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Churchill Island Heritage Farm
Functional object - Chiming pendulum wall clock, circa 1930
This clock was donated to the Phillip Island & District Historical Society Inc by Sister Margaret Campbell on her departure from Churchill Island where she lived for many years. The clock had been owned by the owner prior to Sr Campbell, Harry Jenkins, and had passed to Sr Campbell with the property when Harry died in 1963. The society committee was asked by its secretary Christine Grayden, also curator of Churchill Island, if the clock could be returned to display in Amess House, and they agreed. The donation form was signed on behalf of the PIDHS by committee member John Jansson.The clock was originally located in Amess House Churchill Island from the 1930s to 1973 when it was given to the Phillip Island & District Historical Society, who donated it back to Churchill Island in 2016.Wooden cased pendulum clock with two decorative gold coloured glass panel inserts above the clock face, which has brass hands and white enamel background to blue painted numbers. Small hook and eye fastener on left hand side to open clock face. Two heavy iron pendulums - one larger than the other. Turn wooden decorations on top half of case.chiming clock, pendulum, sr margaret campbell, churchill island, harry jenkins -
Churchill Island Heritage Farm
Booklet, Show-ads Omega, Victorian Conservation Trust Report 1983, 1983
16 double-sided fawn coloured pages with green light card covers featuring Pink Heath illustration on front cover. general information about VCT operations, and a 3 page list of properties and when acquired. includes report of purchase of Fisher's land for access.churchill island, annual report, victorian conservation trust -
Churchill Island Heritage Farm
Photograph - Photograph of two people
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940 and shows the son of the owner of Churchill Island, Ted Jenkins, with his carer and subsequent owner of the property, Margaret CampbellSepia photograph white narrow white border of two people in front of Rogers Cottage, with the woman standing behind the man in the wheelchair with a blanket on his legs. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, ted jenkins, margaret campbell -
Churchill Island Heritage Farm
Photograph - Photograph of cows in pasture
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of cows in a pasture with dam and windmill, with tall pine trees dividing the frame.Catalogue number written in pencil on the reverse. Handwritten on reverse in pencil 'Note the pine trees along the fence. All gone now (wasp).' In another hand 'Thought to Buckley era. Promotion shot for selling property'churchill island -
Bendigo Historical Society Inc.
Photograph - 'MARYDALE' AXEDALE COLLECTION: PHOTOGRAPH FARM BUILDING
Photograph.Farm building at ''Marydale'' Axedale, with small verandah and high pitched roof.axedale, history, marydale property -
Bendigo Historical Society Inc.
Photograph - 'MARYDALE' AXEDALE COLLECTION: PHOTOGRAPH FARM SHED
... AXEDALE History Marydale Property Photograph."Marydale'', Axedale ...Photograph."Marydale'', Axedale, Farm stable with high windows and wide central door, tanks at the end of the building.axedale, history, marydale property -
B-24 Liberator Memorial Restoration Australia Inc
Load Adjuster, Bomb Load Adjuster No. 31629, 1945
1945 Slide Rule US Army Air Force from Prof. Allan Bromley.Works by adding Angular moments together to find centre of gravity (COG) of a plane (adds bombs, ammunition and crew on board).Brown Leather Case with 'Slide Rule' inner.Load Adjuster, Property of US Government. 102630 on case. 81629. Airplane serial No. 44-4-1195, Model B-24Jbomb load adjuster, a16 -
B-24 Liberator Memorial Restoration Australia Inc
Accessory - Torch, Lever activated torch A9
Originated from HollandTorch used by Air Force personal During Second World WarSmall brown torch with activating lever Type A9TROPICALIZED FEBRUARY 1945 DAYTON ACME CO. CINCINNATI , OHIO., U.S.A. PATENT APPLIED FOR LAMP ASSEM., FLASHLIGHT (HAND ENERGIZED) TYPE A9 SPECIFICATION No.32454 MFR'SNo.16 3-B ORDER No 2084-PHILA-45-54 PROPERTY - AIR FORCES .U.S. ARMY -
B-24 Liberator Memorial Restoration Australia Inc
Work on paper - Flight Mechanics Course Notes, Fitters II.E Flight Mechanics Course Notes
R.H. Percy was a flight mechanic fitter on B-24 aircraft c1942-1945These course notes were used by all flight mechanics for B-24 aircraft.Foolscap size cardboard covered papers51067 Percy R.H. course 176 TFM, R.A.A.F. 4847 Fitters II.E, Flight Mechanics Course Notes, ENGINEERING SCHOOL, ISSUE 3-1941, This Book is R.A.A.F. Property and is NOT TO BE REPRODUCED without authority. By authority: Wilke & Co Pty. Ltd. Printers 19-47 Jeffcott Street, Melbourne. -
City of Whittlesea
Document - Correspondence, Council letter to Mrs Moses Thomas 1868, 1878
In 1851 Moses Thomas purchased 400 acres, including a half mile frontage to the Plenty River, at Mernda (then known as Morang) where he operated a farm, inn and other business. In 1865 Moses Thomas was appointed Engineer, Clerk and Collector for the Morang District Road Board. In this role he would have been responsible for overseeing the collection of local property rates and the maintenance and construction of local roads and drains. Road District Boards were one of the earliest forms of local government in Victoria. The Morang or Upper Plenty Road District was established in 1862. It covered part of what is today Mernda, Doreen, South Morang, Mill Park and Bundoora. In 1875, the area merged with the Whittlesea Road District to form the Shire of Whittlesea. Moses Thomas briefly served as a Councillor with the Shire of Whittlesea until his death in 1878. Correspondence. Letter, paper, handwritten text with seal. Letter from James Ryan, Shire Secretary, Shire of Whittlesea to Mrs Moses Thomas on the death of Moses 18 May 1878. -
Puffing Billy Railway
Horse drawn scoop from Hermon’s nursery
Metal Horse drawn scoop from Hermon’s nursery at Menzies Creek. The Land on which the Menzies Creek railway station and Museum are built on was once apart of James Hermon's & his son William Hermon's property on which Horse drawn scoops of this type would have been used. Historic - industrial Farm equipment used on the farm of James Hermon & his son William Hermon on which the museum is built Horse drawn scoop from Hermon’s nursery made of Metal West Footscray Engineering Works Pty Ltdpuffing billy, menzies creek, scoop, hermon -
Tatura Irrigation & Wartime Camps Museum
Photographs, Alexander Stewart who lived at Gowrie Park
GOWRIE PARK- Gowrie Park Road, Tatura.|Alexander and Georgina Stewart sailed in 1859 from Mochrum, Scotland, arriving in Corio Bay. In 1872-73 they came to Tatura and selected near the town, being one of the early selectors. The place was called Gowrie Park, still known by that name, and still in use as a dairy farm.|Before the Presbyterian Church was built in Tatura, all the services were held at Gowrie Park. The old dairy for keeping milk, cream and butter is still there today. Only two families have owned the property since the 1870®s, and the house has been beautifully renovated and extended.Photo 1: 15 x 11 cms. Photo 2: 10 x 6 cms. -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Boy with a thorn - 'Lo Spinario', c. 1900
Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art -
Inverloch Historical Society
000331 - Photograph - Cottage on Henderson's property Pound Creek - farm-hand's cottage - taken Oct 1996
... 000331 - Photograph - Cottage on Henderson's property Pound... property Pound Creek - farm-hand's cottage - taken Oct 1996 ... -
Uniting Church Archives - Synod of Victoria
Photograph, 1928
"Otira" was built in 1887 for Mr. Henry Berry, owner of a large wholesale grocery business. In 1923, the property was acquired by the Methodist Church for use as a home mission training college. B & W photograph of a group of 7 men and 4 non resident women students of the Otira Methodist Home Missionary Training College. Men: Doug Packett, ? Butcher (went back to farm), Cecil Price (returned to England), Jack Hull, Fred Belcher, Ray Kemp, George Collett. Women: ?, Amy ?, Mrs Bartlett (MLC), ? Sinclairdoug packett, ? butcher, cecil price, jack hull, fred belcher, ray kemp, george collett, ?, amy ?, mrs bartlett (mlc), ? sinclair, otira, methodist, home missionary training college -
Uniting Church Archives - Synod of Victoria
Photograph, 1928
"Otira" was built in 1887 for Mr. Henry Berry, owner of a large wholesale grocery business. In 1923, the property was acquired by the Methodist Church for use as a home mission training college. B & W photograph of a group of 7 men and 4 non resident women students of the Otira Methodist Home Missionary Training College. Men: Doug Packett, ? Butcher (went back to farm), Cecil Price (returned to England), Jack Hull, Fred Belcher, Ray Kemp, George Collett. Women: ?, Amy ?, Mrs Bartlett (MLC), ? Sinclairdoug packett, ? butcher, cecil price, jack hull, fred belcher, ray kemp, george collett, ?, amy ?, mrs bartlett (mlc), ? sinclair, otira, methodist, home missionary training college -
Hume City Civic Collection
Photograph
Rosenthal Winery in Vineyard Road, Sunbury was one of the first wineries established in the area. It was owned by R. F. Kurrle. The roofless building still stands on the property which was part of the dairy farm owned by Tom and Angela Millett. The last vintage from the property was crushed in 1910.A coloured photograph of shell of the interior of the Rosenthal Winery. The bluestone is exposed on the lower half of the walls but the walls on the upper storey have either been rendered or painted. Part of the interior wooden structure is still standing. There is an open doorway on the LHS with two windows above it. Two smaller windows are on the lower part of another wall with a larger window above them. The building is roofless.rosenthal winery, wineries, vineyards, vineyard road, sunbury wineries, kurrle, r. f., millett, tom, angela, sunbury, george evans collection -
Hume City Civic Collection
Photograph
Rosenthal Winery in Vineyard Road, Sunbury was one of the first wineries established in the area. It was owned by R. F. Kurrle. The roofless building still stands on the property which was part of the dairy farm owned by Tom and Angela Millett. The last vintage from the property was crushed in 1910.A view of the exterior of the ruins of Rosenthal Winery showing 2 sides. It is a bluestone building with a red brick arched doorway at the front and a small narrow arched window above the doorway. Along the side there is another arched doorway at the lower level and 5 paneless windows along the upper level. The pitched gable ends are still standing but the building is roofless.rosenthal winery, wineries, vineyards, vineyard road, sunbury wineries, kurrle, r. f., millett, tom, angela, sunbury, george evans collection -
Hume City Civic Collection
Photograph, Early 1990's
The disused cottage was owned by Alec Lloyd who was the fruiterer in Sunbury. It was situated on a sheep run on the Diggers Rest-Toolern Vale Road and was destroyed by fire in the early 1990's.A coloured photograph of a weatherboard farm cottage in a paddock with tall gum trees behind the house. The cottage with a pitched roof over the main structure and a lean-to with skillion roof at the rear is used as a storage for hay. The remains of a tank are on one side of the house and sheep are grazing around the property.farm cottages, sheep farming, lloyd, alec, george evans collection -
Hume City Civic Collection
Photograph, Late 1980's
The Millbrook ruins are on a property which was created by John Pascoe Fawkner's Victoria Co-operative Freehold Land Investment Society. The aims of the company were to provide smallholdings to poorer settlers who wanted to farm. The ruins are now part of the Organ Pipes Park.A coloured photograph of stone ruins built on a hillside with sheoaks and other vegetation behind it. There is a doorway at the end of the small building.fawkner, john pascoe, millbrook ruin, jacksons creek, organ pipes park, victorian co-operative freehold land investment society, george evans collection -
Hume City Civic Collection
Photograph
... with a stack of feed bags. The property if Bayview Farm, Davis Road... melbourne cullinan uraina eileen diggers rest bayview farm chris ...A black and white photograph of a man shearing a sheep with shears in a farmyard with water tanks in the background with a stack of feed bags. The property if Bayview Farm, Davis Road, Diggers Rest.on back: BAYVIEW / DAVIS ROAD / DIGGERS RESTcullinan, uraina, eileen, diggers rest, bayview farm, chris, davis road, farmers, shearers, george evans collection -
Hume City Civic Collection
Photograph
A black and white photograph of the farm at Rupertswood in the foreground including the main house, school and farm together with the railway viaduct taken from the escarpment behind the property.rupertswood, farming, clarke, william (sir), farmbuildings, salesian order, salesian college, george evans collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Le Cheminant, Marion, Nyerimilang and its Neighbourhood, 1985
A brief history of Nyerimilang homestead on the Gippsland Lakes at Kalimna West, from 1884 until 1985. The original selection was cleared and farmed for Alexander Murray, becoming a holiday home for the Hon. Frank Stuart in 1891. In 1938 the property waMarion Le Cheminant October 1985settlers, agriculture, timber industry, waterways, parks -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1980 c
Contractor with steam engine would travel from farm to farm around district as requestedBlack and white photograph of men at small steam engine used to power chaff cutting machine with four workers in charge. Bark roofed building nearby believed to be at Howlett or Bobribb property Bumberrah Victoriamines and mining -
Chiltern Athenaeum Trust
Photograph
Clara Jane Matthews was born in 1870 as the eldest daughter of Robert Matthews. She married William Frederick Busse on the 5th of December, 1894 at St Columb’s church, Hawthorn. Clara and her husband lived on Main Street in Chiltern, and her husband was a Clerk of Courts in Chiltern and Wodonga throughout his life. Clara and William also owned a 640 acre farm called Clairedale Park, four miles (6.5km) outside of Barnawartha. They had both crops and sheep on the property, and adopted innovative farming practices. It appears that Clara was heavily involved in the farm business, as she is listed as a purchaser of sheep in multiple stock reports between 1914 and 1918. This is very unusual for the era, as women were not generally involved in stock markets, especially if her husband was still alive. Clara’s husband’s work at the court likely meant that he wasn’t able to travel to the markets in order to purchase stock. Clara’s taking the reigns in this manner was highly unusual, and signals just how strong of a woman she must have been. Clara Busse died in Chiltern in 1968, when she was 98 years old. She is also the mother of Wilfred C Busse, who was an author and a member of the Chiltern Athenaeum. This photograph is of a woman who lived most of her life in Chiltern, and undoubtedly contributed to the community of the town within her 98 years. She will most likely be remembered as the wife of William Frederic Busse, Clerk of Petty Sessions, or as the mother or Wilfred Clarence Busse, author and barrister. Although the records of her time almost entirely connect her with the men of her life, her father, husband and then her son, some digging can reveal that she was an entire person of her own, who broke norms of her time and is worthy of being remembered for her own sake.Black and white rectangular photograph printed on matte photographic paper mounted on board in a textured metallic frameObverse: Clara Jane Busse / (nee Mathews) / Mother of W. C. Busse / clara jane busse, clara busse, c j busse, busse, women in agriculture, remarkable women, 20th century women, women's history, working women, wilfred busse, wilfred clarence busse -
Chiltern Athenaeum Trust
Painting - Artwork, Fanny Bartley, Bartley's Brewery
Bartley's Brewery, Howlong Road, Chiltern (photograph of a painting by Fanny Bartley) Property owned by Benjaming Jackson Bartley 1834-1899Australian Impressionism, Naturalism, Colonial Art, Folk ArtA small, rectangular painting with a wood frame in a basic relief styleSignature in bottom right corner of paintingaustralian landscape, landscape, farm -
Nillumbik Shire Council
Sculpture: Tony Trembath (b.1946 Sale, Victoria), Tony Trembath, The Fences Act 1968 - Location: Edendale Farm (entrance) 30 Gastons Road, Eltham, 1989 - 1994
Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps -
Stawell Historical Society Inc
Photograph, Mr Bert Ingletons Log Trucks loaded with Red Gum Logs
Bert Ingleton's Log Trucks loaded with Red Gum logs on Mr. G. Hateley's property "Hillcrest" Bellellen via Stawell. Associated with Ingleton's saw mill. The original photograph belongs to Mrs. N. Altmann and was loaned for copying.Black & white photo of a scene depicting 2 trucks loaded with red gum logs in a farm yard. c 1940. A person can be scene standing on the truck behind the driver's door.stawell -
Yarrawonga and Mulwala Pioneer Museum
Coolgardie Safe, More than 100yrs ago
This safe came from the property “Fairview” Tungamah. Victoria. Fairview was owned and farmed by Charles and Nellie Nunn. The safe is at least 100 yrs old and served the family of parents and 12 children well by keeping food cool in the blazing summer days. Beverley Long(McFarlane) remembers it on the farmhouse verandah of her grandparents property near the dairy where fresh milk was separated to produce cream and butter..it cooled meats, and dairy products by strips of hessian kept wet by water stored in the top tank, hanging down around the safe.More than 100 years oldMetal box construction with fly wire covering on all 4 sides. Has three shelves -
National Wool Museum
Painting, The White Farm, 2020/21
The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed