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Melbourne Tram Museum
Decorative Object - China Cup, Prime Promotional Products, "Kew Tram Depot Est. 1915 Service to the Community", 1990
Black China cup with black handle with a line drawing in gold of the outer part of the PMTT logo with an A class tram inside with the destination of Kew Depot. Has the manufacturers detail on the base of the cup - "Prime Promotional Products" - cup made in China, designed and decorated in Australia. Made to celebrate the 75th Anniversary of Malvern Depot - 1990.trams, tramways, crockery, kew depot, pmtt, anniversary -
Melbourne Tram Museum
Pamphlet, Metlink, "Fares and Travel Guide", 2009
Set of four "Fares and Travel Guide" for 2009. Has contact details, and maps of the tram and train systems of Melbourne. Details fares, Metcard products, buying and validating Metcards, concession cards, refunds, travelling with pets, surfboards, general info. .1 - English .2 - Italian .3 - Chinese .4 - Arabictrams, tramways, tickets, fares, yarra trams, guides -
Melbourne Tram Museum
Decorative Object - China Plate, C. R. Hose Glassware Pty Ltd, 2010
.1 - Approx 200mm dia China plate prepared for the Centenary or 100 years of The Prahran and Malvern Tramways Trust. White China with a gold rim and a red brown PMTT logo and the words "Celebrating 100 years". Made by C.R. Hose Cheltenham for Ron Scholten who organised the celebrations. .2 - ditto but with an image of the Malvern tram depot at the time of opening on the plate along with the words "Malvern Tram Depot" and the words "Celebrating 100 years". See image i4 for close up of manufacturers mark. 2nd copy of 2506.1 ex Mike Ryan added 10-1-2018.trams, tramways, crockery, pmtt, centenary, celebrations -
Melbourne Tram Museum
Functional object - Ticket punch, Set of 2, c1960
Set of two ticket punches formed from pressed metal sheet, nickel plate finish, fitted with an internal wire spring inset to the handles, ticket retaining strip that punches a large rounded hole. Type was used in Melbourne during the Travel card era at stations and on trams to cancel tickets. A low cost unit. .1 - stamped "Made in Taiwan" .2 - stamped "China"trams, tramways, ticket punch, tickets, fares, conductors -
Melbourne Tram Museum
Uniform - Beanie, Control by Kaos, c2005
Beanie - dark blue heavy polyester cloth formed and sewn to provide a head covering with the Yarra Trams logo (1st version) sewn into the front of the item with blue and green thread. Made by "Control by Kaos", www.kaossnow.com, of China.trams, tramways, uniforms, cap, clothing, yarra trams -
Melbourne Tram Museum
Leisure object - Model tram and presentation case, Cooee Concepts Pty Ltd, Model of Melbourne W7 1027, 2001
Model of Melbourne W7 1027 in a presentation cardboard box, made by Cooee Concepts Pty Ltd in China. Tram secured into the card box by two screws just behind the life guard. Made from plastic with trolley poles from metal (trolley poles can be moved) light brown or gold roof, green and yellow sides, black No. 15 truck The box sides provides details of the tram, scale and a photo of a tram running in the street. Box details the tram as a W6, but its number and history detail it as a W7.trams, tramways, models, cooee models, w7 class, tram 1027 -
Melbourne Tram Museum
Leisure object - Model tram and presentation case, Cooee Concepts Pty Ltd, Model of ex Melbourne W6 976, in use as Bendigo "ninesevensix", c2010
Model of ex Melbourne W6 976, in use as Bendigo "ninesevensix" in a presentation cardboard box, made by Cooee Concepts Pty Ltd in China. Tram secured into the card box by two screws just behind the life guard. Made from plastic with trolley poles from metal (trolley poles can be moved) light black roof, red and gray sides, black No. 15 truck The box sides provides details of the tram, scale and a photo of a tram and its use in Bendigo firstly as a Cafe Tram then as a Restaurant Tram.trams, tramways, models, bendigo, restaurant tram, cooee models, w6 class, tram 976 -
Melbourne Tram Museum
Domestic object - Milk Jug, Grindley Hotelware Co, White China milk jug with MMTB logo, post 1946
White China milk jug with MMTB logo with a small handle. Made from China clay, glazed and vitrified or fired. Has a small formed spout, MMTB logo in dark green. On the underside has the words "Grindley Hotel Ware, England, Vitrified, Loftus Moran Pty Ltd, Melbourne. Patent. Has a crown or manufacturers mark on the top of the lettering. Possibly made for use at the Wattle Park chalet or head office. http://www.thepotteries.org/mark/g/grindley.htm - accessed 14-08-2014 indicates it was the mark used by the company from 1946. The photo on the website also had a date mark on the underside. http://museumvictoria.com.au/collections/items/259893/serving-plate-cream-ceramic-grindley-hotelware-co-england-loftus-moran-melbourne-1952 - accessed 14-08-2014, indicates that the item was made: Grindley Hotelware Co., Tunstall, Stoke-on-Trent, Staffordshire, England, Great Britain and imported by Loftus Moran Pty Ltd, South Melbourne, Victoria, Australia. See Reg Item 6068 for another example.trams, tramways, mmtb, crockery, grindley hotelware, loftus moran, wattle park -
Melbourne Tram Museum
Domestic object - China dish, Royal Stafford, 1920s
Bone China, three sided dish with gold lining, partly embossed around the edges, with an image of Flinders St station, Melbourne, with electric trams (W and single trucker) in Swanston St and cable trams in Flinders St - late 1920's? Image has been coloured. On the rear of the dish: "Royal Stafford / Bone (manufacturer's crown mark) China / Made in England / No. 224"trams, tramways, melbourne, flinders st station, souvenirs -
Melbourne Tram Museum
Leisure object - Model tram and presentation case, Cooee Concepts Pty Ltd, Model of Melbourne City Circle tram No. 1000, 2001
Model of Melbourne City Circle tram No. 1000 in a presentation cardboard box, made by Cooee Concepts Pty Ltd in China. Tram secured into the card box by two screws just behind the life guard. Made from plastic with trolley poles from metal (trolley poles can be moved) green roof, red and gold sides, black No. 15 trucks, advertising the Melbourne Open Tennis Court on the skyline advertising boards. The box has the side on view of a City Circle tram in the background.trams, tramways, models, city circle, cooee models, tram 1000 -
Melbourne Tram Museum
Leisure object - Model tram and presentation case, Cooee Concepts Pty Ltd, Model of Melbourne tram W5 (actually a SW5) No. 812, 2008
Model of Melbourne tram W5 (actually a SW5) No. 812, electric model, made by Cooee Concepts Pty Ltd in China. Model packaged in a wooden packing case with a red felt base, contained within a card board outer case. The card board cover or case has a printed sheet giving details of the model and the history of the W5 Class tramcar. The wooden case has a brass plate detailing the contents. Scale 00 or 1:76. Model made from plastic and metal, with operable lights and motors with operable trolley poles, swivelling bogies, destination of St Kilda, showing route 16. Headlights function in the direction of travel. Package has manufacturing date of 2008 printed on it. Contains a plastic cover strip, plastic holder for the tram, plastic lift out strip, a printed Certificate of Authenticity, No. 335 of 700 and a folded sheet giving instructions for the use of the tram on a model tramway - up to 15V DC.trams, tramways, models, w5 class, the met, cooee models, tram 812 -
Melbourne Tram Museum
Domestic object - China Cup, Yarra Trams, "Melbourne's Best Coffee", mid 2000's
White China cup or mug with handle title ""Melbourne's Best Coffee" listing many of Melbourne's coffee shops with the Yarra (Yarra 3) Trams logo on the lower corner and their website. Two copies held.trams, tramways, crockery, yarra trams, coffee shops -
Melbourne Tram Museum
Domestic object - China Cup, C. R. Hose Glassware Pty Ltd, "Malvern Depot - 85 years", 1995
Black China cup or mug with black handle, gold rim and gold line under the rim and a line drawing of a W class tram No. 777 front, with destination "University" with the words "Malvern Tram Depot" around the top and "85 Years" along the bottom. Has the C. R. Hose label as manufacturers and decorators on the base of the cup. Made to celebrate the 85th Anniversary of Malvern Depot - 1995trams, tramways, crockery, malvern depot -
Melbourne Tram Museum
Decorative Object - China Cup, Mt Atken Estates, "Kew Tram Depot 75th Celebrations 1991", 1991
Cream China cup with cream handle with a line drawing in brown of the outer part of the PMTT logo with an A class tram inside with the destination of Kew Depot. Has a brief history of the Kew Tram depot, its place in Melbourne's public transport and that it is an A Class depot. Has the manufacturers detail on the base of the cup - "National Ceramics Australia 03-5552777" on the base. Made to celebrate the 75th Anniversary of Malvern Depot - 1991.trams, tramways, crockery, kew depot, pmtt, anniversary -
Melbourne Tram Museum
Leisure object - Model tram and presentation case, Cooee Concepts Pty Ltd, Model of Melbourne City Circle tram No. 812, 2001
Model of Melbourne City Circle tram No. 812 in a presentation cardboard box, made by Cooee Concepts Pty Ltd in China. Tram secured into the card box by two screws just behind the life guard. Made from plastic with trolley poles from metal (trolley poles can be moved) light brown roof, green and yellow sides, black No. 15 trucks, advertising the Army and Haig Scotch Whiskey. The box sides provides details of the tram, scale and a photo of a tram with Luna Park in the background and interior view of a tram.trams, tramways, models, city circle, cooee models, sw5 class, tram 812 -
Melbourne Tram Museum
Functional object - watch, City Life Australia, 100 years of electric trams in Melbourne, c2000
Wrist, electronic, watch, issued for the celebration of 100 years of electric trams in Melbourne, stainless steel case / plastic watch front, leather wrist strap within a plastic envelope with a paper information slip - two year warranty. Watch returns to City Life Aust. Pty Ltd, service centre, PO Box 515 Milton, Qld 4064. Has time only function. Made in China. 2nd copy added 16-6-2018 - completed with original packing and warranty dockets - from donation of Evan Cochrane.trams, tramways, 100 years of electric trams, yarra trams, souvenirs -
Melbourne Tram Museum
Ephemera - Badge, c1990
Badge- features a side profile of a red coloured City Circle car, with the words "Melbourne Australia" on bottom and fitted with pushed clip style pin. Contained within a plastic packet with an Australian Flag on the packet and a Made in China label.trams, tramways, badges, city circle, souvenirs -
Melbourne Tram Museum
Document - Report, Monash University Civil Engineering, "Do Trackless Trams need stronger roads? - the "weight" of evidence", Dec. 2021
Print of a digital report - 13 A4 pages titled "Do Trackless Trams need stronger roads? - the "weight" of evidence", by James Reynolds. David Pham and Graham Currie of the Department of Civil Engineering of Monash University, dated Dec. 2021. Looks at the road pavement impacts of large heavy electric buses (known as Trackless Trams" and concludes that stronger road pavements would be need for them to operate on. Includes tables, photos of rutting in the Zhuzhou China example,trams, tramways, buses, trackless trams, monash university -
Melbourne Tram Museum
Postcard, Biscay Greetings, A class 252 descending the Collins St hill, mid 1980's
Colour postcard divided back, four photo panels - Biscay Greetings, 1. - A class 252 descending the Collins St hill to Swanston St with the Town Hall and the Manchester Unity building in the view 2 - China Town 3 - St Patrick's Cathedral 4 - Melbourne Skyline. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG333trams, tramways, collins st, tourism, a class, tram 252 -
Melbourne Tram Museum
Postcard, Biscay Greetings, Four views of Melbourne including SW5 725, late1980's
Colour postcard divided back, four photo panels - Biscay Greetings, 1. - SW5 725 in Collins St, route 9, Northcote 2 - Elizabeth St 3 - A fruit vendors cart 4 - China Town Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG814 Has title "from Melbourne Australia - impressions"trams, tramways, collins st, tourism, sw5 class, elizabeth st, tram 252 -
Flagstaff Hill Maritime Museum and Village
Domestic object - Plate, W. H. GRINDLEY & Co. Ltd, 1914-1925
The Maker’s Mark stamped on the back of this plate, a green laurel wreath with “W. H. Gringley & Co. Ltd, England” below, was used by the company between 1914-1925, according to Kroker and Goundry, authors of a paper “ARCHAEOLOGICAL MONITORING AND MITIGATION OF THE ASSINIBOINE RIVERFRONT QUAY”. The company used different Marks at other times during their operation. The design on this plate is transferware. The company used this more economical process of adding a transfer rather than employing artists to handprint them onto their dinnerware. William Henry Grindley and Alfred Meakin established the company at Tunstall, Stoke-on-Trent, in 1880. The company produced their wares for export to countries that included Australia.This ceramic plate is an example of dinnerware imported from England. The plate was made between 1914 and 1925 . The popular 'bird of paradise' design on the plate is an example of transferware, which made decorative dinnerware more affordable. China plate, earthenware, round, off-white colour with fine blue rim and three transfer decals spaced around the rim. Decals each have a bird of paradise on a flowering branch. The centre of the plate is plain. The maker’s stamp is an open green laurel wreath enclosing a decorative horizontal line, above the name. Made by W H Grindley & Co. Ltd of England.On underside; logo "[green wreath] above W. H. GRINDLEY & Co. Ltd. ENGLAND"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, plate, dinnerware, w. h. grindley, english, plateware, bird of paradise, transferware -
Flagstaff Hill Maritime Museum and Village
Domestic object - Plate, Johnson Bros, Early 20th century
This white oval plate with a dainty green border and self-pattern was made by the famous ceramics manufacturer Johnson Brothers of England. The pattern was patented on April 15th 1902. The serving plate is typical of dinnerware brought into Australia by migrants or importers of pottery and used in Australian households, giving many years of service. The Johnson Brothers firm was established by Frederick Johnson in 1883, at works in Hanley, Stoke-on-Trent. Frederick was later joined by his brothers Henry and Robert. The company's focus was to supply the export market. In 1968 the company became part of the Wedgewood Group. J. & G. Meakin Eagle Pottery temporarily took over the tableware division in 2000, and China took over all Johnson Bros. products in 2003. All of the Wedgewood Group was taken over by Fiskers in 2015, who discontinued the Johnson Brothers line of products. This serving plate is an example of domestic crockery used in Australia in the late 19th and early 20th centuries. It originated from England and was made by a well-known ceramic manufacturer.Plate, oval, earthenware, scalloped edge with impressed pattern and border of small green leaves. Maker's mark and name is on reverse. Pattern was patented on April 15th 1902. Made by Johnson Bros. of England.Maker's Mark; [Crown symbol] above "JOHNSON BROS, ENGLAND" "PATD APRIL 15TH 1902"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, dinnerware, serving plate, johnson bros, english serving plate, green leaf border, oval plate, platter, chinaware, plateware, crockery, chine, porcelain, earthenware -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Pap boat associated with midwife Mary Howlett, c. 1866-1920, 1880 (approximate)
Pap boats date from approximately 1710 and were in extensive use until the end of the nineteenth century. They were used to feed pap to infants or invalids. Pap was a mixture of breadcrumbs, flour, rice or barley mixed with fluids such as broth, milk (if the infant was lucky), water, wine and even beer, to aid the digestion of pap it was often pre-chewed by the nurse or nanny. Pap was a popular form of infant nutrition for almost 300 years and used in many well to do homes. For unwanted or illegitimate infants in foundling homes it was often the only form of sustenance, however, and as a result the mortality rate was appallingly high. Despite a growing number of experts advising against the use of pap, it nevertheless persisted as a major source of infant nutrition in many nurseries until the late 1800’s, largely due to the ignorance of nannies and nurses who took great delight in disregarding the advice of physicians, who they believed were usurping their position in the household. ‘Nanny knows best’.(Amgueddfa Cymru - National Museum Wales, 'Pap Boat')Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993. Small round white china container with an extended slim lip. Fluid capacity approximately 30-90ml. The boat has been made from two moulded sections. infant care, infant feeding, midwifery -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Ceramic feeding cup associated with midwife Mary Howlett, c.1866-1920
This type of cup was designed for use by an adult and was in common usage from the early 1900s to the 1930s. Feeding cups were used both in the home and in hospitals, and were also often made of white enamel. Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them the museum collection in 1993. Feeding cup made out of white china, now discoloured. The cup has a curved spout (similar to a teapot spout) with a handle. There are four small holes inserted inside the cup diagonally at the proximate end of the spout. midwifery -
Flagstaff Hill Maritime Museum and Village
Photograph - Photograph of Edinburgh Castle' stranded and wrecked at Lady Bay, circa 1888
This photograph was taken close to the time of the wreck of the "Edinburgh Castle". The “Edinburgh Castle”, three-masted iron barque, was built in Glasgow, Scotland, in 1863 by J.G. Lawrie. She was 53.7 meters long and weighed 627 tons. She was owned by shipping company T Skinner and Co and registered at Liverpool, England. She sailed from 1863 to 1885 along the trade route between Scotland, China, and Singapore. In 1887 the Master, Captain J.B. Darling, sailed the “Edinburgh Castle” for its new owners Gifford & Nicholson from London to Warrnambool. Her cargo was 4,900 casks of cement for the construction of the new Warrnambool Breakwater. Over the three month journey, the ship met with rough weather and even a hurricane. On January 15th 1888 the “Edinburgh Castle” approached Lady Bay where a welcoming crowd gathered. The Port’s relief Harbour Master, Pilot Carless took over to complete the docking. As he tried to guide her, the Lighthouse Keeper signalled that the ship was too close to shore. The pilot continued on his course, causing her to ‘miss stays’ (make an incorrect tack). The crew dropped anchors and tried to lighten the load by throwing some of the casks of cement overboard but this was to no avail, and she drifted sideways in calm waters, lodging in the sand. A distress signal was sent to the coastal steamer “Julia Percy”, which spent several hours trying to pull the stranded ship away, but it would not budge. Those involved hoped to re-float the ship but efforts to save the vessel were useless. The captain and some crew stayed on board. When the weather became rough the rocket crew brought its lifesaving gear to the shore, ready to launch a line to the ship. The three men on board sent those onshore a message in a bottle to assure the on-lookers that they were quite comfortable to stay aboard. After a night of bad weather, the crew were glad to accept the rocket crew’s help and were in turn safely hauled to shore in a breeches buoy. The ship broke up quickly. Very little of the cargo could be saved. A week later all that could be seen of her was the bow and some of the stern. The beach was littered with wreckage, including cement cask fragments, for weeks. Ironically, on the morning after the ship ran aground, the very same “Edinburgh Castle” was offered for sale at an auction in Melbourne, billed as “a sound ship with all the fittings and in the best order.” The sale was completed before they heard the news that the ship was totally wrecked! Over the decades the shifting sands concealed the wreck of “Edinburgh Castle”. However, in October 1985 two local divers, Peter Ronald and Colin Goodall discovered her near the Hopkins River mouth. Peter said in his book ‘Exploring Shipwrecks of Western Victoria’, “In the midst of this sand-cloud I could clearly see row after row of neatly stacked barrels”. He remarked, “I am privileged to have had at least a glimpse of one of Warrnambool's most significant wrecks.” Some 15 – 17 ships are believed to have sunk in Lady Bay, but only two have been discovered on the seafloor; the “Edinburgh Castle” and the “La Bella”. Both wrecks are popular diving sites and are preserved as significant historical marine and marine archaeological sites. The sailing ship “Edinburgh Castle” is of local and state and national significance. It is one of the only two shipwrecks discovered in Lady Bay, Warrnambool, out of the 15-17 shipwrecks in the bay. The “Edinburgh Castle” is significant for being one of the largest vessels lost in the bay. The significance of the wreck of the “Edinburgh Castle” was recognised by being listed on the Victorian Heritage Database VHR S209. She was declared an Historic Shipwreck on 17th January 1989 under the Commonwealth Historic Shipwrecks Act (1976). The “Edinburgh Castle” wreck is also significant for the connection of its cargo with the building of the Warrnambool Breakwater, also listed on the Victorian Heritage Database VHR H2024. The “Edinburgh Castle” is included as one of the shipwrecks in Heritage Victoria’s Historic Shipwreck Trail on Victoria’s West Coast. Black and white photograph of the iron barque 'Edinburgh Castle' stranded and wrecked at Lady Bay, Warrnambool, on January 15th 1888. The photograph shows wreckage along the shore and two standing figures looking on.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, great ocean road, edinburgh castle barque 1863, edinburgh castle shipwreck 1888, shipwreck 15-05-1888, glasgow ship, jg lawrie, t skinner and co, liverpool ship register, captain j.b. darling, gifford & nicholson, cement casks, cement barrels, warrnambool breakwater construction, breaches buoy, rocket crew, rocket launcher, lifesaving equipment, warrnambool harbour, lady bay warrnambool, ship pilot carless, lady bay shipwreck, peter ronald, colin goodall, lady bay diving site, marine archaeology, victorian heritage register, vhr s209 -
Flagstaff Hill Maritime Museum and Village
Ceramic - Plate, before March 1878
This Asiatic Pheasant china dinner plate was salvaged from the wreck of the " Loch Ard". The design on the plate was popular in the late 1800's and early 1900's. History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Dinner plate, white ceramic with scalloped rim, white china with blue transfer "Asiatic Pheasant" design. Inscription on underside. Recovered from the wreck of the Loch Ard.Mark on underside"-HEE-- " [within a flower pattern cartouche].flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, china plate, asiatic pheasant, dinnerwear, crockery, table setting -
Flagstaff Hill Maritime Museum and Village
Craft - Ship model, Cutty Sark
ABOUT THE CUTTY SARK The CUTTY SARK, built in Britain in 1869, was one of the last historic sailing ships. She traded in tea from China for a few years then began trading with Australia in the wool industry. She held the record sailing speed from Australia to Britain for ten years! Later a Portuguese company bought her as a cargo ship (and renamed her as FERREIRA) then she was purchased by a returned sea captain for use as a training ship in Cornwall. After the captain’s death she was transferred to a training college in Greenwich in 1938. In 1954 she was placed permanently in dry dock at Greenwich for display. The sailing ship CUTTY SARK carried export cargos of wool from the Australian wool industry.Model of the sailing ship, CUTTY SARKflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cutty sark, historic sailing ship, tea clipper, sail training vessel, cadet training ship, commercial trading vessel, cargo sail vessel, ship model cutty sark, australian wool export -
Clunes Museum
Coin - COIN COLLECTION, 2000
DISPLAY CABINET MADE AND DONATED BY HERBERT AND SHEILA MCAULEY. PRESENTED TO CLUNES MUSEUM ON MAY 2ND. 2000COLLECTION OF COINS AND TOKENS DISPLAYED IN GLASS CABINET. TRADE TOKENS DATED 1849 - 1881.BRONZE PENNIES 1860-1877 , HALF PENNIES1861-1866, CHINESE TOKENS DATED 960 TO 1127AD, CHINESE MINTED COINS FROM 6TH CENTURY BC. NINETY ONE COINS IN TOTAL. SILVER DOLLARS, JAPANESE YEN, AMERICAN DOLLARS, BRITISH PENNES, THREEPENCE, SIXPENCE AND SHILLING.local history, numismatic, coins -
Clunes Museum
Memorabilia - MUG
Issued for Gallipoli Centenary and presented to the Clunes Museum by the Clunes R.S.L. for the event's 100th Anniversary.1 White china mug with red poppies around outside. .2 Cardboard box to store mug Emblem of "Rising Sun" with 1915-2015 1915-2015 Gallipoli Centenary australiagreatwar.com.au On base; Australia in the Great War 1914-1918 the great war 1914-1918, gallipolli -
Federation University Art Collection
Work on paper - Artwork, Bruno Leti, 'Those Trees' by Bruno Leti, 2015
Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He taught art in Italy, Canada, USA, and Melbourne, Australia. This work was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching on papertrees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape