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Kiewa Valley Historical Society
Journal - State Electricity Commission of Victoria - May - July 1948, May - July 1948, 1948
The SECV published a quarterly magazine during 1948 continuing on from previous years and the following years. It covered all their projects throughout Victoria including the Kiewa Hydro Electric Scheme. Contributions included articles (personal & general) that were of general interest to the employees and their families.This edition has an article on pages 22 - 23 titled 'Lord Major's Visit to Kiewa' & 'Repatriation Committee for Upper Kiewa Valley'. Page 24 has 3 articles on Kiewa. Page 26 "Show at Pretty Valley'. Page 48 "Kiewa Keynotes" (a regular column). Page 51 includes employees names in staff movements and latest births, marriages and deaths.Cardboard orange cover with two staples and 64 pages including black and white photos.kiewa hydro electric scheme, state electricity commission of victoria., magazine, kiewa keynotes, pretty valley -
Cheese World Museum
Coathanger, prior to 1973
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This coathanger is part of the collection of items given into the care of the Cheese World Museum. Cramond and Dickson was a large department store located on the corner of Liebig and Timor Streets Warrnambool trading from 1856 to 1973.Orange varnished curved wooden coat hanger with wire hook damaged on one endBlack ink engraving -Tailors & Outfitters Cramond & Dickson Warrnambool/ Made in Germanywarrnambool, cramond & dickson, uebergang, germany, coathanger -
Seaworks Maritime Museum
PoMC lifebuoy
Orange lifesaver with long length of rope attached with words PoMC (Port of Melbourne Corporation).PoMC' on upper edge. 'Ph: 9612 3619.' On back: AMSA APPR. CERT. NO.2840. NYLEX logo, Nylex Rotomould.lifesaver, lifebuoy -
Victorian Apiarists Association
Publication, Trees of Victoria (L F Costermans), 1981
Small field guide - Orange cover with white writing & black tree - dark sepia -
Tatura Irrigation & Wartime Camps Museum
Deck Chair, 1940's
Made and used by internee at camp 3. Carpentry workshop Ein "Kamp Einser"Wooden folding frame and 2 armrests. Tan, black, orange, yellow and brown canvas.kamp einser, deck chair, camp 3 wood work, magna baumert nee beilharz -
Tatura Irrigation & Wartime Camps Museum
Book, Lehrbuch der Volkerkunde, 1958
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Orange hard back cover with gold writing. Apricot dust cover. Written in German.lehrbuch der volkerkunde, hermann trimborn, adam murvitz, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, National Museum of Australia. Migrant Heritage, 1992
Bern Brent was a Dunera boy.Orange and blue soft covered book containing reference to Dunera boy Bern Brent.bern brent -
University of Melbourne, Burnley Campus Archives
Letter - Correspondence, Cliff Nowell
cliff nowell, staff -
Wangaratta Art Gallery
Textile, Rodney Love, I Am Because We Are, 2004-2007
The panels from the I Am Because We Are series are woven from cut-up donated socks. They were woven on a four-shaft floor loom with a cotton warp. The names of the donors have been typed onto polyester ribbons which have been woven in with the socks. It’s possible that the typewriter ink could fade if exposed for long periods to strong light, but the sock material should be fairly stable as they were almost exclusively commercially-produced socks. The wood of the frames has been painted with an acrylic paint, and covered with MDF boards. The fabric is stretched over the frames and secured with staples.Wangaratta Art Gallery Collection. Donated by Artist.A woven textile work using fabric in shades of black, grey, white, green, and orange. -
Uniting Church Archives - Synod of Victoria
Offering bag
Used at Hartwell Presbyterian Church/Hartwell Uniting Church of AustraliaBurnt orange coloured wool bag with cotton lining and a wooden handle. The bag is handmade. hartwell presbyterian church, hartwell uniting church of australia -
Hume City Civic Collection
Book, The Story of Australian Wool
This book published in the 1950's is about the beginnings of the wool industry. It is set out in comic book style and was used for social studies in primary schools.A cream coloured cover with blue and orange in background with drawing of sheep, wool bales and a male.australia, wool, education, macarthur, john, henty, thomas, george evans collection -
Federation University Art Collection
Painting - Artwork, Decker, Roshelle, 'Repulsion' by Rochelle Decker, 2000
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Black background with an abstract image of a crying face and hands in a blend of red, orange and yellow. art, artwork, rochelle decker, school of human movement, alumni, available -
Flagstaff Hill Maritime Museum and Village
Pattern
Pattern, wood round solid orange with top protrusion. 14 diam x 5Dflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Port Melbourne Historical & Preservation Society
Tool - Ruler, City of Port Melbourne Electricity Supply Department, 1990
These rulers were handed out at festivals and citizenship ceremoniesOrange plastic ruler promoting the City of Port Melbourne Electric Supply Department c1990local government - city of port melbourne, utilities - electricity -
Churchill Island Heritage Farm
Photograph - Photograph of school children
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series showcases the wide variety of activities that occurred on the precinct.Group photograph of school children seated on orange chairs eating lunch amidst the orchard.Catalogue number written on reverse in pencil churchill island, photograph -
Kyneton RSL Sub Branch
Framed oil painting, Out of the Sun
Print of an oil painting depicting an aircraft flying with sun behind it. Red- orange colours.Out of the Sun, bottom left corner. (Signed) Ray Ellis, bottom right corner. -
Coal Creek Community Park & Museum
Sign
Rectangular shaped sign, picture of a man and text in black, off-white, orange and green.Bushells Pure Coffee Has the true mocha flavour -
Coal Creek Community Park & Museum
Box of Dressings, mid 20th Century
TROVE : Advocate (Melbourne, Vic. : 1868 - 1954), Saturday 29 March 1919, page 6. For Perfuming the Living or Sick Rooms, for Special Services, High, Mass, Requiem Service, and Benediction. "SANAX" Fragrant Pastille; ignite easily and burn steadily, emitting delightful fumes of fragrant incense. Every home should have them. All Chemists, or BURROWS PHARMACY, 5 Brunswick St., FITZROY. TROVE : Age (Melbourne, Vic. : 1854 - 1954), Saturday 16 August 1941, page 4 SITUATIONS VACANT. ADVERTISERS …………Girl Packer, about 18 yrs. The Sanax Co., 5 Brunswick-street, Fitzroy. City…….. Manila coloured cardboard box printed in dark brown and orange containing cotton gauze.Box. Side 1. 'SANAX (logo) ABSRORBENT GAUZE. To be placed over the injured part, after treatment with Iodine Tincture or other medicaments, and held in place with a bandage. THE SANAX CO. Manuf. Chemists Melbourne Reg'd Office : 5 Brunswick Street, Fitzroy, N.6.' Side 2. 'THERE'S A "SANAX" FIRST AID CASE for every purpose 27 Distinct Patterns to choose from. No. 1 "Sanax" First Aid For Factories, Home etc. No. 1a "Sanax" First Aid For the Home, Farm, School No. 2 "Sanax" First Aid For Factories, Mines, Quarries No. 4 "Sanax" First Aid (Portable) For Sports Clubs, Scouts, Guides No. 5 "Sanax" First Aid For Mines, Racing & Football Clubs No. 7 "Sanax" First Aid (Portable) For the Farm, Home or Sports Field No. 9 "Sanax" First Aid (Portable) For the Motor Car No. 11 "Sanax" First Aid (Pocket Size) For Boy Scouts, Girl Guides No. 20 & 25 "Sanax" First Aid (Portable) For the Motorist. Side 3. ‘USE "SANAX" ACHE TABLETS for ALL PAINS ACHES and FEVERS - SAFE and EFFECTIVE’. Side 4 ‘Keep "Sanax" First Aid Dressing handy , for small wounds, cuts, cracked hands, and abrasions. It forms an antiseptic healing skin over the damaged part. Sole Makers The SANAX Co. Melbourne’. Side 5. ‘TRADE "SANAX" MARK’.wound dressing, cotton, gauze -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Daviesia brevifolia - Leafless Bitter Pea), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this particular plant as Daviesia brevifolia - Leafless Bitter Pea - a widespread but very showy plant in the heathlands. "It's very difficult to propagate, but due to its extremely showy nature, we have plants ready to plant in our Grampians Endemic Garden as ‘filler plants’." NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife art, Wildflowers, Marianne Wehl, Marrianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henriette D'Alton, WAMA, Halls Gap, painter, gouache, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanUnframed pinky orange pea flower painted in gouache on smoother side of brown cardLL ' MW' (underlined)wildflowers, flowers -
Wangaratta High School
Computer stand and instruction DVD
Black DELL Computer Monitor Stand with an orange advisory sticker and a blue and white DVDDELL remove -
Wangaratta High School
WHS Magazine -Korrumbeia, 1999
Black, white and orange edition of 1999 Korrumbeia celebrating 90 years of excellence in education -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Glazed border tile - cream, green and orange with black edging forming geometric pattern(on back) '9' '676' '36'ceramics, earthenware -
Whitehorse Historical Society Inc.
Memorabilia - Mug City of Nunawading Volunteers, 1986
Mug given to volunteers by City of Nunawading. White with green , yellow, orange and burgandy logo.Made expressly for City of Nunawading by Neil Benary (03) 853 2662domestic items, crockery -
Unions Ballarat
Why I Fight (Don Woodward Collection), Lang, J.T, 1934
Lang is a former premier of NSW. The book explores his financial-political manifesto. Lang is a former NSW ALP state treasurer and was elected Premier on two occasions. His government was dismissed in his second term of government by the State Governor due to his defying the Commonwealth Government's financial agreements' legislation. Relevant to the history of the ALP in NSW and the labour movement. Autobiographical interest - Jack Lang.Book; 351 pages. Front cover: orange; black lettering; author's and title name. Pencil underlinings and annotations.btlc, ballarat trades hall, ballarat trades and labour council, lang, jt, lang, jack, politicians - premiers - nsw, politics and government - nsw, history - australia, alp, australian labor party -
Unions Ballarat
Judgement day, Collins, Ben, 2011
Judgements and sentences of twenty five horrific crimes in Australia. Includes gang wars, Snowtown killings and Peter Falconio.Relevant to law enforcement and crime in Australia; particularly discusses murders.Paper; book. Front cover: orange and black with picture of a faceless judge in court regalia.Front cover: title and author name.btlc, ballarat trades hall, ballarat trades and labour council, murder, crime, law, falconio, peter, williams, carl, knight, karen, snowtown killings, gang land murders, bryant, martin, port arthur - tasmania -
Whitehorse Historical Society Inc.
Decorative object - Mulga Wood Vase
Mulga wood vase, Given as engagement present in 1947 by Ted's aunt.Mulga wood vase. Brown/orange in colour. Bark on the vase from original tree.Australian Mulga -|Made in Australia|(Southern series)domestic items, ornaments / decorative, handcrafts, woodwork, ornaments, wood -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: THEATRE PROGRAM, Early 1900s
Document. Orange flyer advertising "The Famous English Pierrots'', Royal Princess Theatre, Bendigo.performing arts, elocution, concert -
Darebin Parklands Association
Bluestone weir, Rockbeare Park, February 1975, 1975
This bluestone weir is one of two in the same section of Darebin Creek and is a remanent from early farming days. A vineyard was established by Thomas Bear and produced award wining table wines in the 1860-70s. Orange trees were later grown on the slopes below Rockbeare Grove and mixed market gardening was established in this area as the land was progressively sub-divided and leased. The weirs were used to dam the creek and pumps used to pump water to the vineyards and orange grove.B&W photograph showing remains of bluestone weir across Darebin Creek -
Montmorency/Eltham RSL Sub Branch
Embroidered Cloth
Circular cloth of beige colour with fringe all around. Embroidered with orange and blue flowers with green leaves, a Royal Crown in orange and blue, Blue 'Australian Commonwealth Military Forces' encased in blue and yellow and 'Palestine 1940' embroidered in yellow.AUSTRALIAN COMMONWEALTH MILITARY FORCES Palestine 1940 -
Flagstaff Hill Maritime Museum and Village
Rabbit, 19th century
This toy rabbit was part of the cargo from the Fiji and amongst the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are bisque (or china) toys, (including miniature animals, limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife This toy rabbit is classified as Fiji 4 on the SWR Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. China toy rabbit salvaged from the wreck of the Fiji. The rabbit is in a lying pose. This solid, moulded toy is made of bisque (sometimes described as bisque or porcelain) and the material is an orange-sandy colour with darker orange markings. The surface is slightly pitted.1891, china, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, porcelain, moonlight head, wreck bay, cargo, bisque, toys, miniature animals, rabbit