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Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of the site where the re-enactment of Charles Grimes' survey party of 1803 took place during the Kew Festival of 1978.Annotated on reverse: "GRIMES LANDING SITE / 1978 / DONATED BY MRS DEAN"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of the [unhistoric] report by a Trinity Grammar School student, dressed in costume as the surveyor Charles Grimes, reporting to the then Mayor of Kew, Cr Noel Whiting. Wurundjeri warriors are in the foreground. .Annotated on reverse: "GRIMES REPORTING TO MAYOR"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of a bush band comprised of students from Trinity Grammar School, performing at the Festival of Kew in 1978..Annotated on reverse: "BUSH BAND TRINITY / FESTIVAL 1978 / PLAYING TO CROWD"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of the District Commissioner and girl guides at the Charles Grimes re-enactment.Annotated on reverse: "DIST. COMMISSIONER / GIRL GUIDES AT FESTIVAL"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of Cr Allan Hutchinson reciting the program of events at the Charles Grimes re-enactmentAnnotated on reverse: "CR HUTCHINSON READING PROGRAM / 1978 FESTIVAL"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of the Trinity Grammar School bush band with Mrs Hutchinson and Whiting in the background. The band played at the re-enactment in period costume. Annotated on reverse: "BAND LEADER / 1978 FESTIVAL"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival, cr allan hutchinson, cr noel whiting -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of the Mayor of Kew, Cr Noel Whiting, and Cr Allan Hutchinson in period costume as a 'town crier'. Two 'brownies', part of a larger group, stand with their backs to the camera in the foreground. Annotated on reverse: :BROWNIES AT FESTIVAL / [UPPER RIGHT] M.ROLLEY, J. STEWART"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival, mavis rolley, joy stewart -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of a Trinity Grammar School student in period costume reciting the report of his survey of the Yarra at the 1978 Kew Festival. . Annotated on reverse: "GRIMES GIVING A REPORT OF HIS JOURNEY / BACK VIEW"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of the crowd on the riverbank during the Charles Grimes re-enactment. Annotated on reverse: "FESTIVAL ON THE YARRA 1978"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival -
Kew Historical Society Inc
Photograph - Historic re-enactment during the Festival of Kew, 1978
At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of six students from Trinity Grammar School, dressed in period costume, enacting in 1978 the arrival of the surveyor Charles Grimes at Studley Park in 1803. Annotated on reverse: "BOAT CREW / TRINITY BOYS AS GRIMES PARTY / 1978"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival -
Kew Historical Society Inc
Photograph, High Street, East Kew, 1977
The Kew Historical Society's Pictures Collection is comprised of photographs and original works of art. The photographs include original (mainly) images dating from the 1870s to the present. A number of these photographs derive from the former City of Kew's Civic Collection while others are the work of amateur and professional photographers. Most of the images in the collection depict people, places and objects within the suburbs of Kew and Kew East. Other photographs depict other locations in Melbourne and Victoria. A number of the photographs are of statewide and/or national significance.View from junction of High and Strathalbyn Sts., Kew East, looking approximately west toward Cemetery, October 1977. Inscription reverse: "KH-72. View from junction of High St. & Strathalbyn Sts, Kew E. Looking approx. west, towards Cemetery. October 1977."high street -- kew (vic.), streetscapes -- kew (vic.) -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Hepburn Springs Swimming Pool
The Hepburn Pool was built in Spring Creek during the 1930s by the Zelmans of Bellinzona Guest House. Alberto Zelman paid for local workers to construct the pool to their specifications so the visitors to local guest houses could swim on hot days. The Hepburn Pool was used for the Victorian Swimming Championships, with 6 stones marked at one end for each lane. It is 50 yards long, the length required for competitions. In 1935 the Hepburn Amateur Swimming Club organised their first swimming carnival, the meeting conducted by the Victorian Amateur Swimming Association, In 1969 the Daylesford Olympic Swimming Pool was constructed so this 'old swimming pool' was neglected. Fortunately in 1993 local volunteers associated with the Savoia Hotel returned the pool to its former glory with the help of old photos and a lot of hard work. Two well known swimmers swam at the pool in the Victorian swimming Championships, they were Annette Kellerman and Frank Beaurepaire. The Pool was named Victoria's Favourite Built Place in 2004 as part of the Victorian Government's involvement in the International Year of the Built Environment. It was included on the Victorian Heritage Register following a nomination and comparative analysis of pre Olympic Swimming Pools in Victoria by Lisa Gervasoni.Black and white photograph of the Hepburn Pool in Spring Creek, including the diving board.hepburn springs swimming pool, hepburn springs, hepburn pool, pre-olympic swimming pools, albert zelman, bellinzona, annette kellerman, frank beaurepaire, victorian amateur swimming association, hepburn amateur swimming club -
Warrnambool and District Historical Society Inc.
Album, photograph, Warrnambool Dramatic Society, Warrnambool Theatre Group, 1955
This album contains photographs from the Warrnambool Dramatic Society’s 1955 production of ‘See How They Run’. Amateur theatre groups have been operating in Warrnambool since the 1850s under a variety of names. The Warrnambool Dramatic Society was operating in the late 1940s and has continued to operate over the ensuing years with the name of the group today being the Warrnambool Theatre Company. This album gives us historical and pictorial information on the performers in ‘See How They Run’. No further information has been found on the owner of the album, Perc Moore.This album contains photographs that are important as a record of a Warrnambool Dramatic Society production in 1955. This is an album of 12 pages. It is bound with two metal studs. It has a buff-coloured cover in a mottled pattern with silver printing on the front cover. It contains ten black and white photographs, two of them loose. It also has inserted in the first two pages two programmes. The album is in a cream-coloured cardboard box. This box is much stained. ‘Presented by the Warrnambool Dramatic Society to Mr Perc Moore whose production of ‘See How They Run’ made such an outstanding success 18-10-55’warrnambool dramatic society -
Mission to Seafarers Victoria
Painting - Oil painting, Evening on the Yarra, c. 1898
The subject is similar to John Ford Paterson's painting also called "Evening on the Yarra'. The artiste signed J. White on the left bottom corner. A mention of a painting called "Evening on the Yarra" by John Whyte (mispelling or not?) is made in The Age in 1898 about the Annual Exhibition of the Melbourne Art Club. There are different leads for the name : it could be John Goldsworthy White, an amateur marine painter, or J.S. White, a marine painter active in the 1890s and member of the Victorian Sketching Club. (or maybe a transcrit or print error and this is the same person) Marine artLarge oil painting of sailing ships at dock with smaller sailing vessels and row boats on stretched canvas in elaborate gilt Victorian frame. Unglazed Steel eyelets and hanging wire Lower front left corner: signature (possibly) J. Whitesailing ship, docks, wharves, artwork, yarra river, john white, artwork-paintings, j. white, sheds -
Surrey Hills Historical Society Collection
Photograph, Methodist Church, Benson Street, Surrey Hills, c1930, 1930
From a glass negative taken by Ian Barkla's father, Frank Leslie Barkla of 37 Grovedale Road. He was a keen amateur photographer and member of the Melbourne Camera Club. The Benson Street Methodist Club became a Uniting Church during the amalgamation of protestant churches in the 1970s. It was sold and for a brief time was a Chinese church and then sold and demolished with town houses built on the site. There are 2 copies of the photo. There is a comprehensive folder of information about the church compiled by Jocelyn and Ken Hall, who were members of its congregation.1930s image of the interior of the Methodist Church, later Uniting Church, on Benson Street, Surrey Hills. The image shows the church organ, with pipes clearly visible, the pulpit and pews.churches, religious structures and establishments, surrey hills methodist church, sunday schools, surrey hills uniting church, church furniture, pews, pulpit, 1930, benson street methodist church, frank leslie barkla -
National Communication Museum
Instrument - Telephone, 1877
William Jackson Thomas is credited with making the first ever telephone call in Victoria. Thomas was a customs inspector at the Geelong Customs House and a keen amateur scientist, astronomer and woodworker. He experimented with electricity and induction to develop his own telephone soon after its invention by Alexander Graham Bell. He built most of the experimental telephone equipment himself – right down to the screws. According to the Geelong Advertiser, on 27 December 1877, Thomas held a telephone conversation with friends in a summer house 40 metres away.This instrument is of great historic significance as the instrument which made Australia's first telephone call in 1877, between two houses in Geelong. Although predated by Alexander Graham Bell's invention, this instrument is an example of Australian innovation and design; characteristic of Australian communications history. The instrument has excellent provenance, carrying a descriptive plaque about the use of the item. As an early prototype of a telephone, it is an incredibly rare example of communications technology.Stained wooden rectangular box containing mechanism with circular turned section at one end being the receiver and transmitter. There are 3 metal screws at the rear and a leather strap running from one of these to the transmitter/receiver. A label is on the base.On label: "First telephone made in / Victoria 1878 / Used experimentally between / Geelong and Ballarat and Geelong Queenscliff. / Maker WJ Thomas Esq. / Late H.M. Customs Geelong / Certified by A.C. Thomas For the above W.J.T."telephone, inventions -
Wodonga & District Historical Society Inc
Album - Ringer's River by Des Martin - Plate 10 - Bringing in the race horses
A short time later Elaine and Graeme Oliver, a young station owner, prepare to ride from Barmagula homestead down to the horse yards to assist in bringing in the "grasseaters". These are racehorses that have all been paddocked together for some weeks prior to the forthcoming Piney Creek Amateur Picnic Race Club's annual meeting. Paddocking ensures that every horse has the same training period before the private meeting at which members only may race or ride a horse, and attendance is by invitation. Tony Conway as Oliver.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 10des martin, many a mile, ringer's river, northeast victoria stories -
Geelong Cycling Club
Print, Careys Picture Framing Gallery, Circa 1950
Russell Mockridge b1928 d1958 was described 'as the greatest cyclist of all time'. He died during a race in collision with a bus that also claimed the lives of two fellow riders and a spectator. Mockridge started in 1946 by winning his first race of 40km with the Geelong Amateur Cycling Club. His wins soon earned him the nickname of the Geelong Flyer. He represented Australia at the London Olympic Games in 1948 and the Helsinki Games in 1952. He also represented Australia in the 1950 British Empire Games in Auckland where he took gold in the 1000 sprint and the 1000m time trial and silver in the 4000m pursuit. In Paris 1952 he won the Amateur Grand Prix and the following day the Open Grand Prix, beating world professional champion Reg Harris. Later that year he won Manchester Wheelers Club Muratti Cup again beating Reg Harris. He turned professional a year later and teamed with Sid Patterson and Roger Arnold to win the Paris 6 day race in 1955. Mockridge was one of 60 of 150 entrants to finish the 1955 Tour de France. He won 12 consecutive Australian championships. Mockridge was married and had a daughter, Melinda (1955)Russell Mockridge was described 'as the greatest cyclist of all time'. He achieved international notoriety as a cyclist from the mid 1940s until his death in 1958, representing Australia in the Olympic games, the Commonwealth Games, The Tour de France and other international high profile cycling events.Framed print of Russell Mockridge in cycling attire. Head and shoulders depiction. Mockeridge is wearing a leather cycling helmut and white cycling shirt typical of cycling gear of that era. The frame is wooden with gold mount and has a wire hanger on the reverse side.geelong cycling club; geelong amateur cycling club; geelong west cycling club; geelong flyer; russell mockridge; olympic games; tour de france; -
Warrnambool and District Historical Society Inc.
Functional object - Crop, Riding Crop, Early 20th century
Riding crops are used as a controlling mechanism by horse riders – to regulate the speed of the horse etc. This one was owned by J.C. Lumsden was a jockey in Warrnambool. JC Lumsden or John Calder Lumsden lived at 7 Nelson Street Warrnambool with his parents, father also JC Lumsden. John junior was an amateur jockey in 1950's and sixties and was also a distinguished show rider in "flag races"and the like, winning at local shows and the Melbourne Show. He was also a leading race horse trainer at Warrnambool. This item may well have been his fathers. Although we have no record of where this item came from the following information has recently been uncovered. JC Lumsden or John Calder Lumsden lived at 7 Nelson Street Warrnambool with his parents, father also JC Lumsden. John junior was an amateur jockey in 1950's and sixties and was also a distinguished show rider in "flag races"and the like, winning at local shows and the Melbourne Show. He was also a leading race horse trainer at Warrnambool. This item may well have been his fathers. This is a horse riding crop. It has a rounded wooden stick with interwoven material around one section and the remains of a string handle. The end of the stick has a leather tongue or keeper. There is a knob at the top end of the stick with a brass disc inserted with the name of the owner. The riding crop is much worn and stained. ‘J.C.Lumsden’ ‘Merck & Co.’ horse riding, history of warrnambool, john calder lumsden -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Emily Stitfold, Photographer, (1866-1948)
Emily Ann Hanson Stitfold was born in Ballarat in 1866 to Thomas Stitfold and Sarah Stitfold (Hanson). There were six children, one boy and five girls. Emily attended photography classes at Ballarat School of Mines in 1896 (Grade !) and 1898. Photography was a new course offered and she was one of the first students to attend. She became a member of the Ballarat Amateur Photographic Association. Emily died in 1948 and is buried in the Ballarat Old Cemetery. (BN Section 19 Grave 9). Her parents, Thomas and Sarah are also buried in the Old Cemeterywomen of note, ballarat school of mines, emily stitfold, photography, student, ballarat amateur photographic association, ballarat old cemetery, thomas stitfold, sarah stitfold -
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ceramic container, expertly potted and glazed which is representative of Australian ceramic design of the period.Handmade ceramic container, constructed through coil work with the lid and upper body fully glazed and the lower half part glazed in orange.Signature to base: "V. Ayling"ceramics, containers, pakington street -- kew (vic.), viola ayling -
Kew Historical Society Inc
Ceramic - Reticulated vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, reticulated ceramic vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase with the body reticulated between the moulded floral exterior. The vase is fully glazed in a brown.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), vases, viola ayling -
Kew Historical Society Inc
Ceramic - Madonna and Child, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic sculpture of an abstracted Madonna and Child. The figures are fully covered in an olive green glaze.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded ewer, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic lidded ewer fully covered in an olive green glaze. The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), ewers, viola ayling -
Kew Historical Society Inc
Ceramic - Bookends, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Pair of handmade ceramic bookends fully covered in a white, black and predominantly blue glaze. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), bookends, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade globular ceramic vase, fully covered in red with a green overglaze that has been wiped to reveal the floral pattern.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, narrow-necked ceramic vase, with a pink glaze overlaid with painted and dripped cream and green glazes within the ridges.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Footed dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, footed oval ceramic dish, covered with a blue glaze. The feet, one of which has been repaired, are created from coils that were then luted to the base.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, lidded container, constructed through coil work, and using the different forms of coiling as a decorative element. The container has been glazed in yellow and green.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola ayling