Blind bowler Gloria Pascoe could be the first totally blind bowler playing Pennant competition. She competes at the Tooronga Bowling Club's B1 Pennant team and has represented Australia in the 1980 Paralympics as well as international tournaments.1 page taken from AFB publication with image of blind bowlernon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, gloria pascoe, recreation

To promote blind bowling, the annual tournament between Victoria and South Australia, will be held in Ballarat's Webbcona Bowling Club. Victorian representatives from Ballarat, Geelong, Bendigo, Mornington Peninsula and Melbourne will be competing to win the Catchpole Trophy.1 photocopied article taken from unknown sourcenon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, ivan molloy, leigh murray

Profile of Russell Danby, who created a Tuscan mural at Vision Australia, with grapevines and villas.1 photocopied article taken from unknown sourcenon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, russell danby

Overview of the work done by the Association for the Blind and contact details for all those involved in managing the appeal. The 'Sight, Kooyong' appeal aimed to raise $750,000 to provide additional facilities at Kooyong, Oak Park, Geelong, Ballarat, Mildura and Shepparton, expand the George Vowell Day Centre and establish residential facilities at Mt Eliza, expand welfare and rehabilitation services across Victoria, increase work done in the Low Vision Clinic and expand awareness in the prevention of blindness.1 booklet with braille and print on front covernon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, fundraising

Order of Service for the life of John Oswald Wicking at St John's Church, Toorak.1 booklet of 8 cream coloured pagesnon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, john wicking

Invitation card to the opening of the Vision Resource Centre at Kooyong in 1989.1 invitation card, white with blue writing and AFB logo, and 1 envelope addressed to Mr and Mrs Neil Maxwellnon-fictionThe President, Mrs Diana J. Jones and Members of the Committee of the Association for the Blind have pleasure in inviting Mr & Mrs N Maxwell to be present at the Official Opening of the Vision Resource Centre 454 Glenferrie Road, Kooyong by His Excellency, Dr Davis McCaughey, A.C. Governor of Victoria, on Wednesday 3rd May 1989, at 2.30pm Refreshments will be served after the ceremony AFB logoassociation for the blind, elizabeth maxwell, neil maxwell

Invitation to attend an afternoon tea to celebrate 25 years of service by Peter Rickards1 x cream A4 sized page with black writingnon-fictionYou are cordially invited to celebrate Peter Rickards 25 Years of Service with Vision Australia Foundation And join us for afternoon tea on 26th August 2002 at 3pm at "The Plaza" 454 Glenferrie Road Kooyong RSVP to Michele Barry Service Manager Vision Australia Foundation Kooyong Ph: 98649206 By 22nd August 2002elizabeth maxwell, neil maxwell, vision australia foundation, peter rickards

Obituary of Marjory (Marg) Lane who passed away on March 27, 2001. The tribute, penned by her nephew Peter Baker and friend Marjory West, chronicle her early family life, experience as a student teacher, and lifetime involvement with the Guiding Association, volunteer service with 3RPH and helping establish Audio Description service for theatre goers. 1 photocopied article on cut down A4 sized pagenon-fictionelizabeth maxwell, neil maxwell, vision australia foundation, marjory lane

Concert program and brief history of the Association for the Blind on its 95th birthday.1 x A4 sized page folded in halfnon-fictionAssociation for the Blind Ltd 95th Birthday Celebration Concert Camberwell Civic Centre Sunday 25th November 1990 at 2.30pm Souvenir Programelizabeth maxwell, neil maxwell, association for the blind

Short piece on Michael Lynch, CEO of Vision Australia Foundation.Cut out newspaper article taken from Stonnington Leader May 28, 2001non-fictionelizabeth maxwell, neil maxwell, vision australia foundation, michael lynch

Obituary of Gerard Crock, an ophthalmologist who pioneered micro-surgery in his field, was the first professor appointed medical specialty chair in Australia, establish the ophthalmology department at Melbourne University and helped develop the Ear and Eye Hospital and the Low Vision Resource Centre at Kooyong.Photocopied newspaper article taken from The Age, Monday January 14, 2008non-fictionelizabeth maxwell, neil maxwell, association for the blind, gerard crock

Life Governor certificates awarded to Elizabeth Maxwell (1989) and Neil Maxwell (1992). Elizabeth's certificate has black and gold writing, with a golden AFB Guiding Light symbol, and is signed by Diana J Jones and John Cook. Neil's certificate has black writing, with a black and blue AFB logo, with horizontal lines and a black 'Pacman', and is signed by John Moule and John Cook.2 styles of Life Governor certificates, awarded in 1989 and 1992non-fictionAssociation for the Blind Life Governor This is to certify that Elizabeth Maxwell Glen Iris was elected a Life Governor on the Twenty-Eighth day of August 1989 by Order of the Committee Diana J Jones - President John Cook - Secretary Association for the Blind Life Governor This is to certify that Neil Maxwell Glen Iris was elected a Life Governor of the Association for the Blind on the Eighteenth day of September 1992 by Resolution of the Committee John Moule - President John Cook - Secretaryelizabeth maxwell, neil maxwell, association for the blind

Nomination form for Neil Maxwell, to become Senior Citizen of the Year in 1999. Ken Gunning completed this form and, as part of the application, submitted a typed list of Neil's volunteering commitments over the past 40 years, from the notes he made.4 x A4 pages - one form with handwritten responses, 2 handwritten pages and one typed documentnon-fictionelizabeth maxwell, neil maxwell, association for the blind

Neil Maxwell played an active role in the governance of the Association for the Blind. In these letters, regret is expressed for his resignation and acknowledgement of his contribution in helping the Baringa Centre become a reality and his work in gaining financial assistance for the Association.2 x A4 letters with AFB logonon-fictionelizabeth maxwell, neil maxwell, association for the blind

Two letters sent to Elizabeth and Neil Maxwell, recognising their 40 Years of Service and invitation to attend a Volunteer Recognition Afternoon tea to receive their awards.2 x A4 letters with Vision Australia logonon-fictionelizabeth maxwell, neil maxwell, vision australia

Two letters sent to Elizabeth and Neil Maxwell, as past Life Governors, inviting them to receive Vision Australia awards recognising the same.2 x A4 letters with Vision Australia logonon-fictionelizabeth maxwell, neil maxwell, vision australia

Invitation for Neil and Elizabeth Maxwell to attend the opening of the new Kooyong Centre on Thursday 11th October 2001.1 x A4 page of grey background with black writingnon-fictionThe President, Malcolm Daubney and Members of the Board request the pleasure of the company of Neil & Elizabeth Maxwell at the Opening of the new Kooyong Centre 454 Glenferrie Road, Kooyong at 10.30am for 11am on Thursday 11th October, 2001 by John Landy, AC, MBE Governor of Victoria RSVP by 27 September 2001 (03) 9599 5000 Light Lunchelizabeth maxwell, neil maxwell, vision australia

Letter from Robin Pleydell to Neil Maxwell upon the occasion of his retirement from the Association of the Blind.Handwritten letter from Robin Pleydell to Neil Maxwellnon-fictionelizabeth maxwell, neil maxwell, association for the blind, robin pleydell

Article on the 11th Australian Blind Indoor Bias Bowls Championship, held at Chisholm Institute. Both Neil Maxwell and Ivan Molloy were interviewed and photographed during the competition.Photocopy of newspaper article on 11th Australian Blind Indoor Bias Bowls Championshipnon-fictionelizabeth maxwell, neil maxwell, association for the blind, ivan molloy

In 1997 Elizabeth and Neil Maxwell retired from their positions at the Victorian Blind Bowls Association. Elizabeth had worked as Transport Officer for the VBA since 1980 and Neil joined the Victorian Blind Bowls Club in 1975, becoming President, Committee Member, Public Officer and Manager.2 letters with Victorian Blind Bowls Association letterheadnon-fictionelizabeth maxwell, neil maxwell, victorian blind bowls association

Minutes from the VIBBA meeting held on 14th April 2011, with recommended format and conditions for the Roy Langdon trophy - to be played between Kooyong and Blackburn clubs.5 typed pages - 3 of meeting minutes, 2 of large print guidelines for Roy Langdon trophynon-fictionelizabeth maxwell, neil maxwell, victorian indoor blind bias bowls association

Undated page of VBBC Constitution and By-Laws with pen marks under section referring that 'the President shall be elected annually but should not (underlined from this point onwards) remain in office for more than two consecutive years."1 page of typewritten constitution and by-laws with pen marksnon-fictionelizabeth maxwell, neil maxwell, victorian blind bowls club

Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni

Sarah ANDERSON (1984- ) Born Ararat, Victoria Sarah Anderson is a ceramic artist currently completing her tertiary education at Federation University, and upon completion intends to study for a post-graduate teaching qualification. Influences on Sarah’s work range greatly, from historical Mexican tilework to delicate pinched porcelain sculpture. Barbara Hepworth, Constantin Brancusi and Jun Kaneko continue to be great sources of inspiration for Sarah’s final year of studies, for their challenging looks at shape, form and colour in their ceramic work. Sarah’s current ceramic practice involves exploring organic shapes in brightly coloured finishes. At once the shapes are earthy and vaguely figurative, an exploration of three dimensional shape and how our minds seek to align them with familiar forms. Her colour treatments are designed to create a dichotomy between shape and colour, inviting the viewer to apply their own meaning to the works. In future, Sarah hopes to combine her love for art history and education with her art practice in a fulfilling career. Sarah Anderson completed a Bachelor Visual Arts (Ceramics) at the Federation University Arts Acadamy in 2017. Three earthernware sculptures with mid-fired underglaze treatment. An airplant is attached to one of the items. This work won the 2017 Federation University 3D Art Acquisition award.On each base 'Sarah Anderson'sarah anderson, ceramics, sculpture, alumni, art acquisition award, available

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection

Ill, maps, p.412.non-fictionReproduces journals and first-hand accounts of explorers & navigators, including Torres, Quiros, Tasman, Pelsart, Dampier, Cook, Bligh, La Perouse, Bass,and Flinders.australia - history, australia - discovery and exploration