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Bendigo Historical Society Inc.
Document - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: NEWSPAPER ARTICLE
Newspaper clipping on black board, : Children enthralled by Mornington island Dancers- image shows dancers in Bendigo promoting the Koorie culture, at the Laurel Street Primary School. Lyndal McClure 'enticed the MID to Golden Square as part of Aboriginal studies'education, primary, golden square laurel st p.s., morning island dancers, gulf of carpentaria, golden square primary school, lyndal mcclure. -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: MARY OXNAM
Copy of photo on brown board. Image shows Mary Oxnam, her husband and two children. Family are in portrait style setting, leaning on table. Written on bottom in biro: Mary Oxnam a teacher at Golden Square from 1905 - 10 with her husband and children. ** Note: Oxnam descendant sent letter 25 October 2002, stating that they enclosed two photograph albums. These have not been located 9.5.2019.education, primary, golden square laurel st p.s. -
Bendigo Historical Society Inc.
Newspaper - GOLDEN SQUARE P.S. 1189 COLLECTION: NEWSPAPER CUTTINGS, Saturday 17th December
Newspaper photo mounted on black laminated card. Photo shows Laurel Street Primary School children entertaining the people from the Bethlehem Home for the Aged. Photo from the Bendigo Advertiser, Saturday, December 17, 1988.Bendigo Advertisereducation, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, laurel street primary school children, bethlehem home fo rthe aged, bendigo advertiser 17/12/1988 -
Bendigo Historical Society Inc.
Newspaper - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: NEWSPAPER CUTTINGS
Photo with article mounted on black laminated card. Article mentions the children and using the Advertiser supplement for an Olympic Project. Photo shows Keith Simmonds and Ross Cutting with a copy of the supplement. Also mentioned are Bendigo's five Olympians- rower Jason Day, badminton player Paul Stevenson, walker Duane Cousins, boxer Lynden Hosking and Paralympian Tim Matthews.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, keith simmonds, ross cutting, advertiser, jason day, paul stevenson, duane cousins, lynden hosking, tim matthews, ron payne, olympics -
Bendigo Historical Society Inc.
Newspaper - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: NEWSPAPER CUTTINGS
Three photos and articles mounted on black laminated card. The top photo is of a group of children practising for the Loddon Campaspe Zone Cross Country Championships. The bottom left photo shows Golden Square Primary School students Nataly Holahan and Daniel Whitelock with Ima Safety House character. It was for learning and the awareness of the Safety House program. The third photo shows Mark Boulton and Kimberlie Watson with gifts they had made for Mothers' Day. They were taking part in the St Marks Anglican Church playgroup activities.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, nataly holahan, daniel whitelock, safety house, st marks anglican church, mark boulton, kimberlie watson, tracey whitelock -
Ballarat Tramway Museum
Poster, State Electricity Commission of Victoria (SECV), "Schedule of Fares and Charges", 1937
Shows Ballarat Tramway (SEC) Fares, Charges, and Section Map. Also gives charges for the various sections, transfers, luggage of parcels, age of children. All fares in pence. In particular note the 1d fares for Sebastopol Post Office and the City Zone. See item 8025 for a the printed explanation of the new fare system introduced by the SEC in Ballarat from Sunday 3/10/1937,Demonstrates the work the SEC undertook to provide information on the new ticket system of 1937 and yields information about the system.Poster - printed on manila card in black ink.Numerous pencil and red colour pencil markings.tramways, sec, fares, sections, tickets -
Bendigo Historical Society Inc.
Ephemera - Bookmark
... "Winnie Wattle" was a radio announcer who conducted shows... "Winnie Wattle" was a radio announcer who conducted shows ..."Winnie Wattle" was a radio announcer who conducted shows specifically for children. H R Hughan was originally from Tasmania and started his first news agency in Prahran before opening his establishment in View Point Bendigo. He was advertising as an importer of books, magazines and school requisites in 1923 . Whilst in Bendigo, he was active in the Chamber of Commerce. He left the area in 1926.Bookmark "Winnie Wattle", "You're tired of reading, I see by your face, so put down your book and I'll mark your place". Advertising item produced by "H. R. Hughan, Bibles, Hymn gifts, Presentation and Library gifts, school requirements.bookmark, adverising, hughan -
Bendigo Historical Society Inc.
Photograph - Spastic Centre, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon. Two black and white photographs by Alan Doney of the Spastic Centre in Don Street, Bendigo. Both photos shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron, spastic children's society -
Buninyong & District Historical Society
Photograph - Photo of Original Photograph, D. Macartney, B/W photo of footbridge over Buninyong Junction, in 1892 or 1897, 1995
Railway station and surrounds in 1940.Photo B/W of footbridge, lined with children, linking Dyte's Parade and Scott's Parade to Queen St. Ballarat. Bridge in distance shows the junction of the Buninyong Line near Ballarat East, known as Buninyong Junction. Taken 1892 or 1897.buninyong, railway, bunny, bridge, footbridge -
Ararat Gallery TAMA
Functional object, Gion Chigo Mochi, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979. Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981An elegant wooden box, fashioned in the style of boxes used for gifts to the emperor some eight or nine centuries ago, is filled with a Kyoto confection called Gion Chigo Mochi. The Gion is one of Kyoto's entertainment districts, chigo are children dressed in ceremonial Buddhist costume for one of the city's numerous festivals, and mochi are cakes of steamed and pounded rice. The name of the confection derives from the style of the bamboo-sheath wrapping, which suggests the figure of a chigo. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Kew Historical Society Inc
Clothing - Pink Floral Voile Dress, Misses Mooney, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. When this summer dress was donated by Elaine Chenoweth, a resident of Kew, it was identified as a dress purchased from the Misses Mooney Shop at 189 Collins Street (active 1932-1972) and dated to the 1930s. The consensus is that the dress was made from a 1930s fabric in the mid to later 1930s and shows the characteristic sleeves, waistline and flared skirt of the period.Pink floral voile day dress, reputedly purchased from the Misses Mooney's Shop in Collins Street, Melbourne. The dress has a tie at the waist in the same fabric ending in small wooden clogs. women's clothing, day dresses, misses mooney, 189 collins street -- melbourne (vic.), fashion -- 1930s -
Kew Historical Society Inc
Clothing - Satin & Organza Cocktail Dress & Coat, Dorothea Fush, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was made and worn by Dorothea Fush, the mother of Thea Sartori. It is one of a number of items in the Sartori Collection.Mother and daughter, Dorothea Fush (nee Winstanley) and Thea Sartori (nee Fush) were both skilled dressmakers. One of the items donated was entered in the Royal Melbourne Show in the 1960s and won an award for home dressmaking. The donation overall dates from the 1950s and 1960s and includes dresses and hats.Gold figured satin dress and organza coat, the latter held by a large button at the neck. women's clothing, evening wear, evening dresses, cocktail dresses, evening ensembles, dorothea fush (nee winstanley), sartori collection -
Kew Historical Society Inc
Photograph - Peel Street Health Centre : Official Opening, 1930
... is mounted on card, and shows mothers and their children... Centre in Peel Street. The photo is mounted on card, and shows ...The North Kew Centre was the third established at North Kew. It followed a lease of a house at 50 Willsmere Road. The Peel Street building was designed by Mr Chipperfield. Messrs McIntosh and Taylor were the successful tenderers, the price being 1,240 pounds. The North Kew Baby Health Centre was finally opened on 18 June 1930 in the presence of the mayor, councillors and citizens of Kew, and representatives of the Infant Welfare Council. A report in The Age of 19 June described the opening in detail as well as the features of the new Centre. These included: "The rooms ... filled with flowers, pink and mauve hydrangeas and native heath, and the walls are adorned, with a charming frieze, representing windmills, flocks and a fairy tale goose girl. On the walls are hygiene editions of the funniest of Belloc's "Cautionary Tales" revised as posters, Outside there is promise of a gay garden, and a lovely view of green fields sloping to a shining bend of the river." Early photographic record of the opening of an early baby health centre in Kew.[Badly damaged] black and white photograph of the opening of the North Kew Baby Health Centre in Peel Street. The photo is mounted on card, and shows mothers and their children on the veranda, and officials at right. The latter includes the Mayoress and probably Vera Scantlebury. All mothers wear hats as do most of the children. [When the photograph was presented to the Society in 1979, it was described in the first Acquisitions Register as framed. Some time after that it was removed from its frame and badly broken. A separate photocopy of the original photograph is also held in the collection.]Earliest inscription: "Peel Street Health Centre / Official Opening 1930 / donated by Sr Costello and Sr Bewish [sic] 1979 / Copy purchased by ..... for Centre". Old Accession number in Texta: "KH-133 Kew Historical Society". Separate later label: "Opening North Kew Baby Health centre 1930". north kew baby health centre, peel street (kew), baby health centres - kew (vic) -
Kew Historical Society Inc
Work on paper, Madford: the property of A.S. King Esq, c.1875
The Victorian-era mansion Madford in Wellington Street had several incarnations before it was finally demolished. While the precise details of its original construction have not been discovered, we know that it was originally named Elm Lodge, and that the property was offered for sale in 1863 by Thomas Mitchell, of the firm Mitchell & Bonneau, wholesale ironmongers and merchants. The house was sold in about 1873 to William Siddeley (1827-1905), who was described on the occasion of his death as ‘the father of Australian shipping’. The next owner was Arthur Septimus King (1827- 99), who renamed the house Madford after his purchase of the property in 1875. It was A.S. King for whom this artwork was completed. Following King’s death in 1899, portions of the property were sold, including to the Borough of Kew in 1905, to form the Alexandra Gardens. Then, in 1920, the house and its remaining lands were sold to the Catholic Church who opened St Anthony’s Home for Children on the site in 1922. That building was promptly demolished, and the site redeveloped circa 1976.Gift of James Pearson, 2022This fine perspective drawing of the architectural elements of Madford [formerly Elm Lodge, later St Anthony's Home for Babies] is contrasted with the freer addition in watercolour of the layout and plants of the garden facing Wellington Street. The view selected is the south-facing main facade and the west facing side. After A.S. King purchased the house in 1875, it was extended with new wings at the rear to accommodate his large family. There is no indication of these extensions in the painting so its creation must predate the renovations, and probably depicts the original building on the site."MADFORD / The Property of A. S. KING Esq"elm lodge, madford, st anthony's home for babies, houses -- wellington street -- kew (vic.), thomas mitchell, william siddeley, arthur septimus king -
Kew Historical Society Inc
Journal, Kewriosity : June 1986
Kew Junction is buzzing / p1. Bold proposal for Kew Junction [Kew Junction Committee] / p1&5. Correction [garbage collection dates] / p1. Dates for June / p2&8. [Community ] Notices / p2&8. Commentary by the Mayor Cr Phyllis Hore - Survey shows that bigger is not always better [Local Government Restructure] / Cr Phyllis Hore p3. New faces at Kew Council [Elizabeth Sullivan, Children's Services Officer; Craig Midgley, Integration Officer] / p3&5. In Brief [Recreation Centre update; North Ward meeting] / p4. Profile - Cr Anne Glasson / p4. Calling Kew business people [Group Apprenticeship Scheme] / p5. Safeway expansion / p5. Q Student Gallery opens [Kew High School] / p6. [Kew Citizens'] Band News [Junior Band, Senior Band] / p6. Volunteers needed [Wurundjeri Industries] / p6. Keeping you informed [Citizens' Advice Bureau] / p6. Kew Peace Project gets grant / p7. How Kew became home for Renaissance Dance team [Ripponlea Renaissance Dancers; Helga Hill; St Paul's Anglican Church] / p7. A story with a happy ending [Dietrich Werthauer] / p7. The Probus Club of Kew / p8. Deepdene and District Inter-Church Council / p8. You can help the Salvos [Red Shield Appeal] / p8. Caring for cats (dogs and maidenhairs too!) [Animal Feeding Service] / p8. Footy news [Kew Football Club] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionKew Junction is buzzing / p1. Bold proposal for Kew Junction [Kew Junction Committee] / p1&5. Correction [garbage collection dates] / p1. Dates for June / p2&8. [Community ] Notices / p2&8. Commentary by the Mayor Cr Phyllis Hore - Survey shows that bigger is not always better [Local Government Restructure] / Cr Phyllis Hore p3. New faces at Kew Council [Elizabeth Sullivan, Children's Services Officer; Craig Midgley, Integration Officer] / p3&5. In Brief [Recreation Centre update; North Ward meeting] / p4. Profile - Cr Anne Glasson / p4. Calling Kew business people [Group Apprenticeship Scheme] / p5. Safeway expansion / p5. Q Student Gallery opens [Kew High School] / p6. [Kew Citizens'] Band News [Junior Band, Senior Band] / p6. Volunteers needed [Wurundjeri Industries] / p6. Keeping you informed [Citizens' Advice Bureau] / p6. Kew Peace Project gets grant / p7. How Kew became home for Renaissance Dance team [Ripponlea Renaissance Dancers; Helga Hill; St Paul's Anglican Church] / p7. A story with a happy ending [Dietrich Werthauer] / p7. The Probus Club of Kew / p8. Deepdene and District Inter-Church Council / p8. You can help the Salvos [Red Shield Appeal] / p8. Caring for cats (dogs and maidenhairs too!) [Animal Feeding Service] / p8. Footy news [Kew Football Club] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : June 1984
Mayoral Comment - Swedish hero honoured in Kew [Raoul Wallenberg] / Cr Jill O'Brien p1. The village without a name [Edgevale Road] / Barbara Giles p1. Billabong Club / p2. Wine bottling / p2. Sunday afternoon at Kew / p2. Kew Garden Club / p2. Native Plant Group / p2. Asian Evangelical Fellowship / p2. Early Planning for retirement / p2. The Rheumatism and Arthritis Association of Victoria / p2. Kew (Daytime) Garden Club / p2. Hyde Park Fellowship / p2. Penguin Club / p2. F.A.C.S. [Family and Community Services Programme / p3. New Residents Kits / p3. Parking permits for people with physical disabilities / p3. Occupational Therapist in Kew / p4. Physiotherapists / p4. Speech pathology / p4. Children's Services / p4. Area 10 Traffic Management / p5. Kew Historical Society happenings / p5. Community artists / p5. New Victoria building regulations / p6. Voting / p6. Safety [footpaths] / p6. Domestic noise / p6. Volunteers ["Gatehouse"]/ p7. Foster Care information [Inner East Foster Care] / p7. Kew Residents Group / p7. Black sheep and family crests [Kew Library, Genealogy] / p7. Infantile Paralysis [Poliomyelitis] / p7. Kew Community House News / Rhonda McCaw p8. Art Show / p8. Immunisation Sessions / p8. Parks and gardens / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionMayoral Comment - Swedish hero honoured in Kew [Raoul Wallenberg] / Cr Jill O'Brien p1. The village without a name [Edgevale Road] / Barbara Giles p1. Billabong Club / p2. Wine bottling / p2. Sunday afternoon at Kew / p2. Kew Garden Club / p2. Native Plant Group / p2. Asian Evangelical Fellowship / p2. Early Planning for retirement / p2. The Rheumatism and Arthritis Association of Victoria / p2. Kew (Daytime) Garden Club / p2. Hyde Park Fellowship / p2. Penguin Club / p2. F.A.C.S. [Family and Community Services Programme / p3. New Residents Kits / p3. Parking permits for people with physical disabilities / p3. Occupational Therapist in Kew / p4. Physiotherapists / p4. Speech pathology / p4. Children's Services / p4. Area 10 Traffic Management / p5. Kew Historical Society happenings / p5. Community artists / p5. New Victoria building regulations / p6. Voting / p6. Safety [footpaths] / p6. Domestic noise / p6. Volunteers ["Gatehouse"]/ p7. Foster Care information [Inner East Foster Care] / p7. Kew Residents Group / p7. Black sheep and family crests [Kew Library, Genealogy] / p7. Infantile Paralysis [Poliomyelitis] / p7. Kew Community House News / Rhonda McCaw p8. Art Show / p8. Immunisation Sessions / p8. Parks and gardens / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Accessory - Black silk and rhinestone evening bag, c.1955
The original owner of the evening bag was Elizabeth (Betty) McGregor. The bag was a gift from her husband, Ian McGregor (Managing Director of Ingersoll Rand), during a trip to Europe. The bag was purchased in Burlington Arcade, London in 1955. An accompanying photograph shows Betty, in attendance at a Captain's cocktail party with the evening bag on her arm. Betty was the best friend of the my mother, and not having children of their own, Betty and Ian were very good to my sister and I. Betty gifted the bag to me in 1983. As a Kew resident, it gives me much pleasure to pass on this evening bag to the Fashion & Design collection of the Kew Historical Society. (Kate Reeve, 2022)Small brass evening bag, covered with black silk and rhinestones. The box is of a flattened cylindrical shape with a looped handle. The lid of the bag is hinged on one side and contains a mirror on its interior. Inside the evening bag is a small black silk purse attached to the bag with a brass chainNilfashion & design - 1950s, accessories, evening bags -
Kew Historical Society Inc
Photograph, Frederick Harwood Noble and Winifred Noble, c.1890
One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.A series of photographs that depict family life in the period 1890-1914. The family is significant and the children achieved success in a number of fields.Framed large albumen silver photograph of Frederick Harwood Noble and his sister Winifred in the rear garden of the family home in Coburg (sic). Later Label on rear reads ‘F.H. Noble, W.M. Noble’.winifred noble, frederick noble, charnwood (coburg), station street (coburg) -
Kew Historical Society Inc
Photograph, The Noble family, c.1890
One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.A compelling group of family portraits. Members of the family were to achieve important roles as managers, journalists and writers.Framed and gazed albumen silver print of Mr and Frederick Warner Mrs Noble in the garden of their home in Coburg (sic) with their three children. There are minor losses to the gesso and paint of the original frame. Later labels to rear include: "Mr Noble, Mrs Noble’. ‘Frederick, Winifred, Wilfred"noble family, charnwood (coburg), station street (coburg) -
Kew Historical Society Inc
Photograph, Portrait of Winifred Noble, c.1910
One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew -
Kew Historical Society Inc
Photograph, Portrait of Frederick Noble, c.1912
One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed portrait of Frederick Noble"Frederick Noble". The name "PRENTICE" is handwritten below the label.noble family, frederick noble -
Kew Historical Society Inc
Photograph, Portrait of Mrs P.W. Noble, c.1870
One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed oval portrait of Mrs P. W. Noble in a carved wooden frame."P. W. Noble" handwritten on label on reverse. noble family -
Kew Historical Society Inc
Photograph - Aerial Photograph, Aerial Photograph of Willsmere, circa 1980, c. 1980
This aerial photograph shows the Kew Cottages, and doctors/clergy residences on the north side of Wills Street, before the State Government sold the land for residential development. The doctors residences in Wills street were made of 'Glen Iris' Olympic Bricks. According to neighbours of the time most of the buildings were demolished overnight in the 1980s.Aerial photograph of Willsmere and the Kew Cottages bounded by the Boulevard, the Chandler Highway, Princess Street and Fellows Street. The roundabout at the intersection of Princess Street, Wills Street, and Eglinton Street is at the top left. The Eastern Freeway is at the lower edge of the photograph.kew cottages, eastern freeway, willsmere, yarra river, aerial photographs -- kew (vic), kew boulevard, willsmere mental hospital, kew mental hospital, kew childrens cottages -
Kew Historical Society Inc
Clothing - Black Cocktail Dress, 1963
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This dress was made by Mrs Dorothea Fush, the mother of the donor, and won an award for dress making at the Royal Melbourne Show. The award certificate is kept with the dress.Ballerina length black sheer evening dress with shoe string straps. women's clothing, australian fashion - 1960s, cocktail dresses, thea sartori -
Kew Historical Society Inc
Leisure object - Board Game, F W Niven Pty Ltd, Tarax "Polly" Farmer's Footy Game, c 1965
... by the Tarax Show; a very popular children's television program... by the Tarax Show; a very popular children's television program ...Tarax was an independent Melbourne soft drink manufacturer from 1959 to 1972 (when it was taken over by Cadbury Schweppes). It was most popular as a product in the 1960s when it sponsored by the Tarax Show; a very popular children's television program. In the 1960s Polly Farmer was a star Geelong footballer. He played in a premiership team and was captain for 3 years. The game originally cost 75 cents plus 6 Tarax bottle tops. Boxed board game with yellow, blue and red lid. board games, tarax, polly farmer, f.w. niven, aboriginal footballer, victorian football league, australian football league, aboriginal and torres straight islander -
Kew Historical Society Inc
Memorabilia, Two tickets to the Children's Centenary Picnic, Victoria Park, 1934, 1934
1934 was the year that Victoria celebrated the European settlement of Victoria. Events were planned through Victoria. In Kew a children's picnic was planned. The following newspaper report records what happened: KEW CHILDREN'S PICNIC. Owing to rain the picnic which the Kew Centenary celebrations committee had arranged for children resident in the municipality, which was to have taken place at Victoria Park yesterday, had to be postponed. The organisers decided to forward to the various schools the luncheons which had been prepared for the children and hurriedly made arrangements for their entertainment at a picture theatre. Needless to say the theatre was crowded to capacity, in addition to special pictures a punch and judy show was provided and a number of aborigines who are in Melbourne for the Centenary gave, exhibitions of native dances and corroborees. The trophies for the sports events are to do competed for at a later date. (The Age, 3 Nov 1934, p. 24)Local ephemera deriving from the eventTwo tickets to a Children's Centenary Picnic including a buffet luncheon in Victoria Park. The event commemorated the settlement at Melbourne in 1833. The event occurred on 1/11/34. The tickets were donated by Joy Stewart in 1980.City of Kew / Children's Centenary Picnic / Victoria Park 2/11/34 / Buffet Luncheon (in central marquee) / Available 12.45 - 2.30 p.m. / Admit 1.centenary of melbourne (1834-1934), victoria park (kew), printed ephemera -
Kew Historical Society Inc
Leisure object - Board Game, Guest's Letter Box: Beat the Champ!, 1950s
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. In the Nineteenth and Twentieth centuries, there were large numbers of games produced for children and adults. These included: arcade games, board games, playing cards and puzzles. A representative sample, many now rare survivors, can be found in the collection.Board game comprising cover, writing pads, based on a television program."Guest's Letter Box Card Game as played on the Channel 7 national show."board game, guest's letter box -
Kew Historical Society Inc
Photograph - 'Carronbank', Marshall Avenue, 1980s
Carronbank (demolished) in Marshall Avenue, Kew was once the home of the Rev Graham Henty Balfour. It had extensive grounds, including a tennis court at the rear of the property. It remained a private residence until c.1960. The Department of Education purchased Carronbank as a school for partially sighted children, opening in February 1961 as State School No 4483. During the period 1961 to c.1980, the building housed a number of services. From 1969 to 1974, it was the site of Carronbank State School, later renamed Carronbank School for Deaf-Blind Children. In 1973, the Department established the Visiting Teacher Service for the Visually Impaired at the site. Its aim was to support teachers working in Victorian Government, Catholic and Independent Schools. From 1983 the school operated as Statewide Resource Centre for Visiting Teachers of the Vision Impaired. In 1988, the amalgamation of Princess Elizabeth Junior School for Deaf Children, the Monnington Centre and Carronbank School for Deaf Blind Students allowed the Victorian Government to sell each of the sites. Monnington [Adeney Avenue, Kew] reverted to private ownership, while Glendonald and Carronbank in Marshall Avenue were demolished and subdivided.The donor, Mr Murray Osler, was Principal of the Monnington Special Education Centre in Adeney Avenue (Kew) from 1976. This photo, and an accompanying drawing of 'Monnington' are important primary resources for the delivery of education to and for deaf-blind children in Victoria.The photograph, framed under perspex, shows the tennis court of Carronbank which had been converted into a play area for the students of the school. The flat roofed building may have been a toilet block, added for the school. The garage brick wall belongs to No 11. Grass is growing on the original asphalt court and there is equipment and tunnels for play. When sold the property was divided into three separate building blocks.carronbank -- marshall avenue -- kew (vic.), schools -- kew (vic.), carronbank -
Expression Australia
Video Cassette, "Don Lane Show" Extract (G.T.V. 9 Melbourne) Thursday 4th November 1982 and Victorian School for Deaf Children "Sign Choir" singing the "Rainbow Connection" from the Muppet Show
Black video cassette cover containing one video cassette; Size 20.5cmHx14cmWdon lane show, victoria school for deaf children, sign choir, -
Sunbury Family History and Heritage Society Inc.
Photograph, School concert 1988, 1988
The photograph taken from the rear of the hall shows the seated audience watching a group of children performing on stage. The concert was organised by Bulla Primary School staff and students and the event took place in the Bulla Community Hall in Greene Street. A non-digital coloured photograph of a concert in a hall with a view of the event taken from the back of the hall.school concerts, bulla community centre., bulla primary school