Colour photo. Taken at BRIT Small piece of paper attached to bottom of photo reads Organic Chemistry Lab. 1968 New centre bench and reagents in middle, Sodium press foot wire extrusion for drying ether front right, Sartorius double pan balance next & centrifuges further down Photo by John Adeney.John Adeneybendigo, institutions, brit

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This teapot is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. The ingenious repair to the teapot's handle reflects the resourcefulness and thriftiness of the Haeusler family during the economic hardships of the 1930s Great Depression. The teapot was manufactured in England, likely dating from the early twentieth-century. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A glazed ceramic teapot with a printed design depicting two deer and a hunter in a woodland on one side, and two deer by a stream in a woodland on the other. The broken handle of the teapot has been replaced with wire. The teapot handle was repaired by Alfred Haeusler (b.1922, d.1997) and holds remarkable balance, perfectly retaining its function. Faded, circular makers mark on the base of teapot, illegible/"ENGLAND"teapot, teaware, tableware, ceramic, domestic, social history

A bank passbook outlining the funds in the Jean Bickford Bequests account from the period 1930 until 1952, including balances and interest paid. At the back of the book in the Depositor section is: I.H. McVilly (crossed out) and G.R. Fowler, Secretary, The Assn. for the Advancement of the Blind, 118 Queen St, C1.1 Commonwealth Savings Bank of Australia bank bookassociation for the advancement of the blind, jean bickford

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

Fredk Quiney & Sons established their company in 1890, council records show that Quiney began working at 4 Ranelagh Place in Leytonstone and from 1908 to 1926 he was at 268 High Road, Leytonstone. The name occurs on brass weights and balance scales dating from the early twentieth 20th century.A balance scale vintage giving a snapshot into mercantile life during the late 19th and early 20th centuriesBeam scale with stand, platform for weights and holding device for metal dish.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The School of Mines Ballaarat. Annual Report 1883. Statement of Receipts and expenditure, general balance sheet, and list of subscriptions donations 1883. Annual Report, Balance Sheet, Certificates granted by the Council, Examination Papers - Elementary Science Classes (Appendix), Fees, Honorary Correspondents. Life Governors, Museum - open to visitors, Office Bearers, Paper of Particulars, Report of the Curator of the Museum and Library, Report of the Superintendent of Laboratories, Report of the Lecturer in Mathematics, Report of the Lecturer in Mechanical Engineering, Report of the Lecturer in Telegraphy, Report of the Lecturer in Materia Medica, Report of the Lecturer of Astronomy, Scale of Charges for Assays and Analyses, Examinations Held, Statement of Receipts and Expenditure for the year 1883, Subjects and Lectures, Subjects and Examiners, Subscriptions and Donations, from 1st January to 31st December 1883.Ballaarat School of Mines annual Report. Soft cover pale green booklet of 67 pages. Includes a colour Geological Map of Lal Lal and a sketch Section from Lal Lal to the Moorabool. Inscription on front cover 'Office Copy' On pages 4 and 5 some names have been crossed out and others added.ballarat school of mines, annual report, balance sheet, certificates granted by the council, examination papers, fees, honorary correspondents, life governors, museum, office bearers, paper of particulars, ballarat school of mines museum, library, superintendent of laboratories, mathematics, mechanical engineering, telegraphy, lecturer in materia medica, statement of receipts and expenditure for the year 1882, examiners, subcriptions and donations, alfred mica smith, chemistry, metallurgy, f.m. krause, ferdinand krause, geology, mineralogy, scientific mining, t.h. thompson, practical mining, w.h. shaw, h. reid, mechanical enginnering, phoenix foundry company (limited), phoenix foundry, arthur. a. buley, mining, engineering surveying, walter. d. campbell, j. wall, astronomy, james oddie, natural philosophy, elementary mechanics and hydrostatics, magnetism and electricty, sound, light and heat, j.f. usher, materia medica, pharmacy, physiology, w.h. shawmechanical engineering, h.m. andrew, h.d. de la poer wall, thomas mann, p.c. fitzpatrick, h. rosale, john lewis, w.c. kernot, mccoy, j. cosmo newbery, baron von mueller, samuel w. macgowan, w.p. bechervaise, r.l.j. ellery, astronomer, j.m. bickett, james bickett, n. kent, a. martin, r.s. mitchell, w.h. keast, p. matthews, d. milliken, j.t. richards, jonathan robinson, h. brookes allen, joseph bosisto, c.r. blackett, m.l.a., william. johnson, government of victoria analyst, moorabool, lal lal, skipton, coal, skipton coal discovery, lal lal creek, moorabool falls, lal lal race course, lal lal falls, moorabool river, william h. keast

Articles in annual report include: President's report, finance report, auditor's report, balance sheet, nursing homes, social work, rehabilitation, low vision clinic, honorary services, auxiliary income, blind members, sport and recreation, life governors. There are reports on the Olympics for the Disabled and the opening of the George Vowell Centre.1 printed volume with illustrationsassociation for the blind, corporation records

WAGES BOOK (DERBYSHIRE MINE) SEP 1865 - APRIL 1872. Columns for Name; Occupation; No of Days; Rate; Amount; Signature. Loose at rear of book are 1. Minutes of Forfeiture of Shares, Jan 11th 1867; Single sheet titled 'Derbyshire Gold M Co registered'; 3 sheets re Profit and Loss accounts/Balance sheet Aug 1866.bendigo, industry, derbyshire gold mining co, derbyshire mine

Letter from the Auditors mentioning they were pleased everything was correct. Eight new members had been added to the Court during the quarter and one clearance was granted. The Incidental Fund had a great drain from donations. Signed by Geo. Jas, Murray and John Batiste. Court King of the Forest impression stamp on the paper. On the back is part of a balance sheet.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, geo jas murray, john batiste

Letter from the Auditors of the accounts of Court King of the Forest dated Oct 5th 1863. They were pleased with accounts and congratulated them on the number of initiations. The Balance sheets are mentioned. Also proposed a note of thanks to the Secretary for the efficient and neatness of his accounts. Signed by John Charles, Geo. Jas. Murray and Hugh Brown. Paper has an elaborate watermark.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, john charles, geo jas murray, hugh brown

Green hard cover book, one page only has entries. Written inside front cover in grey pencil ' New Don No Liability' Entries relate to 1933, and 1934 showing tons, weight advanced upon, amount of advance, weight after melting, fineness ( bank charge written in pen ) eq standard weight, value, balance of assay.gold, mining, new don mine

Memo sent to school committee declining a subsidy on a pound for pound basis, for improvement works at the Halls Gap school. The reason given being that it had been necessary to discontinue the granting of all subsidies due to the condition of the finances of the State. The letter also requests a balance sheet for an entertainment held on 20 March 1931.Memo to Mr. L.S. Watten School Committee No. 3058 from M.H. Bottoms, Secretary of education Dept, Public Offices, Treasury Place, Melbourne.education, schools, halls gap

'A condensed history of St Kilda and the report of the festivities, reprinted from the "St Kilda Advertiser" of the 6th Dec., 1890, together with a list of the subscribers to the cost of the children's fete, and the Treasurer's audit balance-sheet; also, a list of mayors and councillors of the city from 1857 to 1890'. (p8) Also contains advertisements by local businesses.Cream coloured booklet, 26p, printed in black with gold printing on the cover. Stitched binding. Contains advertisements from local businesses. Handwritten list of mayors and councillors in 1902-3, 1903-4, and 1904-5 on p21.city of st kilda, borough of st kilda, st kilda council, 19th century, 1890

Small buff-coloured leaflet with green print advertising 31 home sites for sale, with summary of subdivision features and services available. Subdivision includes Eden Avenue and Dirkala Avenue, Heathmont. Managing Agents - H.G. McLean P/L, 166 Canterbury Road, Heathmont. (Tel) 877808-9, 8702560, 8422708. £100 or $200 Deposit. Terms £18 or $36 monthly, balance over 4 years. Interest 7% quarterly adjusted. 5% discount for cash.

Table of contents: Editorial, News and Notes, A Journey from Natal to Mashonaland with the British S.A. Coys. Police, A plea for research, New Caledonia, Notes on Victorian geology, Mt Bischoff Mine & Mill, Summaries and notes from the mining journals, Things we eat and drink, Farewell to A. S. Coyte, Balance sheet, Sports, Editorial notices.Pale green booklet of 12 pagesSigned on front cover 'H.R. Murphy'ballarat school of mines, students' magazine, c.a.m. deane, mr arthur, s. coyte, h.r. murphy, natal, mashonaland, british police, new caledonia, mt bischoff mine and mill, a.s. coyt, harry davis and co, purser and wilson, j. treweek, bert porter, boer war, a.e.c. kerr, eric moore, o. thiele, s.b. vial, lager beer, arthur coyte, l.j. auston & co., great western vineyard, hans irvine, r.g. ingrams, j. miller and co., w. porter and co, carter and werner

Boyd praises Reyner Banham's book titled "Los Angeles: The Architecture Of Four Ecologies" published in 1971. Boyd describes Banham's unconventional, positive attitude toward Los Angeles as an architectural love story. Boyd notes that Banham is somewhat idealistic about Los Angeles but declares the book a successful and interesting balance between history and architecture.Original manuscript of an book review published as 'Los Angeles: architectural love story' in "The Sunday Australian" on 04.07.1971.Typewritten (c copy), pencil edits, quarto, 7 pagesreyner banham, los angeles, historian, modern architecture, age of technology, robin boyd, manuscript

Cohn Bros. Limited Annual Report, Balance Sheet and Profit and Loss Account for Year ended 30 April, 1956. Registered Office : Bridge Street, Bendigo. Printed document six pages in length. Directors : Frank Levy (Chairman), Marc Cohn, Leo R. Cohn, Clifford Cohn, Edward B. Newell. Secretary : Arthur G. K. Douglas.bendigo, industry, cohn bros., cohn bros. limited.

document - memo from green one penny stamp at foot of receipt from William Jones Runnymede Flour Mills Elmore 2.2.1887 to Messrs Bennett, Attenborough, Wilks & Connelly, regarding ' balance due to me re Beischer' and cost of transfer of land to date. Signed William Jones, per John Findlay .green one penny stamp at foot of receiptbusiness, legal, connelly, tatchell collection, connelly, tatchell collection, bennett, attenborough, wilks., william jones

The Sunday Pictorial was the original name of the Sunday Mirror. It was first published in 1915 by Lord Rothermere and edited by F.R. Sanderson. The idea of the paper was to balance quality journalism with entertainment, presented in a largely photographic format. The Sunday Pictorial was renamed “The Sunday Mirror” on 7th April 1963, forty-eight years after its foundation. Hugh Cudlipp was the editor in 1951.Newspapers reflect contemporary society. Saving an item dedicated to the royal family is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family, especially towards Queen Elizabeth II.A complete 16 pp newspaper, titled Sunday Pictorial. It is dated November 18, 1951 and cost twopence halfpenny. The headline story , "They're Home Again!", is of the return of Phillip and Elizabeth from a tour of Canada and the United States of America.newspaper-sunday-pictorial media-print royal-family

Fredk Quiney & Sons established their company in 1890, council records show that Quiney began working at 4 Ranelagh Place in Leytonstone and from 1908 to 1926 he was at 268 High Road, Leytonstone. The name occurs on brass weights and balance scales dating from the early twentieth 20th century. The company was still producing grocers scales during the 1960s.A balance scale vintage giving a snapshot into mercantile life during the late 19th and early 20th centuries Scale with metal tray.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scale, weighing equipment

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. 50% of plate remaining, balance dark green-black base metal.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks

Cohn Bros. Limited Annual Report, Balance Sheet and Profit and Loss Account for Year ended 30 April, 1953. Registered Office : Bridge Street, Bendigo. Printed document four pages in length. Directors : Frank Levy (Chairman and Managing Director), Marc Cohn, Leo R. Cohn, Clifford Cohn, Edward B. Newell. Secretary : Arthur G. K. Douglas.bendigo, industry, cohn bros., cohn bros. limited.

Letter with William Wallace & Co., letterhead typed to Mr. W. Babidge,Yarraberb, Via Derby re Lease - E. Forrest, thanking him for the two cheques for £21/18/7 and enclosing a statement showing a balance of 3/10 which he can collect when next in. Letterhead printed in brown and dated December 30th 1930. Signed by William Wallace Co.document, w. babidge collection - letter to mr babidge, william wallace

1 set gold scales small - complete - trays have ROYAL -His Majestys Letters Patent - 2 trays hanging off14cm top arm with balance needle at top- 2nd set of gold scales hang on a 23cm top arm with 2 trays suspended no marking on top or bottom. Chains connect both sets of trays to top arms. Both appear to be brassR175 written on top arm of big scalesgold equipment, gold scales, gold mining history

Document: blue lined pages listing crown land auctions held in Sandhurst 1857/58. Book contains newspaper cutting listing town lots for sale. LH page: Total, balance, deposit, purchaser. LH page: same. White sticker fixed to front: Book 6 Sandhurst land Sales including outlying areas 30 January 1857 to 29 June 1859bendigo, land sales