Coloured photograph of the Golden Square Primary School, Year 5-6/R, 1998. Children are wearing school uniform. Their names are: Back Row, L to R: Joanne Preece, Stacy Fiske, Hailey Buck, Kenneth Swinnerton, Ben Allen, Emma Tremain, Hayley Smith, Thomas Jenkins, Mathew Wynne, Mr Shane Rodda (Teacher). Middle Row, L to R: Skye Pascoe, Julia Holt, Ryan Trickey, Sarah Oakes, Danielle Blake, Naomi Doolan, Elizabeth Lobley, Brendan Bourke, Cameron Grant, Jessica Burton, Josh Skinner. Front Row, L to R: Anna Oakes, Tahnee Dunlop, Clinton Lawson, Chris Kline, Nicole Bennett, Hayden Donaldson, Jarrad Hunt, Ebonee Bryan, Trent Burchell. Oval sketch of the school to the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year 5-6/r 1998, joanne preece, stacy fiske, hailey buck, kenneth swinnerton, ben allen, emma tremain, hayley smith, thomas jenkins, mathew wynne, mr shane rodda (teacher), skye pascoe, julia holt, ryan trickey, sarah oakes, danielle blake, naomi doolan, elizabeth lobley, brendan bourke, cameron grant, jessica burton, josh skinner, anna oakes, tahnee dunlop, clinton lawson, chris kline, nicole bennett, hayden donaldson, jarrad hunt, ebonee bryan, trent burchell

Photocopy of an article titled - Cross Currents Music & Art in & around town - Diggings CD launch. The CD is titled 'Music of the Diggings', songs and tunes of the Central Victorian Goldfields - produced and recorded by residents of Mount Alexander Shire. Musician and singers on the disc are: Ken Mansell, Danny Spooner, Duncan Brown, Peter Ellis and the Emu Creek Bush Band. Also Des Skinner, Tom Walsh, Alby Hood, Keryn Randall, Judy Howell, Dave De Hugard, Martin Hungerford, Jan Wositzky, Maurie Gervasoni, Jack Heagney, Gordon Pratt, Randal Percy, Richard Leitch, Thompson's Foundry Band, Dave Barkla who used to play in Harry McQueen's Dance Band, CD's are available from the Castlemaine and Maldon Information Centres. Has a photo of Dave Barkla playing an accordion.entertainment, music, music and art, peter ellis collection, cross currents - music & art in & around town, cd-music of the diggings, central victorian goldfields, mount alexander shire, the friends of mount alexander diggings, parks victoria, ken mansell, peter maloney, danny spooner, duncan brown, peter ellis, emu creek bush band, des skinner, tom walsh, alby hood, keryn randall, judy howell, dave de hugard, martin hungerford, jan wositzky, maurie gervasoni, jack heagney, gordon pratt, randal percy, richard leitch, thompson's foundry band, dve barkla, harry mcqueen's dance band, castlemaine information centre, maldon information centre

Coloured photograph of the Golden Square Primary School 1997 Year 5/6 R pupils and their teacher. Most of the children are wearing school uniform. Their names are: Back Row: Mathew Wynne, Penny Gloster, Emma Tremain, Hayley Smith, Mr Shane Rodda (Teacher), Bradley O'Connor, Stuart McCorkelle, Mark Noulton, Hiley Buck, Ella Hudson, Stacy Fiske, Rebecca Kalms. Middle Row: Hayden Donaldson, Rebecca Hosking, Luke Anderson, Denae Trickey, Lisa Russell, Daniel Larson, Ben Allen, Bowen Diss. Front Row: Steven Theobold, Cameron Grant, Hayley Burnett, Sarah Oakes, Julia Holt, Rodney Weeks, Joshua Skinner. Absent: Matthew Peacock. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school 1997 year 5/6 r, mathew wynne, penny gloster, emma tremain, hayley smith, mr shane rodda (teacher), bradley o'connor, stuart mccorkelle, mark noulton, hiley buck, ella hudson, stacy fiske, rebecca kalms, hayden donaldson, rebecca hosking, luke anderson, denae trickey, lisa russell, daniel larson, ben allen, bowen diss, steven theobold, cameron grant, hayley burnett, sarah oakes, julia holt, rodney weeks, joshua skinner, matthew peacock

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Crimson Rosella is relatively easy to see as it forages on the ground or among the leaves of eucalypts, with its spectacular combination of deep-crimson, royal-blue and black plumage. However, not all Crimson Rosellas look the same. Along the Murray River, Crimson Rosellas aren’t crimson at all — they are yellow, black and blue, with the yellow feathering replacing the crimson plumage. In southern South Australia they differ again, being roughly intermediate between crimson and yellow, with varying amounts of red and yellow in their plumage. Research featured in the 'State of Australia's Birds 2015' headline and regional reports suggest that the Crimson Rosella may be declining in the East Coast. There are several populations of the Crimson Rosella. Red (crimson) birds occur in northern Queensland, in southern Queensland to south-eastern South Australia and on Kangaroo Island. Orange birds are restricted to the Flinders Ranges region of South Australia, while yellow ones are found along the Murray, Murrumbidgee and neighbouring rivers (where yellow birds meet red birds they hybridise, producing orange offspring). Red birds have been introduced to Norfolk Island and New Zealand.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are several colour forms of the Crimson Rosella. The form it is named for has mostly crimson (red) plumage and bright blue cheeks. The feathers of the back and wing coverts are black broadly edged with red. The flight feathers of the wings have broad blue edges and the tail is blue above and pale blue below and on the outer feathers. This particular specimen has lost some feathers in its plumage and its colour is not as bright as that of a live specimen.Label: 77a / Pennant's Parakeet / See catalogue, page 22taxidermy, crimson rosella, bird, australian bird, rosella, crimson

Four species of quoll occur in Australia: the northern, spotted-tailed, eastern and western quolls. Once, most parts of Australia were inhabited by at least one of the species.Captain Cook collected quolls along the east coast in 1770, and recorded "quoll" as their local Aboriginal name. Quolls were often seen by early settlers, who called them "native cat", "native polecat" and "spotted marten", names based on familiar European animals. Since 1770, all four species have declined dramatically in numbers. This is mainly because of habitat loss or change across Australia, and introduced predators such as foxes and cats. Quolls are carnivorous marsupials with a pointed snout, a long tail and brown to black fur distinctively spotted with white. They are lively, attractive animals, with bright eyes, a moist pink nose and many sharp teeth. Like most Australian mammals, quolls are mainly active at night. Typically, they spend the day in one of their many dens, although spotted-tailed quolls and northern quolls sometimes forage and bask in the sunshine. Their large home ranges can extend for several kilometres in each direction from a smaller core range, and the range of a male quoll often overlaps those of several females. An interesting feature of their behaviour is the use of shared latrine (toilet) sites in open spaces such as rock ledges, for marking their territory and other social functions. Male quolls travel widely during the breeding season, with mating occurring during winter. All four species have a gestation period of 21 days. Because they are marsupial mammals, their young are born tiny and undeveloped and must work their way to the pouch, where they attach themselves to a teat to feed. Only the spotted-tailed quoll has a true pouch. In the other species, the young are protected by shallow folds of skin around the teats. As the pups grow, they dangle from the mother's belly; later, she carries them on her back. Quolls reach sexual maturity at one year. They have a naturally short life span, with smaller quolls living an average of only two years, and the larger spotted-tailed quoll about four to five years. The northern quoll is particularly short-lived. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Average sized quoll with brown fur with white spots on body but absence on the long tail which is furry unlike the smooth body fur. The quoll has a small had with a pointed snout lined with sharp teeth, and thin membraned ears that are slightly covered in fur. The forelegs of the quoll are slightly smaller than the hindlegs, with all four legs featuring sharp clawed paws.On mounting board: BMM5984/ On Catalogue Tag (attached to left hindleg): Native Cat./ Catalogue. Page 50./ burke museum, taxidermy, taxidermy mount, fauna, animal, animalia, reynell eveleigh johns, quoll, native cat, dasyurus

A photo of junior legatees in costume for an Annual Demonstration, the date is unknown. Costumes were reused in different years. These costumes include a beefeater, an English soldier with a bear skin hat, a soldier with a tin hat and a girl in a floral dress. The floral dress costume was used in a scene set in Holland with wind mills in other photos but this could be a different year. It is possible this was taken at a rehearsal by a newspaper and used in promoting the event. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of a group of junior legatees in costume for an Annual Demonstration.annual demonstration, junior legatee, costume

6 sided brown glass bottle with paper label and black screw capLabel Front: Trade Mark SANAX. FIRST AID DRESSING. Forms an Antiseptic skin over cuts, wounds etc. Label Side: DIRECTIONS. A few drops on the part affected and spread over the injury with the cork. For knuckle joint wounds place on the wound a thin film of absorbent cotton and then pour dressing over freely. Label Side: This bottle must be kept ell corked and away from flames. CAUTION contains 60% ether. The Sanax Co 349-51 Nepean Highway Moorabin , Vic

These items are of a high quality and would have come from a household where the occupants had considerable means. It was not common to have silver plating on both of these items. Shaving brushes and strops were essential items for men shaving their faces regularly until the mid to late 20th century when electric shavers became more common. These two items are attractive ones and are retained because they represent a household item of the past and they are a rare example of a shaving strop enclosed within a case. They will be useful for display. .1 This is an extending razor strop made of brown leather. It has a heavily patterned silver handle attached to the leather by metal studs and it is contained within a cylindrical case of plated silver. The case has a heavily-patterned curved base and top and on one side there is an oval outlined space in which to put initials or an inscription. The case has a handle on one end to match the strop handle but this handle is for hanging the item on a hook to keep it upright and stable. This would then enable the user to pull hard on the other handle to use the strop to sharpen a razor .2 This is a shaving brush made of horsehair or other animal hair. It has a silver-plated handle with a double ridge in the middle. It was used to lather a person’s face or skin with cream or soap to lessen chafing during and after shaving. The silver on both items is a little tarnished. ‘British Made Ziff Sterilised’ ‘Falcon Silver Plate Co. Made in England 3533’ household items, history of warrnambool

Coloured photograph of the Golden Square Primary School No. 1189 Grade 1/2 1996. Children are standing in front of and on a piece of timber playground equipment. Their names are:- Back Row, L to R: Alexander Fettling, Sam Woodman, Michael Lewis, Christopher Holliday, Tayla Flint, Samantha Wynne, Caitlin Skinner, Zachary Aldous. Middle Row, L to R:- Joseph Scoble, Jack Wallis, Mrs Dzintra Martin (Teacher), Susan Seybold, Meredith O'Neil, Ashlee Batters, Nikki Steele, Catrina Preece, Daniel Stirling, Logan Buck, Joel Clark, Matthew McKenzie. Front Row, L to R:- Kellyanne Moschetti, Jessica Theobold, Nicholas Smith, Joshua Boyd, Toni Kenyon, Sarah Harper, Jess James, Toby Apps, Melanie Donaldson, Ben Reidy. On the right of the names is an oval sketch of the school.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no. 1189 - grade 1/2 1996, alexander fettling, sam woodman, michael lewis, christopher holliday, tayla flint, samantha wynne, caitlin skinner, zachary aldous, joseph scoble, jack wallis, mrs dzintra martin (teacher), susan seybold, meredith o'neil, ashlee batters, nikki steele, catrina preece, daniel stirling, logan buck, joel clark, matthew mckenzie, kellyanne moschetti, jessica theobold, nicholas smith, joshua boyd, toni kenyon, sarah harper, jess james, toby apps, melanie donaldson, ben reidy

Coloured photograph of the Golden Square Primary School No. 1189 Grade 3/4 G 1996. Children are standing in front of and on a piece of timber playground equipment. Their names are:- Back Row, L to R: Joshua Skinner, Thomas Catterall, Louise Kudell, Stacy Fiske, Mathew Wynne, Christopher Ohlson, Rose Worthington, Tara Walsh, Dearne Rice, Ryan Trickey. Middle Row, L to R: Danielle Blake, Anna Markis, Kristy Allen, Skye Pascoe, Rodney Weeks, Hayley Buvk, Luke Anderson, Jessica Gloster, Jessica Burton, Emma Hazelton, Mrs. Julie Gibson (Teacher), Stevie Blake. Front Row, L to R:- Sara Oakes, Thomas Townsend, Lachlan Carter, Seb Robins, Anna Oakes, Jeffrey Lewis, Jedd Fettling. On the right of the names is an oval sketch of the school.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no. 1189 - grade 3/4 g 1996, joshua skinner, thomas catterall, louise kudell, stacy fiske, mathew wynne, christopher ohlson, rose worthington, tara walsh, dearne rice, ryan trickey, danielle blake, anna markis, kristy allen, skye pascoe, rodney weeks, hayley buck, luke anderson, jessica gloster, jessica burton, emma hazelton, mrs julie gibson (teacher), stevie blake, sara oakes, thomas townsend, lachlan carter, seb robins, anna oakes, jeffrey lewis, jedd fettling

Coloured photograph of the Golden Square Laurel Street P.S. Collection - Golden Square Primary School No. 1189 - Grade Prep/1 W 1995 classes. Children are in front of and some are standing on a piece of wooden playground equipment. Their names are:- Back Row:- Kellyanne Moschetti, Lisa Rosos, Joshua Boyd, Nicholas Smith, Christopher Hyett, Jessica Theobold, Sarah Harper. Middle Row:- Jamey Mitchell, Luke Herrick, David Doolan, Samantha Wynne, Brian Smith, Brock Lancaster, Caitlin Skinner, Catrina Preece, Amy Allchin, Zoe McPherson, Mr. John Wakker (Teacher), Nikki Steele. Front Row:- Leah Morris, Teike Larkins, Kassandra Robins, Jack Wallis, Alexander Fettling, Michael Lewis, Joshua Parsons. Absent:- Courtney Rice. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no. 1189 - grade prep/1 w 1995, kellyanne moschetti, lisa rosos, joshua boyd, nicholas smith, christopher hyett, jessica theobold, sarah harper, jamey mitchell, luke herrick, david doolan, samantha wynne, brian smith, brock lancaster, caitlin skinner, catrina preece, amy allchin, zoe mcpherson, mr. john wakker (teacher), nikki steele, leah morris, teike larkins, kassandra robins, jack wallis, alexander fettling, michael lewis, joshua parsons, courtney rice

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The portrait was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Alice (Henty) Hindson, born in Portland in 1852, died at 'Field Place' in Kew in 1932. She was the daughter of Francis Henty. The portrait has added artistic and aesthetic significance as a signed photographic portrait by Lafayette Photographic Studios, Collins Street, Melbourne. The studio flourished from 1906-1930. Photographic portrait of Alice (Henty) Hindson (1852-1932), one of the daughters of Francis Henty and Mary Ann Lawrence, taken and signed by the internationally renowned London photographer 'Lafayette'. The oval photograph is encased in a brown calf skin case. The portrait represents the sitter in middle age, wearing a black dress and a white lace collar. Alice Henty had married John Hindson in 1875 at Trinity Church, East Melbourne. The couple were to live at 'Shrublands' in Canterbury from 1883. Her husband died in 1919 and it is likely that the portrait was taken after that date. She was to donate 'Shrublands' to the Anglican Church in 1923, after which it became St John's Home for Boys (and girls). Alice Henty's sister Louisa Henty died at her home 'Field Place in 1924. Alice was also to die at Field Place in 1932. Signed: "Lafayette / Melb."henty family, alice henty, alice hindson, shrublands, field place, john hindson, francis henty, louisa henty, mary ann lawrence, mary ann henty, lafayette photographic studio -- mebourne (vic.)

A butter churn is a device used to convert cream into butter. This is done through a mechanical process, frequently via a pole inserted through the lid of the churn, or via a crank used to turn a rotating device inside the churn. The use of butter is mentioned in biblical works and the earliest butter churn vessels belonging to Beersheba culture in Israel were found in Bir Abu Matar going back to Chalcolithic period between 6500–5500 BC. The butter churn in Europe may have existed as early as the 6th century AD, In the European tradition, the butter churn was primarily a device used by women, and the churning of butter was an essential responsibility along with other household chores. In earlier traditions of butter making, nomadic cultures placed milk in skin bags and produced butter either by shaking the bag manually, or possibly by attaching the bag to a pack animal, and producing butter simply through the movement of the animal. An item used to make butter in a domestic situation by turning a handle until the cream inside has turned to butter.Butter churn, wooden, lid pieces screwed or nailed together. Brass bearing on side with iron turning handle.Handle marked 28204 no other marks to indicate manufacturer or date of productionflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, churn, butter churn, wooden churn, butter making, food, dairy, kitchen utensil

Bioclip was developed in the late 1990s as a way of removing the wool from sheep without the need for shearing. Sheep, although mostly lambs up to 50kg, were dressed in the nets and injected with a protein which caused the wool to break at the skin. The net was used to hold the loose wool in place and left on for several days to allow the wool to continue to grow on the sheep (and offer protection against the elements once the net and wool were removed). The net was cut and destroyed during the removal process. Bioclip stopped being produced c2013. Factors for this included the cost of a shearing team was cheaper than the equipment needed for Bioclip, and it wasn't as popular with wool growers as anticipated. Those who used Bioclip would swear by it with many saying they would never go back to using a shearer, as Bioclip produced a clean and even result, with no damage or stress done to the sheep. Bioclip could only be used on young and small sheep, with a maximum size of 50kg.Cream coloured netting, stitched in a flattened cylinder shape with a hole at each end (for sheep head and tail) and four holes on underside (for sheep legs). Green stitching on one end.

"The Forest People use poison on their darts, and on some of their arrows, to stun or kill small prey. Poison Brewers distil the venom, which is obtained from roots, bark, leaves, and the skin of a certain frog-like creature. Alchemancers distribute the venom to hunters and healers. Poison-impregnated darts are kept in special pouches or quivers, blessed by the Alchemancer or the Guardian with special spells and incantations to prevent accidents and the perversion of the tools by evil spirits. Each of these quivers carries amulets of protection. The quivers themselves, were made by a specially trained craftsman who is able to sing incantations into the actual structures themselves, ensuring double and sometimes treble protection from danger, as well as increased effectiveness, sureness of flight, efficacy of the poison etc. Quivers such as these are kept on the belt, on the side away from the dominant hand, to ensure considered, careful use, and to prevent the wrongful use of poison when a simple arrow would be sufficient." - Inga Hunter

Shaving cream is a cream applied to the face, or wherever else hair grows, to facilitate shaving. The use of cream achieves three effects: lubricates the cutting process; swells keratin; and de-sensitizes skin. Shaving creams commonly consist of an emulsion of oils, soaps or surfactants, and water. James Baker Williams was born in 1818 in Lebanon, Connecticut USA and, in 1834, began employment with F. and H.C. Woodbridge, a general store located in Manchester. Williams was offered half-interest in the store in 1838, after which its name was changed to Keeny and Williams. Two years later, Williams sold his interest in the store, but retained his share in the drug department. He began experimenting with various soaps to determine which were best for shaving, and eventually developed Williams' Genuine Yankee Soap, the first manufactured soap for use in shaving mugs. In 1847, Williams moved his enterprise to a rented gristmill on William Street in Glastonbury, Connecticut, and his brother, William S. Williams, joined the firm around 1848, when the firm's name was changed to the James B. Williams and Company. William's shaving soaps were sold throughout the United States and Canada and James Williams supervised many aspects of the company until shortly before his death in 1907 at the age of eighty-eight. The Williams family continued to manage the company until it was sold in 1957. By the early 1900s, the company was known throughout the world. In addition to its line of shaving creams, the firm produced talcum powder, toilet soaps, and other toilet preparations. The original 1847 factory is still standing in Glastonbury and, in 1979, was converted into a condominium complex. I In 1983 it was placed on the National Register of Historic Places. 1927 - 1990 Salmond and Spraggon (Australia) Limited , Sydney , New South Wales, was registered as a company on 10 June 1927 following the liquidation of Salmond and Spraggon (Australia) Limited known as the Old Company. The company distributed household cleaning and mineral, metal and chemical wholesaling, pharmaceutical wholesaling throughout Australia on behalf of manufacturers. In 1990 the company was taken over by Alberto Culver, a manufacturer of hair and skin products. A clear glass jar with a screw lid containing 'Williams Shaving Cream' Front Label : J.B WILLIAMS / LUXURY / SHAVING CREAM Back Label : The contents of this jar are guaranteed to be / The J.B.WILLIAMS Luxury Shaving Cream Jar has been changed to meet the Wartime conditions but / the cream is of the same high quality / made in Australia for / J.B. WILLIAMS COMPANY / Glastonbury, Conn. U.S.A. / Vendors / SALMOND & SPRAGGON (AUST.) PTY.LTD. / All Statesshaving equipment, razors, safety razors, cutthroat razors, soap, world war 11 1939-1945, moorabbin, bentleigh, cheltenham, early settlers, shaving cream, williams j.b. company ltd, connecticut usa, glastonbury connecticut usa, salmond & spraggon pty ltd, sydney, new south wales, toiletries, shaving soap,

A special stool made to enable a disabled surgeon to operate while sitting was donated to the College by Mr John Farlow FRACS in September 2003.The stool was made for Gilbert Phillips FRACS (1904-52), the legendary Sydney neurosurgeon and wine connoisseur. Phillips was a gifted young graduate, a protégé of (Sir) Harold Dew (PRACS 1953-55). He went to England, where he became surgical assistant to (Sir) Hugh Cairns, amongst others. He was a consultant to the RAAF during WWII, and at the end of the War returned to England at Cairns’ request. Back in Sydney, he returned to Royal Prince Alfred Hospital, where he spent most of his professional career. In 1951, after a long battle with skin cancer, he had his right leg amputated below the knee. Only a few weeks later he was back working at the operating table, and it was at this time the stool was constructed for him. By now however, he was suffering from secondary melanoma, and he died in September 1952.This object is an interesting example of pioneering apparatus from the days before stools became a familiar piece of theatre equipment.The design of the stool is simple and robust. A substantial padded saddle forms the seat, which is adjustable for height. The saddle is upholstered in red leather. The frame is made from tubular steel, painted cream. The whole device runs on three swivelling casters, two at the front and one at the rear, which enable it to be taken in any direction. noneracs, gilbert phillips, harold dew, surgery, 2003

The name Trireme comes from its distinct three rows of oars/oarsmen. The first tier of rowers were known as the Thranites, translating to Thrones. They were the most prestigious, and worked the hardest because their oars were furthest away from the water and therefore had to work harder. They were usually younger and they were paid one and a half drachma per day, half a drachma more than the other two tiers of rowers who were paid one drachma per day. After a few years working as Thranites, each was moved down into the second tier, the Zygites. Zygites derives from the word balance, as the second tier was balanced in the middle. After more years again, oarsmen were moved down into the third and final tier, known as the Thalamites. The Thalamites were consistently wet due to the proximity of their tier to the water. The water would leak through the gaps where the oars entered the ships despite the leather skins used to close the openings.This is a unique specimen made by D. Paraskevatos, in that it is the only one of its kind in the world that has been built to the exact specifications of the Athenian vessel. It was built in Melbourne and it also has historic and artistic valueWooden replica model ship that is an exact replica of the ancient Athenian trireme making it unique in the world since there's no other such replica made. Great care was exercised to ensure that it will include all functionality and detail of the ancient ship used to by the Athenians to fight in the Sea battle of Salamis and beyond. Mr Denis Paraskevatos constructed the Paralos Trireme over a period of eighteen months. Mr Paraskevatos relayed the history of his Trireme. The first Trireme was constructed in Greece by the shipbuilder Aminoklis in 704BC, originating from Corinth. The first four Triremes he constructed were ordered by a Poliykrates from Samos, thus the ships were known as Samines. Poliykrates realised he would be able to use the Triremes for his own benefit against invading pirates, as well as to engage in activities of piracy himself. The Athenians built 200 Triremes for the battle of Salamis, all constructed over a period of eighteen months. This was a huge feat, on average a new ship was build every second day. Triremes were primarily used in sea battles, however there were two unique Triremes, the Salaminia and the Paralos, which were considered Holy and only used for Ambassadors and Consulates on overseas trips. Mr Paraskevatos’ Trireme is the Paralos. The term Paralos derives from the Greek social class from the shores, or the merchant classes. Greece was divided into three basic social classes. The mountain region, the plateaus or fields bound to agriculture, and those from the shores. Paralia translates to from the shore. The Paralia were an important class in influencing the democracy. They were divergent group who would deliberately vote on the contrary to everyone else. This is how the Trireme was born. Every Trireme held between 20-50 soldiers, and either 170 or 174 oarsmen. Mr Paraskevatos’ Trireme is a 174 oarsmen ship. The role of the oarsmen was difficult and specialised. When engaged in sea battle and the wind was not enough, the navy would remove the masts and leave them on shore and solely use the oarsmen, leaving the deck clear. However when there were sufficient winds and both the sails and oars were in use the oarsmen had to show great skill in manoeuvrability. When the oarsmen were not needed to manoeuvre the ship they also engaged in battle. model, replica, paraskevatos, plutarch, ship, trireme, παρασκευάτος, πανομοιότυπο

With a career spanning over 30 years as a painter, Stieg Persson is a well known figure within the Australian and international art world. Persson’s work is celebrated for his distinct (yet eclectic) style, which consists of elements associated with abstraction, figuration and decorative art, as well as the artist’s deeply intellectual interrogation of Australian culture and society. In this work titled, Duck and quail eggs, Italian herbs, Persson reflects on contemporary parallels in changes of taste and the desire for decadence as a political and social drive. Inspired by Brighton’s iconic Church and Bay Streets, the artist addresses the social currency of luxury and high-end cuisine by depicting rococo style blackboards which offer the latest in fine dining, alcohol, exercise classes, skin treatments and lavish linens. Persson is presenting a subtle critique of the contemporary obsession with food; as contemporary society places greater significance on the connoisseurship of eating, it does so in lieu of engagement with culture as it is traditionally conceived (music, theatre, literature and art).oil on linenstieg persson, brighton, signage, graffiti, food, chalkboard, bayside, painting

Jacqueline SLAYMAKER This work was undertaken in 1992 when Jacqueline Slaymaker was a 3rd Year student at Ballarat University College. The catalogue for the End of Year exhibition in 1992 states "The figures importance is purposeful. The strong sculptural form of the torso, tensions of the skin and volume are the aspects I focus on. Drawing is vital to my painting. The heavily layered works that I sand, scratch and rub back into eventually resolve some of the problems associated with painting. I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates the concrete solid way I see the figure. I draw resource from ancient sculpture in particular Etruscan coffins and tomb wall painting. More recently I am interested in the draftsmanship of Jim Dine and monoprints of May Frank.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed life painting of a female nude. art, artwork, jacqueline slaymaker, nude, life study, oil on canvas, alumni, end of year exhibition

Ural Owls are one of the largest nocturnal birds of prey and are distributed across Northern hemisphere land masses from Scandinavia in the west, across Russia and China to Japan in the east. They average between 500-640mm in length, have large ears, a very long tail, and wing spans up to 1340mm. Ural Owls display reverse sexual dimorphism. They have a range of calls and sounds that vary between regions and among subspecies. Ural Owls prefer mature primary forest habitats that are not too dense, but adapt to a range of environments, including damp heathland and high elevation mountain forests. The species is considered nocturnal but may be more correctly described as ‘cathemeral’, due to frequent daylight activity in the taiga zone. Ural Owls are non-migratory and highly territorial. They prefer to hunt from a perch into open areas of forest, seeking small mammal prey, such as voles, as well as birds, amphibians, and invertebrates. Ural Owls have a broad, rounded head and a well-developed round facial disc with a small V-shaped indentation. They tend to be plain greyish-brown to whitish overall, though some subspecies display darker colour variation. The underparts are pale cream to grey-brown and boldly overlaid with dark brown streaking. Ural Owls lack the richer colour tones of other Strix owls. Their flight style gives the appearance of a large bird. The eyes are dark brown and relatively small, and the bill is yellowish. Tarsi and toes are feathered grey and the talons are yellowish brown with darker tips. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Ural Owl is an average sized specimen with a broad, rounded head and characteristic V-shaped facial marking between the eyes. Overall plumage is plain and consistent in colour and pattern, with white, brown and grey streaks. The eyes are large and the bill is small and yellow. This specimen stands on a wooden perch with identification tags attached to its leg.Swing tag: Strix noctua / Athene noctua, [illegible] / near leiden / 26 Mai 1860. / Holland / Other tag: N38 / Strix noctua / Holland. / Metal tag: 4062 /taxidermy, taxidermy mount, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, carnivore, territorial owl, animalia, large owl, long-tailed owls, ural mountains, taiga zone owls, cathemeral, monogamous, iucn red list, strix, wood owl, attacking owl, long-tailed owl, large-eared owl, owls with facial disc

Elizabeth Edith Mack was born to parents William & Elizabeth (nee Wilmont) Hatton, in approx. 1873 in Moyston, Victoria. She married Frederick David Mack (a wool and skin buyer) in approx. 1903. Frederick Mack was born in 1968 in Warrnambool to parents Joseph and Louisa Mary (nee Despard) Mack. Joseph served as Shire Secretary. The Mack family (including Elizabeth and Frederick) occupied the same sandstone house in the town for more than a century. They had at least 5 children. Elizabeth Edith Mack died in Warrnambool in 1931 aged 58 years. The Circular Memorial Window was erected in her memory by her children. Elizabeth and Frederick's son, Ronald, became The Honorable Sir Ronald (William) Mack, M.L.C. President of the Legislative Council of Victoria. He was knighted in 1967 (the first Warrnambool -Born person to be so honoured) while Minister for Health and regarded the care of the Mentally Ill of prime importance but also the care of the aged. He was given a state funeral after his death in 1968, the service being conducted at Christ Church.The Mack family was a prominent pioneer family in Warrnambool. Her son Ronald William Mack was the first Warrnambool-born person to be knighted.Circular stained glass window above five lancet windows in the west wall of the second nave, depicts 'Christ Ascending in Glory'. The inscription is on a mosaic plaque below the central window.The mosaic tablet below the centrral light refers to this memorial to Elizabeth Mack. "The Above Circular Window/ is erected/ To the Glory of God, in Memory of/ our beloved Mother/ Elizabeth Edith Mack/who departed this life on 23rd December 1931."mack elizabeth edith mack - elizabeth hatton - elizabeth wilmont - moyston victoria - frederick david mack - wool and skin buyer - shire secretary - sir ronald william mack - state funeral - circular window - memorial window - stained glass - christ churc warrnambool

Shaving cream is a cream applied to the face, or wherever else hair grows, to facilitate shaving. The use of cream achieves three effects: lubricates the cutting process; swells keratin; and de-sensitizes skin. Shaving creams commonly consist of an emulsion of oils, soaps or surfactants, and water. Until the early 20th century, bars or sticks of hard shaving soap were used. Later, tubes containing compounds of oils and soft soap were sold. Newer creams introduced in the 1940s neither produced lather nor required brushes, often referred to as brushless creams. Creams that are in tubes or tubs are commonly used with a shaving brush to produce a rich lather (most often used in wet shaving). Bristol-Myers Squibb Australia Pty Ltd is a foreign owned proprietary company that obtains its revenue through the importation and distribution of pharmaceutical products. Bristol-Myers Australia is now headquartered in Mulgrave, Victoria and with an Australian presence dating back more than 80 years, Bristol-Myers Squibb Australia is a long-standing contributor to Australia’s health and economy. A blue glass jar with a screw top lid containing 'Ingrams' men’s shaving cream. Lid : Ingrams / Shaving / Cream Bottle Label : Ingrams / Concentrated / SHAVING CREAM / A LITTLE GOES A LONGER WAY / BRISTOL MEYERS CO. PTY. LTD. SYDNEY.shaving equipment, soap, safety razor, straight razor, cutthroat razors, moorabbin, bentleigh, cheltenham, early settlers, ingram pty ltd, bristol-myer squibb australia pty ltd, shaving cream,

De Witt's Kidney and Bladder Pills were produced by a firm founded in 1912 by E C De Witt, Cheshire UK, with branches in New Zealand, Chicago and New York. It became part of the CB Fleet Group in 1990, whose UK operation is currently based in Runcorn, Cheshire where they still manufacture toiletries, skin care products and pharmaceutical products. Aimed at adults and children above the age of eight, De Witt’s Kidney and Bladder Pills were intended to ease backache, aches and pains in the muscles, and kidney problems. They are typical of a huge range of treatments that were available ‘over the counter’ at pharmacists for many years. It is not known how effective the pills were but the label assures people not to be alarmed if their urine takes on a bluish colour after taking a dose. The indications or uses for this product as provided by the manufacturer are: A diuretic stimulant for the kidneys to promote the flow of urine, combined with analgesic action. Aids in alleviating muscular aches and pains, restlessness, dizziness, backache, headache, getting up at nights, loss of energy if caused by sluggish kidneys. An empty clear glass bottle with a metal screw top lid that contained De Witts Pills Front Label : NEW / DE WITT'S PILLS / rising sun trade mark / Relieve the pain of Rheumatism / Backache, Fibrositis, Sciatica / DIRECTIONS ......../ R.C.De Witt & Co (Aust) Pty Ltd. / St. Kilda Melbournepharmacy, medicines, glassware, bottles, moorabbin, bentleigh, cheltenham, de witt company ltd, cheshire england, cb fleet group ltd, glass manufacturers

Wooden artefacts from the Sepik River region in Papua New Guinea. Different tribes living along the river produce magnificent wood carvings, clay pottery and other art and craft. Kundu is the Papuan general name used for drum. It is an hour glass shaped drum made of wood with a snake's skin as membrane. A handle is placed on the narrowest part of the drum. Often, the kundu is decorated with animal figures on its edges. - donated by John Nelson TAYLOR QX25010,2900269,3108420 who served in the AIF 19/1/1941 to 7/12/1945 - Regular Army Special Reserve 30/1/1952 to 29/1/1955 and the CMF 1/8/1959 to 2/1/1960. Rank on final discharge - Trooper 8/13 Victorian Mounted Rifles. John was deployed overseas to New Guinea from 17/10/1943 to 23/2/1945 and 5/5/1945 to 26/10/1945 and served in Korea and Japan from 5/3/1953 to 6/4/1954. A member of the Wangaratta RSL he passed away in January, 2021.Wooden artefacts from the Sepik River region in Papua New Guinea. The Sepik area is well known for its sculpture masks shields and other artifacts. Many tribes use drums in rituals. Two decorative wooden face masks, one wooden Drum and one wooden Crocodilepapua new guinea, artefacts, wood, ww2

These items were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost. Seven packaged medications / ointments.Inside 3215.1 is a small brown glass jar with a white plastic lid. It is labelled " Zimmer's Cuprese Ointment". The contents are unused and have a use by date label June 95.The box is white with black and white print on bands of blue and green. 3215.2 is a white cardboard box with red and black print. It contains a 60 g unused tube of "Akileine ionisee". 3215.3 is an orange and white cardboard box with black print. It contains a narrow green glass bottle of oil with a black plastic lid and is labelled "OLBAS".3215.4 is a glass jar with a white plastic lid. It is labelled "NAPRASH CREAM". 3215.5 is a small brown glass jar with a white metal screw lid. On the label is "SKIN BALM". 3215.6 is a very rusted round tin with a painted label on the front "French Corn Cure" in gold print. 3215.7 is a rectangular shaped tin with rounded corners. It is light green with a painted label on the lid "SIMPSON"S CAMPHOR ICE".pharmacies-orbost medications chemist skin-remedies

Group of labels which are stuck together. The largest is Lemonated frutose Saline manufactured by H. M. Leggo., Bendigo & Melbourne, Victoria, Australia. It is printed in yellow, dark green and light green. Label has directions how to make a glass of the Saline, the contents Approx. 12 ozs. Established 1881. Another label is Norman J. Oliver, Pharmaceutical Chemist, 288 Hargreaves St, Bendigo. Printed in dark blue. The next one is a red - Caution! - Poison. Not to be Taken Internally. The next one is A. E. Sayer, Pharmaceutical Chemist, 141 Pall Mall, Bendigo, Caution - Poison. Not to be Taken Internally, printed in red. The next is partly obscured. Visible is a circular dark red with white CP and two red and one blue borders and Cambridge Press Bendigo underneath. Beside it is a box with a decorative border with Description printed inside and two writing lines. The last is printed in dark green and is for Skin Cream from A. E. Sayer, Pharmaceutical Chemist, Bendigo.business, printers, cambridge press, cambridge press collection, norman j oliver, a e sayer, h m leggo & co

Book containing 40 sets of forms for the recording of the issue of uniforms to the volunteer workers of the Ballarat Tramway Preservation Society. Consisting of 40 sets of original (retained in book) on white paper and duplicate (printed using a sheet of carbon paper) printed on heavy manilla colour paper, with the same details as the top copy and on the back requesting workers keep the uniform clean, neat and spruce to give a good impression of the Society. Contained with light green crocodile skin printed cardboard covers, stapled on the left hand side and the left hand edge of the book covered with a olive cloth glued on the book. The original is fast, the duplicate perforated down left, the numbers 0001 - 0026 have original copies only, the duplicate have been distributed carbon paper inserted between form number 0027 Printed by Milldean press during late 1975 and used from 1/12/1975 to 7/11/1979 - 26 forms issued. Retained at depot until late 2001, when collected for the archives.trams, tramways, uniforms, btps, forms

This photograph is taken in the home of the lady and shows MDNS Sister J. Faust giving an injection, using a glass syringe, into the right upper arm of the lady. This type of syringe was re sterilized. These syringes remained in use until the mid 1960s when disposable plastic syringes took their place. This photograph was used in a video on the history of RDNS which is held by the organization. It is a record of the type of care given by Melbourne District Nursing Society (MDNS) Trained nurses in a patient's home.The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.Black and white photograph of Melbourne District Nursing Society (MDNS), Sister J. Faust who is wearing her grey brimmed uniform hat over her dark curled hair and is wearing a white gown over her grey uniform which is seen below her gown. In her right hand, she is holding a syringe, with needle against the lady's skin, and her left hand is on the upper right arm of the lady above the needle site. The lady, who has light coloured curled hair and is wearing a dark coloured long frock, is standing to the right of the Sister and is holding the right sleeve of her dress up with her left hand. A metal sink with cupboards below is behind the lady. To the left is fireplace which is now tiled at the rear and has a gas stove with kettle on a jet in the space. A row of three pale coloured kitchen canisters in decreasing size sit on the mantle piece. On a shelf above these sit a dark coloured box and a tall thin vase. Staff members name is written on the back of the photograph.melbourne district nursing society, nursing care, royal district nursing service, rdns, mdns, nursing care - medications, mdns uniforms, j. faust