Also two other copies 12.5x18cm, and 9x14cmBlack and white photograph showing early building of eastern pier at entrance to Gippsland Lakes from ocean Bass Strait. Partially built pier with tramline and rocks in place, railing along boardwalk on right. Two ladies on beach on left. Lakes Entrance Victoriaocean, waterways, public works

First photograph probably taken in February, 1906. The other two photographs appeared in The Weekly times, March 3rd, 1906, on page 10Three Black & White photographs of the wreck of the Speke. February 1906. 278-01. Photograph of Captain Tilston, master of the Speke, 2nd mate, Mr A Cooke - hero of the wreck (seated) two apprentices and the 1st mate (standing) 278-02. 2 x Photographs of broadside view of the Speke on rocks. This photo was given to John Jansson by Swedish seaman Gus Johanson in 1960's. He got the photo from Allan C Green who was a photographer for a Melbourne Newspaper. The 2nd photo is an upgrade of the 1st photo. Updated 10/3/2022. 278-03. Photograph of some of the crew of the Speke on rocks near the wreck.wreck of the speke, crew of the speke, cpt tilston, mr a cooke, jack jenner

Photo of the falls in Sherbrooke Forest. Huge amount of large rocks in and around creek bed. Ferns grow up sides of banks. Low volume of water indicates dry season. At the top of the falls a man sits with another person who appears to be a woman. c.1920.

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

From the Port of Portland website: The original corkscrew was built as a gift to the Portland Harbour Trust by the contractors who constructed the port. It was designed in 1960 and fabricated shortly after the completion of the Main Breakwater. The corkscrew was built as an observatory, with the observation deck approximately 13 metres above sea level. Its original design life was less than 25 years. The original structure was dilapidated, extremely unsafe and in danger of collapse. Understanding the historical and community importance of the original structure, in 2016 Port of Portland began the process of designing and building a replacement. The new corkscrew is a similar size and has been based on the same spiral shape of the original structure. The corkscrew has been constructed using mild steel, heavily coated in marine grade paint (similar to what is used on ships). Heavy duty plastic has been used for the walkway section which will withstand the harsh elements of the marine environment.Photograph of the Portland Corkscrew in the 1980s. Image is in black and white. The corkscrew is in front of a sky which is dotted with fluffy clouds. To the front of the Corkscrew are large rocks. The building is a spiral with glass windows. There is a white metal fence around it and a white pole at the top which reaches to the top of the image.Bottom right: J WILKINSportland, seafront, maritime, portland landmark, corkscrew, port of portland, portland photography, photography

Part of a collection of photographs donated by Julie Barnet. Photographs taken by Julie's In-laws on their honeymoon in November 1946. Some of the photographs showing handling of the birds is no longer acceptable by the public. Collection of Mutton Bird eggs ceased many years ago.229-22. Black & White photograph of the Suspension Bridge taken from Newhaven. Boats on foreshore in foreground. 229-23. Black & White photograph of the Suspension Bridge taken from Newhaven with boats on the water. 229-24. Black & White photograph of four people in a boat on the foreshore (May, Dot, Roy & Pat). Suspension Bridge in the background. 229-25. Black & White photograph of a Mutton Bird's (Shearwater) egg. 229-26. Black & White photograph of a Mutton Bird (Shearwater) with outstretched wings held by Ken West. 229-27. Black & White photograph of Ken West holding a Mutton Bird (Shearwater) with outstretched wings at The Nobbies. 229-28. Black & White photograph of Bert West holding a Mutton Bird (Shearwater) with outstretched wings. 229-29. Black & White photograph of Seal Rocks, Phillip Island. 229-30. Black & White photograph of Seal Rocks, Phillip Island. 229-31. Black & White photograph of Seal Rocks, Phillip Island.phillip island suspension bridge, suspension bridge, wildlife - birds, wildlife - mutton birds, wildlife - shearwaters, mutton birds, shearwaters, seal rocks, seal rocks phillip island, ken west, bert west, julie barnett

Dianne Morgan from Ararat at Sister Rocks. c 1952 Diane is standing in front of a lions face painted with a white outline on a dark background. Photograph is black & white taken in 1965. Diane married Noel Raeburn in 1965.Diane Morgan from Ararat at Sister Rock's. c 1952 stawell scenery

A selection of photographs sold to tourists. A selection of hand coloured photographs of Phillip Island. Following description as on the photographs. 344-01: Pyramid Rock, Phillip Island. No. 5. 344-02: Penguin Beach, Summerlands, Phillip Island No. 3. 344-03: The 'Killara' at the pier, Cowes. No. 10 (shows Cowes Pier with shed and Killara Ferry.) 344-04: Boat arriving at Cowes. No. 9. (shows the Killara near the pier full of people.) 344-05: The beach, Cowes No. 8. (beachgoers on the Cowes west beach enjoying the sun - many sitting under beach umbrellas.) 344-06: The Nobbies showing Seal Rocks, Phillip Island. No. 4. (Coastal scene at The Nobbies with Seal Rocks in the distance.) 344-07: Penguins, Phillip Island No. 11. (Penguins arriving on the beach at dusk after a day out fishing.) 344-08: Rocks at Cape Woolamai, Phillip Island. No. 7. 344-09: The Pier, Cowes. No. 1. (Photo taken from the end of the Cowes Pier looking towards Cowes Township. Jetty shed and Isle of Wight Hotel in the background.) 344-10: The Pier & War Memorial, Cowes. No. 12. (Taken looking from The Esplanade to the War Memorial and Cowes Pier. People and boats at the Pier.) 344-11: Seals at Phillip Island. No. 6. (Seals are on Seal Rocks out from The Nobbies.)As above.pyramid rock, summerland beach, the killara ferry, cowes pier phillip island, cowes beach phillip island, the nobbies, penguins, wildlife - penguins, cape woolamai phillip island, cowes war memorial, seals on seal rocks phillip island, wildlife - seals, cheryl burton

Grubbing rocks at "Boswell Park" Lake Bolac, in order to prepare the ground for ploughing and cropping. Most ground on the Western District volcanic plains had to be prepared in this way before the soil could be tilled. "Boswell Park" was run by the Moreton family.lake bolac, boswell park, grubbing rocks, moreton, cropping

A bogger is a heavy-duty piece of equipment used in underground mining to transport rocks, ore, and other materials from the digging face to processing facilities or loading areas. A bogger operator is an individual who controls the machinery used to transport materials.Colour photocopy of original photo. Image shows red load haul dump loader, pictured parked on a mine road at the Kangaroo Flat Gold Mine site. Date stamp on bottom RH corner: 21/5/1999.western mining corporation, goldmining, capping, shaft, mining regulations, kangaroo flat gold mine, 1999

Brown hard covered book of 142 pages. Contents include state of the art of boring for water in Europe, Asia and America, Progress in the Australian Colonies, Water-bearing rocks - permanence of supply, machinery and cost of boring, irrigation for Artesian wells, and sub-artesian or shallow boring. Ilustratednon-fictionwells, walter gibbons cox, water supply, artesian wells, south australian bores, western australian bores, new south wales bores, queensland bores, cambridge downs, sebania, queensland, richmond downs, queensland, toorak, queensland, native dog, barringun, new south wales, marathin station, queensland, mazxwelton no. 2, queensland

Two photographs showing St Kilda Beach, Melbourne. .1) Bathers paddle in St Kilda Beach, and a boy in the foreground plays on rocks. The St Kilda Pier and Luna Park are in the background. .2) A yacht sails at St Kilda beach. Luna Park can be seen in the background. .1) verso 'the Beach St Kilda 28/2/20' .2) Off St Kilda Pier 28/02/20st kilda pier, st kilda beach, beach

Vol. 10, No. 2, May-Jun 2005 CONTENTS Richmond 3121 - the book 2 Daryl Braithwaite rocks up at Wellers 5 Shelton Lea lauded and farewelled 8 Artin' About 10 Wining & Dining 14 Listings 16"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 16 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, art streams magazine, daryl braithwaite, wellers, richmond 3121, daniel moynihan, anthony figallo, shelton lea

Note the unfinished state-stones at base. Honour Roll not yet erected. Before the memorial was erected there was a cairn of rocks to commemorate Armistice Day. All travel was mostly by walking and school children walked to town each November 11 Memorial Service.The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage. Black and white photograph mounted in an album, the Reynolds/Prior Photograph Collection, this being one of 53 reproduced black and white images of early Eltham.The Reynolds/Prior Photograph Collection, Presented to the Eltham District Historical Society, 14 June 2006 by Ross McDonald. A second copy was also presented to the Andrew Ross Museum, Kangaroo Groundreynolds prior collection, kangaroo ground, war memorial

Coloured Souvenir folder of 12 postcards donated by M Arnell.Souvenir Colour Folder of 12 colour postcards of Cowes and Phillip Island. Photographs Include: Cowes Beach, Cowes Pier, Koalas, Cowes Township, The Nobbies, Summerland Surf Beach, Suspension Bridge, Thompson Avenue, Cowes, Penguin Parade, Seal Rocks, The Isle of Wight Hotel and The Blowhole.Front cover: A Souvenir of Picturesque Cowes. A Special selection of Scene in Full Colour.phillip island, cowes phillip isand, the isle of wight hotel cowes phillip island, the blowhole phillip island, penguins, koalas, seals, m arnell

Black and white photograph, eight young males in costume with four horses. Bullion box with rocks at front. Inscriptions: on back circular purple stamp 'Royal Historical Society of Victoria, Bendigo Branch', '1960', '97', '267', MP 184'. History of object: Previous Acc. No. 'MP 184'Bendigo Advertiserperson, group, centenary, see also 2000.511.01, 2000.512.01, 2000.513.01, 2000.514.01, 2000.516.01, 2000.517.01, 2000.518.01, 2000.519.01, 2000.520.01, 2000.521.01, 2000.522.01, 2000.523.01, 2000.524.01.

Printed coloured photographic postcard. Image is of a body of water with rocks and a bare branched tree in the foreground. Mountains are in the background. The words Derwentwater and Skiddaw are printed in white along the bottom edge. Reverse is addressed to Miss G Dean Glen Alvie Queenscliff. Handwriting covers the left hand side.BB London Series No G8 Printed in Germanypostcard

Image on newspaper. Top third of the page contains the title - Australasian Sketcher / With Pen and Pencil . Under this is a black and white drawn image of a large octopus in the water. There are also rocks and cliffs. Under the image are the words: An Octopus seen in Portland Bay. From a sketch by Mr H. Butler, Portland.No. 41 - VOL IV / Melbourne, Saturday, May 13 1876 / Price 6doctopus, marine, sealife, portland bay, newspaper, drawing

The Plenty River at the aqueduct crossing, 2019, showing graffiti on the river bank rocks. Originally part of the Maroondah Aqueduct pipeline, all that remains is the bridge that once carried the pipe over the Plenty River. This photograph was taken from the Plenty River Trail in Greensborough. 2 colour digital photographsplenty river trail, maroondah pipetrack, maroondah aqueduct, plenty river, graffiti

German and Japanese graves at Tatura Cemetery WW2.Black and white photograph of at least 13 white crosses, marking graves. A row of stones in front of that. In front of the stones is a row of 6 white long sticks. Trees in the background. Looks like two big rocks, maybe marking graves, on the far right of the picture just behind the first cross.german graves, japanese graves, tatura cemetery

Photocopied photo of Victoria Hill from Rae's Open Cut. In the background are the Poppet legs of the Central Nell Gwynne Mine. On the left background is the Victoria Quartz Mullock. In the foreground are rocks and trees. Photo courtesy of Robert Wallace Studios, 6 Ruth St, Golden Square. Albert Richardson collection.photo, victoria hill, victoria hill from rae's open cut, central nell gwynne, victoria quartz, robert wallace studios

This handmade picture has been painted on a cast plaster or composition frame. Plaster frames were popular in the e19th century. The material is quite fragile and many pictures from this era suffer from damage such as chips and cracks.This simple handmade painting on cast composite frame is typical of 19th century art work found in middle and upper class Victorian homes of that era. It cannot be attributed to a particular artist due to lack of inscriptons.Painting, oil on composite material, handmade Pink coloured cast composite oval frame with decorative border. Painting depicts two figures in a small green boat on the shore, sandy beach, rocks nearby, small surf waves, mild sea, two sailing vessels in background. No inscription on front of painting. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, victorian art work, maritime scen, composite material, plaster, cast frame, oval frame, victorian era

Silver engraved - filigree - 5 leafy arms (one arm missing). Two trunks hold up the actual cup. Cup engraved with 4 palm trees at back. Front shows a cricket match scene with fence, tents and pavilion. Small leaves at base. Base covered with small flowers and rocksW Edwards, Melbourne. Leading supplier of silverware c1889.Collins St East, Melbourne

Chris. Christiansen had a barber shop in Sunbury and was the photographer in the town from 1895 until 1916. He conducted his business in a building situated on the corner of Evans and Brooks Streets. The Gillies Bridge is situated on the Wildwood Road, just off the Lancefield Road.A mounted sepia photograph of the Gillies Bridge at Sunbury. The mounting is cream with silver writing across the bottom of the photograph. There is a man driving a steam roller (traction engine) across the bridge and another man is standing at the bottom of the bridge on the RHS. The creek and rocks are in the foreground. Cream mounting - 2 cm wide with silver inscriptionsChristiansen / Sunbury Studiosgillies bridge, wildwood road, sunbury, bridges, steam rollers, bulldozers, tractors, christiansen, chris, photographers, george evans collection

Copy of postcard captioned - Lower Olinda Falls that has a young man sitting on rocks at the upper LHS. This young man has been identified as Fred Dorey, brother of Iris Woolrich nee Dorey. The suggested date is after 1897 but before 1905. The Upper Olinda Falls can be seen in the background.Printed on front: Lower Olinda Fallsfred dorey, olinda falls, lower olinda falls, olinda

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The fishwife sits on rocks beside a basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Newhaven Fishwife"postcards, george and edith weir, newhaven - east sussex, fishwife series, weir collection, postcards — england — uk