Amsterdam, with trade at its heart, is the oldest city in The Netherlands . Its multi-faceted and colourful history has engendered unique personality and behavioural traits in its people. The book attempts to record expressions of these along with the city's architectural attractions. The sub-title (translated) reads "A declaration of love by Amsterdam Boek". (The publishers)The book is a significant record of the Amsterdammers' pride in their city, its history, its present (in the seventies) and its people.A soft cover book of 160pp commemorating Amsterdam's 700 years existence. While the cover is in colour the countless illustrations are in black and white. Published in 1975 the book explores the strongly individual character of the city and its people.

The Japanese occupied present day Indonesis from 7-12-1941 to 15-8-1945. Indonesia was a Dutch colony at the time and Dutch Indonesians were imprisoned, starved and otherwise treated with great cruelty.This tile is of importance as a reminder of the War in the Pacific and the suffering of Dutch colonials during the Japanese occupation.A small, simply coloured ceramic tile commemorating the liberation of the Dutch East Indies on August 15, 1945. An illustrated paper applique has been stuck on the top surface.The following words and phrases are recorded on the paper applique: 15 augustus 1945; NED. INDIE VRIJ; nooit vergeten (never forget). The dates 7-12-1941and 15-8-1945 record the time of Japanese occupation. The tile is further illustrated with a map of the (now) Indonesian islands; two cut lines of barbed wire and two triumphant lions.

(a) and (b) - A set of two ceramic wall tiles featuring historic buildings in the town of Heemstede in the province of North Holland. The images are in shades of blue. Tile (a) depicts the Dutch Reformed Church building (Netherlands Reformed Church). Tile (b) is an image of the Cruquius Museum on the site of a one-time pumping station.On the back of each tile are the words Mosa Royal Holland. Tile (a) also has the numbers 86 and 89 imprinted.

A fully decorated Boch Delfts wall plate depicting a scene with water, sailing boats, a small dinghy, distant land with village and a glimpse of shore in the foreground. The whole is encircled by a ribbon of blue. The broad outer edge is decorated with leaf and flower patterns.The marks "Boch" and "Delfts" encircled by flower patterns cover a small central area on the back.

A wall plate by Boch depicting a village scene of people relaxing in front of acottage. There are adults and children, music, listeners, games and a dog. The image is achieved using Delfts blue colouring. The rim at the back has had holes pierced to accommodate hanging.The words Boch and Delfts are decoratively applied on the back of the plate.

A Boch Delfts wall plate with hanger. The blue-painted scene is set outside a pub where 4 men and a woman are drinking, smoking, making music and gambling.On the back one reads: " Boch La Louvière Delfts". These words are encircled with decorative floral designs. All is in blue.

A green enamel coffee pot (a) with a separate matching lid (b). Narrow goldish circles near the top, middle and bottom

Brought to Australia in the 1950s by Dutch migrants. These coffee grinders were in common use in the 1940s amd 1950s as an altrrnative to wall-mounted coffee grinders. They were operated by clamping the grinder between one' knees. The drinking of coffee is a highly social ritual among Dutch people. They brought this ritual with nthem to Australia as is evidenced by the number of coffee grinders and other coffee psraphernalia donated to the DAHC.Coffee grinder, wooden body, metal top. Wooden drawer in bottom, metal contaner for ground coffee. Metal top has circular raised section which has an opening with sliding lid to put in coffee beans. Metal handle with wooden knob in centre of top, connects with grinding mechanism inside metal top. Pe De on front above drawer.coffee grinder, kitchen ware

The Vliet is a canal in the western Netherlands, in the province of South Holland. It starts at the Oude Rijn at Leiden and joins the Delfshavense Schie canal at Delft. Places along its banks include Voorschoten, Leidschendam, Voorburg, The Hague and Rijswijk. The canal was dug in 47 AD under command of Roman general Corbulo, who wished to connect the river Rhine, of which the current Oude Rijn stream in Roman times was the main branch, to the Meuse estuary. It is unclear what the canal's trajectory was beyond the current city of Delft; the Delfshavense Schie canal, which connects Delft to the Nieuwe Maas river was not dug until 1389. In the Middle Ages the Vliet was an important trade link that attracted all kinds of trade, as it flowed through the heart of the County of Holland. Windmills have been constructed alongside the Vliet, including the completely renovated mill 'De salamander' in Leidschendam. The Vliet area was particularly attractive among richer families, who built their mansions along its banks.An historic small town scene etched (or possibly printed) on thin metal and subsequently fastened to a plywood backing. The delicately presented scene is said to show the intersection of Old Church Street and the Vliet Canal bridge in Voorburg, as well as a section of wharf. On the canal are one large and two much smaller vessels. A very tall crane-like construction arises from the wharf to the roof of waterside buildings. The people are soberly dressed in possibly 17th or 18th century costumes.On the reverse has been written: "Oude Kerkstraat Brug over de Vliet Voorburg". (Old Church Street; Bridge over the Vliet canal; Voorburg). However, research proves that the church is actually the Old Church in Delft, a short distance further down the Vliet Canal.

This booklet was published in the year following the German occupation on 1940-1945. It celebrates the 700 years existence of the city.See itemA 104pp booklet by A. van Peer printed on poor quality paper. Illustrations are in black and white; the cover picture is of the Old Church in Delft. (See item The subtitle reads :1246 Delft 1946.

This item originated in the former Dutch East Indies and was likely intended as a souvenir.A small wooden root has been carved to resemble a bird sitting on a plant.

A much decorated filigreed silver-coloured cake slide. The main scene is a detail from Rembrandt's "The Night Watch" worked in relief on the slide.

Very likely a souvenir brought back from the former Dutch East-Indies.Small brass-coloured ornament from the former Dutch East Indies. It depicts a team of two bullocks drawing a plough. The farmer is seated on the plough and swinging a whip.

(a) Silver-coated intricately patterned cake slide. Carvings on a floral theme are done in relief. Edges are irregular. The handle end features a female form reminiscent of a ship's figure head. The word "Italy" is engraved on the back of the slide in very tiny writing.

The item most likely originates from the former Dutch East Indies where this mode of transport is still available though now supplemented with auto-rickshaws.The item hearkens back to the years of Dutch occupation of what is now Indonesia and the fact that many Dutch lived, worked and felt at home there.A small but faithful bamboo replica of the three-wheeled mode of transport known as a cycle rickshaw. Wire has been used to construct a kind of axle that joins the two pedals via a small bamboo tube below the cycle's crossbar and the seat. Although the pedals can be turned this is not an option for the wheels which are firmly glued.On the back the rickshaw displays registration number 3947. This seems to have been applied with a stamp pad.

These purses were common in The Netherlands in the mid-twentieth century but were laid aside in favour of wallets once plastic cards were introduced.A black leather purse with partitions for bank notes and coins. There is a stud to close the coin section and a brass clip to close the purse as a whole. One section contains two notes to the value of two and a half guilders; another has 19 coins to the value of 10c each; the main section holds 2 coins worth 1 guilder each, 7 worth 25cents, 3 x 5cent coins and 3 x 1 cent.

Highly decorative silver-coated object in the shape of a four-pronged fork. A sailing ship forms the top of the handle. The handle (or stem) has 2 curlices on each side. The main section depicts a homely interior in which a seated woman plays the harp, a man stands listening and a child sits on the potty. The whole is surrounded by raised vine-like patterning. A very tiny triangle is engraved in the point of the fork at the back.

Mrs. Axie Mazèl - Krammer and her friend Anneke Rappard each had two daughters with them in the Women's camp in Banjoe Biroe. Prior to her marriage Axie Krammer von Marchau had studied languages, literature and pedagogy and particularly the art of teaching through play. The spirit and optimism of these two women contributed to the survival of their 4 little girls. An accomplished artist Mrs. Mazèl created the original of this booklet for the 6th birthday of her friend's daughter Anne Marie on July 30, 1945.The illustrated story of children playing at internment does not hide the reality of their lives but puts in the context of a game of make-believe. The make-believe is illustrated in colour while the harsh reality is recognised in a small black and grey sketch in a corner of each page. Simply produced 30page booklet. It is the printed version of a handwritten booklet produced in July 1945 by Mrs Axie Mazèl Krammer to help her children deal with the memories of their imprisonment by the Japanese in the former Dutch East Indies. The materials and style imitate the simple materials that were available for the author during their 4 years of imprisonment and deprivation. The name "A. Kelleners" is written on the flyleaf.dutch east indies; japanese; internment camps;

Two matching drinking glasses produced to commemorate the Dutch European Cup victory of 1988.All inscriptions and illustrations are in orange. One side of the glass depicts an heraldic lion with the inscription: "Nederland Kampioen E.K. '88" The other side shows a soccer ball in full flight with below it the results of the various matches played on the way to victory.

Two heavy round brass wall plates depicting traditional occupations - one of a chairmaker, the other a blacksmith.(a) De Stoelemaaker (the chairmaker) (b) De Smidt (the smith)

This item is from the pre-plastic days and would have contained a brush made from natural bristles.White enamelled metal cylindrical toilet brush holder. An upright projection has a hole for optional hanging of the object.CLOSET BORSTEL (Toilet Brush) in black paint.

The item dates from the years of Dutch influence in the region which ended in 1962. The region is now known as West Papua.As the above urls will show, West Papua's history is a complex one with various colonial powers disputing ownership with the local inhabitants. Modern Indonesia also lays claim to it. The area was part of the Kingdom of the Netherlands from 1949 till 1962. Prior to 1949 it was part of the Dutch East Indies. The item may well date from this pre-1949 period.Richly illustrated small rectangular glass ashtray showing map of one-time Dutch New Guinea, surrounding waters and smaller islands. Two endemic bids are also shown. The glas is a pale blue; the illustrations are in green and yellow; words are in black. The ashtray's four sides are curled slightly upwards.Oceans, seas and islands are named in the Dutch language. A dotted border marks off Australian New Guinea.

Large rectangular sepia print of the beach and beach front at Scheveningen. Among other beachfront buildings it features the famous Kurhaus Hotel and walkers on the sandy beach at what appears to be low tide. The sky is filled with dark glowering clouds. There are no swimmers apart from seagulls. The print has been professionally framed and has a strong wire at the back.Scheveningen Beach. The Hague. Netherlands. 1998. There is also an indistinguishable signature and the mark 25/100. The latter indicates this is no.25 in a limited edition of 100.

A number of these fans were ordered from Indonesia by Lia Kellener, the founder of Tempo Doeloe in Melbourne.The item relates to the move of many Dutch to The Netherlands or Australia from post-WWII Dutch East Indies. After a 4year struggle immediately following the ousting of the Japanese in 1945, Indonesia officially gained independence from The Netherlands in 1949. Small Indonesian fan produced for the 50th anniversary of Tempo Doeloe in Australia. The fan is made in a similar manner to the so-called Wayang dolls and is reminiscent of this aspect of traditional Indonesian culture.An orange central patch bears the words: Tempo Doeloe 1945-1995 Indonesia - Australia.

Queen Juliana's mother, Queen Wilhelmina, abdicated in favour of Juliana, her only child in 1948. In 1980 Juliana abdicated in favour of the eldest of her three sons Willem-Alexander.The production of this tile is significant of the Dutch monarchy's willingness to abdicate in favour of the next genration.Wall tile to commemorate the reign of Queen Juliana of The Netherlands from 1948 to 1980. An oval-shaped black and white image of the queen is at the centre surrounded by some low-key decorations.Koningin Juliana 1948-1980 (Queen Juliana 1948-1980).

Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 14th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art.This is likely a memento of the Dutch/Indonesia era.Carved and lacquered wooden image of male and female heads. Each is wearing a highly decorative headdress giving the impression of a special ceremony such as a wedding. The necks of the figures merge into further carving, this time of an abstract theme.