BHS CollectionThe Bendigo Advertiser Newspapers invoice to H.A. & S.R. Wilkinson dated 08/12/1955/1955. The invoice has three entries ''sale account Burke'' for a total of 5 pounds 15 shillings 6 penny. A receipt n. 13458 dated 09/12/1955 is stapled to the invoice recording the cash payment. A 2 penny stamp duty is attached to the receipt. The receipt is in a manilla folder.organization, business, h.a. & s.r wilkinson real estate, yellow label 595

Pay book issued to Edmond Paget Seymour VX 102658, Serving in Australian Army during WW2. Tracking pay details, next of kin, medical and training.Pay book for Australian Soldier No. 264394. Cover brown. Coat of Arms and Australian Military Forces. 26 pages inside. Rear cover has 2 photos of soldier stapled in. Records inside cover from 15/5/41 to 25/6/43. All pages stamped with "Discharge" in purple. Two small holes punched through bottom of the book 3cm apart.Pages stamped in purple "Discharge". Front cover VX102658, "Edmond Paget Seymour".passchendaele barracks trust, soldiers pay book, e. p. seymour

Items in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. .1) The docket is for 7 days Messing at 2/-6p (2 shillings and 6 Pence) per day totalling 17/-6, plus contingent 6p, extra’s 1/-10p making a total p 19/-10p. Signature at bottom appears to be “……….Blackwell 2nd Lt” .2) This is for a variety of Messing charges with one added in black pen “Billiards” for 10p. In pencil at bottom “10/- change owing. Total fees 2 pounds 1 shilling & 5 pence..1) Australian Command Depot Docket, yellowed colour, print in black, hand written in black pen, account for 7 days Officers mess. .2) Officers Mess account docket to the President of the Officers Mess, print in black, hand written in black pen and pencil..1) In black pen at top, “Dec 15 - 18 - Lt McQuie”, At the bottom in black pen, “19 - 10” .2) At the top in black pen, “Lt J McQuie - B” rest unclear - 30/4/1919”administrative, officers, mcquie

Negative of tram T 178 at Point Ormond terminus. Tram has destination Elsternwick Railway StationPaper folder that contained the negative had "NR41A" in red ink, "PD1" in pencil, 31 in blue ink, date stamp "5 Sep 1960" on front.trams, tramways, t class, point ormond, elsternwick, tram 178

Sir Rupert Hamer, who proclaimed October 15 as White Cane Day for the State of Victoria, holding a white cane and standing between two blind ladies. The one on the right is possibly Mrs Alice McClelland.1 B/W photographwhite cane day, sir rupert hamer

Photograph of Norman Watson Bassett, No 463 B Coy. 29th Batt. AIF. Embarked for Egypt 10/11/1915; Embarked for France 23/6/1916; Transferred to H.T. M. Btry 10/9/1916.; to hospital 3/10/1916 with nephritis (kidneys), shell shock, and later, bronchitis. Discharged medically unfit on 9/8/1917.Photo copy for display of soldier (Norman Watson Bassett) standing facing forward holding a whip between his hands.photography-photographs, military, ww1

Drawing - special size sheet - titled "MMTB Class L", drawing Chris Andrews 5/67 for the TMSV giving a GA type drawing of the MMTB L class tram. Includes data on the tram such as truck, seated load and motors. Yields information about the MMTB L class tramPrint on off white paper.Has a stamp on the rear.drawings, mmtb, l class

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s.| This sewing machine belonged to Isla Ilma Margaret Ernestine neeTasker, mother of Alfred Haeusler. Singer was first established as I. M. Singer & Co. in 1851 by Isaac Merritt Singer with New York lawyer Edward C. Clark. Best known for its sewing machines, it was renamed Singer Manufacturing Company in 1865, then the Singer Company in 1963. The Singer company began to market its machines internationally in 1855 and won first prize at the Paris world's fair that year. They had offices established in both Sydney and Melbourne by the mid-1960s. The company demonstrated the first workable electric sewing machine in 1910. Singer was also a marketing innovator and a pioneer in promoting the use of instalment payment plans, making their machines more affordable for many people. This item is from the Hauseler Collection which documents social life of early settlers in the Wodonga community.Singer "Coffin top" treadle sewing machine with extension table. The machine is mainly black and silver metal but is extensively decorated with coloured decals. The decorations on this machine features a pheasant design which also helps to date the machine as it was only used from 1890 to 1915. The sewing machine is set into a wooden table with and extension leaf and 6 drawers, 3 on either side. The frame and treadle mechanism are iron with a thin leather belt to drive the mechanism. The "coffin" shaped top sits over the machine to protect it when not in use and is easily removed. The extension leaf provides a larger working surface and folds down when not in use. The Singer logo attached to the front of the machine features a needle, shuttle and thread.On metal base plate: "PATENTED /DEC 5 -1882/ MARCH 20 - 1883/ AUG - 21 1888. Model no: L6485622 Along top of machine: "The Singer Manufacturing Co." Front right: Singer Company Logohaeusler family, wodonga pioneers, sewing machines, singer sewing macnine

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. 15% of plate remaining with 5% verdigris. One of five makers marks is visible: (2) Resurrection Cross.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks

Pamphlet provided at tram stops giving details of the works and bus services for: .1 - route 72 track reconstruction between Chapel St and Orrong Road, in Malvern Road including the Orrong Road over rail line bridge - 29-4-2022 to 14-5-2022 .2 - All Collins and William St routes for the installation of a super stop in William St at Collins St - - 2-2-2022 to 6-2-2022Shows the methods that Yarra Trams and Public Transport Victoria customers are advised of changes due to track replacement works..1 - Pamphlet - DL, five fold DL - Tram service changes - route 72 - 29-4-2022 to 14-5-2022 .2 - Pamphlet - DL, four fold DL - changes in Collins and William Streets - 2-2-2022 to 6-2-2022tram works, track work, yarra trams, ptv, bridges, trams, tramways, route 72, malvern road, orrong road, super stops, collins st, william st

Part of the Leo Reoch Cohn Collection. See Catalogue No. 5527.2 for his service record.Pair brown leather Australian Light Horse leggings - .1) Right legging .2) Left legging. Each legging has a long leather strap for winding around the legging before being secured by one of two brass buckles. The top of each legging is secured with a brass hook and a short leather strap and brass buckle.Stamped on the inside of both .1) and .2) in black ink: '15' Stamped on the outside of .1) and .2) at the top near the buckles: 'J. OAKMAN, 1939, 15, S (upwards arrow)'.australian light horse, uniform, leggings, leo reoch cohn

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail

The Bassian Thrush is a secretive bird, often difficult to see, as it is an unobtrusive species that forages among dense vegetation. When disturbed, it sometimes crouches on the ground and freezes, relying on its scalloped plumage to conceal its presence. The Bassian Thrush feeds on the ground, scratching under the leaf-litter for small invertebrates. This specimen has been mounted in an accurate and yet stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The plumage of this Bassian Thrush specimen is a mottled brown to olive-brown colour, heavily scalloped with black crescent-shaped bars on the back, rump and head. The paler underparts all have brown-black scalloping. It has a white eye-ring which surrounds glass eyes which have been included by the taxidermist to replace the originals. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing Tag: 44a / mountain Thrush / See Catalogue Page 15 taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, bassian thrush, thrush, zoothera lunulata

.1) & .2) Ammunition Pouch rectangular, khaki, webbing, brass buckles, opening at top fastened with metal press studs..1) Inside top flap: “PSS 1940 [up arrow] 15"military equipment, containers, passchendaele barracks trust

This photo was taken somewhere in Europe during World War I. It shows some of the equipment the soldiers had to carry and wear into battle. You will also notice that not all soldiers were not issued with metal helmet to protect them. The conditions that they had to survive under can be seen.Photograph,glass plate. It depicts two miliary scenes from World World I. Skillfully amagulmated on the one negative. In the top half there are soldiers on horseback with tents in the background, lower half a large group of soldiers, two trucks and a car in a trench.Printed on the top of the image. "Australians off to the trenches". On the edge "15" is written. car, world war one, military, , soldiers, trench, truck, world war i, scene, horses

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Unknown location, USA (see also items S0471, S0472, S0476)Made in USA / Patented / 04819 / F (Handwritten) / Encircled 15 (Handwritten)mit bemis professorship, mit, robin boyd, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Tapiola, FinlandMade in Australia / 18 / AUG 64M / 15 (Handwritten) / Tapiola (Handwritten)finland, slide

Reverend Peter Moonie (10/11/1933 - 08/12/2013) was ordained as a Methodist minister in 1961. He served at on King Island and at Launceston South, in the United States at Salem New Hampshire and Agawam Massachusetts, Church of All Nations, Box Hill Regiobnal Parish and Ocean Grove. He retired in 1995.B & W waist length photograph of Rev. Peter Moonie."Peter Moonie C&N 14/8/1985 page 15"moonie, peter, methodist minister

Margaret Banham of Maribyrnong Presbytery puts a question to Synod.B&W photograph of Margaret Banham standing at a microphone, addressing a Synod meeting in 1986."Margaret Banham C&N 15/10/1986 page 21"banham, margaret, synod, maribyrnong presbytery

Item passed to W.H.S. from Box Hill Historical SocietyA pair of nylon stockings in the original box from the 1950s with cardboard wrap.Expensive de luxe 15 denier 60 gauge nylons by Sutexcostume, female footwear

France 15/9/1917, From George Reynolds to his Motherfirst world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat

PhotographFLESQUIERES HILL BRITISH CEMETERY 57c. L.15.c 25 world war 1, anzac, ww1, british cemetery, flesquieres hill, graveyard

Monotone image of windswept bush. Costal landscape. Bush in the foreground is leaning to the right. Grasses in the foreground. The image is mounted on off white board and frame in a black frame.3/15 (Second State) / Cape Bridgewater / Carmel Wallace '93cape bridgewater, drypoint, etch, etching, carmel wallace, landscape, coastal

Booklet: Containing astronomical ephemeris, educational register for Victoria, notable events for the year, astronomical tables. Covers missing. 26th year of publication. The name 'George Samuel Harris' handwritten in ink on pages 48, 100 and 114. Also 'Alexander Campbell' on page 64.Published by M. L. Hutchinson, 15 Collins St West, Melb.history, almanac, hutchinson, almanac, school register, george samuel harris, alexander campbell

Wooden frame containing photographs of 4 WW11 Destroyers. HMAS Tobruk. HMAS Vampire. HMAS Quiberon. Hmas Parramatta. Inscribed Royal Australian Navy. 75th Anniversary. #15 in a series of 25.