Showing 1287 items
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Tatura Irrigation & Wartime Camps Museum
Wire Strainer, W, Craven inventor, late 1800's
Invented by local man W. Craven and forged by Furphy's Foundary.Cast iron construction, ratchet type. First forged by maker W. Craven then by Furphy's Foundary. Invented by W. CravenCraven patentwire strainer, w. craven -
Tatura Irrigation & Wartime Camps Museum
Bottle Opener
Given as memento following major works equipment purchased from them.Very large metal bottle opener meant only as souvenir. Given to Shire of Rodney as memento.With compliments from TUTT-BRYANT largest supplier of construction Equipment in Australia.shire of rodney mementos -
Tatura Irrigation & Wartime Camps Museum
Photograph - Framed photograph, Waranga Basin - men at work 2
Shows the men working on the constrution of the Waranga Basin.Black and white photograph of a large group of men who worked on the construction of the Waranga Basin. Contained in brown wood frame with white mounting frame and under glass.waranga basin -
Tatura Irrigation & Wartime Camps Museum
Booklet, History of the Waranga Basin, 1989 (reprint)
Includes details of construction of Waranga systemBuff soft covered book with map of Waranga Basin and text in brown Written by Joyce Hammond giving historical information from aboriginal presence to the situation in 1977 with reference to members of the Gunn and Hammond familiesirrigation, boat club, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, Taming the Wilderness, 1985
Written as a memoir of one family's contribution to the development of australia. A Lawrence is son in law of J.H.Davies who farmed Hill Top.Blue cardboard cover. Illustrated with photo. Construction of Waranga Mallee channel. Back cover - Contributing membersTom, with best wishes for a very Happy Christmas and prosperous New Year love Pearl Shields (Davies "Hill Top") 3/33 Gleeden St Brighton 3187.|also signed - with best wishes A E Lawrencebooks, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, Wooden Wonders, 2006
To preserve the history of Victoria's wooden bridges. Local bridges were in danger of disappearing. To appreciate the wonder of native timber, a marvellous construction material that can save the planetPicture of 3 tier wooden bridge on front cover. Sepia postcard scenes of rail bridges on back.wooden wonders, timber bridges, chambers d, national trust, wooden bridges of victoria, history of wooden bridges in victoria -
Tatura Irrigation & Wartime Camps Museum
Album - Photo
Very early photographs of construction of Goulburn Weir, Waranga Basin and channels. Post card of Waranga Basin QuarrySilver and black photo album, flower logo.album, photo, goulburn weir, waranga basin, tatura, irrigation, books, albums, rural, industries -
Tatura Irrigation & Wartime Camps Museum
Photographs, Anderson collection of irrigation and farm photos, c.1920 (Loaned), c.1920
Collection of photos taken c.1920 by the Anderson family. Carlton and Bill Anderson left Murchison for a soldier settlement block at North West Mooroopna, 2 miles from the school. Bill had been a stretcher bearer in WW1. Photos taken by Anderson family of general farming activities, irrigation channel construction with horse teams, Goulburn Weir, Waranga Basin western outlet structure and channel, official opening ceremony. Photos loaned for copying.|1. Outlet structure, possibly the opening.|2.Western Channel.|3.Waranga Basin inlet.|4. Waranga Basin outlet.|5,6.Goulburn Weir.|7,8 Channel construction with horse teams.|9.Skid scoop.|10. Group at Bain.|11."Spot", Bill Anderson and the team.|12.Teams take time off.|13.Washing up.|14.Spring cart and "Smoko"|15.Bill Anderson holding horse.|16.Team of four.|17.A good crop.|18.Wonkey scoop with two horse team.|19,Horses at rest.|20.Head in nose bag.|21.Bill Anderson & Marty Clooney, tents, wagons and gig.|22.Wally Wybrow grooming horse.|23 Bill Anderson, Marty Clooney and furphy tank.|24. Four horse teams.|25.Carlton Anderson? cutting hair.|26,27.|28.Three wheel trolley made from old harvester.|29. Harvester.|30.Wally.|31.Marty Clooney and horse.|32|33.Seven horse team.|34-43.Various farm photos -
Tatura Irrigation & Wartime Camps Museum
Book, The Goulburn Weir, 1893
Giving information re engineering undertaken during construction of weir, plus cross sections of work related to productionCard covered with marbled paper. Leather spine. Title as a label in centre positionSM Hawkins esq. per M Nally. 21.5.1896the goulburn weir, irrigation, dependant systems, tatura, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book - Childrens, Die Fuinf und IHR Waldhaus, 1953
Property of former internee at Camp 3, TaturaHard cover childrens' book, Illustrated, Black and white with coloured picture on front cover. Picture shows five active young people in foreground, house under construction behind them and forest trees in backgrounddie funf und ihr waldhaus, bissinger g, wied g, camp 3, tatura, books, childrens -
Tatura Irrigation & Wartime Camps Museum
Folder, Waranga Basin Environs, 1999
Township created by Waranga construction. Photographic description of pre/post construction.Black folder, met ring binders, white label. Contains photographic record of environswaranga basin environs, weppner j, price t, irrigation, waranga basin construction -
Tatura Irrigation & Wartime Camps Museum
Photographs - Copy, Camp 3 under construction, c.1941
Digital copies of five photographs taken by one of the workers, Eason, during construction of Camp 3. Photos show various stages of construction including one taken from the water tower hill, south end, showing the pipeline from the tower to the compounds.B. & W. 10 x 7.5 cm. loaned only for copying,. -
Tatura Irrigation & Wartime Camps Museum
Audio Tape, Camp Construction and local history, 1993
Side A: Interview with Bill Ranson, construction of Camp 1 etc. 8 July 1993 - local history and irrigation. Side B: Interview with Charlie Hogan local history (Bill Martin) 14 July 1993Audio tape Akai SX90Bill Ranson - camp construction Charlie Hogan - local history - Bill Martinbill ranson, camp 1 construction, charlie hogan, bill martin -
Tatura Irrigation & Wartime Camps Museum
Photographs, Waranga Basin Wall
Eleven photos of construction of Waranga Basin Wall, railways, horse teams and housing. One photo of Main Street in Murchison.11 photos -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Tatura Swimming pool
Photos borrowed for copying. Tatura Swimming pool shortly after its construction c.1953. Old building and galvanized iron fencing at showgrounds can be seen in background. Four photos borrowed. -
Tatura Irrigation & Wartime Camps Museum
Photograph, 7th Garrison Battalion Emblem
7th garrison battalion emblem. internment camp, WW2.B & W. photo. Concrete, stone construction. Hut in background. Women in fore ground.7th garrisongarrison emblem, photograph, people -
Tatura Irrigation & Wartime Camps Museum
Photograph
Irrigation.|Cattanach Canal Construction c.1955|Channel reconstruction.Bill Honey, migrated from the U.K. to work on the heavy equipment used in the construction of the Cattanach Canalphotograph, people -
Tatura Irrigation & Wartime Camps Museum
Photograph, Shire of Rodney road construction plant
Shire of Rodney road construction plant.|1. Electric bitumen bulk heater, and tanker, c.1965|2. Bitumen Sprayer c.1965|3. Young's Rock Crusher c.1960.|Rodney Shire|Taturaphotograph, people -
Tatura Irrigation & Wartime Camps Museum
Document, Tatura and other Water Towers
Information as to the construction of Tatura and other Water Towers, designed by Arthur Castles. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tatura Bowling Club
Tatura Bowling Club construction of greens, 1904 -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2013
We don?t leave our identities at the city limits: Aboriginal and Torres Strait Islander people living in urban localities Bronwyn Fredericks Aboriginal and Torres Strait Islander people who live in cities and towns are often thought of as ?less Indigenous? than those who live ?in the bush?, as though they are ?fake? Aboriginal people ? while ?real? Aboriginal people live ?on communities? and ?real? Torres Strait Islander people live ?on islands?. Yet more than 70 percent of Australia?s Indigenous peoples live in urban locations (ABS 2007), and urban living is just as much part of a reality for Aboriginal and Torres Strait Islander people as living in remote discrete communities. This paper examines the contradictions and struggles that Aboriginal and Torres Strait Islander people experience when living in urban environments. It looks at the symbols of place and space on display in the Australian cities of Melbourne and Brisbane to demonstrate how prevailing social, political and economic values are displayed. Symbols of place and space are never neutral, and this paper argues that they can either marginalise and oppress urban Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. Juggling with pronouns: Racist discourse in spoken interaction on the radio Di Roy While the discourse of deficit with regard to Australian Indigenous health and wellbeing has been well documented in print media and through images on film and on television, radio talk concerning this discourse remains underresearched. This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. Using a conversation-analytical approach, and membership categorisation analysis in particular, this paper interrogates the spoken interaction between a well-known radio interviewer and a respected medical researcher into Indigenous eye health. It demonstrates the recreation of a discourse emanating from longstanding hegemonies between mainstream and Indigenous Australians. Analysis of firstperson pronoun use shows the ongoing negotiation of social category boundaries and construction of moral identities through ascriptions to category members, upon which the intelligibility of the interview for the listening audience depended. The findings from analysis support claims in a considerable body of whiteness studies literature, the main themes of which include the pervasiveness of a racist discourse in Australian media and society, the power of invisible assumptions, and the importance of naming and exposing them. Changes in Pitjantjatjara mourning and burial practices Bill Edwards, University of South Australia This paper is based on observations over a period of more than five decades of changes in Pitjantjatjara burial practices from traditional practices to the introduction of Christian services and cemeteries. Missions have been criticised for enforcing such changes. However, in this instance, the changes were implemented by the Aboriginal people themselves. Following brief outlines of Pitjantjatjara traditional life, including burial practices, and of the establishment of Ernabella Mission in 1937 and its policy of respect for Pitjantjatjara cultural practices and language, the history of these changes which commenced in 1973 are recorded. Previously, deceased bodies were interred according to traditional rites. However, as these practices were increasingly at odds with some of the features of contemporary social, economic and political life, two men who had lost close family members initiated church funeral services and established a cemetery. These practices soon spread to most Pitjantjatjara communities in a manner which illustrates the model of change outlined by Everett Rogers (1962) in Diffusion of Innovations. Reference is made to four more recent funerals to show how these events have been elaborated and have become major social occasions. The world from Malarrak: Depictions of South-east Asian and European subjects in rock art from the Wellington Range, Australia Sally K May, Paul SC Ta�on, Alistair Paterson, Meg Travers This paper investigates contact histories in northern Australia through an analysis of recent rock paintings. Around Australia Aboriginal artists have produced a unique record of their experiences of contact since the earliest encounters with South-east Asian and, later, European visitors and settlers. This rock art archive provides irreplaceable contemporary accounts of Aboriginal attitudes towards, and engagement with, foreigners on their shores. Since 2008 our team has been working to document contact period rock art in north-western and western Arnhem Land. This paper focuses on findings from a site complex known as Malarrak. It includes the most thorough analysis of contact rock art yet undertaken in this area and questions previous interpretations of subject matter and the relationship of particular paintings to historic events. Contact period rock art from Malarrak presents us with an illustrated history of international relationships in this isolated part of the world. It not only reflects the material changes brought about by outside cultural groups but also highlights the active role Aboriginal communities took in responding to these circumstances. Addressing the Arrernte: FJ Gillen?s 1896 Engwura speech Jason Gibson, Australian National University This paper analyses a speech delivered by Francis James Gillen during the opening stages of what is now regarded as one of the most significant ethnographic recording events in Australian history. Gillen?s ?speech? at the 1896 Engwura festival provides a unique insight into the complex personal relationships that early anthropologists had with Aboriginal people. This recently unearthed text, recorded by Walter Baldwin Spencer in his field notebook, demonstrates how Gillen and Spencer sought to establish the parameters of their anthropological enquiry in ways that involved both Arrernte agency and kinship while at the same time invoking the hierarchies of colonial anthropology in Australia. By examining the content of the speech, as it was written down by Spencer, we are also able to reassesses the importance of Gillen to the ethnographic ambitions of the Spencer/Gillen collaboration. The incorporation of fundamental Arrernte concepts and the use of Arrernte words to convey the purpose of their 1896 fieldwork suggest a degree of Arrernte involvement and consent not revealed before. The paper concludes with a discussion of the outcomes of the Engwura festival and the subsequent publication of The Native Tribes of Central Australia within the context of a broader set of relationships that helped to define the emergent field of Australian anthropology at the close of the nineteenth century. One size doesn?t fit all: Experiences of family members of Indigenous gamblers Louise Holdsworth, Helen Breen, Nerilee Hing and Ashley Gordon Centre for Gambling Education and Research, Southern Cross University This study explores help-seeking and help-provision by family members of Indigenous people experiencing gambling problems, a topic that previously has been ignored. Data are analysed from face-to-face interviews with 11 family members of Indigenous Australians who gamble regularly. The results confirm that substantial barriers are faced by Indigenous Australians in accessing formal help services and programs, whether for themselves or a loved one. Informal help from family and friends appears more common. In this study, this informal help includes emotional care, practical support and various forms of ?tough love?. However, these measures are mostly in vain. Participants emphasise that ?one size doesn?t fit all? when it comes to avenues of gambling help for Indigenous peoples. Efforts are needed to identify how Indigenous families and extended families can best provide social and practical support to assist their loved ones to acknowledge and address gambling problems. Western Australia?s Aboriginal heritage regime: Critiques of culture, ethnography, procedure and political economy Nicholas Herriman, La Trobe University Western Australia?s Aboriginal Heritage Act 1972 (WA) and the de facto arrangements that have arisen from it constitute a large part of the Aboriginal ?heritage regime? in that state. Although designed ostensibly to protect Aboriginal heritage, the heritage regime has been subjected to various scholarly critiques. Indeed, there is a widespread perception of a need to reform the Act. But on what basis could this proceed? Here I offer an analysis of these critiques, grouped according to their focus on political economy, procedure, ethnography and culture. I outline problems surrounding the first three criticisms and then discuss two versions of the cultural critique. I argue that an extreme version of this criticism is weak and inconsistent with the other three critiques. I conclude that there is room for optimism by pointing to ways in which the heritage regime could provide more beneficial outcomes for Aboriginal people. Read With Me Everyday: Community engagement and English literacy outcomes at Erambie Mission (research report) Lawrence Bamblett Since 2009 Lawrie Bamblett has been working with his community at Erambie Mission on a literacy project called Read With Me. The programs - three have been carried out over the past four years - encourage parents to actively engage with their children?s learning through reading workshops, social media, and the writing and publication of their own stories. Lawrie attributes much of the project?s extraordinary success to the intrinsic character of the Erambie community, not least of which is their communal approach to living and sense of shared responsibility. The forgotten Yuendumu Men?s Museum murals: Shedding new light on the progenitors of the Western Desert Art Movement (research report) Bethune Carmichael and Apolline Kohen In the history of the Western Desert Art Movement, the Papunya School murals are widely acclaimed as the movement?s progenitors. However, in another community, Yuendumu, some 150 kilometres from Papunya, a seminal museum project took place prior to the completion of the Papunya School murals and the production of the first Papunya boards. The Warlpiri men at Yuendumu undertook a ground-breaking project between 1969 and 1971 to build a men?s museum that would not only house ceremonial and traditional artefacts but would also be adorned with murals depicting the Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement.b&w photographs, colour photographsracism, media, radio, pitjantjatjara, malarrak, wellington range, rock art, arrernte, fj gillen, engwura, indigenous gambling, ethnography, literacy, erambie mission, yuendumu mens museum, western desert art movement -
Hume City Civic Collection
Photograph, early 1990s
In 1963 construction of the new municipal shire offices began and the new offices were opened in October 1963. Over the years other buildings were added to the complex which included the Library and the George Evans Museum.A coloured photograph of the front view of the former Shire of Bull, Shire offices and a part of the garden area in the front with trees and a wooden seat.shire of bulla council offices, shire of bulla, george evans collection -
Lakes Entrance Historical Society
Photograph, 1938 c
Sepia toned photograph of haystack under construction power from stationary motor car being used to lift hay to working area Victoriaagriculture -
Sunshine and District Historical Society Incorporated
Replica of McKay Smithy, Opened on 10 October 2001
This Smithy is a replica of the building in which the first H. V. McKay harvester was built at Drummartin in northern Victoria in 1884. The original Smithy was moved from Drummartin to Sunshine Victoria where it remained for many years outside the H. V. McKay manufacturing plant. With the construction of the standard gauge railway line the road outside the Smithy was demolished, and the original Smithy was taken to the Melbourne Museum.The original Smithy is now in a fragile state and is no longer on public display at the Melbourne Museum. The site where the original Smithy stood in Sunshine was no longer available so the replica Smithy was erected a few hundred metres away, in the South East corner of Barclay Reserve on King Edward Ave, Albion 3020.The replica Smithy permits the public to view a full sized model of the building which eventually led to the formation of the H. V. McKay Sunshine Harvester Works. This firm grew to being considered the main manufacturing plant in the southern hemisphere, and also led to the local area being renamed in 1907 from Braybrook Junction to Sunshine.Brown wooden building with bark roof. This building is a FULL SIZED REPLICA of the original SMITHY that was used by H. V. McKay.THE SUNSHINE HARVESTER WORKS 1884smithy, h. v. mckay, sunshine harvester works, drummartin, replica, massey harris, massey ferguson -
Clunes Museum
Tool - GOLD CRADLE & PANNING DISH, JAMES ESMOND, CIRCA 1850
USED TO OBTAIN ALLUVIAL GOLD THE DESIGN OF THIS EQUIPMENT IS MOSTLY BASED ON THE PRINCIPLE OF THE WAY HEAVY MINERALS ARE CONCENTRATED IN ALLUVIAL DEPOSITS. THE PROSPECTING DISH IS USED WHEN WORKING WITH SMALL AMOUNTS OF STONES & CLAY WHILE BIGGER JOBS THE CRADLE OR BANJO IS MORE EFFICIENT. THE GAUZE OF MESH IN THE SIEVE IS VARIABLE. THE CRADLE OR BANJO IS USUALLY SET UP AT RIGHT ANGLES TO A SHALLOW CREEK OR WATERHOLE WITH THE OPEN ENDS TOWARDS THE WATER.1 WOODEN CONSTRUCTION MADE BY HAND WITH GAUZE FILTER IN UPPER SECTION TO SEPARATE QUARTZ ROCKS, SAND AND SOIL. A HANDLE ON BOX LIKE CONSTRUCTION IS USED TO ROCK THE CRADLE WHICH IS MOUNTED WITH ITS ROCKERS RESTING ON WOODEN BEARERS. .2 PANlocal history, mining equipment, mining -
Clunes Museum
Photograph
EARLY PHOTO SHOWS STEEPLE UNDER CONSTRUCTION 1910 LATER PHOTO STEEPLE COMPLETED -19224 x COPIES OF PHOTOGRAPHS OF OLD AND NEW COGHILLS CREEK PRESBYTRIAN CHURCHES. NEW CHURCH UNDER CONSTRUCTION. COPY OF OUTLINE HISTORY OF THE PRESBYTERIAN CHURCHES OF CLUNES & COGHILLS CREEK. COPY OF SPECIFICATIONS FOR BUILDING OF NEW CHURCH.local history, photographys & documents, churches, presbyterian. -
Clunes Museum
Photograph
CLUNES CATTLEMARKET HOTEL. BUILT ON THE SOUTH SIDE OF SMEATON ROAD BETWEEN DARLING AND BARKLEY STREETS..1.2 BLACK AND WHITE PHOTOGRAPH OF CLUNES CATTLEMARKET HOTEL, LOCATED ON SMEATON ROAD, CLUNES, MAN AND LADY STANDING IN FRONT .DOG RESTING ON VERANDAH. WOODEN CONSTRUCTION WITH SHINGLE ROOF. ENLARGED PHOTOGRAPHS .3-..6 BLACK AND WHITE PHOTOGRAPHS OF CLUNES CATTLE MARKET HOTEL..1 HANDWRITTEN ON BACKAUNTIE SIS AND UNCLE OWEN. MISS SYMONS AND BROTHER RELATED TO SPARKS . MAYOR - BUTCHER. CATTLE MARKET HOTELlocal history, photography, photographs, hotels - cattle market -
Clunes Museum
Functional object - LANTERN
RED PAINTED LANTERN USED AT CONSTRUCTION SITES ON ROAD SIDE, OR PMG WORKS. HINGED LID, REMOVABLE FUEL BOWL. RED LAMP SHADE, AND HANDY HANDLE TO HANG LIGHTlocal history, lighting, kerosene, oil, lighting -
Clunes Museum
Document, MINUTES FOR PUBLIC MEETING HELD IN THE TOWN HALL CLUNES ON 23/2/1971, 23/02/1971
THIS PUBLIC MEETING WAS TO CONSIDER THE FOLLOWING; HOLDING OF A "BACK TO CLUNES", CONSTRUCTION OF A CARAVAN PARK AND CONSTRUCTION OF A SCENIC TOURISE ROAD FROM ANGUS STREET TO FRASER STREET VIA "THE ROCKS" THIS RESULTED IN THE ELECTION OF A "BACK TO CLUNES" COMMITTEE AND THE" SCENIC ROAD AND CARAVAN PARK COMMITTEE".2 X FOOLSCAP PAGES OF THE COPY OF MINUTES HELD IN THE TOWN HALL, CLUNES ON 23/2/1971local history, local government, council, events and celebrations, back to clunes, scenic road and caravan park committee -
Clunes Museum
Document - CONSTRUCTION REPORT, 2006
... & HISTORICAL CENTRE INC. [CLUNES MUSEUM] Document CONSTRUCTION REPORT ...CONSTRUCTION REPORT BY A.W. NICHOLSON PTY LTD, BUILDERS IN RELATION TO PROPOSED REDEVELOPMENT OF WILLIAM BARKELL MEMORIAL ARTS & HISTORICAL CENTRE INC. [CLUNES MUSEUM]local history, document, reports, nicholson a.w. pty ltd.