Painting donated by Mr P Boyle, grandson of former pilot Harry Trueman who served on the PV Alvina. The Sydney Morning Herald 29 July 1903 THE NEW MELBOURNE PILOT STEAMER. ALVINA The new pilot steamer Alvina, which was recently purchased by the Port Phillip Sea pilots, was inspected on Thursday last by the members of the Victorian Marine Board and a number of gentlemen representing the leading shipping companies in Melbourne. The Alvina was formally the private yacht of Mr Marmaduke Fox a wealthy Yorkshire gentleman and is a trim craft of 145 tons register and a length of 18ft overall. Hitherto the sea pilots have managed to do their work with one steamer, the Victoria but it has long been apparent that a second vessel was required. The pilots upon whom the obligation of providing and maintaining their vessels devolves, thereupon made a successful bid for the yacht and, by an additional outlay of 700 pound, had her overhauled and refitted in Deane's Dock, Williamstown. On Thursday last the vessel made a trial trip to Point Cook for the purpose of satisfying the Marine Board and the underwriters as to her fitness for the work. She showed a speed of 11 knots and steamed smoothly and satisfactorily. During the trip the visitors assembled in the saloon and drank success to the new steamer. Captain Carrie, president of the Marine Board, congratulated the pilots on their acquisition, and said that the service was now second to none in the world. The new vessel which has been in the charge of Captain Wills is handsomely fitted up and contains two staterooms and four cabins for the pilots and sleeping accommodation for a crew of eight. In future one steamer will remain on the pilot grounds inside the Heads while the other will steam about outside Queenscliff. A framed and mounted water colour painting of the Pilot Vessel Alvina under glasspainting, alvina, pilot vessel

Patrolling the Mekong Delta's Bassac River in hot-rodded cabin cruisers called PBRs, the U.S. Navy's brown-water sailors in 1967 were like tigers waiting for the cage door to open. Then Lieutenent Commander Don Sheppard cut them loose.vietnam war, 1961-1975 - riverine operations - american, u.s. navy, brown-water sailors, mekong delta, bassac river

The Logs at Carisbrook was the major gaol in the extensive Carisbrook Police District until 1858, and remained Carisbrook's gaol for low key offenders until about 1900. The lockup was registered by the National Trust on 22/10/1964.Colour photograph of the Carisbrook Police Lockup The Police staton was originally known as the Loddon Punt opening in 1851. The lock up was completed in October 1854 by James Corbet at a cost of 380 pounds. Standing in the park beside Bucknall Street it is the town's one significant historic building. It was originally built on the police paddock adjacent to the primary school and moved to its present site in 1886. The walls are made of interlocking horizontally-laid logs. The shingle roof has been replaced with corrugated iron. The lockup was built on site from local materials, and opened in 1851. It was moved to its current position ofter the original locationn flooded. The police station was closed in 1941. carisbrook, carisbrook lockup, carisbrook police lockup, log cabin, police, police paddock, the logs

non-fictionFrom the comfort and culture of rural England with its ordered estates and "green lanes and fields", to the dusty heat of a rough, unfloored cabin in outback Queensland — that is just part of the journey Rachel Henning made and reports on in her letters. Yet these reveal no sorry tale of struggle in adversity — amazingly they form a lively adventure story and a vivid family saga. Expertly edited by David Adams, a former editor of the Sydney Bulletin magazine, the collection reads like a novel — partly of courtships and romances, partly of the progress of a pioneering family, and partly of Rachel Henning's own progress towards acceptance of her new way of life. The letters were first published in the Bulletin in 1951 and were so well received that they were quickly presented in book form. Thereafter they have scarcely been out of print and the grace, liveliness and gossipy intimacy of Rachel's prose have earned them a unique place in Australian literature. This edition is illuminated with illustrations of the period - some believed to be by Rachel herself, others by members of her family and others by artists and sketchers who would have been Rachel's contemporaries. Wherever possible, the work of women has been included. Taken from sketchbooks and note pads, their often unfinished images give as intimate a view of life in Australia from the 1850s to the 1880s as do Rachel's letters. (Inside Cover)colonial life, rachel henning, letters