Dora Sandow was born in 1893, the youngest daughter of George and Mary Ann Sandow. She married William Spencer Grigg in 1920.Black and white copy of original photograph, which shows a young woman with medium-length, slightly wavy hair. She is wearing lace-up boots, a mid-length dress which has ribbon trimming on the skirt and lace frills on the sleeves, and a very large, fabric-lined hat.dora sandow, dora grigg

Black and white copy of original portrait of an older lady wearing a dark dress with white lace around her throat, held with a brooch. Wearing a fancy beaded and feathered bonnet tied beneath her chin. Jane Gartside née Lintonmrs jane gartside, miss jane allen linton

Black and white copy of original portrait of a lady wearing a dark dress with beaded bodice, a lace cap on her head and a cameo at her throat.mrs eliza browne/brown, miss eliza tennant linton

Black and white copy of original photograph featuring an older woman dressed in dark clothing with lace at the cuffs and a hat with a ribbon tied under her chin. It appears that she is resting her arm along a gate or fence."36 rs James Beale"mrs james beale

Annie Meredith Nicholls, a daughter of William Henry Nicholls (1845-1902) and Annie Nicholls (nee Smith, 1847-1900) of Linton, worked for Mr. George Smith, who ran a stationery and newsagency shop at what is now 88 Sussex Street, Linton. When George Smith died in 1900, he left most of his estate, including the shop, to Annie Nicholls, then aged nineteen. Annie continued to run the shop and in 1903 she married George Brown, who was working at Mt Bute station at the time. They had seven children - Laurie, Victor, Ivy, Noelene, Annie, Ethel and Verna. In the early 1920s Annie became too unwell to run the shop, which was taken over by Walter and Katie Bonthorn and then by Ruby Sandow. Annie died in 1924.Photograph of young woman wearing a dress which has a large crocheted or lace collar and a fine chain attached. (nee Annie Nicholls)annie nicholls, annie brown

Black and white copy of original photograph of profile picture of a young lady wearing a dress with a ruched bodice and lace sleeves. Hair loosely pulled back in a bun."Mrs David Clarke (nee Retallick) Gordon Clarke's mother."mrs david clarke (nee retalick), gordon clarke

Black and white copy of original photograph of a girl wearing glasses and a dark coloured dress with a white lace collar standing next to a young man in short pants and matching jacket seated on a wooden chair."Vera and Roy Brown"roy brown, vera brown

Tilly Aston, possibly in her thirties, holding a bunch of slighly drooping roses in one hand as she rest upon a table, and a fan in the other. She sits in a chair, leaning forwarded, head tilted towards the flowers, dressed in a black evening gown with elaborate jet beading on the bodice and neckline, and black lace cuffs paired with long white evening gloves. Despite her dress, her hair is held back in a simple clip and she wears small silver sleeper earrings. Image made in black and white, sepia and reverse black and white. Original not held.B/W photograph in various tonestilly aston, association for the blind

The Reverend Horner was vicar at St Paul's Church, Linton, between 1922 and 1926.Sepia postcard photograph of a woman wearing two-piece mid-calf-length costume and hat. Dress has large lace collar and belt at waist. Woman is standing with right arm around handbag, left arm by her side, next to a taller man wearing long overcoat, clerical collar and hat standing with left hand in coat pocket, right arm by his side."Rev. and Mrs Horner Vicar of St Pauls Linton June 1922 - October 1926". st paul's church of england linton, rev. albert george horner, mrs horner

Lace belonged to Rob Innes' mother Miriam Effie (Drury) Born 1895. It might have belonged to her mother born 1856.Lappet head dress made with Maltese lace. Long deep cream coloured piece with edge of Maltese cross shaped medallions on all sides. There is a gathering at each end.lace making, handicraft, lappet head dress

This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover

Isobel Antoinette McDonagh (her first name also spelled Isabel, Isabell, Isabella) was born in Jamaica in 1847, a daughter of Robert & Antoinette McDonagh. In 1851, in Ireland, Isobel and her sister Jane were orphaned after both their parents died within a few months of each other. In 1855 Isobel and her sister came to Australia with their uncle John McDonagh and his wife Martha (née Mathews). Following the death in childbirth of her sister Jane in 1878, Isobel married her brother-in-law Frederick William Mitchell in 1881. She was the mother of Frederick William Mitchell, Robert Harold Mitchell, Albert Earnest Mitchell, Ida Olive Mitchell and Lillian (or Lily) Isabell Mitchell.Painted/modified black and white photograph which has been printed on glass, depicts a young lady with hair drawn back from face and worn in a bun or chignon at the back, wearing a dark coloured dress with a high neck and some trimming on bodice and sleeves. A narrow frill of white lace(?) is visible above the collar. Afterwards Mrs. Frederick Mitchell Several pages from a book have been pasted onto the back of the glass on which the photograph is printed. There is some writing in pencil (arithmetic calculation?) across these pages.isobel antoinette mcdonagh, isobel antoinette mitchell

Research suggests that this dress dates from the early 1920's when elastic was first used in clothing.Deep cream cotton muslin ladies tea dress. High waisted, square neckline, elbow length sleeves edged in cotton lace. Skirt has four panels of fabric - two side panels extending around front and back, and centre panels at front and back. French seams - some stitched in pink thread - machine stitched. Centre panels have two rectangular inserts of cotton lace. Each side panel has one rectangular insert of cotton lace. Lace inserts are edged on sides with six ball passementerie buttons. Neckline and sleeves edged with cream cotton lace. Soft gathering from neckline of centre front and back. Elastic casing around waist.costume, female, ladies tea dress

Wax doll owned by Elizabeth Annie Robshaw. Doll dressed in cotton lace fabric. Three cotton petticoats. One of lace and pintucks. Two plain petticoats. Cotton drawers. The doll has wax legs with moulded boots, copostion arms. Thumb missing on left hand. Ginger wig. Holes in ears for earrings but earrings missing. No markings on doll. Doll’s face and shoulder plate badly damaged. Clothes need to washed. Large piece of lace in box with the doll. Appears to be of a later date than the doll. Printed sign with doll “Wax doll 1870. Owned by Miss Robshaw.’

Mrs Catherine Sneddon, née Wardrope, wife of John Sneddon, was born in Scotland in 1828 and died at Berringa in 1914. She was listed as 'nurse' in the Victorian Electoral Roll 1905. Known in Linton as 'Granny Sneddon', she was a midwife, and had three children of her own.Formal sepia photograph of an older lady dressed in long gown with lace collar, wearing hat, seated with both hands holding a book on her lap."Mrs Sneddon "Midwife""catherine sneddon (née wardrope), granny sneddon, midwives

Wedding Dress worn by Liz Forster for her marriage to Graham Humphries on 13 January 1965 at St Oswalds Anglican Church conducted by her father the Rev. Joseph Forster.1965 White Guipure lace full length short sleeve wedding dress, piped at waist with full satin lining.costume, female ceremonial

Janet Angus was born in Linton and was a daughter of John Angus, a miner, and his wife Wilhelmina (nee Statemann) who ran a draper's shop in Linton. Janet married Richard Egan in Western Australia in 1898. She died in Western Australia in 1949. Janet's daughter Elsie married Fred Jennings of Linton in 1925.Black and white copy of original photograph, which shows a young woman wearing a dark coloured dress or coat which is buttoned at the front and has a large white lace or crocheted collar. Janet Angus, afterwards Janet Egan The photograph has been glued to an information sheet which provides birth, death and marriage details.janet angus, janet egan

Black and white copy of original portrait of a seated Lady resting her right elbow on a desk. She is wearing a light coloured full dress with white lace collar and cuffs and black embellishments.mrs caroline adamson, miss caroline maria cowen linton

Black and white copy of original portrait of a young lady with tightly crimped hair and wearing a light coloured dress with a lace collar with flowers on it.miss clem lloyd

The oldest child of Susan and William Garnsworthy Bennett, Elizabeth Bennett was noted for her involvement in community and church activities. She was organist at St Paul's Church of England for many years. Elizabeth Bennett married William Todd (the younger, son of William Todd Snr and his wife Sarah, née Thompson) on New Year's Day in 1882, and they celebrated their Golden Wedding in 1932. Elizabeth and William Todd had at least nine children.Black and white copy of original photograph. Photograph is a head and shoulders portrait of a woman whose dark hair has a central parting and is drawn back from her face. She is not wearing a cap or hat. Her dress has a high collar, with lace and a brooch pinned at the throat. The bodice of the dress has pintucks, lace trimming and buttons. Elizabeth (Lizzie) Todd, née Elizabeth Bennett, 1858-1949.elizabeth todd née bennett

A daughter of Henry Francis and his wife Mary (née Hepbuirn or Hepburn), Harriet married George Knight of Spring Vale (now Pittong) in 1900. Harriet is shown in this photograph with her two sons - William, born 1903, and George, born 1905. Harriet and George Knight also had a daughter, Victoria May, born 1901, who died in 1904. Harriet's husband George died in 1907. After she was widowed Harriet continued to run their farming enterprise. As part of this she ran a butchery, providing meat to people living in the Pittong district. Alice Knight (Harriet's granddaughter) commented in 2018 that the photo shows Harriet having quite muscular arms, which she thought was a result of hard physical labour on the farm.Black and white portrait of a woman wearing a dark dress with high collar, sitting in a chair with a small boy on either side, both boys wearing large white lace collars. Harriet Knight (Mrs. George Knight) with sons George and William.harriet knight (née francis), george knight, william (bill) knight

Black and white copy of original photograph showing a lady and man seated on chairs. The bearded man is wearing a light coloured shirt, pants and vest, with dark jacket, holding a bowler hat in his right hand. The lady is wearing a light coloured dress with stripes running down the fabric, white lace shoulders and dark lace and trim. She has a head covering, her left hand is resting on a book in her lap, her cheek is resting on her right hand.mr george lloyd, mrs lloyd

Grace Bennett (1875-1960), a daughter of William Garnsworthy Bennett and his wife Susan née Williams, married Neil Wishart in 1898. They had four children - Lydia, Neil, Millicent and William. Grace and Neil Wishart celebrated their Golden Wedding in 1948.Enlarged black and white copy of original photograph which has been mounted on white card. The photograph shows a young woman wearing a dress with a high neck and long sleeves, which has pintucking on the sleeves and bodice. The bodice also has appliqué decorations. The woman is seated on a cane chair and has a small child standing next to her. The child is holding a doll and is wearing a dress with smocking and a lace collar. She has a bow in her hair and is wearing button-up boots.grace wishart née grace bennett, lydia wishart

Elizabeth Bennett, the oldest child of William Garnsworthy Bennett and his wife Susan, née Williams, was born in 1858, and married William Todd on January 1st 1882. They had nine children, all born at Linton. Mrs. Todd was noted for her family, community and church involvements in Linton. William and Lizzie Todd celebrated their Golden Wedding in 1932.Enlarged black and white copy of original photograph which shows an older woman who is wearing a feather-trimmed hat, and a white lace scarf over a dark jacket or dress. She has a spray of flowers pinned to her jacket near the scarf. The photograph may have been taken outside St Paul's Church of England in Linton. Elizabeth (Lizzie) Todd (Mrs. William Todd), 1858-1949.elizabeth (lizzie) todd née elizabeth bennett

Emma Keys was born in England in 1842 to parents Charles Keys and Mary Ann, née Black. She married George Henry Smith in 1860, after which they sailed from Liverpool bound for Happy Valley. Emma and George Smith had fourteen children. Emma died after the birth of her last child in 1888.Enlarged black and white copy of original photograph, which shows a seated woman wearing a dark dress which has a lace collar and buttons on the bodice. (Mrs. G H Smith), née Emma Keys.emma smith née emma keys

Six cabinet cards produced by Bendigo Photographers. All subjects unnamed. Black and white/sepia. A. 1. Photographer F De Kock & Co Cnr Mitchell and King Streets. Subject is two men, one standing and one seated, dressed formally in jackets, ties and pants. One is holding a hat, while the other's hat is by his elbow. 2. Photographer is Verey & Co Castlemaine and Daylesford. Subject is three men, two seated and one standing, dressed formally in coats and pants. The middle man is holding a cane. B 1. Photographer is Bartlett Bros View Place Sandhurst. Subject is a woman seated in a dining chair with a book on a table. She is dressed in a patterned long sleeved dress adorned with ribbons and lace. 2. Photographer is Bartlett Bros View Place Sandhurst. Subject is a woman posed in profile head and shoulders. C 1. Photographer is Bartlett Bros View Place Sandhurst. Subject is an infant, seated on a fur and dressed in a knitted outfit. 2. Photographer is Bartlett Bros View Place Sandhurst. Subject is a man head and shoulders shot.photograph, portrait

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Full length, heavy cream crepe with tie belt and lace overcoat grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Full-length cream silk taffeta bridesmaid’s dress. Same colour lace on the upper bodice and sleeves. australian fashion, grace james collection, bridesmaid's dresses, grace james, fashion design, fashion -- 1970s

Doll maker Kammer and Reinhard bisque doll heads and bodies were designed by them, but most heads were manufactured by Simon & Halbig which is why heads bear both marks.Kammer and Reinhardt porcelain and cloth baby doll mould number 116A circa 1912. She has a porcelain head, forearms and lower legs and feet. The rest of her body is a stuffed material calico. Her legs are jointed at the knees. She is dressed in a long sleeved, extended christening like robe of cream broderie anglaise. The robe has decorative pintucking and lace on the bodice, sleeves, cuffs and skirt with a contrasting broderie anglaise hem. Part of a lace insert has become unstitched at the front. Underneath is a full petticoat of white cotton with pintucking and lace with a white broderie anglaise hem. Another full length petticoat of cream linen trimmed with lace is also underneath. She has a cream knitted singlet and knickers with cream knitted bootees. She has short blonde matted hair and wears a lace trimmed broderie anglaise bonnet with satin ribbons to match her robe.Initials K and R either side of a Star of David and the words Simon and Halbig below with the mould no 116/Atoys, dolls, porcelain

J D Kestner manufactured the Hilda doll from 1914. They ceased business in 1938.J D Krestner 'Hilda' baby doll with hard composite body, jointed arms and legs and porcelain head. She dates from post 1914. Her hair is short, blonde and 'frizzy'. She is wearing a cream pintucked linen dress trimmed with cream lace at the hem, sleeves and yoke. Underneath the dress is a cream cotton pintucked petticoat with a lace insert and lace trim at the hem. She has a yellow knitted singlet and knickers. On her head she is wearing a cream linen mob cap of the same material and trim as her dress.JDK 137 on back of headtoys, dolls, porcelain