In woodworking, a moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed.Bertie Robert Edgar Greenwood was born c. 1880/81 and died aged 82 in Hawthorn in 1963. His father and possibly his grandfather were also carpenters. Bertie’s work as a cabinetmaker required precise planing to give lovely edges and other elaborate decorations. The major item in the tool collection is Bertie’s wooden box, which houses 45 different moulding planes. Later in his life, he used these skills extensively when he worked as a patternmaker for a plastering company. Bertie worked through his seventies, retiring when he lost a finger. The tool collection was donated to the Kew Historical Society by Bertie’s granddaughter, Pamela Webster Bloom, a former resident of Kew.Plane - Wooden Moulding, White Oak & Metal, 7/8" Curved, H Wallis Wmsburg Mass.Stamped with owner name ‘G. Greenwood’, with ‘G’ subsequently over-stamped with ‘B’. Later engraved number ‘44’ added on entering the collection in 2010.woodworking tools, moulding planes, bertie greenwood, carpentry, burwood road — hawthorn (vic.)

In woodworking, a moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed.Bertie Robert Edgar Greenwood was born c. 1880/81 and died aged 82 in Hawthorn in 1963. His father and possibly his grandfather were also carpenters. Bertie’s work as a cabinetmaker required precise planing to give lovely edges and other elaborate decorations. The major item in the tool collection is Bertie’s wooden box, which houses 45 different moulding planes. Later in his life, he used these skills extensively when he worked as a patternmaker for a plastering company. Bertie worked through his seventies, retiring when he lost a finger. The tool collection was donated to the Kew Historical Society by Bertie’s granddaughter, Pamela Webster Bloom, a former resident of Kew.Plane - Wooden Moulding, Beechwood & Metal, 3/8" Angle (45).Stamped with owner name ‘G. Greenwood’, with ‘G’ subsequently over-stamped with ‘B’. Later engraved number ‘45’ added on entering the collection in 2010.moulding planes, carpentry tools, bertie greenwood, woodworking tools, burwood road — hawthorn (vic.)

Fine cream silk. Round neckline, centre front opening (no fasteners ).All edges are featuring a cut out profile, almost giving a scalloped edge.These are outlined with shaped running - stitch embroidery, forming peaked shapes. Eyelet embroidery around the neckline, suggest there was once a ribbon tie around the neckline. Two interlocking squares on either side fronts are outlined with silk embroidery - one square floral, one square eyelets. Extended sleeves.costume, children's, jacket or bodice

Object. Pewter like metal medal with 2mm hole drilled at top and 1.5mm hole on lower RHS(Obverse). Obverse: Engraved around edges ''QUEEN OF THE UNITED KINGDOM MARRIED FEB 10TH 1840''. Engraved in the centre: ''AND EMPRESS OF INDIA BORN MAY 24TH 1819, ASCENDED THE THRONE JUNE 29TH 1837. Reverse: In the centre a head profile engraving of Queen Victoria - crowned and veiled. Engraved around the edge, ''VICTORIA REG. JUBILEE YEAR 1887.numismatics, medals - commemorative, queen victoria jubilee medal 1887

A wooden racquet with concave throat, blue painted stem, plastic whipping, and faux-cork cloth tape handle grip. Decal across base of head and throat, on both sides, features the inscription: JC HIGGINS/OUR OWN TRADE MARK/CADET. Below inscription is the head and shoulders profile image of a military cadet in uniform. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Adhesive tape, Paint, Leather, Plastic, Cloth tapetennis

A Wilson Famous Player Series, Mary K. Brown International Model tennis racquet. Throat features a decal head profile illustration of Browne, in front of a faux-Olympic rings device. Wilson logo in front of winged tennis ball emblem features on the shaft. Brown leather handle grip with four-leaf clover perforations also feature. Materials: Wood, Nylon, String, Leather, Adhesive tape, Paint, Ink, Glue, Lacquer, Metaltennis

Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork

Report - A4 - titled "Application for Access - Milan Tram 1692". .1 - providing details of the tramcar, wheel profile, colour photograph, elevation and floor plan and swept path diagram. .2 - floor and elevation drawings. .3 - Photograph of the tram passing Flinders St station 28/4/2002 - printed on Kodak paper .4 - Photograph of the tram in Victoria Parade about to turn into Latrobe St with a city circle car behind it - details as for .3trams, tramways, reports, milan, tram 1692

Wooden model of Specimen Cottage, Hargreaves Street, Bendigo.Model is painted white, with brown painted roof. The roof is designed to mimic the profile of the Morecomb and Rogers metal tiles on the original building. Model of cottage was for sale at the Bendigo Market in early 2018 where the donor, John Williams purchased it for the Bendigo Historical Society. Written on 'icypole stick' stuck on front of model 'Specimen Cottage 1856' in black ink. Heritage Victoria listing in historical details field.bendigo, buildings, specimen cottage

The Finn Koren Collection.A4 size booklet with black comb binding and plastic covers back and front. 20 pages. Details all components of the Williamstown High School Concert Band tour to New Zealnad in 1992. Itinerary, flyer, information about New Zealand, band profile, extra-curricula activities, emergency procedure, items to take,procedure for taking musical instruments on flights, items played, stage set up, instruments, students and staff list (phone numbers redacted.)Student comments inside front cover. "Fk" top right front cover. See pdf.williamstown high school, music tours, new zealand concert band tour, 1992

Newspaper clipping from The Courier, 20/9/1971 about Mr. Charles Rollan (picture in supplement - see Reg. item 269) who was on the first horse drawn tram to Sebastopol 78 years ago. In the Outlook - Profile section of The Courier. Gives details of Mr Rollan's life, his riding of the trams to and from the city and his thoughts on the trams, compared to buses and riding a bicycle and on the days of the horse trams on the Sebastopol route. 2nd copy and image added 2/9/2014.trams, tramways, sebastopol, horse trams, charles rollan, stories

A wooden, transitional flat-top racquet with a laminated convex throat. Decal profile bust image across throat on obverse is of a male North American native. Inscription across right side of stem is largely lost, but originally read: THE BRIDGEPORT GUN IMPLEMENT CO./NEW YORK, U.S.A. Hand carved name along stem on obverse: LOLA DEVALE. Decal inscription across crown on obverse is illegible. Materials: Wood, Gut, String, Leather, Metal, Ink, Glue, Lacquertennis

A Wilson Famous Player Series, Bruce Barnes International Model tennis racquet. Throat features a decal head profile illustration of Barnes, in front of a faux-Olympic rings device. Wilson logo in front of winged tennis ball emblem features on the shaft. Black leather handle grip with four-leaf clover perforations also feature. Butt cover features logo 'IT'S A WILSON'. Materials: Wood, Gut, String, Leather, Adhesive tape, Paint, Ink, Glue, Lacquer, Metaltennis

A Wilson Famous Player Series, Bruce Barnes International Model tennis racquet. Throat features a decal head profile illustration of Barnes, in front of a faux-Olympic rings device. Wilson logo in front of winged tennis ball emblem features on the shaft. Brown leather handle grip with four-leaf clover perforations also feature. Butt cover features logo 'IT'S A WILSON'. Materials: Wood, Gut, String, Leather, Adhesive tape, Paint, Ink, Glue, Lacquer, Metaltennis

A Wilson 'T2000' metal tennis racquet, with double shaft; white plastic shaft casing featuring 'W' logo and silver whipping. Handle wrapped with non-original maroon 'Profile'-branded grip tape and red grip seal tape. Net anchored to metal wire wrapped around head frame. White plastic butt cap with adhesive label featuring manufacturer's 'W' logo in black. Materials: Metal, Plastic, Adhesive tape, Nylon, Adhesive labeltennis

The 1888 Centennial International Exhibition, celebrating a century of Australian settlement, surpassed even the grand scale of the1880 Melbourne International Exhibition. It attracted over two million people, but the Victorian government had to spend £250 000 on it, ten times the amount estimated. The exhibition had a distinctively imperial focus, and a greater emphasis on culture than in 1880, particularly on music and painting (1). (1. https://collections.museumsvictoria.com.au/items/273830) S.D. Gadd was appointed Curator of Parks and Gardens in 1874 an lived in residence in Rosalind Park. He resigned in 1905 and moved to Melbourne where he died in 1917. Mr Gadd was a prominent member of the Masonic Lodge. It is not clear why he was awarded this medal.The bronze medal of the Centennial International Exhibition awarded to S.G. Gadd. Obverse - Portrait: bust of Queen Victoria in left profile wearing a crown, veil and 3 medals. Reverse - Field: Victor's wreath consisting of leaves and acorns of British oak and the leaves and acorns of the wattle. The oak and wattle were tied together 'by a true-lover's knot, 'symbolizing the unity and affection between the mother country and the colony'. Southern Cross inside surrounded by a legend. (https://collections.museumsvictoria.com.au/items/273822) Obverse - Motto: Centennial International Exhibition Melbourne Reverse - Legend: (Latin) Artibus Dignis Honor Insignis (To the deserving arts, distinguished honor) (Mint) left: Melbourne Mint. (Date) Lower Centre: MDCCCLXXXVIII. (Engraver) Right: Stokes & Martin S.C. Edge - Plain, impressed with S.G. Gadd ESQ.centennial international exhibition melbourne 1888, s.g. gadd, rosalind park, city of greater bendigo medals

Medals awarded to "Pte H.C. Nott", No.288, 6th Bn AIF. See Catalogue No. 7816.4 for Nott's service record. Part of the Cooper Collection.Set of three WW1 court mounted medals; 1914 -15 Star - red, white and blue ribbon. Kings crown above crossed swords. Victory Medal - purple, green, yellow and red ribbon, gold coloured circular disc with winged victory on front. British War Medal - yellow ribbon with blue and white edges. Silver coloured disc with King's profile. (N.B. Medals mounted in incorrect order - Victory Medal and British War medal reverse positions.)cooper collection, herbert charles nott, medals, ww1

NoneSeveral plate print. Background images are embossed, showing clouds and abstract water patterns. At centre left is an embossed women's head in profile. Central image is a man in what appears to be a monkey skin. He has a cap on his head and is spinning a barrel-shaped object with the fingers of his right hand. Below him is a light brown etching of grass. Below the grass is a blue etching of water ripples. Mounted in cream matt with blue edging. Wooden frame with glass.Front: "Clouds" 26/65 (centre left) D. Higgins '75 (centre right) (pencil) Back: (no inscriptions)

Introduced in 1974, the Braille Book of the Year was created to both acknowledge excellence in writing as well as raise the profile of Braille books. In 1991, the award was won by Trevor Hay for his book 'Tartar City Woman: scenes from the life of Wang Hsin-ping, former citizen of China'. The Narrator of the Year award went to Paul Karo for 'The Rise and Fall of Alan Bond'. Presentations were made by Wilma Bedford (Director of Life Be In It), John Blackman, Rose Blustein, Ross Gibbs, Paul Cotter (?), Trevor Hay and Paul Karo. 14 colour photographs, 3 black and white and 1 proof sheet of negativesawards, braille & talking book library, wilma bedford, paul karo, trevor hay, wang hsin-ping, john blackman, rose blustein, john cook, peter walsh, ross gibbs, paul cotter

Photos during Badge Week in September 2008. Photos show the preparations inside Legacy House with Legacy widows volunteering their time to help out, along with Army personnel. Two of the volunteers are: Dulcie Cedaro a former Junior Legatee, and Glad Fenton. They are in the first photo Dulcie Cedaro (nee Saker) (second from right) and Glad Fenton (right). Plus a copy of an article from The Answer in 2016 where Dulcie was profiled after over 25 years of volunteering, especially in the Badge volunteer team that prepared the badge trays.A record of the fundraising for the Legacy Appeal in 2008.Colour photo x 4 of widows helping preparation in Legacy House for Badge week.Printed on the back No.< > Clarendon Photos 1821 which is the frame numbers and place of processing. Negative numbers 6A, 8A, 13A, 24A (see also 00767, 00770, 00771, 00773).legacy appeal, fundraising, badge week, adf personnel, answer

Illustration on plate is a family fishing party aboard the "Ripple" built by George Matthew Winchester. Shows Ethel (mother) with Lindsay Smooker on her knee. Harry, Elsie, Anita and H. Hermann about 1941. The Winchesters lived in Marlo and built boats near the Marlo hotel. The "Ripple" built by George Winchester at the age of 18 years was the first boat built by him. It was built in 1908. It has been noted in a profile of George Winchester done by his Daughter Olive Hunt (née Winchester) that was completed one year before her death in 2002.The Winchester family is a prominent local family.The Winchesters lived in Marlo and built boats near the Marlo hotel. This item is an example of a souvenir item made especially for Orbost.Very small white souvenir plate. Gold-rimmed with black illustration of people in a boat on the Snowy River.Front-Snowy River Orbost Back-Melba Bone China Guaranteed Made in Englandplate souvenir snowy-river orbost melba-china

This work was completed during Harper's Laughing Waters residency at Boomerang House, 2001. The Laughing Waters Artist in Residence Program was run by Nillumbik Shire Council (in partnership with Parks Victoria) 2001-2015. "My painting is about colour and form, and their relationship. I am interested in what one colour does to another colour, the weight of a colour and the feeling of a colour. Colour is very complex; I am looking and responding to what I see and what interests me." Melinda Harper in Artist Profile journal article by Melissa Pesa, 2015.The painting is representative of Harper's artistic practice and the vivid colours and abstraction particular to her work. Small-medium sized oil painting of vivid, bold, coloured shapes arranged in a kaleidoscope pattern. There is an array of colours each placed in proximity to each other to create a vibrant, lively atmosphere. Anna Schwartz sticker on back of canvas. harper, untitled, 2002, contemporary, laughing waters, boomerang, abstract

A postcard to the Comradeship Committee when a Legatee was travelling in England. It is addressed to Mr T Walsh at Legacy. It is dated 12 June 1992. It says: Dear Terry and all. We've had 4 days ON Dartmoor, not IN Dartmoor. In view of our name, we keep a low profile so as not to be invited to stay!! Most of the Moor is a very beautiful place, especially around Widecombe-in-the-Moor! We're keeping well and should see you all in the middle of August. Give our kind regards to all our Legacy friends. Thanks, John and Nancy C.A record of a Legatee travelling and relating experiences back to his comrades in Melbourne.Colour postcard of Dartmoor Prison.Printed "Dartmoor Prison, Princetown". 33p UK postage stamp. Handwritten text in blue pen.comradeship, legatee

Legacy widow Nancy Ayres won a Bronze medal at the World Masters Games in 2002 - possibly for the 50 Freestyle in 75-79 age group. She was 79 at the time. She also swam in the 100m and 200m freestyle races. According to the note it seems she was profiled in The Answer issue in December 2002. Later she went on to be part of a 4 x 50m relay team that set a world record in 2012, where the combined age of the 4 team members had to equal at least 360 years, swimming the race in 5 minutes and 45 seconds.It shows that Legacy celebrated the achievements of the widows in their care.Colour photo of Nancy Ayres.Printed on back

Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The Wild GZ1 orthophoto projector shown in photo.1P was introduced in 1973 and was the first equipment used to orthorectify colour and monochrome film aerial photography. Height profiles were originally produced on a PEB8 Stereo profiler and later were software generated. Photos of the PEB8 are available in Victorian Collections item 6222.17P, photos .5P and .6P. In the same era the IBM 1130 computer; OMI/Nistri AP/C-3 analytical plotter with coordinatograph, OP/C orthophoto projector and Zeiss Planimat D2 stereoplotters were introduced. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. The WILD OR1 orthophoto projector and workstation shown in photos .2P to.4P was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. See items 6124.5P and 6133.4P for more photographs of orthorectification equipment.These four photographs of orthorectification equipment were taken at the Army Survey Regiment at Fortuna, Bendigo, c1975 and c1988. The photos are on 35mm colour slides and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1975, Wild GZ1 orthophoto projector. .2) - Photo, colour, c1988, WILD OR-1 unrectified colour photo in carrier, orthorectified and re-scaled colour image. .3) & .4) - Photo, colour, c1988, WILD OR-1 Orthorectification Workstation.1P to .4P – Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, asr, army svy regt, fortuna