The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This emerald green, satin evening dress, owned by Gwen Steele, was worn by her to a reception for Queen Elizabeth II in 1954 at Government House, Melbourne. [The personalised printed invitations are kept in the Subject File 'Gwen Steele'.]Emerald green, satin cocktail dress with shoe-string straps.royal visit (victoria) 1954,, gwen steele, women's clothing, australian fashion - 1950s, cocktail dresses

Large work-horse shoe with eight square nail holes.rural industry, agriculture, horse, shoe, hoof, farm, draught

Large work-horse shoe with eight square nail holes.rural industry, agriculture, horse, shoe, hoof, farm, draught

1 pair of black leather men's shoes, with leather laces.shoes, shoe laces

Black and white photograph: McArthur's Shoes, Sanity and children's playground.buildings, commercial, hargreaves mall

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.These shoes are significant as they are part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. Pair of ivory silk shoes, worn by Edith Mary Betteridge at her marriage to George Weir in Broken Hill in 1891. The shoes were worn with her ivory silk wedding dress.edith mary (betteridge) weir, 84 princess street (kew), footwear, women's shoes, wedding shoes

Walter John Howell was born in the Buckland Valley 30.11.1871 he died in Bright 13.05.1930. Walter "Watty" ran his Blacksmith shop opposite the Alpine Hotel (corner of Anderson and Wood sts) from 1893 until his death in 1930. He was also proprietor of the Ovens Valley Coach Factory in Ireland Street, near the site of the present library, for a numberof years before World War 1. From 1893 he resided in Cobden Street (no.37) The medals were for attaching to a watch chain and were presented by his grandsons, Keith Edwards and Ron Howell (both born in Bright) in November 1994 The Medals were presented by the Bright Fire Brigade which has been a local volunteer organisation scince the C1870s The Howell family were one of the first families to settle in the Buckland Valley and many descendants live in the local area Reference to the Ovens Valley Coach WorksQuarto size ridgid card with information regarding the medal hand written in black ink. Two silver medals with inscriptions, one shield shape and the other round with a star in the center, sash and small horse shoe on the top, medals are stitched to the cardboad and taped on the reverse side.Two medals, both silver, one is shield shaped with a fire reel cart inscribed on the front and inscription "B.F.B. ANNIVERSARY 11-5-94 four men won by W. Howell" and number 65. The second one in round with with a star in the center, with a small horse shoe and sash on the top, inscribed on the front, "B.F.B. Anniversary best of eight men W. Howell 11-5-94", the reverse is blank except for a small 69.

Ladies shoes with medium heel. Multicoloured patches: aqua, yellow, pink, purple. Blue coloured heel. Open design, just leather around toe, side and ankle. Stored in shoe boxParagini 10shoes, footwear, ladies,

Yields information about the View Point Ballarat service prior to 1960 and the Auxiliary Board used at the time.Digital Image of SEC tram No. 12, Wendouree Parade, probably at the Macarthur Street intersection, View Point prior to 1961 with the destination of City. Note Auxiliary Board reading, "Macarthur St via Ripon St" Photo Noel Reed via Carolyn Cleak 21/6/2010 (Trams Down Under email dated 21/6/2010). Use photo only with Noel Reed's OK.trams, tramways, view point, macarthur st, wendouree parade, tram 12

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Pair of black leather shoes no laces 1.) Right 2.) Left.footwear, uniforms, shoes

Issued to WATERSTON, David Raymond 3170581, 6 RAR VIETNAM 8 MAY 1969 TO 16 MAY 1970.Shoes- pair, black leather with black fabric laces. Leather soles.Size label moulded into sole “7/5”footwear, leather shoes, army uniform

Items issued to John Michael Giffard No 0327699EOD Aust Army Training Team Iraq, rotation 8Pair of black uniform dress shoes, patent leather complete with laces.

RAAF, World War IIOfficial Military Manual62p., hard cover, loose leaf pages, bound with shoe lace. Inscribed s/l Poulton. Contains hand drawn cartoon on Officers' Mess stationery (RAAF Forest Hill)world war ii, raaf, royal australian air force, military manuals

Doll with floral brown dress, black shoes, pantaloons & brown hair.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Early settlers in Moorabbin Shire had to be self reliant and made their own clothes, tools and utensils as they established their farms, market gardens and retail businesses, Bootmakers, farriers and blacksmiths were very important in these communitiesA pair of child's brown leather shoes c1890 with button hole strapsboots, shoes, footwear, bootmakers, leatherworkers, early settlers, pioneers, market gardeners, moorabbin, bentleigh, cheltemham,

Colour Photograph of McArthur's Shoes Store Hargreaves Mall April 2001.photograph, streetscape, mcarthur's shoes store hargreaves mall

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a man holding the rear right leg of a horse in order to shoe it.Catalogue number written on reverse in pencil churchill island, photograph

BLACK AND WHITE PHOTOGRAPH OF LADY IN WHITE FROCK AND VEIL AND DRESSY SHOES.local history, photography, photographs, early citizens

Colour photograph of cyclists. The rider front in the yellow shoes is Cadel Evans.cycling, bicycle, cadel evans, road race

Designed to be used by soldiers working the powder magazine. They prevent any sparks thus no accidental ignition of powder or cordite.Khaki Felt shoes with one plastic button for use in Ammunition Magazine.

various size metal/iron horse shoes (see below for dimensions)blacksmith, horse-shoes, horses, farming, agriculture

Six pairs of navy uniform leather school shoes of various sizes

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This dress was made by Mrs Dorothea Fush, the mother of the donor, and won an award for dress making at the Royal Melbourne Show. The award certificate is kept with the dress.Ballerina length black sheer evening dress with shoe string straps. women's clothing, australian fashion - 1960s, cocktail dresses, thea sartori