appreciation by the Linton "Diggers". (Copies of certificates in the LDHS collection.)Black and white copy of original photograph of a seated lady wearing dark skirt and blouse with a high neck and ruffles. Standing beside her is a girl wearing a light coloured knee length dress and black shoes and socks. She is also wearing glasses, a cameo necklace and a white bow in her hair."Mrs Bessie Brown + daughter Vera".elizabeth (bessie) brown née elizabeth mercer, vera brown

Emma Mercer was born in 1870 and lived at Spring Vale (now Pittong) at the Mercer property "The Pines". Emma worked as a teacher and head teacher at several schools, including Mortchup, Chepstowe, Kiata and Tarilta. In 1916, after she had retired from teaching, she married James Brown, a widower, one of a large farming family at Chepstowe. They had no children. James' brother David was married to Emma's sister Elizabeth (Bessie), and after James Brown died in 1931, Emma moved to live near her sister at Pittong. Emma Brown died in 1954. Emma and her sister Bessie were very involved with the war effort during World War I, and after the war they were presented with certificates of appreciation by the Linton "Diggers". (Copies of certificates in the LDHS collection.)Black and white copy of a studio portrait showing a lady standing behind a wooden gate. She is wearing a white high collared blouse with brooch and pendant, and a dark coloured jacket and long skirt. (nee Mercer)"Emma Brown nee Mercer"emma brown née emma mercer

Elizabeth Mercer, born 23/8/1873 at Spring Hill, married David Brown of Chepstowe. They had two children, Vera and Roy. They also acted as foster parents to one of David Brown’s nieces, Verna Brown, whose mother died when Verna was quite young. Elizabeth died at Skipton on 19/1/1940.Black and white copy of original photograph of a portrait of a lady turned to her left. She is wearing a puffed sleeved dress with a spray of flowers tucked into her bodice and a high neck collar with brooch. (nee Mercer)"Bessie Brown nee Mercer".elizabeth (bessie) brown, elizabeth (bessie) mercer

Elizabeth Mercer, born 23/8/1873 at Spring Hill, married David Brown of Chepstowe. They had two children, Vera and Roy. They also acted as foster parents to one of David Brown’s nieces, Verna Brown, whose mother died when Verna was quite young. Elizabeth died at Skipton on 19/1/1940.Black and white copy of original photograph of a lady posing with her head turned to her right with her finger resting on left side of chin. She is wearing a dress with puffy long sleeves and ruching around the collar and cuffs. (nee Mercer)"Bessie Brown nee Mercer"elizabeth (bessie) brown, elizabeth (bessie) mercer

Replica of the historic immigration ship Success built in India. It was deserted at Geelong by the crew rushing to the gold fields 1853. Purchased by the Victorian Government to house prisoners until Pentridge prison was built. Internally it was given over to prison cells. On the deck it was reduced to one mast and small huts were placed to house warders and wives. Two children were known to have been born in these deck huts- one of these was Bella Guerin. She became the first Australian women to gain a Melbourne University BA and MA degree . Replica of the famous Success sailing shipWooden model 3 masted barque fully rigged, brown hull, white bulwarks, varnished deck, masts and spar, three life boats up turned over deck, figure head lady in redsuccess model ship hulk prison

Caroline Murrell, b. 1867 at Happy Valley, was a daughter of Ambrose and Mary Murrell. Prior to her marriage, Caroline Murrell assisted her mother to manage the Victoria Hotel in Linton. In 1910 she married William Ochiltree Lewers (son of Annie Lewers and Samuel Lewers), and they had two children - Bill, born 1910, and Sam, born 1911.Sepia portrait of a young lady wearing high necked garment with brooch at throat."Caroline Carrie Murrell later Mrs W O Lewers".caroline murrell, caroline lewers

Mary Margaret Baird, born circa 1834, was the daughter of John and Elizabeth Logan, of Butterdean, Berwickshire. In 1860 in Victoria, she married Matthew Hamilton Baird, a well-known pastoralist and grazier, the owner of Mt Bute Station near Linton, as well as other rural and metropolitan properties. Margaret Baird lived at Mt Bute in the 1860s and early 1870s, after which it is understood she lived mostly in Melbourne. She died in 1910 at 'Waratah', Clendon Road, Toorak. Margaret and Matthew Hamilton Baird had nine children born between 1861 and 1877, not all of whom survived to adulthood. They are both buried in the Linton cemetery.Framed, hand-coloured/modified photograph of Margaret Baird. Portrait shows a lady in an elaborate gown, seated at a small, round table, her hands on a book. Two other books also on table. Large, draped window to RHS of sitter shows glimpse of garden. (Backdrop appears to be painted rather than photographed.) Lady wears a ring on her 3rd left finger, and a brooch at her neck. Hair neatly parted and coiled.mary margaret baird, mathew hamilton baird, mt bute station

Katie Sandow & Walter Bonthorn married in 1918. Their children were Mary, George and Lionel.Copy of original wedding photograph, showing seated man holding glove, elbow on side table. Lady standing holding bouquet in right hand, flower spray on dress.katie sandow, walter bonthorn, weddings

The story is written by Ingrid Stephen, daughter of Hans Barth who was an internee in camp 1 during WW2. She wrote the story for her children as part of their knowledge and heritage, the history of how and why she arrived in Australia and her life in this wonderful country which has been so good to her and her family. Tells what her father went through from capture to release.A white book with a sepia colour photograph, in centre, of a lady and child. Title at top and author below, in black writing. Family photograph on back in colour.ingrid barth, ingrid stephen, hans barth, john stephen, camp 1 internees

This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing

Mrs Catherine Sneddon, née Wardrope, wife of John Sneddon, was born in Scotland in 1828 and died at Berringa in 1914. She was listed as 'nurse' in the Victorian Electoral Roll 1905. Known in Linton as 'Granny Sneddon', she was a midwife, and had three children of her own.Formal sepia photograph of an older lady dressed in long gown with lace collar, wearing hat, seated with both hands holding a book on her lap."Mrs Sneddon "Midwife""catherine sneddon (née wardrope), granny sneddon, midwives

Catherine (Katie) Farrell or O'Farrell came to Victoria with her parents in 1851. In 1865 she married John Doherty, a miner, and they had six children, all born at Springdallah/Happy Valley. John Doherty is understood to have ultimately owned the Exchequer Mine at Happy Valley. Part of Old Lintonian collection ; No. 108.Oval portrait of a well dressed older lady with head covering, photo made from a gem tintype.mrs doherty, old lintonian collection, catherine (katie) doherty nee o'farrell

Priscilla Nelson, born 1869, grew up at Happy Valley and married James Nelson (the second son of Robert Simeon Nelson and Mary Ann Dawe) in 1890. Priscilla and James had six children - James, Theophilus, Norman, Pearl, Mary and Violet. James established a carpentry/undertaking business on "Church Hill" in Linton (near the Presbyterian Church), but after his brother John Nelson died in 1900, he inherited the Nelson premises in Sussex Street which had been built by his father, and he moved his business and family to this location. This photograph shows Priscilla Nelson with her grandson Theo (son of Theophilus Nelson). The photograph is understood to have been taken in 1939. Priscilla Nelson died in 1941.Enlarged black and white copy of original photograph which has been mounted on white card. The photograph shows an older lady wearing a had and a coat with a fur trim. In one arm she is holding a young child and a handbag. She appears to be about to climb into a car, as her other hand is on the car's door handle.priscilla nelson (née gribble), theo nelson [b. 1939]

Mary May was born in Bedfordshire, England in 1839 and migrated to Victoria with her parents, brothers and sisters in 1852. She married Ambrose Murrell in 1855, and they had seven children. Mary and Ambrose Murrell bought the Victoria Hotel in Linton in 1881. After Ambrose died in 1891, Mary continued to run the hotel with the assistance of her daughter Caroline, but it is understood that around the time Caroline married in 1910, Mary sold the hotel and bought the Linton Newsagency. It is not clear whether she managed the newsagency, as it was run by her son William (Bill) Murrell from about 1912, and later by his daughter Carrie Murrell. Mary Murrell died in 1928, age 94.Enlarged black and white copy of original photograph which has been mounted on white card. The photograph shows an older lady wearing a full-length skirt and a knitted jumper and holding a bundle of sticks (?) with both hands. She has been photographed outside, near a shed or garage. There are trees in the background. Mary Murrell, née May.mary murrell née may

The Fanning Family home, 'Sunnyside', was built in Loemans Road after William Patrick Fanning migrated from Thurles, Co Tipperary, Ireland. He was one of the early farmers in Bulla. He and his wife, Catherine had five children. Since he and his wife died their descendants continued to live at 'Sunnyside' in Bulla. The Fanning family were one of the early settlers in Bulla during European settlement.A photocopied black and white non-digital photograph of a man, lady and young girl standing behind a picket fence outside a weatherboard Victorian cottage with a galvanised iron roof. The family are smartly dressed in clothes fashionable in the 1890s.A label with 'The Fanning Family' printed on it has been stuck on the side of the photograph.'sunnyside', bulla bulla, fanning family, loemans road

The "British Queen Hotel", in Bridge street, Bendigo was first licensed to Squire Barlow (1817-1882), a Lancashire man who came to Australia in 1853 with his two eldest sons, travelling on the "Goldfinder". His wife Mary (nee Taylor, 1814-1891) soon followed with the rest of their children. One more child was born in Sandhurst in 1856. Squire and Mary had married in 1838, "The British Queen" was taken over by John Crowe (1825-1882) some time after 1876. John had previously been the licesee of the Globe Hotel, also in Bridge Street. When John died in 1881, his son Robert Phillip Crowe (Phillip) transferred the licence to John Hope in 1882.Black and white photograph. Buiilding Crowe's British Queen Hotel, 4 people, 2 boys at left, man with hat at centre, lady with long dress centre right. Large hotel light above door, laneway beside building at left with creeper above. On windows of building ' Crowe's British Queen Hotel' On parapet, partially visible ' British Queen..'cottage, miners

Miss Milne was a teacher at Linton State School for many years. It is understood she is the Assistant Teacher in the photograph of school pupils and teachers, c.1888. (Registration no. 179). Miss Milne's efforts at training the children for school concerts were often commended in newspaper reports. Linton Presbyterian Church records held at show that Helen Milne was a communicant from 1886, having transferred from Inglewood. The 'Ballarat Star', 2 July 1902, p. 6, reported that Miss Milne had been presented with a gold brooch and purse, as she had been transferred to another school and was leaving Linton. Photograph is part of Old Lintonian collection ; No. 67. A book of hymns owned by Miss Milne is in the LDHS collection (Registration no. 2013-62).Sepia portrait of a lady wearing high necked gown."67 Miss H Milne"helen (heather) milne, old lintonian collection

Catherine Cochrane was the wife of Hugh Taylor Cochrane. The Cochrane family lived at Linton from the early 1860s. At least two of Catherine's six children became teachers at Linton. Part of Old Lintonian collection ; No. 26.Sepia portrait of a lady.mrs cochrane, old lintonian collection

Sepia photograph of a man with moustache wearing suit with lapel badge, seated beside a lady wearing long sleeved long outfit standing behind a young boy seated on pedestal, with an older girl wearing knee length dress, sash at waist, long socks and shoes, standing beside boy with her right arm leaning on pedestal, left arm hanging down front."Joseph Crozier and family daughter Lily later Mrs Chasey (Steve) son Les Crozier".mr and mrs joseph crosier, lily crosier, les crosier