Blue coloured soft cover with the title in white lettering. A blue and white crest with yellow lettering is located at the top centre of the front cover. A larger version of the same crest is located in the centre of the back cover. 143 pages with cut edges and black and white photographs and illustrations.non-fictionThe book details the history of the Australian Women's Army Service and the Albury Army Areaaustralian women's army service, bandiana museum, albury army area, major thomas b. williams, army history

Part of the HEWSTON collection WW1 & WW2.Black & white newspaper cutting showing a march of Service women through a city street.Front bottom R corner: “1942” Rear: “Aunty Gert, First Governor of New Guinea” military history, documents - newspapers

The concert was presented by the Army Amenities and RAAF Welfare Fund. Belonged to Victor Henry Evans No 418655 RAAF. Refer Cat No 1760.4.Souvenier Programme for Gracie Fields concert held at Labuan, Borneo. Cover has a picture of an island with houses, palm trees and the flags of the UK, Australia and the Straits Settlements. Programme is folded, foolscap sized with four pages."Monday, Evening, 27th Aug.45". Inside, right bottom corner "Love from Hubby"documents-programmes, concerts, gracie fields

MEDIUM: Oil and acrylic on paper DESCRIPTION: Oil and acrylic painting, pink and blue No frameSigned and dated; proper left corner on underside of frame; signed, dated, titled on reverse of frameoil, evans, acrylic, sregnarts, jonathan, apple, paper

Pale Blue, linen/cotton material with fringing at each endWhite cotton tape stitched to corner of scarf with W227689 Houget D . Written in black ink.clothing, scarf

This photograph is a snapshot of how the Celia Little Room was used in the late 1950s, and the people who visited the Mission to Seafarers Melbourne at the time.The Mission to Seafarers Melbourne is a place of respite for visiting seafarers since 1917. The image shows a particular point in history in the Celia Little Room at the Mission, where the services provided to seafarers are being used.The image depicts a group of people in the foreground of the Celia Little Room at Mission to Seafarers Melbourne. A Priest is sitting to the left of a table with a number of tea cups and saucers. There is a man sitting in the middle with his arms crossed with his elbows on the table. A lady sits to the right of the table and she is holding a cup and saucer. Another man is sitting between the lady and the man with his arms crossed, he is bald. There are two men in the background who appear to be reading, one man is partially blocked from view by the man at the table with his arms crossed. The walls are timber lined.The reverse side of the photograph in the top right corner is an "O" with what appears to be a "9" in the middle of the "O". table, tea, reverend, reading, mission-to-seafarers-melbourne, celia-little-room, priest, wains-coting, flinders-street

A group collecting wildflowers for the Wildflower Show. Ken WoodcockPhoto shows a man and two women kneeling on the ground examining purple wildflowers. The man (on the left) has an SLR camera on a large strap around his neck. The woman on the right has picked flowers in her hands."Wild-flower collection Sept. 1989" written in black in across top left corner of back.events, wildflower show

Part of a 43-photo record of the MMBW�s engineering feat in drilling a 12 inch pipe line up to 40 feet deep through rock hardened by volcanic action associated with geological fault that occurs along the line. The work took place from October 1979 to May 1980 on the southern boundary of Hubbard Reserve, North Ringwood. The collection was presented to the Ringwood Historical Research Group by J Clarke on 9th June 1980.E561 N2 Feb 1980 A43 Final hole in lot 8 (no. 41) at the corner of Chalkly's

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Dr Geulah Solomon's 4 volume book "Caulfield's Heritage" Vol 1 p 35 "...an elaborate double-storey spreading mansion which brought together several architectural styles to create a fairytale castle effect...". Dr Solomon indicates that the mansion was demolished circa 1937.Page 76 of Photograph Album with two portrait photographs of Crotonhurst and its grounds.Handwritten: "Crotonhust " (dem) Hawthorn Road [top right hand corner] / 76 [bottom right]trevor hart, caulfield, architectural features, architectural styles, hawthorn road, crotonhurst, north caulfield, gothic, george henry frederick webb, george webb, 1860's, judge webb, mansion, semi circular spire, square turret, cornish entrance porch, isabella webb, cruden farm, stables, castle-like towers, j mclaughlin, glen eira road, walworth avenue, stained glass windows, organs

Framed painting of "Old Jim" shows head and shoulders of Aboriginal man with greying hair, beard and moustache. Painting is mainly done with brown coloured paints.On bottom right corner: H. MITCHENER Back: sticker - Heather Mitchener. 8423871. OLD JIMold jim, painting, aboriginal man

As the title suggests, Boyd explores the concept of Functionalism and questions the decline in popularity of the movement when Functionalism is still intertwined in contemporary design. Boyd challenges R.A.I.A.'s publication 'Australia Outrange' (a book that captures the unaesthetic aspects of Functionalism)The annotations indicate this was a lecture with slides.Typewritten, pencil edits / notes, quarto, 5 pages"Lewis?" Mitchell penciled on top left corner of first page, pencil notes on the left marginfunctionalism, r.a.i.a., australian outrage, max harris, robin boyd, manuscript

St. Marys Catholic Church is now known as Our Lady of Mt. Carmel in Macedon Street, Sunbury. From information written on the back of the photograph it was believed to be the Presbyterian Church Bulla. This being the case, it was relocated because of the construction of the International Airport. Sir Henry Winneke probably re-opened the Bulla Church on 24 November 1975.A black and white photograph of a blustone church behind a picket fence known as St. Marys Catholic Church Sunbury but has been incorrectly labelled as St. Marys Catholic Church Bulla.top LH corner on piece of paper pasted and type written : St. Marys Church Bullast mary's catholic church, our lady of mt carmel church, churches, sunbury, bulla, macedon street, winneke, henry (sir), 1970s, george evans collection

PrintTitle in lower left under print. Signed 'Kees Hos '61' in lower right corner.

Pastel on paperTitled, signed and dated 'Bellany '83 Lower Plenty Gorge' in lower right corner of drawing.

Charcoal on paper.Titled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right corner of drawing.

Pastel on paperTitled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right corner of drawing.

Pastel on paperTitled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right corner of drawing.

Charcoal on paperTitled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right corner of drawing.

Charcoal on paperTitled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right corner of drawing.

Pastel on paperTitled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right corner of drawing.