These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

John E. Blacker was a Methodist and then Uniting Church miinister - placements at Dandenong (Lilydale), Kilmore & Broadford, Kerang-Barham, Sunshine, and Moonee Ponds. In the early 1980s he led a charismatic renewal program at Sunshine and Moonee Ponds, and was involved with a controversy over re-baptisms. At a later point, he resigned from the Uniting Church ministry to lead the "Advance & Restoration Ministries" program that he and his son, Paul, managed.Head and shoulders studio portrait of John Blacker when still a Uniting Church minister, but working as "Advance & Restoration Ministries" which was then located in the 3rd floor of the Synod offices at 130 Little Collins Street Melbourne.Photo has John Blacker's name, and an "Advance & Restoration Ministries" label stuck on it.blacker, john e., advance & restoration ministries

Roger Mitchell reports on a night at the 3UZ studio and the story behind the psychologist behind the microphone. Referred to as "the launching pad for a new Uniting Church presence on the radio." The Rev. Dr Paul Moore is an ordained minister of the Uniting Church and a psychologist.Cover photo of Moore's head & shoulders sitting behind a microphone wearing earphones.Identification of the persons and the C&N edition 20/2/85 pp. 20-23.moore, paul, 3uz, sunday evening program

Methodist Minister. Placements: Geelong West 1913, Ballarat East 1917, Mildura 1921, Horsham1924, Burwood 1929, Northcote 1932, Elsternwick-St. Kilds 1936, Bendigo Forest Street 1941, Coburg & Moreland 1946, Malvern South 1951, Supernumerary Mitcham 1956. Chairman of District 1928, 1941 - 1945; Naval Reserve Chaplain 1940. Financial Secretary of District 1946 - 1950. Born Frosterley Co. Durham in 1886. Died 1973B & W copy of original photograph. Three quarter length studio portrait of Rev.Thomas Hugh Indian wearing Masonic regalia.Thomas Hugh Indian photo from Mrs Laura Indian (Daughter-in-law)

Edward Wykeham born 31 January 1861. Church of England minister. Chaplain to the Mission to Seamen Kobe Japan. In 1903 was appointed Rector of St. Mary's Perth. Joined the A.I.F. and served in Cairo and the United Kingdom. Returned from military service in 1920. Returned to the United Kingdom in 1922. Rector of Hedgerley, Bucks., at the time of his death on 9 November 1934.Sepia toned three quarter length seated studio portrait of the Rev. Edward Makeham dressed in W.W.I chaplain's uniform. Photo is mounted in a brown card presentation folder.Yours faithfully Edward Makehamedward wykeham, church of england, minister, chaplain, a.i.f. mission to seamen

Head and shoulders, sepia, woman of middle age, short hair cropped close to head, wearing dress with shoulder overlay lace. Photo stuck on brown backing card with photographic studio's name."Mrs Breseford" scrawled on back, although the spelling of the name is not clear.breseford, eden society studios

It is a photograph of a local cricket team and its committee.A grey and cream mounted sepia photograph of a men's cricket team. Eleven men are dressed in creams and eight men are wearing dark suits. Three of the men are wearing pads and two men are holding bats. It is a studio photograph with a wrought iron arch in the background and a column on the RHS of the photo.YEOMAN / ROYAL ARCADE MELBOURNEcricket, men, sport, clothing and dress, photographers, george evans collection

A photo of a WW1 soldier sent to Una from Doc. on 22.04.1916A black and white photograph of a soldier in World War I sent to Una from Doc on 22 April 1916.on back written in ink: top LH side: Una / with best wished / from Doc / 22-4-1916world war 1, soldiers, armed forces, uniforms, clothing and dress, george evans collection

A studio photograph of a World War I soldier wearing uniform with a peaked cloth hat. There is an image of a garden and balustrade as a backdrop. Identified as A. Dench. It is mounted on fawn card with a fine brown border around the edge and a decorative oval mounting behind the photo.Yours truly / A. Dench / (handwritten)world war 1, soldiers, armed forces, hats, portraits, dench, a., kalma, photographers, george evans collection

A studio portrait of A. F. Daniel, a former Shire President of the former Shire of Bulla.Mounted b/w photo of A. F. Daniel. Black cardboard mounting with gold writing.Printed on front of mounting: Gourelle 69 & 71 SWANSTON ST / MELBOURNEshire of bulla, shire presidents, daniel, a. f., gourelle, photographers, george evans collection

Pleasant Creek. Stawell Hospital. Portraits Mr. A.B. Clemes. and Mr. R.H. Buchananstawell hospital medical

Pleasant Creek. Stawell Hospital Portraits. Dr R. Colquhoun First Resident Doctor. Mr Richard Codd First Civilian President.stawell hospital medical

Pleasant Creek. Stawell Hospital Portraits Mr. Chas Playford First Secretary. Mr. Martin Thornfeldt and family First Dispenser.stawell hospital medical

Pleasant Creek. Stawell Hospital Dr. & Mrs. W. H. Syme donors of Syme Ward.stawell hospital medical

Portrait - Cr. G.J. Napthine (Dr) c1900 (Framed Photograph)stawell

Portrait - Henry Thomas Harvey 1864-1926Sepia PhotographHerbert's Studio Studio Main Street Stawell Under Photograph Ethel's dad. My Dad Henry Harvey Henry Thomas Harvey On Reverse of Photostawell

Gray Family (2 Plastic Sleeves) Wedding Photo Henry Gray and Margery Benetta Phillips. Henry (Harry) Gray in WW1 Uniform and Margery Gray (nee Phillips). William (Willy) Gray WW1 in Uniform.stawell war

Photo. Arthur James Goldsworthy stawell

Wedding Photograph (Neilson/Newton) c1940'sstawell ww2

Portrait - 3 Girls Wood. Youngest later Jean Hughesstawell

NOTE THE STIFF CELLULOID COLLAR TYPICAL OF THE 1920s PHOTO TAKEN BY HORNBY PHOTOGRAPHERS CLUNES.BLACK & WHITE ORIGINAL PHOTOGRAPH OF CORPORAL NORMAN McDONALD TAKEN IN CIVILIAN CLOTHES.CPL. NORMAN McDONALD CLUNES, STUDIO HORNBY CLUNES POSTCARDlocal history, photography, photographs, military

LIGHTLY TONED ORIGINAL PHOTO OF F. HULL. FEATURES SLOUCH HAT, AUSTRALIAN ISSUE UNIFORM.STUDIO HORNBY CLUNES POSTCARD F. HULLlocal history, photography, photographs

EARLY STUDIO PHOTOGRAPH OF A GENTLEMAN - RECEDING HAIR LINE LONG BUSHY BEARD AND SIDE BURNS, WEARING CHECK WAIST COAT AND COAT.EMERSON WILKINSON CLUNES. D. 1913local history, photography, photographs, early citizens

Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Ken German David Read Motors Graeme Healy Family Ann French Doug Cross Family Vikki & John Holcombe Family Kaye Ellen Family Jenkins Hand Heather Slorach & Rod Reading Pencker Family Pigeons Ian Bryant Linda Clarke & Hank Woldhuis Philip West Aerial Photos Mrs L Fielding 80th Show 1980 Lindsay Flowers Harrisons Wedding Cake Debbie Martin & Bob McGregor Rene Hall 80th Pool Game 1980 Mrs Coates 100th Ann Watson & Mike Farrell Glenda Smith & Geoff Lewin Nell Stewart & Liam Pickering SAAC 1980 Dadswells Stawell Brass Band Shuttleworth Dogs Helen Grace Cat Tina Walters Queens Scout Peel Family Trudy Harrison Grange Golf Slaughter House Suzanne Gercovitch & Gary Isbel Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio