Colour photo; brick house. Unknown address but possibly Aulsebrook or Martin residence. Brown brick, cedar windows, single storey, tile roof. Man mowing grass on LH side, woman sitting in front of house reading a newspaper. On back of photo 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth Street, Golden Square, 3555. Phone 054 437565bendigo, business, aulsebrook and martin, photographers

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.20 "!" with fabric brown cow in grass " ! "uniting church adult fellowship

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board‘The subject of this illustration is situated in one of the wildest and most romantic places in the Gipps Land ranges, about midway between Mount Munday and Mount Juliet. The foliage in this locality is very luxuriant, comprising mostly Fern Trees which are interwoven with various descriptions of grasses and stunted Fern leaves. Beneath this mass of vegetation flows a branch of the Contentment Creek.’landscape photography - victoria, nicholas caire, ferngrove - victoria

The world’s most ecologically distinct bird lives in the native grasslands of Victoria - but only just. The plains-wanderer is a small bird that was once widespread across the grasslands of south-eastern Australia. Today there are fewer than 1000 mature birds in the wild. The plains-wanderer is under threat due to habitat loss caused by overgrazing, cropping and suburban sprawl. Unlike most other birds, female wanderers are larger and more colourful and the males take care of the chicks. They are only about 15cm tall and weigh between 40-80g for the male and 55-90g for the female. Their intricate plumage mirrors the colours of their grassland home so they blend in perfectly with their surroundings. The plains-wanderer’s origins date back to when Australia was part of the Gondwana supercontinent over 60 million years ago. They are so biologically distinct that their extinction would result in the loss of a branch of the tree of life. A fussy grass dweller, they like neither too much nor too little grass. That is where sheep grazing can help. After years of low numbers in Victoria, plains-wanderer populations have been increasing in Terrick Terrick National Park in north west Victoria, as sheep grazing maintains the grass in the park at a suitable level. With the right management, this ecologically important bird species is continuing to survive in the native grasslands of Victoria. Managing these habitats for the plains-wanderer can also support the conservation of many other threatened plant and animal species. Object: Nest of plains-wanderers by Mary-Jane Walker, 2020. Outer made from upcycled paper, internal structure steel. Nest of plains-wanderers by Mary-Jane Walker, 2020. Outer made from up cycled paper, internal structure steel. native grasslands, plains-wanderer, terrick terrick national park

CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of Bentinck Street from foreshore with a female face and top of vehicle in the foreground. The female has red hair and lips, yellow face and blue clothing. The vehicle is red and blue. An extensive patch of grass separates the woman and vehicle from Bentinck Street. The buildings have patches of green, yellow, white and red added. Behind the buildings is a clear light blue sky.Front: 10/14 Kingsley, Gordon & Catherine signature '83 Back: 44

Black and white postcard showing slab bark house belonging to Northrope family. Photograph shows Mr Northrope sitting in front reading a newspaper, Mrs Northrope sitting in a chair, young mother and baby in doorway, boy with dog on grass. Climbing rose over window. Bark roofing overhanging wall held down with logs. All glass windows. Lake Bunga VictoriaThe Homestead Lake Bunga Vicgenealogy, historic site

Carronbank (demolished) in Marshall Avenue, Kew was once the home of the Rev Graham Henty Balfour. It had extensive grounds, including a tennis court at the rear of the property. It remained a private residence until c.1960. The Department of Education purchased Carronbank as a school for partially sighted children, opening in February 1961 as State School No 4483. During the period 1961 to c.1980, the building housed a number of services. From 1969 to 1974, it was the site of Carronbank State School, later renamed Carronbank School for Deaf-Blind Children. In 1973, the Department established the Visiting Teacher Service for the Visually Impaired at the site. Its aim was to support teachers working in Victorian Government, Catholic and Independent Schools. From 1983 the school operated as Statewide Resource Centre for Visiting Teachers of the Vision Impaired. In 1988, the amalgamation of Princess Elizabeth Junior School for Deaf Children, the Monnington Centre and Carronbank School for Deaf Blind Students allowed the Victorian Government to sell each of the sites. Monnington [Adeney Avenue, Kew] reverted to private ownership, while Glendonald and Carronbank in Marshall Avenue were demolished and subdivided.The donor, Mr Murray Osler, was Principal of the Monnington Special Education Centre in Adeney Avenue (Kew) from 1976. This photo, and an accompanying drawing of 'Monnington' are important primary resources for the delivery of education to and for deaf-blind children in Victoria.The photograph, framed under perspex, shows the tennis court of Carronbank which had been converted into a play area for the students of the school. The flat roofed building may have been a toilet block, added for the school. The garage brick wall belongs to No 11. Grass is growing on the original asphalt court and there is equipment and tunnels for play. When sold the property was divided into three separate building blocks.carronbank -- marshall avenue -- kew (vic.), schools -- kew (vic.), carronbank

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The Cordylines which line and avenue in this image were replaced by Mexican Fan Palms (Washingtonia robusta) planted in 1915. They were replaced with the same species in 1987. Black and white postcard of Gardens main path, looking towards a white statue on a plinth. The statue is of Williamstown MLA, A T Clark. There are for people walking towards the camera – two women, a small girl and two men. The women and child are on the right of the path and the men on the left. One woman is pushing a pram. The path is edged with grass and the beds are full of flowers. There are no palms lining the path as there are today in 2013. On front of postcard ‘IN THE GARDENS, WILLIAMSTOWN’.postcard, garden-beds, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, pram, clark

13 photographs with the same numbering system on reverse. (1) 3 copies fruit tree in blossom, probably almond. Person standing amongst tall grass. (2) 2 copies. Plant label in photograph reads,"Prostanthera sieberi." On reverse of one, "New purple flowers." (3) Plant taken out of its pot. (4) 2 copies. Conifer. (5) Conifers. (6-8) ?fruit trees, blossoms, flowers, garden views, conifers, plants, almond, prostanthera sieberi

Part of an annual marketing campaign, this booklet was designed to provide information for planning a holiday or short visit to Falls Creek for the summer season.This item is important as it documents seasonal activities at Falls Creek Alpine ResortMagazine titled Falls Creek Alpine Resort. Front cover is an image of a grassed hill area with Falls Creek Alpine Resort titled centre top in yellow, American Express logo bottom right and blue back cover with Falls Creek Chamber of Commerce and American Express at bottom of page. Six internal pages with outdoor images and accommodation information for Summer in Falls Creek. falls creek summer, falls creek marketing, accommodation falls creek

Note by T.H. Kneen 8 April 1992, "Operator on tractor could be Alan McLennan (Garden Instructor 1954-1969.) The citrus planting was established by Ray Harding (Dec 1958) therefore 1954-58. Students (3) not clear." Appears in article by T H Kneen (1964) B93.655 with caption "A general view of the orchard and vegetable garden at Burnley. The grass sward in the foreground is controlled by mechanical mowing and chemical weedicides."2 copies black and white photograph, one an enlargement. 3 students working in the Citrus Block of the Orchard. One is spraying from a backpack, one is mowing using a tractor and one is pruning.On reverse, "Photograph by Publicity Branch Department Of Agriculture Ref. No. D572B."alan mclennan, garden instructor, ray harding, burnley gardens, citrus trees, students working outside, orchard, tractor, spraying, mowing, pruning, publicity

Dora Walker (married 1928 taking the name Simpson) had a long association with the Mission as a member of the Ladies Harbour light guild. This image is similar to another image in the collection which depicts the garden of the Walker family where many fund-raising events and hosting of seafarers took place. Rev Weller dates the image to around mid to late 1920s. In the 1960s and 70s Dora was president of the LHLG which later merged with the Flying Angels. She was awarded the MBE for her services to the community in the 1970s. Dora's son David Simpson is a volunteer still iat MTS n the 21stC. The Walker and Simpson families are examples of long association and commitment supporting the Mission to Seafarers. As they are researched it is clear the stories of these families document not only support for the Mission but are also shown to have been significant contributors, leaders and donors to the broader Melbourne and Victorian community from the 19th Century and up to the present day. The photograph shows the garden in its early years.Group portrait depicting 4 men in suits standing (reverend Weller on the right), a man sitting on the grass, next to a woman in white summer dress (Dora Walker), sitting on a chair in front of the men. They are photographed outdoor probably in the mission's garden (in the background we can see the letters E-EX on a building wall, thought to be from the Extension Bond and Free Stores located next to the mission at the time)dora walker, reverend reginald weller, picnic, cadets, officers, lhlg, amy dora walker, dora simpson, mission's garden, flinders street, mission to seafarers, seamen's mission, mission to seamen, ladies harbour lights guild, melbourne, lawn, grass, trees, plants, peppercorn tree, weller album, dora simpson nee walker

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Pliiar Caves, near Warrnambool – The formation at the front of the cave resembles the pillars of a porch, giving the cave its name. Local social media discussion locates the caves near Lake Gillear, east of Warrnambool. The area was popular with young lads as a place to explore and to go rabbiting. The caves in this area are home to colonies of bats and have been a source of bat feces or bat guano, which is an enriching additive to soil. The 19th century sailing ships in the Nitrogen or Guano trade collected large quantities of guano from caves and popular bird nesting locations to sell as a rich fertiliser, due to its high nitrogen and phosphorus properties. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Pillar Caves rock formation with figures on it suggests that the location was a popular place to visit. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. The presence of bats in local caves also connects the postcard to the 19th century Nitro Trade and Guano Trade, when bat guano was collected and sold for plant fertiliser around the world. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows figures on the high, grass-topped cliff, one between the likeness of pillars in the cave entry, and others walking on the rocks nearby. The background below is rough ground. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “PILLAR CAVES, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, rock formation, pillar caves, pillars cave, lake gillear, rebbiting, bats, guano, nitro trade, fertilizers

Document. Greeting Cards. Small, single white card with a thin red border infrom the edges. In the border is a circular scene with some trees and a flat grassy area. In front of this scene is a girl dressed in a blue dress & hat, a white pinafore, pink scarf & socks & brown shoes. She is walking through grass. A happy New Yer is printed underneath. On the back is written: To Bessie from her Cousin.person, greeting cards, malone collection, malone collection, greeting cards

The cosy was made as a present.Tea cosy in a half circle shape. There is a scene appliqued on the front of a tree in green cotton fabric with a machine stitched hunk on the left hand side. There is a house appliqued on the right hand side. The roof of the house is deep blue cotton fabric and the house is in red cotton fabric. The foreground is of a cotton material with a cream background with 'grass' pattern on it in shades of green. The background is in blue fabric with a small red loop on the top.domestic items, table setting, manchester, table linen

Also 2x identical fade P)1151-2,3Black and white miniature postcard of the concrete bridge spanning the North Arm, showing the bridge and abutments,road to bridge from Kalimna, and post and rail fences along road, grass covered mud flats with Club Hotel, Methodist Church and Maranui Guesthouse in distance amongst other buildings. Cunninghame Arm and sand hummocks in far distance. Sandbars visible in North Arm. Lakes Entrance VictoriaPrincess highway Lakes Entrancebridges, coast, religion, hotels, guesthouses

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Young blond boy in the centre of picture with a stick in his right hand. He is wearing an olive green jumper with a green shirt underneath, cream coloured trousers and a wide brimmed hat. A black and white dog is beside him looking at the stick. They are standing on a path with fencing behind them leading up to a green tree covered hill. Green grass at the boys feet and light blue sky.Kurwin, 1944boy, dog, tatura, kurwin, kurt winkler

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency" top and bottom. On the other side is "Made in England" and "View from this side". Photo taken by Ben Parle 1/1954. Image of Ballarat No. 28 at Lydiard St. terminus, destination Grey St Sebastopol. Note the long grass on either side of the road. For high resolution scan see btm2811h.tif "Lydiard St North terminus Ballarat" "1/54"tramways, trams, ballarat, lydiard st north, tram 28

Number 155/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

Number 156/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

Number 157/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

This late 19th century maritime lamp is an example of lighting on ships, wharfs and other outside areas around docks and shipyards as well as on vessels.Lamp; grass and glass, with flat metal back and three glass windows. Has metal handle and wood hand piece. A brass lug on the back makes provision for attaching to a socket on a wall. The chimney lid flips upwards. The right-side door frame has a sliding latch, and the edge behind has a sliding panel to allow air flow. Made in Birmingham by Alderson & Gyde Limited in 1886."Alderson & Gyde LTD 1886 Birmingham" flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, maritime museum, maritime village, alderson & gyde ltd, birmingham, lamp, lantern, wall lamp, marine equipment, maritime light, wall light, 1886, ship lighting

Roundel painting in circular frame. Scene depicts a lagoon edged with grass and low bushes in foreground and trees in background. Two black swans swim in foreground and a boat with a mast and rigging is anchored near land and a tree at centre right of image. Top half of painting is a sunset with clouds in pink, red, white, yellow, indigo, russet. These colours are generally reflected in foreground water. Framed in round wooden frame.Front: (no inscriptions) Back: "Sunset" Blair's Creek, Portland. Jan. 7th 1893 (centre) (black ink). 90 (ink on varnish) (centre left). 1996 (pencil) (upper left).

Also photographic enlargement 20 x 25, also enlargement copy 28 x 35 in frameless frame. Also re Donor, Mrs Lucy King, previously Sanberg, nee Olsen, was the proprietor of Bellevue Guesthouse 1946 to 1988Black and white postcard of Vizes Bellevue Guesthouse, showing a large weatherboard building, corrugated iron hipped roof, gable at left front. Veranda across the front, picket fence enclosing front yard. Wire strung wooden fence between roadway and grassy area bordering sandy beach at lake edge. Kerosine tin on grass, church visible beside guest house. Lakes Entrance Victoriaguesthouses, waterfront, architecture

The Sunbury War Memorial is sited in a grassed reserve at the intersection of Stawell and Macedon Streets in Sunbury. At its initial installation, the names of Sunbury ex-servicemen who had seen battle in World Wars 1 and 2 were listed on the four plaques. In later years the names of other servicemen who have fought in recent battles have been added to the memorial. On Anzac Day a service takes place at the memorial and is attended by many of the townspeople.The war memorial in Stawell Street is one of Sunbury's important heritage structures and commands an important position in the town.A black and white photograph with a cream border of a memorial set in an open area. The memorial has been set on a pedestal of three steps. a lamp supported by a metal tripod with four smaller lamps below the main one is on top of the memorial.

Three black and white photos of the New Red, White & Blue Consolidated Mine. (a) is a small photo of the poppet legs and buildings. There are mullock heaps on the right of the picture. In the foreground are grass and a shrub. There is also an area of sand. On the back is written: New Red White and Blue Consolidated. Originally the Union Shaft. (b) is a photo of the poppet legs and buildings with a large chimney. The overhead tramway is behind the buildings. A man is standing in front of the buildings. There is grass in the foreground. Written on the back: New Red White & Blue Consolidated. Near Dairy Hill Golden Square. (c -) Photo of the buildings, poppet legs and tramway going from the poppet legs to a tall building. The building on the left has a tall chimney. On the front of this building is a sign with the name of the mine on it. In front of the building on the right is a large fuel-type tank with two ladders leaning against it. Written on the back: New Red, White & Blue Consolidated. 2,416 ft.photo, new red, white & blue consolidated mine, photos of the new red, white & blue consolidated mine, union shaft, dairy hill golden square

Out the front of the Ely St fire station (next door to OPSM as shown in the right of the photo). photo .1: Heinz Baytayla (left), Peter Graham (hosing), (the other 2 people are unknown) are washing fire hoses, the trailer pump and its hard suction hoses (long 'pipes' at feet of Heinz) after a fire - probably a grass fire as the tanker is in the background and they are in short sleeves. photo .2: Heinz Baytayla, S/officer Farmer, Peter Graham.2 black and white photographs washing hoses and trailer pump.cleaning up S/S S/ Farmerheinz baytayla, peter graham, farmer, ely st

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in three piece suits, one with a fob chain and watch and both wearing hats. They are standing in front of a white tent and a Gladstone bag is on the ground beside the older man on the right. In the background, which is a fenced area of grass, a group of men are standing in a group and another man off to the right appears to be a competitor in some sporting event. The younger man to the left is Frank Wright.frank wright, brass band, conductor, gladstone bag