Envelope with eight snapshots of Bendigo scenes. Personal wartime memorabilia. 1942 -1948, of Lillian Doble. Small blue envelope printed on the front with: Valentine's snapshots. Eight real photographs hand colored Bendigo, Vic No.2. Published by the Valentine Publishing Co. Melbourne and Sydney. In pencil handwritten, 2/4. On reverse: Printed in Great Britain. Inside: eight sepia snapshots that have been coloured, labelled on the front of each snapshot - No. 11 Conservatory Gardens, Bendigo; No 12 Rosalind Park, Bendigo; No.13 Lake Weeroona, Bendigo; No.14 View Point, Bendigo; No. 15 The Coinservatory Gardens, Bendigo; No.16 Deborah Goldmines looking towards Bendigo; No.17 Rosalind Park Gardens, Bendigo; No.18 The Mall, Bendigobendigo, streetscape, world war 2, lillian doble, rosalind park gardens, conservatory gardens, lake weeroona, view point, deborah gold mine, the mall, bendigo 1942-1948

Web page retrieved from the Museum of Victoria website, with a picture of Barbed wire sample - Abbott, Single Strand, Four Point, Double Kink, Bendigo , Australia, 1943Museum Victoriatopic, farming, barbed wire, agriculture, barbed wire, fencing, fencing wire, industrial design, innovations, h.a. abbott

Printed receipt for Casamento Motors Pty. Ltd. Car Park, View Point, Bendigo. Date line ends 193-. Receipt lists charges, Time in, Car Number and Attendant. The butt has No., date line, Number of Car, Name of car, Time in, Going out, Amount paid and signature. Printed on yellow paper with dark blue printing.business, printers, cambridge press, cambridge press collection, casamento motors pty ltd

The South Coast New South Wales Photographic Booklet has a light brown rippled cover with dark brown printing and frame with two kookaburras in the bottom left corner. 1940 written in the bottom right corner. On the back it has From and Published by the Valentine Publishing Co. Pty. Ltd., Sydney and Melbourne. The inside has a panorama view from Sublime Point and smaller views of the South Coast, Mt Kiera Raod, Wollongong, Bulli Pass, the Harbour Wollongong, Austinmer, The Blowhole Kiama, near Sublime Point, The Bridge Shoalhaven river Nowra,person, receipts, j w swatton, j w swatton collection, the south coast nsw, the valentine publishing co pty td, sublime point, stanwell park, wollongong, bulli pass, thirroul, austinmer, the blowhole kiama, nowra

COLLECTION OF PHOTOGRAPHS. Comprises 8 B&W photos of individuals or groups (various era) with no names provided; 4 colour photographs of people (couples) with no names provided; 2 B&W photographs with name identification on back - Russell January 1942; Russell & Audrey with Bridesmaids & Best Man Shirley's husband - Best Man Jack's daughter - small bridesmaid on left; one B&W? ( Polaroid) photograph of building - on reverse - Campbell Connelly, Bendigo (cnr. Forest St and High St). This photo shows the current building (2015 Chinese restaurant) with adjoining builiding in Forest St having Taubman's advertisement and corner building having a sign pointing up Forest St to the City Centre Motel.

Seven copies of letter paper with Bendigo Electronic Company of Australia Pty. Ltd. Letterhead. Under the name is printed Scalebuoys. Sole Distributor: Frank A. Stevenson 62 Honeysuckle Street Bendigo. Top left is Registered Office: View Point, Bendigo and on the right is Telephone: Bendigo 1321. 'Plus Fabric' watermark in the paper.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, bendigo electronic company of australia pty ltd, frank a stevenson

Group of paper pinned together of various experiments. Items include Tail light invention for Defence Dept. 18/9/41, Heat of glass, Refractive Index Tests on Melbourne Tap Water 31/7/42, Research Data, Manufacture of the Buoys 18/1/43, Specifications 1/12/42, List of substances with their Atomic No., Symbol, Atomic Weight, Melting Point and Year of discovery and a hand drawn diagram for an experiment. Bendigo Electronic Company of Australia Pty Ltdsciences, instruments - general, scalebuoy, bill ashman collection - correspondence, bendigo electronic company of australia pty ltd, defence dept, capt slattery, f a stevenson

Receipt from The commercial Union Assurance Company Limited, Collins Street West Melbourne, Provincial Agents Receipt, Sandhurst, dated 9 June 1888, for 10/- premium for insurance against fire, for Albion Chambers, View Point, Sandhurst.business, legal, commercial union assurance company, connelly, tatchell & dunlop, insurance, fire

Blue Doctor's Certificate dated 1 Feb 1877 certifying that Joseph Woolcock Miner of St Just Point was unable to follow his usual employment and signed by H.L. Atkinson. Signed at the end by J Wilcock declaring himself of the Sick Funds. Name has been written as Joseph Woolcock, but when it was signed declaring himself of the Sick Funds it was signed J. Wilcock.societies, aof, correspondence, ancient order of foresters no 3770 collection - doctor's certificate, court king of the forest, joseph woolcock/wilcock, wm thorn?

(i)'Rules and Agreement.' Typed and handwritten documents relating to loans by Mr. Henry Jones - a gold broker. (ii) Paperwork relating to business between Mr. Jones and Bendigo Tin Shop and Jackson's Buildings. (iii) Copy of a ' Bill of Sale from Henry Jones business which was at View Point, Sandhurst. (iv) Mortgage. Dated C1873.document, certificate, loans and sales, lydia chancellor, collection, business, sales, property, land sales, documents

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, golden point, post office, peake's battery

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, view point

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, lithographic

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, view point, esplanade, 1920s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, yachting, lake wendouree, view point, 1945

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, view point

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, golden point, mt warrenheip, early diggings

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, golden point, store

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

This item was purchased at Leski's, Melbourne, Medical collection auction, 8 May 2013. The incubator was part of a rare collection of medical, dental and pharmaceutical objects belonging to a tourism business, Kryal Castle, near Ballarat, Victoria from 1974. At some point,apparently, an officer manager discarded the museum records, so the provenance of the neonatal incubator, and many other items in the Leski auction, has been lost.Neonatal incubator, "Glenleigh", made and used, late 1950s- early 1960s. The four side laminated panels as well as bottom panel are possibly made of asbestos fibreboard,. Each panel is sealed with polished aluminium strips, and has a metal handrail.The incubator is mounted on four castors made by "Shepherd USA'. On the front panel is a bakerlite dial and a bakerlite switch. The item is incomplete: the cover, probably glass, is missing. Inside the unit is an old calico infant's mattress.There are two name plates on the front panel; “Australia/ Victor Watson/Limited/ New Zealand” and "Glenleigh/ Baby Incubator/ Aeronautical & Industrial Lighting Co/ 677-9 North Road Carnegie”. Australia/ Victor Watson/Limited/ New Zealand” "Glenleigh/ Baby Incubator/ Aeronautical & Industrial Lighting Co/ 677-9 North Road Carnegie”. Castors::"Shepherd USA'

This item can be used for cleaning rubber tubing or to assist with the introduction of rubber catheters and tubing. Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Device made of metal wire with a rounded point at one end and an eye hook the other end.surgery, midwifery

A Bendigo 'Advertiser' article titled 'Joss House re-born.' The old Chinese Joss House at Emu Point is being re-born by the National Trust of Australia. There are photos of the Joss House and the people involved in it and also historical information. 9/12/69bendigo, chinese, joss house, lydia chancellor collection, collection, bendigo, denis o'hoy, tourism, emu point, national trust of australia, historical buildings, house, houses

Small brown cardboard box. On the lid the name Albert M. Bush, Dentist A.M.P. Buildings, View Point, Bendigo. Phone: Bendigo 107. On one side in pen; Miss Bush. Inside some cotton that would have held a denture.bendigo, business, dentist albert m bush

Clothing. Black suede bracelet length gloves, embroidered with floral motifs in the Beauvais style of embroidery, and as stated inside the right glove, ''REAL BEAUVAIS POINT HAND MADE 927 6/14. Embroidery made with a hook. Fifteen tiny flowers in shades of blue, pink, red, green, are scattered across the top of the gloves.REAL BEAUVAIS POINT, HAND MADE 927 61/4 RIGHT GLOVE. MADE IN FRANCE 927,Left glove.costume accessories, female, bracelet length black suede gloves, beauvais is a french term for a form of tambour embroidery, which is decorative needlework technique using a hook.

Bendigo Advertiser ''The way we were'' from 1999. Art precinct: View Point in 1858.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 1999. Early days: View Point, Bendigo, circa 1860.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 1999. No fountain: Mitchell Street from View Point. Circa 1875.newspaper, bendigo advertiser, the way we were

Postcard, WW1, B&W image of Estaires after a German offensive. Damaged/ruined buildings on sides of road. Two signs on building at right - 'Steenwerck Motor Traffic' and 'Estaires'. The latter has two arrows pointing in opposite directions to other towns. Copy Z 24 See also Copy 1401.73postcard, postcard, ww1, france, estaires, ruins

Clothing. Four Collars a. Stand-up lace collar with a shallow scallop at the lower neck edge-6 cm -7 cm deep. Three ''stand-up'' flower motifs and other flat floral motifs form the lace. Five boned and wired casings keep the collar erect. At the centre lower edge fine, cotton fabric is gathered tightly and forms a 10 cm long, fan shaped drop or jabot which in turn has a shield shaped crochet drop 12.5 cm deep with corded and cut-work elements. The stand-up collar is lined with fine cotton net, and fastens at the back with three metal hooks, but no loops are evident. b. Very fine creamy silk (?) stand-up collar. 4.5 cm deep, with a 32 cm deep jabot front. The same lace as the collar, edges the Vshaped front jabot. In the centre of this jabot is a stylized maltese cross, which also features at the front of the collar. No fastenings are visible at the neckline. c.This item is of the same design as 14.b, but is slightly larger.Cream cotton or silk, the collar is 6 cms deep at the centre front, and features a Maltese Cross shape at the centre front of the collar, and the jabot front. Ten floral motifs are spaced around the collar, and the same lace outlines the edges of the jabot front. No fastenings are evident. d. Collar. 8.5 cm deep at the centre back, shaped to 6.5 cm deep at the centre front. Jabot 2 cm wide at top, 10.5 cm wide at lower edge, then shaped to a point at the very lower edge. Floral elements and eyelets form the design. Centre back has six eyelets at each edge-perhaps laced to fasten. Two 5.5 cm long x .3 cm wide bones are encased on the front of collar, to support it in the front.costume, female, lace collar and jabot front