The Gill children are on the upstairs veranda. J. Allen's horse drawn omnibus, plied their trade between the Lake and Victoria Street.lake view hotel, j. allen, building, hotel, vehicle

Boat Builders, Sailing and Rowing Boat Hire. All Kinds of Bait. Plates 291 & 292.r. taylor, lake wendouree, boat shed, lake view hotel, buildings, commerical, hotel

Print of photograph with inscription 'Camberwell Victoria, aerial view of the District, c. 1940' Camberwell Victoria, aerial view of the District, c. 1940camberwell

The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Black and white photograph of flooded trees in Kew with rising dry ground in distance.Inscription on reverse in pencil: "Flood River Yarra Kew Vic"river yarra, kew, floods 1916

This is a photograph of the entrance of the Snowy River to Bass Strait. The entrance changes location but remains open for most of the year, although on occasions is closed by the prevailing weather and river water levels. In this photograph the entrance is quite wide and near the Marlo Hotel. This is a pictorial record of the Snowy River entrance at Marlo showing an open entrance.A black / white photograph / postcard of sandhills, river water on left and ocean on right. There is a group of buildings in the background - left. on front - "Snowy River Entrance Marlo"snowy-river-entrance marlo-snowy-river

Colour photogrpah of oblique aerial view looking east over Yarra River and Sweeneys flats c.1994sweeneys lane, yarra river, culla hill, thomas sweeney, aerial photographs

Erin O'Hara is buying material at Rosenthal's store in Overton when she learns that a special police party has come off the afternoon train to trap Daylight and Keiran with the mob of cattle they are bringing across the river that day. Margaret Wehner as Miss. Rosenthal.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 26des martin, many a mile, ringer's river, northeast victoria stories

King George V portrait at top between Union Jack & Australian flags. LHS: General Sir W R Birdwood. RHS: Lt General Sir J Monash. LHS: List of Honours awarded. RHS: Honours Awarded. Portraits of Officers commanding with a list of their division's units, engagements & casualties. Ornate brown frame, glass front, cardboard backing.Printed in colour top centre: "Record of Australia's Voluntary Effort in the Great War (AIF) August 4 1914 - June 28 1919"documents-posters, military history, ww1 record

The Bridge Hotel was built by Henry Hopwood to house visitors to the town crossing the Murray River on his punt , which was situated just below the Bridge Hotel on the Murray River. The accommodation was spacious and grand! In the right back corner of the photograph, the 'lantern' roof of the St George's Hall can be seen. The street is level with the front entrance to the Hotel, which is very different to what it is today.The photograph shows hotel activities and accommodation in the late 19th Century. The Bridge Hotel was a very busy place as can be seen with women on the balcony, a stage coach full of people, laden carts and buggies.The Bridge Hotel Echuca - photo taken looking south towards front of building. Four people can be seen on the balcony and several gathered under the verandah. In the foreground are several horse-drawn carriages. The road in front of the hotel is unmade and very wide, with the roof of St.George's Hall seen over the right (western) wing of the hotel. Verso: Bridge Hotel, 1860s? St. George's Hall in background.bridge hotel, henry hopwood, lantern roof, st.george's hall, 1870s

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of streetscape with Hotel to left"Signed: Brian Nash (lower right) Verso (affixed): Artist: BRIAN NASH Title: ROYAL HOTEL SNAKE VALLEY VIC Price: $85 Address: 13/15 MOODEMERE ST NOBLE PARK Phone: 547 5447"

Now known as the Savoia Hotel, the original Savoia House is still present behind a new brick front. Black and white postcard of Savoia Hotel, Main Road, Hepburn Springs. savoia house, savoia hotel, spring creek hotel, hotels, hepburn springs

Also second identical copyColour photograph of grazing country near Buchan, showing cattle on grassy flat rugged rocky hill in background. Buchan Victoriavegetation, primary industry

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.'Jebb’s Pool, on the Erskine River, near Lorne’ : Views of Victoria (General Series) No.51 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Jebb’s Pool is situated about four miles from the township of Lorne, and is so called in consequence of a gentleman named Jebb, whilst crossing the cataract, having fallen in and was swept down by the current into a whirlpool which is continually in motion, owing to the particular formation of the river and the powerful current of water. The depth of water in the pool must be considerable, as but for the timely assistance rendered his life would have been sacrificed.’nicholas caire (1837-1918), lorne (vic), erskine river (vic), landscape photography - victoria

Black and white photograph of a view of the back of the Reserve Hotel, Mitcham, owned by John McDonnell. Railway line in background. Man and child unknown. c1900|Original on CD ROMreserve hotel, mitcham, mcdonnell, john

Resting in the shade above the river after he has brought his cattle over it, O'Day is disturbed by voices, and rolls over to discover Montieth's daughter Elaine, and her aboriginal companion, Ruby, enjoying themselves in the river. This first encounter with Elaine makes an impression on the young manager that is to last throughout his lifetime.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 9 Resting in the shade above the river after he has brought his cattle over it, O'Day is disturbed by voices, and rolls over to discover Montieth's daughter Elaine, and her aboriginal companion, Ruby, enjoying themselves in the river. This first encounter with Elaine makes an impression on the young manager that is to last throughout his lifetime. Geni Dynon as Ruby and Joan Lehmann as Elaine.des martin, many a mile, ringer's river, northeast victoria stories

The Royal Standard Hotel was on the corner of Sussex and Clyde Streets, on the western side of Sussex Street. The hotel was demolished in 1926.Copy of original photograph, showing the Royal Standard Hotel, with several people, including children, standing outside. Date of photograph is unknown.royal standard hotel, hotels, godden family

Lakes Entrance Hotel erected 1878 by Thomas Laughton Also second sketch of front of the hotel with 6 people on upper balcony Black and white photograph of a drawing of the Lakes Entrance Hotel. It shows a stylised view of a large weatherboard building with verandah across the main entrance with a viewing platform above. Horse drawn vehicle beside hotel, signal flagpole at front, a schooner and steamer in distant waterway. Lakes Entrance Victoria. Second sketch of front of hotelThe Lakes Entrance Hotel (immediately opposite the Southern Ocean Cunninghame) Edwin Stephenson Proprietor(under the patronage of the Governor Sir H B Lock K C B). Also second sketch of front of the hotel buildings, hotels

An early black and white photograph of the Taggerty River in Marysville, Victoria.An early black and white photograph of the Taggerty River in Marysville, Victoria. The photograph was published by the Rose Stereograph Company ans was used to produce the Rose Series postcard P. 2338.marysville, victoria, photograph, taggerty river, p. 2338, rose stereograph company, souvenir, rose series postcard

An early black and white photograph of the Taggerty River in Marysville, Victoria.An early black and white photograph of the Taggerty River in Marysville, Victoria. The photograph was also used to produce the Rose Series postcard P. 2308.marysville, victoria, photograph, taggerty river, p. 2308, rose stereograph company, souvenir, rose series postcard

An early black and white photograph of the Taggerty River in Marysville, Victoria. An early black and white photograph of the Taggerty River in Marysville, Victoria. The photograph was published by the Rose Stereograph Company ans was used to produce the Rose Series postcard P. 2338.marysville, victoria, photograph, taggerty river, p. 2338, rose stereograph company, souvenir, rose series postcard

An early black and white photograph of the Taggerty River in Marysville, Victoria.An early black and white photograph of the Taggerty River in Marysville, Victoria. The photograph was also used to produce the Rose Series postcard P. 2308.marysville, victoria, photograph, taggerty river, p. 2308, rose stereograph company, souvenir, rose series postcard

An early black and white photograph of the Taggerty River in Marysville, Victoria.An early black and white photograph of the Taggerty River in Marysville, Victoria. The photograph was also used to produce the Rose Series postcard P. 2337.marysville, victoria, photograph, taggerty river, p. 2337, rose series postcard, souvenir, rose stereograph company

Art Collection Previously located in History HouseThe painting depicts a body of water with two large trees in the foreground. The two trees are situated on the left side of the riverbank which extends across the foreground of the work. The trees extend beyond the borders of the work with only a few branches visible at the top of the work. To the right of the trees, on the surfaceof the water, is a boat with a large white sail. The river bed continues on the left and right sides of the work and is covered with brown trees. The background features a distant view of the riverbank covered in blue trees. The work has a gilded ornate frame with cardboard and gilded mount and glass.Front: A.S. Murray plaque attached to frame: SCENE on the RIVER MURRAY Back: W. HAMER __________Street, Ballarat

Photographic proof on light cardBlack and white photograph of views of Snowy River Gorge at Tulock Ard Gelantipy VictoriaJohyn Flynn Postcards from Buchan P39waterways

Now known as the Savoia Hotel, the original Savoia House was present behind a new brick front until refurbishments in 2022.Black and white postcard of Savoia Hotel, Main Road, Hepburn Springs. savoia hotel, spring creek hotel, hotels, hepburn springs

Construction of the Main Road bridge over the Plenty River. Includes structural members, construction personnel, vehicles and a Clarke mobile crane.Local significanceBlack and white printMarking on back of photograph - Plenty River Bridge Main Road 1969 (sic)lower plenty, main road, plenty river, bridge, bridge construction, civil engineering, cranes, mobile cranes

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Erskine River waterfall’ : Views of Victoria (General Series) No.52 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The River Erskine, which empties itself into Loutitt Bay, is noted for the grandeur of its scenery. Its sources, owing to the impenetrability of the bush and the mountainous nature of the country, are unknown. They may eventually be traced a long way into the Cape Otway Ranges. An idea of the difficulty with which the present very beautiful illustration was obtained may be gained from the fact that it took our assistants, several days to convey the apparatus a distance of six miles and back. The depth of the fall is 150 feet. The foliage as seen comprises the very rare staghorn tree, the myrtle, the dogwood tree, and ferns.’nicholas caire (1837-1918), lorne (vic), erskine river (vic), landscape photography

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This panoramic view was probably taken from the roof of Xavier College. It invites the viewer to look down on the buildings and streets of Kew, and across to the distant horizon. Mansions and solid bourgeois villas dominate the view of Charles and Wellington Streets. The imposing spires of the Presbyterian and Methodist Churches, built in one of the highest areas of Kew, can be seen in the distance. In the foreground, the photographer includes three significant mansions: Molina, Roxeth and Elsinore. Molina, in the foreground, and the group of weatherboard buildings in its yard was used at this stage for the privately operated ‘Kew High School’ (founded 1872). Roxeth, the home of Herbert Henty can be identified by its distinctive four-sided tower. All three buildings are now part of Trinity Grammar. Other built structures observable in the photograph include Wilton (now the Kew RSL), designed by Guyon Purchas for Dr William Walsh in 1886, and the only known image of the Prospect Hill Hotel prior to the renovation of 1935. Bird's Eye View Looking Northkew illustrated, kew where we live, photographic books, henry kellett

Odyssey House drug rehabilitation centre in Bonds Road, Lower Plenty is a distinctive landmark, especially when viewed from across the Yarra at Templestowe. It was built in the 1950’s as a seminary for the Blessed Sacrament Fathers. Because of the poor and circuitous road access, a suspension footbridge was built across the river. As well as providing easy access for the priests residents of Templestowe could attend services at the seminary. The bridge is now part of the Yarra Trails system.Colour photograph of footbridge over Yarra River, part of the Ruffey Trail just off the Main Yarra Trail near the former seminary (now Odyssey House) Lower Plentybridges, yarra river, lower plenty, seminary, blessed sacrament fathers, odyssey house, bonds road