long cream silk skirt with cotton petticoat sewn in. Silk decorated with crocheted rosettes, tiny pleats running 3/4 way down the skirt, and 9 tiny pleats running around the circumference of the base. Petticoat same colour with ruffle around base. Clasped with hook and eye at waist.No visible markingscostume, female, skirt, silk, cream, petticoat, clothes

Agfa colour slide, blue / white plastic mount, photo by Keith Caldwell of W6 968 at the Victoria Parade junction with Gisborne St. Tram running a route 11, Spencer St service. In the background is the MFBB Eastern Hill fire station and the Eye and Ear Hospital. 27/4/1964In ink "SW car 27.4.64:"trams, tramways, route 11, victoria parade, gisborne st, mfbb, st vincent's plaza, w6 class, tram 968

The use of a catheter for oxygen therapy was introduced by Arbuthnot Lane in 1907. However, its true value can be seen in its use during WWI. Masks were cumbersome and uncomfortable for the wounded and nasal delivery of oxygen was received more easily. The Tudor Edwards' Spectacle-frame was manufactured in London during the 1930s. Dr Penn recorded that it was an inefficient means of oxygen therapy because of the smallness of the nasal tubes.Metal mask resembling spectacles with round frames and rounded ends of the arms to secure around the ear. There is a tube coming from each round eye frame to end in a curve that sits in the nostril. The other end of this tube has a rubber tube attached which meets in the middle via a metal connector.oxygen therapy, intra-nasal

The photo was taken in Amesbury England in the latter part of 1916. The letter is from William Henry Myers No 594 to his Mother describing the photo as a “break up” and he looked like he got a fright in it. It is believed he is 1st on right rear. W.H.Myers No 594 enlisted on 22.2.1916 in B Coy 38th BN age 25 years, embark for England 20.6.1916, embark for France 22.11.1916, made L/Cpl 25.11.1917, WIA 1.10.1918 GSW Left Eye/Face, 19.2.1919 Left Eye “Excised”, RTA 15.5.1919, discharged from the AIF 27.9.1919..1) Post card photo sepia tone rectangular shape shows three soldiers standing and one siting, studio background. Letter in black pencil on the back, front in blue pen. .2) same photo as .1) with no text front or rear..1) on front, “With kind regards Bill”. photographs, 38th bn, b coy

Created as American motor vehicle first aid kit in World War 2 but used in Vietnam. Green metal first aid box with hinge, two metal clasps and metal carry handle. Inside lid has label "24 Unit Kit" and general first aid instructions.Kit contains 11 cardboard boxes containing: 3x 4 inch bandage compress, 2 inch bandage compress, eye dressings, 3 eye dressing sets, 3x burn injury set each with 2 orange tubes of ointment and small wooden spatula , 2 large first aid dressing, I card with 5 safety pins, one tourniquet with instruction label attached, jar of Vaseline, 2 x pieces of cotton fabric ( possibly cut from a singlet)'First aid for emergency use only"/ U.S. Army Medical departmentfirst aid, medical, united states equipment, kit, us army, bandages, tourniquet

Black silk satin vest with centre front opening. Fishnet fabric sides/sleeves. Mandarin collar. The vest is lined with cotton fabric with stiffened interfacing. There are two black lace extensions at centre front. The front and back are covered with intricate embroidery with black and gold beading. There are hook and eye fasteners at the front.vest, beading

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of WO2 Keith Windbank, a medical advisor with the Australian Army Training Team at Trapong Outpost, Quang Ngai Province, 1 Corps South Vietnam talks with Hahn a village girl he assisted in having her face and eye repaired following damage from artillery firephotograph, gibbons collection catalogue, wo2 windbank, australian army training team, quang ngai province, 1 corps, vietnamese children, trapong outpost, wounded children, denis gibbons

The Leigh Garwood Mobility Training Centre in Kensington provides a safe and realistic environment for clients to train with their new Seeing Eye dogs. This sign was added to Welcome visitors to the centre and acknowledge sponsors involved with it's construction.seeing eye dogs australia, leigh garwood mobility training centre, signage

A porthole, sometimes called bull's-eye window or bull's-eye, is a generally circular window used on the hull of ships to admit light and air. Though the term is of maritime origin, it is also used to describe round windows on armoured vehicles and aircraft. On a ship, the function of a porthole, when open, is to permit light and fresh air to enter the dark and often damp below-deck quarters of the vessel. It also affords below-deck occupants a limited view to the outside world. When closed, the porthole provides a strong water-tight, weather-tight and sometimes light-tight barrier.The porthole is an example of a ships fittings and is not associated with an historical event, person or place, provenance is unable to be determined at this time and the item is believed to have been made in the first half of the 20th century.Porthole and cover, brass and glass with one screw dog fitting to secure hinged cover. Marked 6" on hinge and ringflagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, porthole, ship fitting, ship window

A porthole, sometimes called bull's-eye window or bull's-eye, is a generally circular window used on the hull of ships to admit light and air. Though the term is of maritime origin, it is also used to describe round windows on armoured vehicles and aircraft. On a ship, the function of a porthole, when open, is to permit light and fresh air to enter the dark and often damp below-deck quarters of the vessel. It also affords below-deck occupants a limited view to the outside world. When closed, the porthole provides a strong water-tight, weather-tight and sometimes light-tight barrier.The porthole is an example of a ships fittings and is not associated with an historical event, person or place, provenance is unable to be determined at this time and the item is believed to have been made in the first half of the 20th century.Porthole and cover, brass and no glass with screw dog to secure hinged cover.Marked 6" on hinge and ringflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, porthole, marine window

A porthole, sometimes called bull's-eye window or bull's-eye, is a generally circular window used on the hull of ships to admit light and air. Though the term is of maritime origin, it is also used to describe round windows on armoured vehicles and aircraft. On a ship, the function of a porthole, when open, is to permit light and fresh air to enter the dark and often damp below-deck quarters of the vessel. It also affords below-deck occupants a limited view to the outside world. When closed, the porthole provides a strong water-tight, weather-tight and sometimes light-tight barrier.The porthole is an example of a ships fittings and is not associated with an historical event, person or place, provenance is unable to be determined at this time and the item is believed to have been made in the first half of the 20th century.Porthole and cover, brass and glass with 1 screw dog to secure hinged cover. Marked 6" on ringflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, porthole

To be used in the event of a mustard gas attack. Two of a pack of three anti gas eye shields for use in the event of a World War 2 'Air Spray' during the 1940s. The shields are made of cellulose acetate sheet with elastic ties and cushioned nose strip. They are in a brown paper envelope and contained within a cardboard pack printed with instruction on how to use them.3 EYESHIELDS, ANTI-GAS, MK 11/C.A. "AIR SPRAY" Packet also marked with instructions for use.wwii, anti gas, eyeshields, protective wear

3 workers down in a trench putting pipe into correct alignment and welding together, ladder to left, 2 hand tools near ladder on left, man at bottom foreground is wearing a welding eye shield, man holding the sling which is attached to an overhead excavator, left edge of trench shows street guttering.Kodakorganisation, industry, gas and fuel

Brown and yellow check patterned men's trousers with flared legs (30.5 cms at hem), 15 cm metal zip at front opening with 1 cm metal hook and eye at waist. Six X 3.5 cm belt keepers. Side pockets. One back pocket on RHS. See photograph 11400.673.Label on inside of back pocket ''PARKS TROUSERS MELBOURNE. Polyester and wool''. Small white tag 5 1/2.costume, male, flared check trousers

‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available

CEMA Art collection Winner of 1966 Portland Artists Society Art Prize for the category of Any other mediumThis print depicts a large fish completed in black and brown on a pink background. The fish is portrayed from a side view and has a large body, small tail and blue eye. Predominately pink, the background features smaller areas of black, purple and brown. The work has a natural wood frame with grey mount and glass.Front: TROPICAL FISH (2) 4/10 LT (orange paint, lower left) LESBIA THORPE__________________.(along bottom, pencil) Back: TROPICAL FISH No 2 ) LESBIA THORPE ) FLAT 5 10 FORDHAM AVE )Handwritten, black ink CAMBERWELL VIC ) $23 unframed ) Typed: LESBIA THORPE "TROPICAL FISH No.2" (1966) Yellow sticker: 1966 Red sticker: 10cema, portland artists society, femal artists, female artist, fish

Built as a toy, either by a well resourced home workshop or by a toy maker. Have been well used or loved with missing wheels and damaged roof. Possibly dates from the early 1900s. St Kilda was a popular destination for Melbourne cable trams. Demonstrates a toy cable tram set.Cable tram set made from wood and pressed metal. Grip car or dummy has remnants of paint (green and gold) on the sides, holes for wheels on the two wood blocks on the underside. Has an eye hook at one end and a hole for another at the other end. Seat made from timber with a steel wire or rod to represent a grip lever. Metal secured to wood base with nails. Has four metal Staunchions on either side. Trailer similar construction with sides stamped or cut from sheet steel with holes at either end for a eye or hook and wheels. Roof on both items has been pressed and assembled. The trailer has painted on one side "St Kilda" and the remnants of a similar word on the other side.cable trams, toys, trams, st kilda

Dress, blue/white denim-type weave, button-through. 7 white buttons and hooks-and -eye at the waist. belt of same fabric with 8 lines of oversewing, white button and two buttonholes. Dress has shirt collar, two patch pockets on skirt and long sleeves with buttoned cuffs and two keepers at waist.costume, sunbury asylum, george evans collection

Part of Tim Shambrook's Collection for 'This is Vermont'. Not used.Coloured photo of Old House in Boronia Road, now accessed by Hayward Court, Boronia. Formerly home of Dr. Owen who arrived in District in 1920's and died in 1950's. Dr Owen, an eye doctor who practised in Melbourne, owned all the property from Haywood Court up to Frances Avenue.shambrook, tim, owen, dr.

Stereo-graphs were popular 1850 - 1930 Most stereoscopic methods present two offset images separately to the left and right eye of the viewer. Stereo-graphs feature two photographs or printed images positioned side by side about two and half inches apart, one for the left eye and one for the right. When a viewer uses a stereoscope, a device for viewing stereo-graphs, the two-dimensional images are combined by the brain to give the perception of 3D depth. The London Stereoscopic Company quickly developed technologies for mass - producing stereo-graphs; and between 1854 and 1856 the company sold over half a million stereo-graphs. Small, hand-held metal and timber steroeographic view-finder. The metal goggles are engraved with a free-flowing design. The rim of the goggles are covered in red velvet. A timber handle is attached with a metal hinge to the timber extension that has a wire frame to hold the stereo photographs. The streographic photos comprise 2 identical black and white photos mounted, side by side on brown card.Photocards 'ROSE'stereographs, stereoscopes, photographs, view-finder, wheatstone charles, london, moorabbin, melbourne, bentleigh, early settlers, market gardeners, entertainment, stereograph cards

Used in physics/optics laboratory at Mt Helen, most probably transferred from SMB to Mt Helen c1870 as SMB start date but could be much earlier A vertical arrangement of lenses, mirrors and polarisers mounted on a brass stand 50cm high with a heavy metal claw foot base. Circular calibrated 360 degrees platform with small brass clips holding a glass lens in position. Parts appear to be original, though the object appears to be missing a eye piece, a mirror to reflect the light, and a viewing platform.CS - 77optics, lenses, mirrors, smb, rocks, microscope, polarisers, scientific instruments

Clothing, a pair of Brown leather WW2 officer's leggings. Side opening. Metal hook and eye attachment at lower end. Leather strap and buckle tie at top end. Cap belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.costume, male, brown leather leggings ww2

A promotional car sticker of Healesville Sanctuary specialising in Australian Fauna and Flora. This item was displayed at the front entrance to encourage visitors to purchase and promote the Sanctuary. This car sticker was a very popular and sought after souvenir selling for 25 cents contributing to the Sanctuary's income. Healesville Sanctuary was the first institution to breed platypus in a total captive situation.and is also the only institution in the world to breed LyrebirdsA promotional circular car sticker depicting a lyrebird tail in full display above a platypus side on. Has dark green border at ouside edge of sticker; colours are black, gold and green. Sticker is in a wooden glass frame and has a dynamo label glued to upper edge of glass. There are 2 eye hooks screwed into the upper edge of frame. Inscription on car sticker is "Sir Colin MacKenzie Sanctuary" on the bottom half of the perimeter circle. With "Healesville" at top of perimeter of circle. At the top of the inner circle the word "Victoria" is placed above a green horizontal band which reads "The Wild-life Sanctuary".healesville-sanctuary, first-institution, breeding, platypus, lyrebird

Mounted black and white photograph of Vietnamese child with injured right eye. He is wearing long-sleeved pajama top fastened with a press-stud and eating a piece of baguette, which he is holding in his right hand. Image in black wooden frame which has holes from where it was fastened to wall, but lacks a back board.VICTIM OF WAR -- IN A VUNGTAU / ORPHANAGE IN 1968 / PICTURED BY ALEX GALLphotograph, orphanage, vietnamese children, alex gall, vung tau

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted fawn brown paper mache head with red lips and open mouth, green protruding eyes with red outline and big eye sockets. He is wearing a red pointed hat and matching red and gold and fur trimmed coat. There are no body parts. His legs are material with wooden fur boots and stubs for arms.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head of man with large nose, pointed chin and moustache. Hand painted blue eyes. Moustache and eye brows made with cotton thread. Magenta tie stitched to neck. Bottle green felt jacket with magenta trim. Leather hands attached to sleeves. Light brown skirt attached to jacket. leather ears on head. pow puppets, pow handcrafts, hand puppets

Canwen Zhao was awarded the $10,000 We The Makers Acquisitive Prize for '35 Life' in 2023. Artist Statement: "35life" is a sustainable fashion project that transforms second-hand clothing materials into urban street outdoor-style products. Highlighting prominent Chinese classic red and green colours not only conveys eastern aesthetics but also adds a sense of unity to the clothing collection. The high-saturation and high-brightness full-colour palette keeps the clothing consistently "fresh," allowing any trendy colours to seamlessly integrate into the project's designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept of "huo feng ding," meaning "exchange the old for the new." it's also influenced by the designer's personal experience with health issues, making the designs suitable for individuals who can't be exposed to sunlight for extended periods, adapting to the changing urban lifestyle. 35life aims to provide visually pleasing and comfortable dressing experiences for urban dwellers who are busy with work and experience high levels of stress. Unlike traditional design patterns, this project adopts a unique design approach. It selects 3-5 pieces of raw materials based on their colours, and then disassembles them through structural lines. While retaining most of their functionality, these materials are rearranged and assembled on a flat surface before being shaped on a dress form. Subsequently, various ways of creating storage bags are derived from the initial clothing prototypes. After refining the designs, the final products are developed, and similar materials are used to create samples. Therefore, under this design methodology, even for the same garment, it is impossible to produce two identical pieces of clothing. Each garment is truly one-of-a-kind, which enhances its rarity and contributes to the longevity of the fashion pieces. The project includes various types of clothing, each with unique storage methods. This yellow look, named "elegant beach sunscreen monarch," draws its fashion inspiration from traditional Han Chinese attire and its storage concept from the Chinese cultural concept of "jiu jiu gui yi." the design employs flat pattern cutting, utilizing materials from the second-hand market such as beach towels, children's waterproof clothing, and women's dresses. Similar colours and patterns are reassembled through cutting and combining. For the sleeves, quick-drying, sun-protective sport fabric forms the base, overlaid with discarded silk fabric dyed with turmeric and plant dyes. This not only ensures functionality but also adds a sense of elegance. The length can be adjusted using drawstrings. Artist Bio: Zhao Canwen is a multidisciplinary fashion designer with a strong passion for integrating art, history, culture, and sustainable design. With over 15 years of experience in painting, she draws inspiration from ancient Chinese philosophy and aesthetics, which gives her a unique sense of beauty. After 8 years of fashion and art training, she possesses a keen insight into current trends and tends to combine art with commercial needs. Zhao's design style is diverse, characterized by a multidimensional approach, a focus on colour application, and storytelling through details.Outfit consisting of six pieces: - Orange plastic eye wear with green paint - Pair of red and green metal clip on earrings - Red beaded phone case with attached beads on string - Pair of red and green painted running shoes - Yellow and green hooded garment with red piping and zips - Brown bag with green beaded handlessustainable, fashion, we the makers, art, culture, design, chinese philosophy, prize

Small 95 page booklet published in 1857 by Fairfax, Melbourne and inscribed by W. D. Lang.non-fictionRev John Dunmore Lang's defence of his son who was imprisoned for his part in the fraud at the Bank of New South Wales Ballarat and Clunes in 1854.drake, lang, rev john dunmore lang, ballarat, clunes, select committee of enquiry