A Sickle is an agricultural hand tool used for harvesting or reaping grain crops using the sharp blade in a swinging or hacking motion. It was also used for cutting back forage and other plant growth. They have been used since early Iron Age times and many examples have been found in the Middle East dating back 18,000 to 8,000 BC. This is a bagging hook – a type of larger and heavier sickle used mainly for harvesting of grain. It continued to be used after industrialisation and the implementation of the mechanical reaper. Designed by British manufacturing firm, Brades & Co, and made to be used by the left hand, its age is unknown. Left handed sickle. Blade painted black; handle varnished. Metal ferrule on handle. Hook on blade at handle endB?RADE? BRADER OZ?sickle, harvesting, churchill island heritage farm

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Priest's scarf, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The rectangle of lined coarse white fabric is slightly flared at the ends, which are finished with a white twisted cotton fringe. Three cross symbols, one at each end and one in the centre, have been handworked in white ribbon with gold-coloured edging and gold embroidery in the form of rows of small crosse.. Three embroidered symbols [ribbon cross with gold-coloured borders and small gold coloured crosses along the arms]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, embroidered, applique, cross symbol, priest's scarf

A pennyweight was a unit of mass that was equal in weight to 20 grains, one twentieth of an ounce and one 240th of a Troy pound. The abbreviation for a pennyweight is ‘dwt’ (denarius weight). These measures and weights were typically used for weighing gold and other precious metals. Group of eleven weights and measures including seven rectangular pennyweights with clipped corners and marked 10 DWTS, 6 DWTS, 5 DWTS, 4 DWTS, 3 DWTS, 2 DWTS respectively, two gram weights; 5 grams and 4 grams with top right pressed corner and two cup troy weights marked 4oz TROY and ½.284.1 10 DWTS 284.2 6 DWTS 284.3 5 DWTS 284.4 4 DWTS 284.5 3 DWTS 284.6 2 DWTS 284.7 1 DWTS 284.8 5 GRAMS 284.9 4 GRAMS 284.10 4 oz TROY 284.11 ½ city of greater bendigo commerce, making a nation exhibition, city of greater bendigo mining

Documents the minutes from all meetings held by the Ladies Harbour Lights Guild from the 9th of March, 1923 to the 12th of March, 1940. The minutes record the dates, locations and attendance of the meetings. The book also contains a number of documents, such as a resignation letter, newspaper clippings and the Programme of Meeting from the Victoria Mission to Seafarers Annual Meeting for 1934. The minutes also record the organisations reaction to the declaration of the Second World War.This is a record of all the member, meeting and activities of the Ladies Harbour Lights Guild between 1923 to 1940. Of especial interest is the fact that this time overlap[s with the start of WWII.Front cover: LHLG MINUTES / 3/23 - 2/40 handwritten on white sticker.1940, minutes, williamstown, wartime, lhlg, ladies harbour lights guild, ww2, 1923-1940, lhlg minutes

Troy weight is a system of units of mass from an unknown origin. While the name Troi is believed to have come from Troyes in the north east of France the system used primarily in the precious metals industry and adopted in Australia originated in 15th century England. Troy weight units are the 'grain' and 'pennyweight' (24 grains), the troy ounce (20 pennyweights), and the troy pound (12 troy ounces). One troy ounce equals 31.1034768 grams. The troy ounce and grain were also part of the apothecaries' system and was long used in medicine, but has now been largely replaced by the metric system (milligrams). When the Weights and Measures Act was passed in Victoria in 1862 local inspectors were established throughout the colony to ensure accuracy particularly in the weighing of gold. By the 1870's each local council had a set of standards that were used to test the scales, weights and measures of local merchants and businesses. This set would have been de commissioned some time after 1947 and was offered back to the Borough of Eaglehawk in 1989. Hinged, lockable wooden box with brass handle, hinges, latches and lock. Remnant wax on front face of box above and below lock. Interior of box is lined with purple velvet which is worn in several places. Box houses nine troy weights ranging in size from 100oz Troy to 2oz Troy. 1oz Troy is missing. Accompanying set is a two page letter from Weights and Measures Branch of Consumer Affairs offering set back to the Borough of Eaglehawk in 1989. Troy Weights: Part a) 100oz Weight, 68 mm Diameter at base x 113 mm H b) 50 oz Weight, 53 mm D x 90 mm H c) 30 oz Weight, 45 mm D x 77 mm H d) 20 oz Weight, 39 mm D x 65 mm H e) 16 oz Weight, 37 mm D x 60 mm H f) 8 oz Weight, 30 mm D x 47 mm H g) 4 oz Weight, 24mm D x 36 mm H h) 2 oz Weight, 19mm D x 28 mm H i) 1oz missing Hinged Wooden Box: Part j)171 mm H x 300mm W x 196 mm D Typed two page letter: Part k) 295 mm H x 210 mm W x 1 mm Top Troy: Each Troy weight stamped with small symbol made up of the number 5, an image of a crown and the word STANDARD. Side Troy : Each Troy weight stamped with small symbol made up of the number 5, an image of a crown and the word STANDARD above a series of date stamps recording every time the weight was tested. Date stamps: 30.4.1866; 16.9.81, 30 12.86; 1.2.92; 10.5.97; 15.1.04; 10.2.09; 17.12.14; 20.4.20; 29.9.25; 23.1.31; 18.6.36; 14.7.41: 11.7.47 Exterior Top of Box: Remnant of paper pasted to wood. Faint printed text 'ON HIS MAJESTY'S SERVICE'.borough of eaglehawk, making a nation exhibition, city of greater bendigo commerce

A previous mill had operated in Charlton by Mr. W.E. Foreman on the banks of the Avoca River and was acquired in 1919 by Noske Bros. The present Flour Mill was built by Noske Bros and opened in May 1927. It was taken over by the Grain Elevator Board in the 1970s. Colour photograph of Charlton Flour Mill and silos. Intersection of Kaye & Davies Streets in the foreground. One large silver silo and three taller greyish concrete silos to the left. Three other cream coloured silos behind. There are pipes and sheds on top of the silos. There is a cream single story building to the right of the silver silo and a multi-storey building behind with eight window in the upper level. There is a small red brick building on the far left of the photo.w.e. foreman, noske bros, flour mill charlton

Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush

Bendigo advertiser '' The way we were'' from 2002. In tune: Fred Bush (front) is flanked by friends 9Left to right) Anthony Strange, Leila Watson, Gerson Krost, Dorothy Ford and Les Eames at his Williamson Street home - now the grain stores - for a musical evening in 1943. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white photograph of W3 662 in Holden St between Bryne and Brunswick Streets, with the North Fitzroy grain silos in the background during a special tram tour, 9/2/1969. Photo by Chris Phillips. Showing Destination of University. ARE Tour ex South Melbourne depot. Printed on Kodak Paper.On rear in red ink "W3 662 Holden St 9/2/69"trams, tramways, mmtb, special trams, holden st, tram 662

Used in wood splitting to split with the grain of the wood. Splitting or stud axe bits are more wedge shaped. This shape causes the axe to rend the fibres of the wood apart, without having to cut through them. Possibly made by Kelly Axe Company after 1949.A wooden handled axe with a flat ended wedge shaped blade for hammering. There is a piece of orange cord threaded through the handle for hanging. Made in USA True temper flint edge.stud-axe tools

This Land was owned by one the pioneers of Bentleigh Mr John Logan Smith (1860-1932), who owned J. L. Smith Hay & Grain Store, on the corner of Jasper and Centre Road, Bentleigh. The family sold the property after Mr Smith passed away.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for sale - PhotocopySmith's Estate, Bentleigh 13 Home Sites and 13 Business Sites Auction Saturday 4 may 1935 - W. H.Wood, T. A. Butters, H. Lordjohn logan smith, centre road, jasper road, bentleigh, aution, real estate

Photo shows W5 780 turning from Holden St into Pilkington St Fitzroy North. Tram showing Special, has a "Coburg" Auxiliary board on the front and a Preston Run number. Has the grain silos on the form inner circle rail line in the background. Yields information the use of Holden St North Fitzroy.Black and White photograph of Tram 780 at the corner Holden and Pilkington St Fitzroy North.Has details on rear in blue ink.tramways, trams, tours, tram 780, holden st, pilkington st, w5 class

This item was collected as a souvenir of a fund raising concert at the National Vietnams Veterans Museum. The entertainers who performed signed the hat : Marcia Jones, Lisa Edwards, Mae Parker and Wendy Stapleton. A fur felt khaki Army slouch hat with a seven fold khaki band (puggaree). the brim of the hat is bound in cross grain ribbon and turned up left hand side with a leather chin strap and internal leather band. The brim of the hat is stitched to the side of the hat. There are four signatures in black ink on the brim.On the brim of the slouch hat are the signatures :Marcia Jones, Lisa Edwards, Mae Parker and Wendy Stapleton. uniform, slouch hat, clothing, entertainers, nvvm, performers, fund raising

Item presented by the Borough of Wangaratta to MALONEY MAURICE MICHAEL : Service Number - VX82156 : Born 18 May 1917 at Wangaratta in recognition of his military service during WW2. Died 1/9/1965 and buried at Wangaratta.Medal issued by the Borough of Wangaratta to local citizens in appreciation of their service during WW2Metal Medallion mounted on metal base - Obverse side : Above, coat of arms (Of Britain). woman in long dress in field, holding a cornucopia. Plants behind include grapevine, grain and possibly tobacco; around: BOROUGH OF WANGARATTA * INCORPORATED 1863 *, Reverse: In Grateful Appreciation WORLD WAR / 1939-1945. Wreath around.Borough of Wangaratta Inc 1863 In grateful Appreciation VX 82156 Dvr Maloney M.M World War 1939-1945m m maloney, ww2, medal

Second copy 18 x 25 cm, purchased from Win Burnett 1992Black and white photograph of activities in front of Harbeck's Store. Long telegraph poles are lying in foreground, stacked railway sleepers behind them, eight horse team harnessed to log wagon in front of general store, grain store and residence. Two smaller wagons, horses and men in image. Lakes Entrance Victoriaretail trade, township, animals, clothing, room display

Dark Blue cap seal Yellow Bordered label with puppets in a puppet standTrace (five 4 C's surrounding one C in Centre) Mark Contents 26 FL. 025. Nett Manufactured by Crystal Loraial co Sale Punch Cordial Preservatised this Food contains not more then 7 grains benzoic acid to the pint

A black and white photograph of the 111 men (including three officers) of 'F' Company of the 5th Battalion, Australian Imperial Force, World War 1. The photograph is one of a series taken at Broadmeadows Army camp by a Melbourne photographer by the name of Darge. This photograph is mounted on board and is complete with a wood grain effect printed board frame.The frame is marked "F" Coy, 5th Battalion, A.I.F. and has the photographers name and address.world war 1, ww1, aif, army,

Soft Cover Historical Book - White Background with 2 green and white soft aerial photographs of prominent landmarks at Dookie. Front Cover - Mount Major on the left and Saddleback on the right. Back Cover - An aerial view of Dookie as it is today, showing the Grain Elevators Board wheat silos under construction (lower right foreground).

The company that made this piano was founded in 1728 by Burkat Shudi, a Swiss harpsichord maker. John Broadwood, a joiner and cabinetmaker, worked for Shudi and eventually married his daughter and became a partner in the firm. Broadwood continued in this business after Shudi died in 1773. John's son James also worked for the firm and in 1795 they became John Broadwood & Son, then when a third son joined as partner in 1808 they become John Broadwood & Sons Ltd. and the name has continued on even now. Pianos manufactured by John Broadwood are of world renown.This piano is significant as a historical musical instrument. It is an example of the type of instruments used for entertainment and worship from the mid-19th to early-20th century. Piano, cottage upright, wooden casing in dark wood with a rich grain. Piano features a pair of brass candlestick holders, music holder and fitted lock on keyboard cover. Decorative design etched in panel between candlestick holders, Maker's name is in fancy lettering behind the keyboard. Made by John Broadwood and Sons, London. Painted in fancy text "John Broadwood & Sons/ / London"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, piano, upright, candlestick holder, john broadwood & sons london, musical instrument, upright cottage piano, antique piano, victorian entertainment

This camera was known as the Vest Pocket camera the earliest models of which were first manufactured in 1912-1914. The later model which was made from 1915 was very successful, selling 1.75 million units and was used during the First World War. This particular model was manufactured from 1925-1934 This camera has significance being one of the earliest made which made photography accessible to a much section of the community..1 Black rectangular camera with rounded ends and white metal fittings. There is a hinged back which when opened reveals a circular section with a folding bed behind.A metal hinged screw is on the left side The other side has a small circular red inset and a movable metal section. .2 Dark tan leather case, rectangular in shape with rounded edges.It closes with a silver metal clasp. There are two slits in the opposite end possibly for strap.There is a sunburst stamped into both sides of the case and it is stitched with coarse cotton thread..1 On outside of camera " Use Film No A127" Inside hinged Back, " made In USA by Eastman Kodak Co Rochester NY 27323 Vest Pocket Camera Model B .2 Kodak is stamped in the leather above the fastener. warrnambool, kodak, eastman kodak camera, vest pocket kodak model b

This cast iron kitchen appliance was made in England in the early 1900's and shipped to the "colony" Australia. This was before World War II and the "growing up" of a colony to an independent member of "the British Commonwealth". It was a period when most appliances (be they household) where manufactured in England and shipped to Australian ports. It was not until the late 1960's that the Asian manufacturing giant woke up and started to dominate the market palce.This domestic kitchen appliance is very significant to the Kiewa Valley because it highlights the "made at home" period when food processing was made "in house" due to inability to source food from specialised shops e.g. the butcher or slaughter houses. It was a period before mass food processing factories were established and roads constructed up to the standard for distribution to semi remote regions such as Kiewa Valley was in the beginning of the 1900's.This cast iron (malleable iron) mincer for meat products has a large "funnel" to direct "chunks" of meat to the grinding "wheels". These "star" shaped wheels with "teeth" of three different cutting surfaces (fine, medium and coarse) provide for texture types of the final meat product. The meat is placed into the "loading" funnel and push downwards(gravity feed) through the mincing chamber and out through the front side. There is a long "screw worm" which is rotated by turning the handle. The appliance is table mounted by a vice "G" screw on clamp (hand operated). "BEATRICE No. 3" and "MADE IN ENGLAND", "P 3181"household cast iron appliances, food processors

A Scythe was one of the most important of all agricultural hand tools, consisting of a curved blade fitted at an angle to a long, curved handle and used for cutting grain. In modern scythes the handle has a projecting peg that is grasped by one hand, facilitating control of the swinging motion by which grass and grain are cut. The exact origin of the scythe is unknown, but it was little used in the ancient world. It came into wide use only with agricultural developments of the Carolingian era (8th century AD) in Europe, when the harvesting and storing of hay became important to support livestock through winters. Scythes can still be found in use today by hobby farmers and permaculturists. ( producing food, by using ways that do not deplete the earth's natural resources) to cut grass in a more eco-friendly way as opposed to using a machine.A hand tool used for the cutting of crops and grain, modern versions are still being produced today in Europe. The subject item gives us a snapshot into agricultural practices in times past.Scythe with long wood Snath (curved handle) with 1 hand holding piece & curved blade. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Dendrites are deposits of black minerals, typically manganese oxides that precipitated from water seeping through fractures in fine-grain rocks like a sandstone or limestone. Dendrites are much less regular than plant fossils and lacks vein structures. The manganese cryztallizes through the process called 'supercooling'. Some samples of dendrites occur in volcanic rocks in the Lilydale district, east of Melbourne. Sandstones are made of tiny sand grains that may have been deposited in the sea and later formed together. Most sandstones are made of quartz which are chemically-resistant minerals. This particular specimen was donated by Alfred Selwyn in 1868 as part of the Geological Survey of Victoria. It is connected to the original 1875 catalogue on Geological Specimen with number 189 'Quartz Crystals_Quartz Crystals (two are polished)'Dendrites on sandstones This specimen is an important contribution to the geological history of Victoria, as well as its links to the 1868 Geological Survey of Victoria. This specimen is part of larger collection of significant geological specimens in the Burke Museum that was collected from around the world between 1868-1880. A large percentage of these specimens were collection as part of the Geological Survey of Victoria 1852-1974. The Geological Survey of Victoria was an organisation founded in response to the Victorian gold rush to explore the geological and mineral resources and to record a detailed map of the state. It was headed by British geologist, Alfred Richard Cecil Selwyn (1824-1902), who was responsible for issuing over 60 geological maps during his 17 years as director. These maps were all hand-drawn and coloured and became the benchmark for accuracy for geological mapping. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A hand-sized slice of light brown sandstone with dendrites formed from crystallized manganese oxide.Existing label: Not sure what / 'Slica dondrites' / means. / Sample is sandstone and original label / identifies it as from / the Grampians near Stawell. / C. Willman / 15/4/21 Other label: [illegible] / stone [ illegible] / from Grampians Stawell / 1894 /geological specimen, geology, geology collection, burke museum, beechworth, dendrites, sandstones, quartz, lilydale district, geological survey of victoria, grampians, victoria rocks, minerals, rocks, manganese oxides, alfred selwyn

Inspected by Joanna Freslov, archaeologist 2/6/2008. Genuine Aboriginal axe head up to 2000 years old. Possibly came through trading from western district. Stone tools were used for a variety of purposes, in ways similar to those of the steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt.This stone is able to withstand repeated impact, and and wqas generall used for stone axes. The stone was dug or found and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Victoria.Small grey oval-shaped axe head.axehead stone-artifact aboriginal tool

Inspected by Joanna Freslov, archaeologist 2.6.2008. Ground-edged axes first appeared in south-eastern Australia about 4,000 years ago and were used either with handles or hand-held. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt. This is able to withstand repeated impact making it suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of a stone tool used by the early Indigenous people of Eastern australia.A handmade stone Aboriginal axe head.axe-head aboriginal tool stone-artefact

Organza is a thin, plain weave, sheer fabric traditionally made from silk. Many modern organzas are woven with synthetic filament fibres such as polyester or nylon. Silk organza is woven by a number of mills along the Yangtze River and in the province of Zhejiang in China. A coarser silk organza is woven in the Bangalore area of India. Deluxe silk organzas are woven in France and Italy. Organza is used for bridal wear and eveningwear. In the interiors market it is used for effects in bedrooms and between rooms. Double-width organzas in viscose and acetate are used as sheer curtains. Nylon organza was very popular as the new fashion material in the 1950’sA lady's collar white embossed nylon organza with machine lace edge. C1950clothing, nylon, organza, dressmaking, moorabbin, bentleigh, cheltenham, fashion

Taken in 1999, the photograph depicts a section of “The Harvest” exhibition held at the Burke Museum between May 1st and June 20th 1999 as part of the Baking Industry Victoria. In the foreground is believed to be an old seed distributor. The grain mill made by B. M. Purshouse in Wolverhampton, United Kingdom, was of special interest during the exhibition. This photograph is of historical and research significance, connecting with various themes such as farming, adapting to diverse environments, and the promotion of settlement in Victoria. The photograph is an example of an exhibition held at the Burke Museum in 1999, demonstrating the communal interest of Beechworth in their farming history. The photograph contains a strong interpretive capacity as it demonstrates the importance of farming to Beechworth and Beechworth's history, revealing the enduring connection between the local community and the surrounding land. The historical and research value of the photograph is further enhanced by the depiction of historical farming machinery, providing a means for future generations to view historical machines used in farming. Colour rectangular photograph printed on photographic paper.Reverse: 2857burke museum, the harvest, exhibition, baking industry, grain mill, b. m. purshouse, beechworth, baking industry victoria, seed, seed distributor

Brown grained leather - Animal hide. Metal attachments; one leather handle. 2x 90mm long metal straps- 15mm depth. Top opening. Bag folds in to middle . Central lock part broken & handle. Latch to fasten each end of metal trimming - broken. Fabric lining inside with cardboard backing - beige colour/ fair condition.No maker