Deep Lead Cemetery Entrance Gatesstawell

Colour photograph of Closed Cemetery Gates.stawell

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

Yields information about the operations of the Ballarat Tramway system on the last day of SEC tramway operations in Ballarat.Set of 6 Kodak - Kodachrome slides - cardboard mounts - all taken on 19/9/1971, last day of operations prior to closure of the SEC operated tramway. .1 - Tram 40, waits at the level crossing gates - the gates are being opened. In the background is the station building and the signal gantry. Tram has the destination of Sebastopol. .2 - No. 42, with destination of Lydiard St north, northbound in Lydiard St, with railway station buildings and VRI in the background. .3 - No. 35 on inbound, Lydiard St North. .4 - No. 35, on inbound service, leaving Skipton St loop with another bogie in the background. .5 - No. 39 on inbound service, Albert St Sebastopol with the Sebastopol boundary sign and Binks Ford in the background. Tram has an everything under control in my all electric kitchen roof advert. .6 - No. 42, with destination of Sebastopol, Albert St Sebastopol.In ink on slide: .1 - Sun 19 Sept 71 - up Lydiard St Nth waits for gates to be opened after fast goods. .2 - Sun 19 Sept 1971, down Lydiard St Nth near VRI. .3 - Sun 19 Sept 1971, Up Lydiard St Nth .4 - Sun 19 Sept 1971, Up Sebastopol (supplementary service) has just crossed down in Skipton St near Drummond St. .5 - Sun 19 Sept 1971, Up Sebas at Ballarat / Sebastopol boundary. .6 - Sun 19 Sept 1971, c5.30pm down Sebas in Sebas shire.tramways, trams, lydiard st nth, railway station, level crossings, skipton st, albert st, sebastopol, closure, last day, tram 40, tram 42, tram 35, tram 39

Items in the collection re Clarence Shearing, refer Cat No 7089.16P for his service details.Photographs B & W, colour enhanced of scenes and buildings in Japan all various sizes.1 & 2. Osaka Castle. 3. Bridge at Arashiyama near Kyoto. 4. Itsukushima Jimja shrine at Miyajima. 5 & 6 Hsukushima floating Torri Gate. 7. Miyajima. 8. Wagoga castle. 9. Inuyama Castle at River Kiso. 10. Torri Gate at Yosukuni Shrine. 11. Amakusa Islands. 12. Deer Park at Nara. 13. Kinkaku-ji or Golden gate Shrine in Kyoto. 14. Temple in Kyoto. 15. Kyogoka (Theatre street) Kyoto. photographs, bcof, japan

During 1941-43 it was considered imminent that Japan's army may attempt to invade Australia. Anticipating Japanese air and submarine attacks, blackout restrictions were introduced and air raid warning instructions issued. This air-raid siren was installed on the roof of the G.P. Motors (originally Winchester & Rodwell Garage) during World War 2. This item reflect our past. World War II continues to evoke strong memories. Items which were part of this time are reminders of the local community's involvement.An air raid siren on a round base. It has a brass trumpet and a handle attached to pull from the ground.On base - MAX-DIA -422,15mm PLATE 10 HOLES J. WIPFLI GATIC AUSTRALIA MANUFACTURER DIES TOOLS PLASTICS MELBOURNEww11 air-raid-siren communications military

Manufactured 1977 - 1980 based on a standard commercial vehicle, the sandman was upgraded and improved aimed directly for the youth market.Manufactured and sold by GMHYellow bodied Holden HZ Panel van, honeycomb grille, chrome bumpers and grille surround.Lion emblem grille centre, Sandman name on both sides and on rear tail gate, blue flash along both sides.holden, sandman, panel van

Drawing - No. A3549 - titled "Esplanade loop St Kilda - Alteration to Barrier Gates and Additional Posts", shows buildings on the site, Candy corner, Kiosk, tram tracks, proposed fencing and gates, signed by Chief Engineer D Eakins on 30/4/1956. Has a hand date stamp of 7 Apr 1956 on rear noting the date printed.trams, tramways, st kilda, candy corner, turning loops

Church was licensed and dedicated 29 February 1928.Small format black and white photograph of St John the Evangelist Anglican Church, Cann River, which shows a dark, possibly oil stained timber building with high pitched gable roof, and skillion porch. Entry to property is through lich-gate set of brick pillars. Boy standing at gate Russell Soderlund. Cann River Victoriareligion, buildings

New Stawell Hospital Entrance Gates and Approachstawell hospital

Photograph of Tottie Telford with Bicycle in front of gate. stawell portrait

St Johns Church of England gate detailblack and white photographchurch, sunday-school, building

Photograph of Glen Huntly Estate sub division notice including railway gates, Madden estate, St Kilda pier, St Kilda bathsglen huntly, glen huntly railway station, railways, railway gates, madden estate, st kilda pier, st kilda baths, jetties, swimming pools

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing house with wide verandah of three visible sides, behind light-coloured post and wire fence with a metal gate.Front: (no inscriptions) Back: Homestead 1920. Now all creepers and trees.esther winifred hall, photography, henty, portland centenary, 1934

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing stone building (church) in shade of tree with stone fence and iron gate in foreground. Crosses attached to roof of building.Front: (no inscriptions) Back: St. Stephens Church Portland. New fence erected for Centenary 1934.esther winifred hall, portland centenary, 1934, henty

An early map of the Kiewa Hydro Electric Scheme Works Area prepared by the SECV for use when requesting access to the area. The regulations are printed regarding permits.During construction of the KHES there were restrictions on access to the area. This map identifies the land marks and states the regulations for entry to the area.Black and white map folded into three showing a legend with the townships, camps, gates and dams marked.Also indicating the roads, rivers, mountains and infrastructure of the KHES. khes works area, map of khes

Copy of black and white photograph of early stage of Camp 13.Copy of black and white photograph of pre fabricated huts in fenced off area. Sentry box and guard near gate in foreground, trees in background.camp 13, murchison victoria, internment camps, internment camp buildings

The Wesley College motto, Sapere Aude, appeared in the first College Prospectus of 1866. The words occur in the Epistles of Horace (I.ii.40): ‘Dimidium facti, qui coepit, habet. Sapere aude: Incipe’ or ‘Well begun is half done. Dare to be wise: make a beginning.’B & W exterior view of Wesley College Prahran. The image shows the wrought iron school gate with badge "Sapere Aude" - Dare to be Wise.wesley college melbourne

Huttley - MartinB/W: Landscape: Steel roof, 2 chimneys, weatherboard. Fence wood uprights, wire - wooden pailing gate. Garden front to back"Burnside" Stawell West Family Homehuttley, martin

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard, looking east on the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The photo was taken after the Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987. Sepia image of main path of Gardens, looking east towards the Osborne Street gates and three people. The path is lined with grass, shrubs and palms. Reverse: ‘POST CARD / CARTE POSTALE / Communication – Correspondence Address – Adresse’. Top right corner: a rectangle with a logo in the centre and ‘STAMP / HERE’. In pencil ‘AUSTRALIA / 50p / 1920s’postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, palms, osborne street, 1920

Graham Hawley lectured in Art Education at Ballarat College of Advanced Education This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Drawing of the former Ballarat Gaol gates, wall, Governor's Residence and Warden's Residence. The gaol building is now part of the Federation University SMB Campusart, artwork, hawley, ballarat gaol, available, graham hawley, ballarat school of mines, gaol gates, governor's residence, warden's residence

Gate fold program printed in green and pink ink on cream coloured paper. Embossed front cover. Includes details of the Toast List and Menu. THE BENDIGO / Agricultural & Horticultural / Society. / 51st / Grand Spring Show / Luncheon. / Wednesday, 15th Oct., / 1913making a nation exhibition, bolton brothers printers, bendigo town hall, city of greater bendigo commerce, city of greater bendigo events, milburn catering bendigo, mayor andrew

Dress owned by Catherine Ann Windsor (Kitty) (born 23 Nov 1919 died 17 Nov 2002) in the 1930s/1940s. She was grandmother of Rachael Cottle, Whitehorse Historical Society Secretary (2011-2016). Catherine was the gate-keeper at the Tunstall (Nunawading) railway gates at Springvale Road during 1934-1952. A house was supplied for the gatekeeper. The gates were closed to traffic from midnight to 5 am.Dress with elastic shirring top and frilled neckline with puff sleeves. Rayon material. Coloured orange, green, grey and white.tunstall (nunawading) railway station, windsor, catherine ann (kitty), cottle, rachael, dress, victorian railways

One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. Many thanks for P.C./ I am sorry to have kept you/ waiting so long. J. Morris/ Brighton/ Victoria POST CARD [THIS SPACE MAY BE USED FOR COMMUNICATION] ]FOR WRITING ADD (rest has been removed when stamp was removed) Mr Herman Frock/ Petersgaard/ Langebak Street/ Denmark Date Stamp/ MELBOURNE/ FEB 2?/ 4.33/ 1906 Date Stamp/ MASNEDSUND/ KALLEHAVE/ 24.3.06.1.4 Stamp/ BILL HOPKINS COLLECTION/ 21 KENSINGTON PARK ROAD W11/ NOTTING HILL GATE LONDON marysville, victoria, nicholas john caire, bill hopkins collection, postcard, souvenir

Associated with - Kodak Postcard Buildings - "Town Hall,Gates"