THE JACKET This jacket has been tailored to flatter the wearer’s figure. It also has elements that keep it in good shape and condition, preserve it from soiling and give it a longer life: - the hooks and eyes that join the jacket to the skirt allow the outfit to be made in two pieces but fit close to the body without exposing undergarments - the seams for the metal stays have been cut and stitched to allow maximum movement of the wearer and still keep a trim figure - the discreet breast pocket allows the wearer to keep a handkerchief, coins or other small items close at hand - the lining includes removable padded shields to absorb underarm perspiration - the lining has two cotton loops attached for hanging up to air and freshen it - new cuffs have been attached over the original sleeves that have buttonholes but no buttons. The buttons may have been used to replace missing buttons on the front of the jacket or perhaps to repair worn cuffs The amber coloured satin jacket is fully lined, has turned-back cuffs, a band collar, and looped, coffee-coloured braid trim. A row of closely spaced, round bronze buttons with a floral motif form a decorative closure most of the way down the front of the jacket, below which are metal hooks and eyes that finish at the waist. Underneath the cuffs there is a closely fitted cuff with a row of three button holes but no buttons. The jacket lining has vertical metal stays spaced around the midriff, sides and back. There is an absorbent, removable pad hand-stitched to the underarm section of each sleeve opening. A small satin pocket is stitched discreetly onto the lining above the chest on the right-hand side. There are also two cotton loops sewn onto the lining. Several small metal rings are sewn at intervals around the inside of the waist A satin bow from the same fabric is attached at the centre back of the jacket at waist level. antique satin jacket, colonial evening jacket, ladies evening jacket, 19th century ladies satin jacket, evening outfit

This photograph shows a young Wilfred Busse wearing work clothes in the Australian bush. These clothes were all chosen for their practicality in the Australian bush, and create together a distinctive style that is easily recognisable. While it initially appears that he wears long boots, he actually wears shorter shoes with an additional leg protection called gaiters. These protected the legs and were particularly useful to Australian settlers to protect from snake bites. His trousers, or breeches, are of a similar style to the ones issued as Australian Army regulation during the First World War, which were baggy around the thighs and became tighter below the knee. His long shirt protects him from the harsh Australian sun, and he wears an iconic Akubra hat for sun protection on his face. It is assumed that this photograph shows Busse when he was working on a Station in Victoria in his twenties, which is supported by the style of his clothing and his age.This photograph is significant as it shows Wilfred Busse as he appeared in his younger years, presumably on a Station in Victoria. It also provides a primary resource of working clothes for white settlers in the early 20th centuryBlack and white rectangualr photograph on matte photographic paper in wooden frameaustralian settlement, settlement, workmen, work, clothing, workwear, bush, wilfred busse, busse, busse author, chiltern, chiltern athenaeum, chiltern athenaeum museum, 1920s

Keith Wilkie owned Keith Wilkie's Men's and Boy's Wear, 33 Were Street Montmorency (name varies), and Keith and Rose-Marie's place of residence was at 57 Greenhills Road Greensborough 1967-72.1 p. scanned photographs and information collected by Marilyn Smith.keith wilkie's men's and boy's wear, were street montmorency, wilkie family

Under-bodices were first made of silk, though cotton was the fabric of most underwear from the second half of the century. These bodices were worn to protect against wear and soiling but more often for modesty. Undergarments such as this item were seen as essential to wear under blouses. This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th centuryA hand made white cotton woman's undergarment (chemisette) - an underbodice. It is of fine cotton with lace insertions at back and front. It has four buttons for the front opening. The bottom is gathered.women's-undergarments chemise bodice

Device used by drivers to unlock the tram controller and move the tram forward or in reverse. Does not appear to be have been used extensively, little wear marks. Would have been made at Preston Workshops.Demonstrates part of the equipment a driver would have used.Brass Controller key - four parts - cast handle, cast securing clip, spring and steel rivet. trams, tramways, drivers, preston workshops, controllers, controller key

The wearing of lanyards, of various colours, on the right shoulder, applies to all members of the Australian Army except for Infantry Corps units and ‘A’ Field Battery, Royal Australian Artillery who wear their lanyards on the left shoulder. The word ‘Lanyard’ itself is commonly used to describe a short rope to hold something, and can therefore be used to describe various items in use by the military. Orange and blue plaited lanyardlanyard, twine

Tie clip produced as a wearable item - Has the destination of City, route 6. Most likely made by Ron Scholten for the TMSV See item 5915 for a key ring version and a plain lapel badge, Demonstrates a tie clip with a SW6 badge.Tie clip featuring a badge of SW6 887, relief of a Melbourne SW5 class, number 887 in a MMTB green and cream with a orange roof, colour scheme. with an enamel gloss finishbadges, souvenirs, sw6 class, tram 887, route 6, tie clip

Bendigo Advertiser ''The way we were'' from 2000. Wooton Lansell's granddaughter, Ava Jane Hall, wears a gown made in 1860 in this photograph taken by Bartlett bros. in the 1920s. The gown was worn to a ball at the Bendigo Town hall in 1920. (Photograph courtesy of the Bendigo Historical Society). The clip is in a folder.newspaper, bendigo advertiser, the way we were

Sample of wire from the State Electricity Commission (SEC) Yallourn Morwell area. Shows wear on lower edge - from pantograph operation. About 75mm from one end shows marks of two screw ears, used to hold overhead into position. Images added 3-12-2016trolley wire, secv, yallourn

These earrings were given to Marlene Austin, nee Trenberth by members of the Thai Olympic delegation when she drove them around Melbourne during the 1956 Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as an official driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.Six-sided bell-shaped silver screw-back earrings for non-pierced ears. Each of the six sides features a vine pattern with black inlays. Each earring has a hollow interior containing a small metal bead dangling on a chain, causing the earrings to jingle when the wearer moves.marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, earrings, jewellery

Light card cover, some staining, discoloration due to light exposure. Light vertical crease probably due to folding. Blue cloth back strip on spine, some wear at top and bottom. Light foxing throughout. Minor insect damage to rear endpaper. Binding intact. Good condition.non-fictionA descriptive atlas of the eucalypts of Australia and the adjoining islands.botany, eucalypts, australia

Board cover with pasted on colour picture, green cloth spine. Wear to extemities, red colour scribbling to front cover. Front hinge partially detached. Discolouration & minor of pages throughout. Eight pages of coloured pictures & twenty other B&W illustrations. 148pp. Fair-good condition.fictionBedtime picture books for children between six and twelve; articles, verses, bible stories.children, religion

Part of the Cooper Collection. See catalogue No. 9586.2 for details of No. 3798359, "Keith Cooper's" service. Brassard signifies the rank of WO1.Khaki coloured brassard with Australian Coat of Arms embroidered in black, blue and white thread. Brassard is reversable. Reverse side is dark grey in colour with Australian Coat of Arms embroidered in black, blue and white on a Khaki background. Brassard fastened to wearers arm with black Velcro. Loop for attachment to an epaulette.cooper collection, keith cooper, rank insignia, brassard

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A colour photograph of Hue, South Vietnam, Circa 12/1968. Two local Vietnamese girls walk off to their place of work after parking their bikes in the downtown business district of Hue. One girl is wearing a traditional 'ai doa' , while the other wears modern stretch pants and sweater.photograph, hue, ao dai, vietnamese people, gibbons collection catalogue, denis gibbons, photographer, vietnam war

Portrait photograph of a man looking to his right. He has a bushy dark grey beard and moustache. Receding hair. He wears a dark jacket and waistcoat. The background is grey. Mounted into a brown mount with oval window with gold trim. Wooden frame with gold inner frame. Glass covered.W. Learmonth Esq 1863portrait photography

Estimated to be taken in the early 1900s, this photograph was likely taken in the federal Hall, Loch Street, Beechworth at a ball-like event. Depicted are 89 attendees dressed in formal evening wear, positioned in tiers and in front of the stage. This photograph provides insight into the lives and activities of residents of Beechworth during the early 1900s. Black and white rectangular photograph printed on matt photographic paper, mounted on card. Obverse: Frazer & Vallance PHOTOGRAPHERS Melbourne Reverse: A02487 / 1997.2952 entertainment album, beechworth, burke museum, regency house, ball, debutante ball, black and white photography

Women wear rings to denote their marital status or as a fashion statement. They may be small or large, valuable or costume, or part of the overall accessories to accompany their outfit. Some stones have significance or may have sentimental attraction.A small gold ring that is typical of the jewellery worn by early settler women in Moorabbin Shire c1900A small gold ring with a blue stone in an original paper mache box c1900jewellery, costume jewellery, early settlers, moorabbin shire, bentleigh, mckinnon, ormond, cheltenham,

Portrait of Sir Denys Lowson, Chairman and Managing Director of the Australian Estates Company Ltd. Sir Denys wears Mayoral robes, as portrait was taken during his term of offices as Lord Mayor of London, 1951.Portrait of Sir Denys Lowson, Chairman and Managing Director of the Australian Estates Company Ltd.australian estates company ltd, burt, mrs dorothy

The donor purchased this suit from a small town in the Adelaide Hill, to wear at a classic Car Rally and to go with his 1935 Buick. It was worn at the Adelaide, Noosa, Bribie Island, Tasmania and Victoria Classic Car Rallies.This outfit won The Best Dressed Male at the RACV Great Australian Rally 1999. The owner has since moved into a retirement village and sold his Buick.Navy blue pin stripe double breasted three piece suit. Trousers lined. Waistband has six buttons for braces. Four buttonhole fly front. Leg is 30cm wide with a turn up cuff 4cm. Matching waistcoat is lined and has 6 buttons. Coat fully lined, also has six buttons and a flower button hole. There are two inside pockets and two outside pockets. One white shirt. One white tie and one navy blue striped tie. One black velour trilby hat with white hat band.costume accessories, male

The item is a hard cover book recording stock in 1890 for T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page lists goods by location, quantity, description, prices with price total at the bottom of each page. Locations include shelves, floor, yard, factory, paint shop. Pages 1 to 164 have been numbered by hand. An alphabetical index list types of stock on unnumbered pages after page 165, followed by blank pages. The hard cover is patterned and shows some wearing at the corners and front and minimal wear on the back. The spine edge is red with considerable wear at the top and bottom. The pages are bound together with string. This item is part of the Margaret Roberts Collection.There are ink spots on the front and back cover. A list of numbers, titled "Prices required" is handwritten inside the back cover. A piece of paper is stuck inside the back cover, listing items to be added.margaret roberts collection, ironmongers, forest street, bendigo businesses

These boots had a metal plate inserted in sole to protect the feet of personnel wearing boot. This was after earlier boots without this protection did not protect the wearer from sharpened spikes eg bamboo set in pits or “punji” pits, during the Vietnam war. The laces were done up by knotting one end,threading from bottom hole across to opposite hole,up next hole on same side,across to opposite hole etc. This meant that only one loop per opposite holes was all exposed for a quick and easy cutting to release the boot in case of injury to wearer.These boots were typically worn on parade,training and in combat during the Vietnam war era and after.The LEFT boot solid black leather uppers with split leather tongue sewn to sides - making the boot semi water and insect proof.The sole is hard black rubber compound with 7 cleats on sole and 3 cleats on heel,all part of rubber sole. Woven black cotton laces. 30 mm leather reinforcing strip sewn on inside top of boot. 11 by 5mm metal holes per boot for laces. Sole is welded on. “Dunlop made in Australia” and “5/5” on sole in front of heel. Inscribed on top reinforced inside leather band is- “ B 22 R.B.T 1439 188” on one side and “ 5/6” on the other.boots, general purpose, g.p., vietnam war

These boots had a metal plate inserted in sole to protect the feet of personnel wearing boot. This was after earlier boots without this protection did not protect the wearer from sharpened spikes eg bamboo set in pits or “punji” pits, during the Vietnam war. The laces were done up by knotting one end,threading from bottom hole across to opposite hole,up next hole on same side,across to opposite hole etc. This meant that only one loop per opposite holes was all exposed for a quick and easy cutting to release the boot in case of injury to wearer.These boots were typically worn on parade,training and in combat during the Vietnam war era and after.The RIGHT boot solid black leather uppers with split leather tongue sewn to sides - making the boot semi water and insect proof.The sole is hard black rubber compound with 7 cleats on sole and 3 cleats on heel,all part of rubber sole. Woven black cotton laces. 30 mm leather reinforcing strip sewn on inside top of boot. 11 by 5mm metal holes per boot for laces. Sole is welded on. “Dunlop made in Australia” and “5/5” on sole in front of heel. Inscribed on top reinforced inside leather band is- “ B 22 R.B.T 1439 188” on one side and “ 5/6” on the other.boots, general purpose, g.p., vietnam war

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 (printed on print surface in black ink) Back: (no inscriptions)

Brown yearbook with an abstract white pattern. Along the right side is white text reading Wangaratta Technical school magazine, and white writing along the bottom reads Geronimo 68. There is a lot of degradation of the paper cover, with wear across the whole page. The cover has water damage in the top right corner.Wangaratta technical school magazine Geronimo 68

Digital Image of MMTB tram W3 661 at the Batman Ave terminus, July 1965. Tram has the destination of Prahran, Route 77, advertisement for Proofkote (rain wear protection?) In the background is a large sign for Craven Filter and a sign for Allen's Sweets. Photo reference from Dick Jones - 661_BatmanAve_DickJones_6507M.34.07trams, tramways, batman ave, w3 class, shelters, prahran, route 77, tram 661

Enid Beatrice Gilchrist (1917-2007) was a fashion designer best know for her development of self-drafting dressmaking patterns. Her patterns were first printed in "The Argus" in Melbourne in 1946 and were soon collected into books for the home sewer.A small cardboard box containing various two books and various baby wear transfers. The books are: "Clothes for your baby, designing, cutting and making" by Enid Gilchrist and "Baby book for mother, baby and child" Also in the box ten transfers, some in folders, some loose. Aileen and john Ellison Collection."Transfers" on lid of the boxbaby clothes, dressmaking, transfers

The life of His Royal Highness the Prince Consort, Prince Albert.Brown leather-bound hardcover book. Wear and tear to corners of front & back covers. Title in gold on spine. Some spots on front pages otherwise clean and intact. Evidence of spine detachment to rear cover. Some insect damage to front & rear pages. 435 pp. Index. Good condition.Facing front cover '90' (crossed out), '60'. Kilmore Mechanics' Institute stamps to front & back pages.kilmore mechanics institute library.

The office of the Public Trustee was constituted and incorporated by the Public Trustee Act 1939 which was amended by the Public Trustee Act 1940. The Public Trustee was the successor in law of the Curator of the Estates of Deceased Persons The Public Trustee was empowered to act as administrator, trustee, executor and attorney. On 1 July 1994, State Trustees succeeded the Office of the Public Trustee as Victoria's first State owned company under the State Trustees (State Owned Company) Act 1994. (https://prov.vic.gov.au/archive/VF50). Decorated hand operated cast iron embosser with 35mm stamp head still attached. Gold and maroon painted decorations extend from top edge of handle including scrolls and cross hatching. Well used showing all over signs of wear. Stamp head is for the Public Trustees Kangaroo Flat.Public / Trustees / Kangaroo / Flat

This bonnet would have been worn when the wearer was out doors and has been, perhaps, remodelled from a previous bonnet. All women wore a head covering out of doors in the past up to about the 1950s.This bonnet has no known provenance but is retained for display purposes as an example of a lady's bonnet from a previous era.This lady's bonnet is made of cream straw with dark brown cloth pleated trimming and cream felt flowers and leaves. The centre of some of the flowers have gold small buttons attached by fine wire covered in straw. Long faded light brown ribbons are attached to the sides of the bonnet to enable it to be tied to the lady's head.vintage women's clothing., bonnets, straw hats