Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

PHOTOGRAPH TAKEN 1880. THE WINDMILL ON CORNER OF PADDOCK STREET AND SMEATON ROAD OPERATED A FLOUR MILL FROM 1870 TO ABOUT 1883 BY JOSEPH WHYTE.A FADED BLACK & WHITE PHOTOGRAPH OF PORTION OF CLUNES SCHOOL NO. 1552, WINDMILL AND DWELLING ON SCHOOL HILL.local history, photography, photographs, schools -1552, flour mill

Harvest Scene at Concongella (Altmann’s) The oat crop was in a paddock adjoining Concongella Cemetery. Two Children are Roy and Joyce Altmann. c 1930'sBlack and white photograph of a harvest scene. The photo is of a reaper & binder striping an oat crop in the Concongella district.stawell agriculture

The Lecture Theatre was constructed on part of the landfill in the Lagoon paddock. The photograph seen as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 136.Lecture Theatre under construction behind the new Library. Includes glimpse of the Quad Courtyard.green grows our garden, a.p. winzenried, lecture theatre, quad, lagoon paddock

Hay bales are a key food in a grazing livestock production system. The paddock shows the co-existence of native vegetation which provides cover for livestock. Digital photographfarming, hay, native vegetation, agriculture, farm, western victoria

also one black and white photograph empty paddock with sign for proposed aquatic centre, with Council Offices at top of hill number in album 03515.02Black and white photograph taken at site of proposed aquatic centre Palmers Road, group of people beside prominent sign, Clark Warnock, Russell Smith with Kendra, Chris Newton, Ian McDougall, Lester Gedgin and Terry Barling. Lakes Entrance Victoriarecreational facilities, land

The calendar was produced as a souvenir of the Orbost/Marlo area for sale in the Orbost Visitor Information Centre, The Slab Hut.This is a photographic souvenir of Orbost and is a good research tool.A calendar for the year 2000. It contains b/w photographs of the Orbost district and is titled, "A Look at the Last Century" Orbost-Marlo. On the front cover is a photograph "Main Road into Town 1917". It shows "Hoffman's paddock and Herbert's Bulk Store and Bakery.SLAB HUT COPY at the top in black.history-orbost photographs

Donated by Jessie Smith (nee Small)Photograph of two horses grazing on hillside at Fiddlers Green, Griffiths Point (now San Remo) foreshore of Westernport. White fences dividing paddocks. School house on left behind trees and shed on right of photo. Houses and sea in background.horses grazing, phillip island, san remo, jessie smith, fiddlers green

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a dark polo neck jumper and trousers wearing a cap and holding a set of golf clubs in a golf bag. The man is standing on patchy grass with a fence, paddock and trees in the background. The place is the Ballarat Golf Links.Witten in pen on the back - Frank Wright, Ballarat Golf Links, 29/4/21, Oliver Peacockfrank wright, ballarat, ballarat golf links, cornet, conductor

B&W photo showing Smoko at Avards property, Emerald, Victoria. A group of four mensitting in a paddock, drinking tea and smoking. They are in shirtsleeves and are wearing hats. Left to right: Ron Asling, George Avard, Albert Jeffery, and Tom Breen.

B&W photo of a Chevrolet truck stacked with hay and parked in a treed corner of a paddock. Two men stand in front of the truck. A third man sits on the hay. The men are Ernie Thorn, Jim Norton and Bill Hermon. 1930-34.

William Nichols Anderson (1873-1927) was an Australian painter, one of whose works from the 1906 series River + Rail is in the Kew Historical Society’s art collection (donated 1984). A separate archive file contains correspondence, biographical information (written by his niece), and locations in Kew where he lived. Much of the correspondence between the Society and the City of Kew relates to the painting and its location in the Mayor’s Room at the Kew Civic Offices, Charles Street, where it was on loan from the Society. Lucy M (Jean) Hornby, the artist’s niece and the donor of the painting was a resident of 5 and 20 Queens Street, Kew (Vic). Australian ImpressionismGift of Lucy Hornby, 1984Framed oil on canvas by W. Nicholls Anderson of Park Street, Kew (now Adeney Avenue) looking uphill in a southerly direction towards Cotham Road. The painting is dated to 1906. The two storey house at left was known as 'Eborensis'. The house is still extant on the corner of Adeney Avenue and Parkhill Road. On sticker on back of frame - Adeney Ave./1913/ £3.3.0/ 13th Annual/ Exhib. V.A.S [Victorian Artists Society]/1911 Aust Art Exhib/the Guidlhall/Swanston st Melb./ Adeney's Paddock/ Kew. £3.0.0.artists - kew - victoria - australia, victorian artists society, william nicholls anderson (1873-1927), adeney avenue kew, australian art exhibition 1911, victorian artists' society, w. nicholls anderson

In 2007 the Whitehorse Council funded the erection of a stand-alone Implement Shed in what had previously known as the 'horse paddock. It was the site of the second Schwerkolt home and the orchard.Thirteen coloured photographs showing the erection of the Implement Shed in September/October 2007schwerkolt cottage & museum complex, whitehorse historical society

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940.Sepia photograph white narrow white border of a landscape photograph taken on Churchill Island and showing a paddock, some trees, and part of a building to the right side of the frame. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

This is a vintage item from the early 20th century. It could have been used in a house hold context or by farmers in the paddocks, by hikers, family picnickers, campers or by workers in factories. This item has no known provenance and is kept as an interesting vintage domestic object..Deep blue enamel vacuum flask or thermos with a rusted metal handle and a lid which serves as a cup. There are rust patches on the base, sides and cup. The central section is round.vintage domestic item, vintage vacuum flask, vintage thermos

Looking towards the Beacon and Beacon Road housing. Shows undeveloped paddocks between Beacon and the railway. Also West Gate Bridge is in the distance James LAURITZ print of Port Melbourne, laminated (one of 18). Copies of slides produced for Port Melbourne Councillocal government - city of port melbourne, built environment, james lauritz, beacon cove, beacons, engineering - bridges, west gate bridge

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins periodSepia photograph of Amess House and Rogers Cottage, showing a paddock, young fruit trees, and the established Norfolk Pine. Taken from the Western side. Photo with white border Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

During the 1930s Moorabbin was an area with open grasslands, still often used for market gardening. The development of the city (and, later, suburb) can be seen emerging from the railway station.The Nepean Highway is a major highway running through the City of Kingston. This image is one of many that depicts its importance to the local community as it undergoes many changes over time.Black and white photograph of aerial view of intersection of Nepean Highway and South Road. Moorabbin Council Chambers are situated on the corner with the library, old shire building, Moorabbin railway station, St David's Anglican Church market gardens and open paddocks in the background.White round sticker on reverse with black printed text: 143 Handwritten in red ink on reverse: 156% / k000786moorabbin, council, railway station, railway, suburbs, paddocks, nepean highway

Thirty six page knitting pattern book featuring twelve colour pages. The front cover shows a woman standing in a paddock next to a fence, holding a walking stick and wearing a knitted jumper, knitted scarf, knitted cardigan, skirt, beret and boots.front: [printed] Cleckheaton / FABULOUS / 8 PLYknitting, pattern, fashion, knitwear, cleckheaton

The Unit was picked up from a paddock on a farm in Bagshot, near Bendigo. It was donated to the Friends of Kurth Kiln Heritage Collection by the Family of Cyril H Peatling on 23 December 2006.Gas Producer Units are of significance to Kurth Kiln because they demonstrate the enduse of the charcoal that was created at Kurth Kiln. Considerable documentation has been made available to us on its history, including a picture of the truck is was mounted on. A Gas Producer Unit that converted charcoal into a gas suitable for the combustion engine. Used on motor vehicles during WWII petrol rationing restrictions. It consists of a hopper to hold the charcoal and a firebox to generate the gasNameplate missinggas producer, bagshot, wilma

A short time later Elaine and Graeme Oliver, a young station owner, prepare to ride from Barmagula homestead down to the horse yards to assist in bringing in the "grasseaters". These are racehorses that have all been paddocked together for some weeks prior to the forthcoming Piney Creek Amateur Picnic Race Club's annual meeting. Paddocking ensures that every horse has the same training period before the private meeting at which members only may race or ride a horse, and attendance is by invitation. Tony Conway as Oliver.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 10des martin, many a mile, ringer's river, northeast victoria stories

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph provides an insight into some of the farming work that took place on Churchill Island.Black and white photograph with white border of a small tractor pulling a wagon loaded with a large pile of hay. A man in a hat sits on the top of the hay, and the tractor is stationary in a large paddock. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, hay, tractor