‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

A flat straight metal woodworking tool with two wooden line patterned handles used to remove surplus large chunks of wood and taper the sides of timber for floorboards, paneling and such before planing them. It can be used to to fashion tool handles, wooden sculptures stool legs or wheel spokes. The final finishing on such work was done by a Spoke Shave tool which we also have in our collection.Stamped on the blade is a horse head with the manufacturer's name Hale Bros Sheffield England below.woodcarving tools, drawing knives, shaves, handtools, iron

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is an exception to the collection in that it was one of the few garments imported from overseas. Th reality is that increased postwar spending power by Australian women made the importation and wearing of imported fashion a more common occurrence.Bottle green coloured evening dress. The long sleeved dress has a v-neckline. The cotton and nylon fabric is self patterned with large diagonal stripesLabel: Papoopapoo, women's clothing, international fashion - 1960s, evening dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Sportsgirl is an Australian fashion house. Founded in 1948, the first Sportsgirl store was located in Swanston Street, Melbourne. During the 1950s the brand continued to expand its stores in Melbourne. It expanded to Sydney in the 1960s. The dress was donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless white cotton mini dress with a high round collarLabel: Sportsgirlwomen's clothing, fashion and textiles collection, australian fashion - 1960s, day dresses, mcintyre collection

This book was printed in 1934, giving an insight into journalism, advertising, fashion, opinions, issues, photography of the time. It also shows areas and buildings within Australia in 1934 allowing a comparison before and after this date. Historic: Comparison of areas etc. in Australia to areas etc. within the Kiewa Valley.Large book with stiff paper coloured cover showing a mob of sheep. Tattered discoloured pages with coloured and black and white photos and print of different areas within Australia.Inserted inside the book - a copy of 'The Sydney Cove Chronicle' dated 30th June, 1790 and printed December 1969. newspaper. pictorial annual 1934.

This audio tape consists of music for two of the temporary displays (Fashion; Tourism and Industry) in the Australian Pavilion's Exhibition space at Osaka's Expo 70. Robin Boyd was appointed Exhibits Architect for the Australian Pavilion.Reel tape with labels. Duration: 26:50 minutesexpo 70, robin boyd, ohm2022, ohm2022_8

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This day dress conforms to the V&A's description of fashion in the 1950s in that: 'The 1950s continued the late 1940s style with very full skirts, cinched waists and sloping shoulders. Dresses with pencil or full skirts were seen in either plain fabrics or floral prints.'Sky blue ballerina length dress with pleated skirtaustralian fashion - 1950s, day dresses, women's clothing

Appearances to the contrary, the item is not a weathervane but a finial. It was the gift of Mr John Sanderson (Jottings Easter 1920), from John Sanderson & Co., wool merchants, stock and station agents, commission and shipping agents before he leaves for England to become senior partner in Sanderson Murray & Elder, London, import and export agents. It was designed by Walter & Richard Butler Architects. (sketch published in Building : the magazine for the architect, builder, property owner and merchant vol.33, no 193, 12 Sept. 1923). The finial was already drawn on the sketch of the Central Institute made by Walter Butler. The maker of the finial, was Henry Alfred George Arnold Saw (born June 1881 in Hotham, Victoria was the son of Edward Saw (1854-1926) a tinsmith and Catherine Barton (1863-1907). He worked as a metal artificer for a metal-working business located opposite the Trades Hall in Lygon Street and was given the job of making the copper ship finial. Henry married Florence Charlotte Reeder and they had four children. Also known as Harry Saw according to his grandson Brian, he died on 9th February 1960. Henry and Florence both died within two months of each other in 1960. It is not clear when the ship was actually installed on the roof, the earliest photograph dating from 1927. The windvane fell or moved several times because of gale forces: - In 1995 : After the funds were raised to repair it, it was treated by sculptor David Hope, and reinstalled in the 1998 (Ship to Shore #3 Sept 1998). - In 2017: Carmela Lonetti from the Grimwade Centre for Cultural Materials Conservation (Ship to Shore Autumn 2017) - In 2019: a generous passerby donated the necessary funds for the conservation. It was sent to Grimwade Centre for Cultural Materials Conservation (Ship to Shore 2019), treated by Evan Tindal (City of Melbourne Magainze Oct. 2020). It was reinstalled over the Summer of 2019-2020 (Ship to Shore Summer 2020). The weathervane was stolen during the night of the 6-7 March 2022. Copper price surge sparks rise in theft in Victoria in 2021-22 so it's likely the vane was stolen to be melted This sculpture is closely associated with the 1917 building and described in clippings and annual reports when the building was first newly opened. It can be seen in some of the earliest photographs of the new building and in the artist/architect Butler's impressions. The galleon is often a decorative design of Mission to Seafarers wind vane (London, Adelaide).Bronze and copper sculpture fashioned as a Wind Vane in the form of a Galleon style sailing ship with 2 pennants flying and two sails rigged atop with lower cross piece with wind directions N S E W . There is a decorative ornamental pierced scrollwork ferrule / finial with reinforcing chrome steel piping armature at base of main support which attaches to the roof or a base support. See also comments below weather vane, wind vane, sculpture, galleon, sailing ship, finial, henry alfred saw, david hope, windvane, weathervane, walter richmond butler (1864–1949), richard butler, john sanderson

Used to take a sample from the cervix as part of a cervical biopsy. 'Rostfrei' is a German word meaning 'rust free', which is an equivalent term for stainless steel.Stainless steel cervical punch. Consists of a long, thin metal shaft, extending out in a perpendicular fashion from the handle. There is a small cutting tooth at the end of the shaft. Handle consists of an oval shaped trigger attached to a solid metal handle. A curved metal spur extends from the back of the handle to provide purchase for thumb grip. Overall shape of the instrument resembles a handgun in style. Inscription on handle of instrument reads 'ROSTFREI'. obstetrics

Demonstrates an item that all SEC Ballarat tram crews carried, a simple key to open/close the doors and has a strong association with a SEC Ballarat tram crew member.T-shaped steel piece, fashioned from rod and welded at the top, with a round top piece or handle with a rod that has been ground to give a tapered square shape for use in external doors on SECV Ballarat Trams - known as a square key. Was used to secure doors in both open and closed positions. See Reg Item 3663 for similar items. Was used by SEC Ballarat driver John "Jock" Menzies.trams, tramways, tramcars, doors, locks, security

A colour lithograph issued by the Salon de la Mode, featuring two women wearing high fashion of the late 19th century, posing next to a tennis court net. The woman on the left is holding a racquet. Below is the image of a coat-of-arms, with the monogram 'HVP', which is that of the director of the Salon de la Mode, Henry Petit. One of the engravers is identified as 'Lefranco'. Materials: Paper, Ink, Cardboard, Metal, Paint, Wood, Glasstennis

This album has been produced in Germany at the end of the 19th century for the Warrnambool tourist market. It was sold in the book shop of Walter Davies. The father of Walter Davies, also called Walter, was a law clerk and accountant who established the book and stationery shop in Timor Street in the late 1860s. The business was operated by Walter Davies Senior, then his son and later the grandsonThis album is of interest for several reasons:- 1. It is an interesting example of the type of tourist souvenir available to visitors to Warrnambool in the late 19th century. 2. It contains 13 photographs of Warrnambool in the late 19th century and these are of considerable historical value. 3. It is a good example of the type of articles sold by Walter Davies at his Timor Street shop in 1894. This is a hard cover folder containing 13 black and white photographs of Warrnambool and surrounds. The photographs are on several sheets of white paper joined together in concertina fashion to fit into the folder but they have become detached from the folder. Some of the photographs are torn at the edges. The cover of the folder has embossed gold lettering and the narrow spine is faded and the front cover is a little torn and stained. The inscription. ‘Xmas 1894’ is handwritten in black ink. ‘Picturesque Views of Warrnambool Victoria’ ‘Walter Davies, Bookseller & Stationer, Timor Street, Warrnambool’ ‘Printed in Germany’ ‘Xmas 1894’ picturesque warrnambool,, picturesque views of warrnambool, walter davies

These shoes were called "winkle pickers" because of their pointed toes and came into fashion during the 1960s. These were probably worn by Mary Gilbert and donated by her. Mary was a well-known Orbost teacher and historian. These shoes have a personal association with Mary Gilbert from Orbost and are also typical of the fashion of the 1960s.A pair of deep red patent leather women's shoes with pointed toes and thin heels. The front of the shoe has a decorative small rosette and leaves. Made in USA New Yorkwinkle-pickers women-shoes mary-gilbert

A promotional publication to attract and encourage tourism to the district. Includes information about geographic location, climate and attractions. Businesses advertising is very eclectic and includes fashion houses, breweries, cafes and the School of Mines and Industry.Thirty six booklet promoting popular sites, events and businesses in Bendigo. Printed in three colour. Right hand page has the slogan BENDIGO "For That Dreamed - of Holiday" with images and text. Left page has full and half page advertisements for businesses, buildings and events.Bendigo / For / Sunny / Carefree / Restful / Days .../ An Australian Tourist / Publicationcity of greater bendigo commerce, city of greater bendigo events, city of greater bendigo tourism, making a nation

Strings of beads were a common fashion accessory for women in the early to mid 20th century. They were usually made from glass beads but other natural item such as seeds or shells were also popular.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short necklace of 60 uniform sized beads or possibly shrub seeds. They are strung on thick twine with a metal catch. The catch has worn over time.decorative items, fashion accessory, women's jewellery

One of the many self-drafting sewing pattern books which were very popular in the 1950s to 1970 produced by Enid Gilchrist, an Australian fashion designer, who became well known for her books.

Flour bags were a useful source of material to be repurposed into domestic objects in the early 20th century. This object, fashioned from two well-known brands of flour bag, was most likely used as a pillowcase.The pillowcase provides an example of how flour bags were recycled and repurposed into useful domestic objects in the early 20th century.Two flour bags opened out and sewn together to create a possible pillowcase. The open end has a tie sewn to each side to enable the pillowcase to be closed. The bags have been sewn with the inscriptions on the inside of the pillowcase.Side 1 25LBS GROSS WHEN PACKED, John Darling & Son, ECLIPSE, ROLLER FLOUR, MELBOURNE Side 2 O-SO-LITE, Self-raising, FLOUR, Creamy & Delicious, O-SO-LITE PRODUCTS, 412 COLLINS ST MELBOURNE, C.I. Decoration of wheat stalks surround the inscription.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, calico, domestic object, textile, food storage, john darling & son, eclipse roller flour, o-so-lite flour, pillowcase, flour bag

This extraordinary record of the student cohort in 1908 reveals many aspects of school life in the early 1900's. The fashions, hair coiffure and accessories and added costuming are fascinating. The sport detail from the basketball hoop is significant. This photograph has social significance because of its detail regarding female school activities in the early 1900s. Black and white photograph mounted on grey card of Clarendon Ladies College student cohort in 1908. The students are arranged in five tiered rows. The photograph is taken against wall of a timber building. There is a basketball net fixed to the wall above the last row. Many of the girls are wearing fancy hats, some decorated with birds. Two young girls in the front row wear poster boards over their clothing advertising an event not to be missed; something to do with a menagerie. All the students are dressed in white, some in dresses, some n skirts and blouses and many have aprons over their skirts. The photograph is accompanied with a typed list of namesPrinted on front righthand bottom corner of mount: 'Richards & Co/Ballarat'1908, uniform, richardson, clarendon ladies college, costume, menagerie, hilda farmer, avenel halls, sylvia eyres, ella morrow, florence sides, gertie owen, laela williams, lorna dowler, emma buchanan, phyllis doepel, daisy llewellyn, adeline purser, sophie anderson, helen mathieson, d brophy, lily wright, margaret dowler, dulce deardon, gladys small, marjory howe, jessie kelsall, erica mckay, pearl eyres, iris llewellyn, edith bishop, marjorie walker, violet howard, hazel wlls, effie white, mimi murphy, carrie miners, edith murphy, irene palamountain, miss allan, marjorie salmon, dollie snow, naomi franklin, elsie powell, rachael kennedy, rose paull, sylvia barnett, esther, lilah emblling, trixie kliender, chrissie anderson, agnes wheen, kitty dawbarn, hazel clements, m serjeant, dolly gill, beryl bach, dorothy nicholas, frances gill, meg moore, jessie eyres, blanche murphy, merle booth, melba mcconnel, edna clark, betty lester, bessie hoad, madge dearden, kate cameron, olive mathews, grace nicholas, mollie souter, isabel mctaggart, madge llewellyn, mollie mary buley, alice ralph, ruth tyler, rebecca abraham, joyce eyres, nellie salmon

A collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Names for specific styles of collars vary with the vagaries of fashion. A lady's detachable, white, cotton collar with machine lace edge and long ties c1960clothing, collars, ornamental collars, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, shawl collar

Pretty and tiny beaded bags and purses were highly decorated to match the dresses of the era. They were small enough to carry makeup compacts, a few coins, and they were fashion accessories more than practical handbags.This item is an example of a clothing accessory used by women in the early 20th century.Fully beaded drawstring bag with designs of flowers. Tassel of beads attached to bottom of bag. Small wooden hooks on the inside to hold black rope drawstring.bag personal-effects money-container beading drawstring-bag

Shows teacher and students of the Poowong North School in 1932. This school no longer exists but shows members of both past and present families of this community. Particularly interesting in showing the fashions of rural communities during the Great Depression. Not many copies are known to exist.Copy of photograph of Poowong North School class mounted on card.Shows teacher with 17 male and 12 female students sitting on mat behind small blackboard. Taken outdoors with remnant forest in background.On blackboard in photo "Poowong Nth / School 4102 / 1932"school, pupils, students, poowong north, school photo, 1932, 4102, school 4102, class, class photo, poowong nth

Silcrete and chert can create sharp flakes and have been important materials for stone tool making in Australia. Silcrete was commonly used and widespread. Heat treatment of silcrete made the rock easier to fashion into flakes.Partly worked, incomplete Aboriginal rock blanks. The collection includes rocks of silcrete, quartz, and chert. 8969.26 is quartz chert. 8969.37 is a flint stone with a vein of quartz. The dark brown rock is silcrete with more iron than others (possibly 8969.41). 8969.45 is Quartz. aboriginal, tool, blank, rock, scraper, aborigines, quartz, silcrete, chert, stone tools, quartzite, flaking, flake tools, archaeology

Women wear rings to denote their marital status or as a fashion statement. They may be small or large, valuable or costume, or part of the overall accessories to accompany their outfit. Some stones have significance or may have sentimental attraction.A small gold ring that is typical of the jewellery worn by early settler women in Moorabbin Shire c1900A small gold ring with a blue stone in an original paper mache box c1900jewellery, costume jewellery, early settlers, moorabbin shire, bentleigh, mckinnon, ormond, cheltenham,

These wooden batons were used by a local girls gymnastic group in the Korumburra area in the early 1900's. Used in a similar fashion to a band leaders baton, they were twirled in each hand and in unison usually to music.3062.2 - Two turned wooden batons, teardrop shape with long handles finished with a balled end. Two grooved patterns in the centre of the teardrop.gymnastic equipment, wooden batons, 1900's

Stawell Timber Industries Advertisement, North Western Woollen Mill Advertisement, Patterson's, T Barker Hardware, Coles, Sheffield's Cafe, Nalders Garage, Stawell Brick Co. Kingston's Motors, A.H. Welch Fashions.Six (6) Page Supplement April 7 1955tourism

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens and mens knitted garments. Interestingly, TV and theatre personalities have been used as well as high fashion models.Hand Knits / by / Villawool / 2nd EDITION / 3'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens and mens knitted garments. Interestingly, TV and theatre personalities have been used as well as high fashion models.Autumn-Winter '61 / ... a superb / collection of / Villawool / designs ... / 3rd EDITION / Hand Knits / by / Villawool / 4'-knitting handicrafts - history, villawood textile company, knitting, handicrafts - history