Thomas Alan Broadbent. Refer 2322.2 for service history also 2568.2Certificate, copy of original from the Marong Shire Council. B & W reproduction re Thomas Alan Broadbent KIA 20.9.1918. Photo of Broadbent centre.documents, certificates, remembrance

These eleven photographs were most likely taken in the 1970s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. Although Photo .1P is not annotated the remainder have the technician’s name written on the back. The equipment operated by the technicians is not identified. The dates are unknown but most of these photos were probably taken the late 1970s. The main tasks undertaken by the technicians were most likely enlargements, reductions and duplication of map reproduction material, and aerial photography.This is a set of photographs of technicians operating photographic reproduction equipment at the Army Survey Regiment, Bendigo c1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, unidentified, Lithographic Squadron .2) - Photo, black & white, c1970s, Gary Drummond, Lithographic Squadron .3) - Photo, black & white, c1970s, John Scott, Lithographic Squadron .4) - Photo, black & white, c1970s, WILD U4A Diapositive Camera, Bob Chamberlain, Lithographic Squadron. 5) - Photo, black & white, c1970s, WILD U4A Diapositive Camera, Zoe (Lisiewich) Ames, Lithographic Squadron .6) - Photo, black & white, c1970s, Garry Hudson, Lithographic Squadron .7) - Photo, black & white, c1970s, Garry Hudson, Lithographic Squadron .8) - Photo, black & white, c1970s, Garry Hudson, Lithographic Squadron .9) - Photo, black & white, c1970s, Mick Ellis, Lithographic Squadron .10) - Photo, black & white, c1970s, Col Darch, Lithographic Squadron .11) - Photo, black & white, c1970s, Phil Beatty, Lithographic Squadron.1P – no annotation .2 to .11 – personnel names (less rank) annotated on back. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

A colour photograph depicting Morton House in Launceston, Tasmania. The photograph is set on a wide blue mounting board in a plain single-strip wooden frame. Affixed to the front bottom right hand corner is the oblong blue label of the National Trust of Australia (Tasmania) with printed heritage details of the house. On the back of the frame is the hand-written message from Dr Bath, information about the house, a reproduction of the brass plaque with historic details, and the framer's label.Handwritten on reverse. "Photo taken v presented by Stewart Bath S. 692" Handwritten on reverse. ""Morton House" / 190 Charles St / Launceston / Was St Johns Hospital 1844–1851" Reproduction of brass plaque on reverse. "ERECTED BY THE HISTORICAL SOCIETY OF TASMANIA TO COMMEMORATE THE FIRST USE IN AUSTRALIA OF ANAESTHETICS BY DR. W. R. PUGH IN ST. JOHN'S HOSPITAL ON THIS SITE 7TH JUNE, 1847. / UNVEILED BY THE MINISTER FOR HEALTH (HON. A. J. WHITE M. H. A), 7TH JULY 1947." Framer's label on reverse. "FRAMED BY WHITELAWS GALLERIES / The Picture Framing Specialists / 49A BRISBNE STREET LAUNCESTON 7250"photograph, morton house, historical building, historical house, house

These are reproductions of four Maruni60 chairs (item F032) The originals are Japanese kit form self-assemble furniture (1961) and were quite fragile and broke several times and needed repair. The originals were purchased from Anderson's furniture store in Chapel St Prahran, the store's back room was considered the coolest furniture showroom in Melbourne. Patricia Boyd had the cushions reupholstered to this purple fabric. These reproductions cannot be dismantled.Set of four timber frame with two purple upholstered cushions for back and seatwalsh st furnishings, robin boyd, maruni

Original painting by Vagarini given to Mrs. Beinsenn who also was interned in Camp 3. : Vagarini, an Italian artist interned from Palestine, Camp 3.Copy of water colour painting in simple black frame depicting internment camp huts with dividing compound fencing.nilinternment camp 3, tatura, vagarini, artist, tatura internment camp3, cesare, illustrations, reproductions

Symbas provides the specification (rules) for the collection and compilation of topographic data; the basic instructions for colour preparation and reproduction of topographical detail on maps produced by RASvyPlastic cover, book, beige, 7 chapters, metal clip bindingroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, symbas, specification

Manual used by Lithographic Technicians as a register of Map reproduction equipment. Possible uses include to identify and quantify available equipment as part of the stocktaking process.90 page technical manual/ handbook. Does not have a front cover. Contents page and pages within the document have black and white stock descriptions followed by photos of equipment. The manual is printed on photographic paper and is bounded by a black plastic spiral spline.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Booklet with reproductions of the art panels depicting aspects of Eltham history, commissioned by the Eltham Cemetery Trust and located at Wisteria Walk South in the Eltham Cemetery42 p. colour illustrationseltham, eltham cemetery

A weekly supplement to the Weekly Times newspaper, these plates each depict a bird or animal. There is a brief written description of each accompanied by a reproduction of a watercolour painting.A complete set of supplements, in original binding. 90 plates. Colour. Cardboard cover.Written inside front cover: 'Lindsay McKellar Black 1932-1934'weekly times, weekly times wild nature series, birds, animals

Large colour reproduction depicting the 8th/13th Victorian Mounted Rifles Parade of Guidons at Annual Camp held in 1959 at Beersheba Barracks in Wangaratta.Colour image of soldiers on parade and flag escort mounted on black edged plyboard.Parading the Guidons 8th/13th Victorian Mounted Rifles Annual Camp 1959 Beersheba Barracks8/13 victorian mounted rifles, 1959, guidons, wangaratta

Cases and labels are reproductions of those used by donor Robert Petty's father, Milton. Made and donated by Robert Petty. Marked F&M PettyTimber flat box divided across centre to make two square sections. One end is stencilled 'Victorian Pears', variety, count, grade, Metropolitan Australia. V.A.C. inside Diamond Logo.Diamond Logo, V.A.C. in logo.rural industry, orcharding

Paperback printed book. 128 pages. with illustrations and photographs, some coloured. Includes facsimiles, maps, and index. Includes a separate folded sheet inside a pocket which has a reproduction of a map of the Parwan Parish in the County of Grant. On the reverse of this sheet are two reproductions. One is a land auction plan for February 1910 advertising the sale of portions of land from the Nerowie Estate. The other reproduction is a section of a map showing some of the blocks of land in the Nerowie Estate which has the heading, 'Nerowie Titles 1898'. A pocket inside the back cover contains a separate booklet which is an index, and two pages of 'Additional Information'.non-fictionExplores the history of the small farming community on the outskirts of Bacchus Marsh. It contains a plethora of fascinating details about the early years of this farming community from the 1830s until the early 2000s. There is a brief section at the beginning which looks at the history of the area prior to the colonial era. The book contains numerous sections about families and individual people who have lived in the Parwan area and includes many images of places and people. Citation: Parwan: A History by Dianne Van Leuvan. Published by Parwan History Group, Bacchus Marsh, Vic., 2010.parwan vic. history

Yields information about the opening of the Geelong tram system and the events of the day, including the respective mayoresses driving decorated trams.Black and white reproduction photograph of a page from the Now Magazine, 18.1.1912 issue featuring photographs of Geelong and in particular a photograph of Geelong No. 4 on a trail run, 10.1.1912, at 5am. Photo credited to W.H. Watts. Image 1 - Copy 1 - has the reproduction of part of the page. Image 2 - Copy 2 - part print of the page, featuring the tramcar - printed on Hewlett Packard paper.Copy 1 - "10)2" in the top left hand corner, a William Scott address label on the rear in ink "10) middle pic car 4". Copy 2 - a William Scott address label on the rear and "10)" trams, tramways, geelong, first tram, testing, commissioning, tram 4

Photograph shows a horse tram leaving the Grenville St terminus to travel on the north side of Sturt St. Photo from the top of the Nicholl and Allan building. In the background are many pedestrians and one horse drawn car. There is a telegraph/telephone pole line on the right hand side of the photo. See items 5103 for a close up reproduction photo of the horse tram, 836 for a black and white reproduction and 2437 for a coloured postcard of the same image.Yields information about Sturt St c1904 and horse trams.Black and white photograph on plain paperhas "3" in a circle and "4" crossed out on the rear.tramcars, trams, horse trams, sturt st, postcards, grenville st.

This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts

PHOTOCOPY OF TOURELLO PRIMARY SCHOOL PUPILS 1940..1 SEPIA PHOTOGRAPH COPYOF TOURELLO PRIMARY SCHOOL PUPILS AND TEACHER MR. RICHARDS .2 BLACK AND WHITE REPRODUCTION OF ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERSTATE SCHOOL TOURELLO 1940. Hand written; Aub Richards Teacher Back Row B Clarkson, M Leneghan, G Anderson, J Leneghan, J Canny, L Kinnersly, J Leneghan, W Anderson Front g Coutts, R Kinnersly, L Leneghan, R Leneghan, E Canny, W Cook, A Andersonschools - tourello, tourello primary school pupils 1940, tourello primary school, 1940

Date of issue confirmed on TROVE.Black and white photographic reproduction of an illustration of the Olive Hill homestead, taken from the Australasian Sketcher with Pen and Pencil, Thursday, 18 April 1889, page 49On back of photo: "Australasian Sketcher, [illeg.] 24, 1889"wineries, olive hills

Reproduction of Lithograph 'The North Meadows, Central Park' by W.T. Smedley, reproduced in Supplement to Harper's Weekly, October 5th, 1889. Materials: Ink, Cardboard, Glass, Papertennis

Reproduction in tapestry of Arthur Hopkins engraving depicting 1881 match at Wimbledon between Herbert Lawford & William Renshaw. Materials: Thread, Wood, Metal, Paper, Clothtennis

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic reproduction of a plan in the Vale Collection of the State Library of Victoria. The numbered lots represent the first land sales in Kew in the area north of Studley Park Road.maps (kew), plan of section 79 parish of boroondara

Reproduction of a gold license issued to Peter Lalor on 8 October 1853, No. 206 Published by the Ballarat Historical Society in the 1970s. Has historical notes on reverse side.eureka stockade, peter lalor, gold mining, gold rush, gold licences

CLUNES KNITTING MILL WAS ORIGINAL THE SOUTH CLUNES SCHOOL. SITUATED ON TALBOT ROAD CLUNES - LATER SCHOOL CLOSED AND PUPILS WERE TRANSFERRED TO NORTH CLUNES SCHOOL..1 BLACK AND WHITE POSTCARD PHOTOGRAPH OF CLUNES KNITTING MILL AND EMPLOYEES STANDING IN FRONT OF BUILDING .2 REPRODUCTION COPY OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPER.1 Hand written in blue ink on reverse; Clunes knitting mill employees, by May Grant also printed circular stamp in purple ink "Printed by H. Maddicks Daylesford"photographs, schools, 136 knitting mill, south clunes school

TOP FROM LEFT - W. KINNERSLEY, H. LAZARUS, T. HARDEN, G. KELLER. BOTTOM FROM LEFT - C. PEARCE, L. TOLLIDAY, AMY HARDEN (SECRETARY), F. EBERHARD.1 BLACK AND WHITE PHOTOGRAPH OF CLUNES DISTRICT HOSPITAL COMMITTEE, TAKEN OUTSIDE CLUNES TOWN HALL .2 REPRODUCTION OF THE ABOVE PHOTOGRAPH ON MATTE PHOTOGRAPHIC PAPEROn reverse handwritten in blue biro; .1 William Kinnersly (sic), Harry Lazarus, Theo Harden, Godfrey Keller Clem Pearce, Les Tolliday, Amy Harden, Fred Eberhardlocal history, document, photocopy, hospital