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Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Jesus in the House of Martha and Mary, 2013
FRIENDS OF THE MISSION The Mission has always relied heavily on the patronage of its volunteers and sponsors who are kind enough to donate much-needed funds, time and expertise. In its first year, the Mission had only 99 pounds to its name, 90 pounds of which was taken up by the chaplain’s salary! Today the Mission is overseen by a Board of Directors and is run by a dedicated team of employees and volunteers. Even though developments such as containerisation in the shipping industry have meant that the number of seafarers on each vessel and their time spent in port has been drastically reduced, the needs of seafarers are just as pressing today as they were when the Mission first began. This window, titled ‘Jesus in the House of Martha and Mary’, was installed in 1947 in memory of Karen Brady, a volunteer and friend of the Mission, dedicated to providing for the needs of seafarers. This window is symbolic of the continuation of such needs in modern times.ontextual or historic information Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to member of the Guild, Karen Brady, who died during a black out hit by a car while she was on her way back home from the Mission, and two photographs of social activities organised for seafarers.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Ladies handing out light refreshments to seafarers during an outang at the Melbourne Zoo in 1907 BELOW: A full house awaiting New Years Eve dinner followed by entertainment in 1927reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, karen brady, lhlg, picnic, social events, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Thou of Little Faith, 2013
A KEY MELBOURNE LANDMARK Although primarily dedicated to providing for the welfare of visitors from abroad, the Mission has always been a community-based organisation, and its doors are always open to the general public. Today, the Flinders Street complex lends its ample space to a variety of community pursuits – including yoga classes, religious sermons and gallery exhibitions. The Mission also continues as a popular venue for weddings and other social events, mainly due to the endearing historical connections and unique architecture and ambience. It is a distinctive and significant feature of Melbourne’s riverside streetscape. This window, titled ‘Thou of Little Faith’ is part of a pair that were installed at around the time the Mission was built in 1917. It is dedicated to a prominent family member of the ‘Forges of Footscray’ store fame, who were great supporters of the Mission’s work.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window in memry of James Leslie Forge, a photograph during a service in the chapel and a wedding photograph.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE RIGHT: Sunday services in St Peter the Mariner's chapel, attended by seafarers and the public, circa 1950s BELOW RIGHT: Mr and Mrs Lee under the arches after their wedding at the Mission on May 1st, 1967reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, james leslie forge, weddings, service, chapel of saint peter, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Jervis Bay, 2013
THE SEAS IN WARTIME During WWII, as many as 27,000 men of the merchant and the King’s navy perished during active service. Dedicated to seafarers’ wellbeing, the Mission’s spiritual roots also make it a place for reflection on the loss of human life at sea. The Mission to Seafarers’ ministry offers its support in hundreds of seaports around the world, and has played an important role in supporting those who have lost friends and family at sea during wartime. Many of the stained glass windows in the chapel are dedicated to these people, and represent many close maritime community relationships. This window was installed in 1947 in recognition of the heroism and courage of those who have served in the Merchant Navy, and in particular to those who lost their lives aboard the armed merchant cruiser, ‘Jervis Bay’. This vessel was attacked by an enemy packet battleship whilst leading an escort from Nova Scotia to the UK in 1940.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to the Jervis Bay crew, a group photograph of the seamen from the SS Siltonhall and a group photograph of seamenFramed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: VThe crew of the SS Siltonhall found refuge at the Mission in October, 1929, after their ship had caught fire and was abandoned in the Indian Ocean BELOW: A group of seafarers enjoying refreshments at the docks provided by volunteers from the Missionreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, hms jervis bay, ss siltonhall, siltonhall, ww2, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Baptism and Holy Spirit, 2013
MIGRATION Travel is a luxury for most people, and although seafarers undoubtedly face hardships as part of their profession, they are also able to experience parts of the broader world than that of friends and family at home. The stories and experiences of seafarers - together with the work of the Mission to Seafarers ministry - contribute to the archive of ongoing global links and narratives of world trade and migration. As an example of this, in 1917 alone the Mission directed almost 6,000 letters written by visiting seafarers home to their families abroad, and received almost 3,000 letters in return. After experiencing Melbourne through the Mission, many seafarers later chose to make the city and Australia their home, and some chose to marry their partners at the Mission’s chapel. This pair of windows, titled ‘Baptism’ and ‘Holy Spirit’, was installed during 1933 and represents the integral links between seafaring and the world.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the lancet windows in the baptistry ad a photograph of the Eiffel Tower taken by Allan Charles Quinn during one of his voyages.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: A snapshot of the Eiffel Tower with Australian seafarer Allan Charles Quinn in the foreground, taken during a voyage to France in 1956reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, allan charles quinn, eiffel tower, france, travel, migration, baptistry, paris, catherine mclay, arthouse -
Glenelg Shire Council Cultural Collection
Photograph - Reproduction Photograph - Wando Villa / Stanton Drew, 89 Wellington Road, Portland Victoria, n.d
Contemporary reproduction of a period photo of Wando Villa / Stanton drew. Front view, group of children and adults sitting/standing at front of house -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland Victoria, n.d
Seven black and white postcards, joined together in a fold-out strip, perforated. Modern reproduction of original 'Rose Series' postcards of Portland -
Greensborough Historical Society
Video Recording, Watsonia High School - Portable Classroom Relocation March 9th 1972, 1972_
Actual footage of a most memorable event for all students and staff who attended WHS in the 1970's. The 8mm film records an event that had (up until Nov 2011 when the film was viewed for the first time in nearly 40 years) only been in the memories of previous students and staff. It is supported by The Herald newspaper of that day where the event made it's front page.8mm roll of film in 7.5cm yellow cover PLUS a DVD reproduction of the film in a plastic DVD case with title "WHS - Theft by Stealth" Film also loaded to YouTube at : http://www.youtube.com/watch?v=C1ZYi69XaHk watsonia high school, portable classroom, march 9th 1972 -
Kiewa Valley Historical Society
Photograph of Kiewa Valley Pioneer Family, Three Generations of Kiewa Valley Pioneer Family (Coopers), late 1900s'
This historical family photograph spans three generations of the Cooper Family, a pioneer family, still residing in the Kiewa Valley. The large axe held by Pat was a handy tool for pioneer families to chop down trees for land clearing, building sheds and fences, outhouses and fire wood. This photograph was taken during a time where both male and females did some heavy lifting and processing. The rural sector at this point in time was physically a hard location for both sexes. The segregation of the sexes into specific job categories was some times non existent although household "chores" was in the main a woman's domain. The rural sector was in this point of time one which women were highly respected and the unwritten law of providing "assistance" and "reverence" by men in such actions as, socially opening doors, tipping the cap, offering a sturdy arm for support and refraining from doing or saying anything "uncouth" in a woman's presence. It was in a time when women's liberation was just starting to grow strength. Rural areas, on the hole, took longer to interfuse "city" hatched norms of behaviour. This photograph of a pioneer family still residing in the Kiewa Valley demonstrates not only the close protective environment that the valley has on all its inhabitants but also the close bonding that neighbors have towards each other. The term "God's gifted country" fits warmly with all the settlements in the valley. The relatively isolated (physically, visually and communications wise) has since post World War II been whittled away by faster and vastly improved communications with "the outside" world. The strength of commitment to the rural life can be seen in the faces of the family members in this photograph. The proud heritage is displayed without any external pressure. This large black and white family photograph is a reproduction on Fujicolor Crystal Archive Paper manufactured by Fujifilm. It is 200gsm matt finished paper with no borders. On the reverse side, written in pencil "Ted Cooper sitting aged 24-25, Pat Amery (Ted's youngest sister) holding Ted's eldest son Doug and Ted's father John Franklin Cooper(22-8-1892)"john cooper, ted cooper, pat amery, doug cooper, pioneer family kiewa valley -
Bendigo Historical Society Inc.
Document - NATIONAL TRUST COLLECTION: LINDSAY JACKSON TALK JUNE 2019
Eight pages of reproductions of the slides used by Lindsay Jackson during a talk he gave to the Bendigo National Trust meeting in June 2019school, history, mechanics institute -
Tatura Irrigation & Wartime Camps Museum
Book, Tribus, 1956
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young manCream coloured dust cover with brown writing on the front and spine. Cream coloured soft cover. Written in German. 24 pages of reproductions.tribus, linden-museum stuttgart, adam l, adam murvitz mc, camp 2, tatura, books, history, local -
Wangaratta RSL Sub Branch
Memorabilia - Photograph, 8th Indi Light Horse, c1918
This black and white mage depicts large group of men dressed in military uniform of the Light Horse - with most wearing leather leggings, bandolier and slouch hat with emu plumes. "More Majorum" is engraved on the attached plaque which means "after the custom (or manner) of our ancestors" The 8th Light Horse Regiment was a mounted rifles regiment of the Australian Army during the First World War. The regiment was raised in September 1914, and assigned to the 3rd Light Horse Brigade. The regiment fought against the forces of the Ottoman Empire, in Egypt, at Gallipoli, on the Sinai Peninsula, and in Palestine and Jordan. After the armistice the regiment eventually returned to Australia in March 1919. For its role in the war the regiment was awarded fifteen battle honours. During the inter-war years, the 8th Light Horse was re-raised as a part-time unit based in the Indi region of northern Victoria. It was later converted to a divisional cavalry regiment during the Second World War but was disbanded in 1944 without having been deployed overseas.During WWI three light horse regiments were raised in Victoria for the AIF, the 4th ALH, the 8th ALH and the 13th ALH. These regiments served with distinction at Gallipoli, in the Middle East and on the Western Front.Wide and narrow rectangle shaped black and white reproduction photograph mounted on plyboard. A small metal plaque is attached in the centre of lower edge.Plaque -8th Indi Light Horse "More Majorum"8th indi light horse, victoria -
Clunes Museum
Photograph, COPIES - ROGER PURCELL, BALLARAT, ORIGINAL-1950, COPIES-1996
.1 ORIGINAL PHOTOGRAPH OF CLUNES. H.E.S.. NO. 1552, GRADES 1&2 .2.3 REPRODUCTION COPIES OF ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERON REVERSE OF PHOTOGRAPH HAND WRITTEN IN BLACK PEN; Dec 1950local history, photography, photographs, schools, 1552 -
Rutherglen Historical Society
Newspaper - Image, The Leader, 14/04/1894
Date of issue confirmed on TROVE.Black and white photographic reproduction of a page of illustrations of Fairfield vineyards and cellars, taken from The Leader, April 14, 1894, page 31.On back of photo: "The Leader. 14 Apr 1894"wineries, fairfield cellars, fairfield house -
Rutherglen Historical Society
Newspaper - Image, The Leader, Views of Rutherglen, 21/04/1894
Date of issue confirmed on TROVE.Black and white photographic reproduction of an illustrations taken from the Leader, Saturday 21 April 1894, page 31 (top half of page).garibaldi mine, main street, lake king, rutherglen park, great northern, victoria hotel, hotels, gold mines -
Rutherglen Historical Society
Newspaper - Image, The Leader, Views of Rutherglen, 21/04/1894
Date of issue confirmed on TROVE.Black and white photographic reproduction of an illustrations taken from the Leader, Saturday 21 April 1894, page 31 (bottom half of page).On back of photo: "The Leader, April 21 1894"main street, hotels, gold mines, rutherglen town hall, star hotel, d g hamilton, advance australia hotel, prentice freehold, wine cellars, great northern township -
Ballarat Heritage Services
Image, First Contact
Reproduction of a image showing Aborigines carrying spears aimed at newly arrived white men who have just landed from a boat. aborigines, spears, first contact, immigration, british army -
Australian Army Museum of Western Australia
Diorama, 2015
This diorama is the focal point the Prisoner of War Gallery. It was originally designed and installed by a collaborative group of artists and craftsmen, all themselves former Prisoners of War in 1995. Bamboo for the display and replica prosthetics was sourced from Thailand. The mannequins are artistic interpretations of identified POW surgical staff and doctors. The original display was moved and reassembled during the Gallery redevelopment process in 2015. All items presented within the diorama are based on POW recorded drawings and diaries of experiences in the Thai Burma Railway POW camps.1:1 scale diorama showing operating theatre in POW camp on Burma Thai Railway together with reproductions of prothesis and improvised equipmentthai burma railway; -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, 2007
Photographic reproduction of the original Coat of Arms of the City of Geelong and the city motto "By the right use of God's gifts", used from 1849 to 1981.On rear in ink "(7),", "WFS Collection", a "William Scott" address label. In writing "1849 to 1981" / The original coast of arms for Geelong. William F. Scott Collection / Geelong Historical Centre".trams, tramways, crests, coat of arms, city of ballaarat, city of ballarat -
Queenscliffe Maritime Museum
Print - Reproduction print, framed, AV Gregory, Ormus 1887
In 1883 The Orient Steam Navigation Co. Ltd., of London signed a contract with the Government of New South Wales, Australia to carry emigrants from the United Kingdom. The Company would be paid £15 per head for up to four hundred persons and £14 and 10 Shillings for numbers between four and six hundred persons per voyage.A reproduction print of a painting by AV Gregory of the vessel Ormus, 1887. The print is mounted under glass and framed in a dark brown timber frame.rms ormuz, reproduction print -
Tennis Australia
Digital print, Circa 1895, Circa 2000
Digital print reproduction of photograph of Hall brothers. In red velvet heart shaped mount with no frame. Materials: Paper, Ink, Velvet, Cardboardtennis -
Surrey Hills Historical Society Collection
Photograph - Mont Albert Primary School, 1926
This was reproduced from a copy of the 1926 flyer relating to the Annual Speech Night. See vertical file re Mont Albert Primary / Mont Albert Central School. It was reproduced with the consent of the school archives in the early 1980's by Kenneth Tudor Hall. Mont Albert Primary was built in 1917 and was designated as a Central School in 1918 when Forms 1 & @ were added. It remained as such until the 1964 when the secondary years formed the basis of a new high school, known as the Box Hill North High School, (later changed to Koonung Secondary College). The original building was constructed of solid red brick and consisted of seven rooms. In May 1924 a further four rooms, also in red brick, were added. The school opened with an initial enrolment of 147 students in Prep to Grade 6. A further 72 children were admitted during the year, making a total enrolment in the first year of 219. The land facing Kenmare Street was purchased in 1919, adding another 2 acres to the 5.5 acres which the school occupied in 1917. The first Principal was Charles Hyland, who was assisted by three teachers. The first official meeting of the School Council in May 1917 reveals that the building was in some senses a shell, requiring additional input from parents. Mention is made of the need for asphalting of playing areas, providing a letter box and electric lights for the lobby, double room, office and sewing room. Mont Albert was the first School in Victoria to have the interior purely constructed of Victoria hardwood, from floor to ceiling. An Honour Board was erected in 1919. mont albert central school, mont albert primary school, mont albert, schools -
Melbourne Tram Museum
Slide - Black and white reproduction photograph - Opening of the FNPTT built lines - 1-4-1920
Photograph of the opening of the Fitzroy Northcote & Preston Tram on April 1, 1920, by the Melbourne and Metropolitan Tramways Board who had taken over the Trust on 2/2/1920. Shows tram No. 4 being used as one of the opening trams at the Preston depot in Miller St. In the background is St Georges Road. The Trust conducted a trial run using tram No. 1 one week before the Trust was taken over by the MMTB. Reference identifies Miss Alice Membrey cutting the ribbon from the driver’s cab of FNPTT No 4 – opening day at Miller Street, 1 April 1920. Alice Membrey was the daughter of Mr George Membrey, MMTB Board Member. S The City of Darebin library holds a copy of the photograph with a wider view.Yields information about the opening of the tram lines built by the FNPTT.Kodachrome cardboard duplicate slide - Black and White - reproduction photograph - Opening of the Fitzroy Northcote & Preston Tramway Trust built lines in 1920. "MP4" in penciltrams, tramways, opening, fnptt, preston, fitzroy, northcote, tram 4, mmtb -
Beechworth Cemetery Trust
Map - Beechworth Cemetery reproduction of original map -Secretary copy, Beechworth Cemetery
Reproduction map displaying all grave sites in Beechworth Public Cemetery. Rotunda, fountain, nursery, memorial wall, pioneer sectionmap displays the plan of grave sitesLaminated Photocopy of original cemetery map with additional information hand-written on the map. All graves at the cemetery set out in denominational sections with hand-written information on additional graves added to sections in Roman Catholic A & C, Church of England A-F, Presbyterian A-C, Methodist/Uniting B and Wesleyan A. Multidenominational hand-written note on Jews section with Trust Minutes 4.7.'83 written next to this addition. Additions hand-drawn of fountain, memorial wall, nursery and pioneer cemetery.rotunda, fountain, nursery, memorial wall, pioneer section, graves, chinese section, un-numbered grave sites, cemetery -
Beechworth Cemetery Trust
Map - Beechworth Cemetery reproduction of original map - On site in Rotunda, Beechworth Cemetery
Reproduction map displaying all grave sites in Beechworth Public Cemetery. Rotunda, fountain, nursery, memorial wall, pioneer sectionmap displays the plan of grave sitesLaminated Photocopy of original cemetery map with additional information hand-written on the map. All graves at the cemetery set out in denominational sections with hand-written information on additional graves added to sections in Roman Catholic A & C, Church of England A-F, Presbyterian A-C, Methodist/Uniting B and Wesleyan A. Multidenominational hand-written note on Jews section with Trust Minutes 4.7.'83 written next to this addition. Additions hand-drawn of fountain, memorial wall, nursery and pioneer cemetery.rotunda, fountain, nursery, memorial wall, pioneer section, graves, chinese section, un-numbered grave sites, cemetery -
Buninyong Visitor Information Centre
Album - Photograph Album, Old Buninyong Photographs (Early Buninyong)
The album was compiled by Derek Leather using photographic reproductions of images of Buninyong. The album includes early maps, streetscapes, monuments and buildings.Significant images of nineteenth century Buninyong streetscapes.Black, hard-covered album with thirty-two fixed photographs and five lose photographs. Compiled by Derek Leather, former Shire of Buninyong councillor. Old Buninyong Photographsbuninyong, derek leather, streetscapes -
Federation University Historical Collection
Book, Wrapped in a Possum Skin Cloak
Soft covered book with the image of sewn possum skin pelts on the cover. The book outlines the Toolyn Koortakay collection (National Museum of Australia) comprising of artwork, possum skin dance ornaments, tools, and two cloaks: a reproduction of the Maiden's Punt Yorta Yorta possum skin cloak collected in 1853 and a reproduction of the Lake Condah Gunditjmara possum skin cloak. aboriginal, aborigine, possum skin cloak, possum skin rug, debra couzens, vicki couzens, lee darroch, trehna hamm, amanda reynolds -
Bendigo Military Museum
Poster - POSTER, RED CROSS in cardboard storage tube, All Gifts and Souvenirs P/L
Classic Australian Poster Series. Limited edition reproduction No.15. All gifts and souvenirs P/L - Melbourne (03) 328 4025.1. Poster - paper, white print on poster, illustration in colour, woman holding a large bouquet of flowers. Red Cross depicted bottom right corner. Poster stored in cardboard tube. 2, Tube - storage. Cardboard with two plastic caps. Adhesive label in colour depicting small copy of poster and edition information.Printed on poster "Welcome Back - by the/ Australian/ Red Cross/ Society"red cross, poster -
National Wool Museum
Badge
Badge probably sold as a fund raiser for the war effort during World War I.Badge, circular. Pin back, celluloid cover. White badge printed with a Union Jack in red, white and blue.MADE IN AUSTRALIA / ALFRED E.S. STOKES / Manufacturer of / Photographic reproduction, / colored Patriotic, Carnival, / & Campaign Buttons, Etc / 228 PITT STREET / SYDNEYworld war i -
Kilmore Historical Society
Photograph, 1 Powlett Street, 1867
Original image was published in the book "Kilmore on Sydney Road"8x10 black and white photograph of 1 Powlett street, former colonial bank of Australasia. corner of Powlett Street and Lancefield Road Copy printed on standard photographic paper Two story light coloured rendered building with blue stone street curbing. Two figures standing outside the door with a third to the right. Picket fence to left and right of building. Printed on the back REPRODUCTIONS RIGHTS RESERVED Copied by State Library of Victoria KOSR - 5 ("Kilmore on the Sydney Road", Chapter 1, Pg.5)powlett street, lancefield road, colonial bank of australasia, 1867, kilmore, bank, the court house hotel, hotel, kilmore on the sydney road -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Duncan Munro, 1828 - 1890 and Katrina Munro (MacPhee), 1827 - 1901, n.d
On disply at History House. Likely reproduced and mounted by the Family History Group Inc.Two black and white photographic reproductions of earlier photographs mounted in oval setting in a burgundy matt. Framed under glass in a black and gold frame.Front: Duncan Munro, 1828 - 1890. Katrina Munro [MacPhee], 1827 - 1901. (top). Duncan and Katrina Munro sailed from the Isle of Skye with their daughters, Christina and Isabella on the 20th May 1854 aboard the ship ARABIAN. Isabella died on board and William was born at sea. They arrived at Portland Bay on 18th (?) September 1845. Their other eight children were born at Portland. (lower centre).