Designed to be used with a Sun Sculpture viewfinder.A collection containing 3 stereoscopes from the Underwood and Underwood brothers Ottawa, Kansas. depciting images of Australian sheep stations and the Dalgetty's wool sales floor. Copyrighted in 1908 by Underwood and Underwood. Each item consists of two identical photographs, side by side on a grey backing card with rounded edges.Wording: Underwood & Underwood, publishers. / Ney York, London, Torronto - Canada, Ottawa - Kansas.;Method: Printed;Location: Left Hand side of card perpendicular to the image. Wording: Works and Studios ~ / Arlington, N.J. Westwood, N.J.;Method: Printed;Location: Right Hand Side of card perpendicular to the photograph Wording: Sun Scultpure /Trade Mark. ;Method: Printed;Location: Right hand side of card. Wording: (27) - 10255 - Dalgetty's Sales Rooms where wool-buyers came from all parts of / the world - Australia. Copyright 1908 by Underwood & Underwood. U-113253.;Method: Printed;Location: Bottom of card. Wording: (57) - 10285 - Drink for 5000 thirsty sheep on a big ranch at Warrah, Australia. / Copyright 1908 by Underwood & Underwood. U-113324;Method: Printed;Location: Bottom of Card. Wording: (29) - 10257 - four thousand sheep changing pasture during a dry season - / Australia. Copyright 1908 by Underwood & Underwood. U-113121.;Method: Printed;Location: Bottom of Card.stereoscope, photographs, sun sculpture viewfinder, sheep, wool, station, underwood and underwood, dalgetys, warrah

Robert JENYNS (1944 - 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings hee has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns family, 2021Painting of a red truck painted onto a stretched canvas.truck, bob jenyns, robert jenyns, transport, available

Sculpture was made by a personal friend of the subject in the mid 1940's and displayed in the home of the subject's son, John B. Crosbie until 2001. Bernard Crosbie (subject) was the nephew of Michael Loeman, former Shire of Bulla President and owner of 'Glen Loeman'. Bernard Crosbie and his brother inherited Glen Loeman from Michael Loeman.Bust of a man, Bernard Michael Crosbie, President of Bulla Shire 1936-1937. Made from plaster of Paris (?) painted metallic brown.crosbie, bernard michael, shire presidents, shire of bulla, loeman, michael, glen loeman, houses, george evans collection

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. VDNH, Moscow, Russia. Worker and Kolkhoz Woman sculpture, the symbol of the VDNH, designed by Vera Mukhina - first exhibited at the Paris World’s Fair in 1937Made in Australia / 9 / AUG 64M / 5 (Handwritten) / USSR (Handwritten) / 5 (Handwritten)russia, slide

Silver round pendant depicting a bearded male with peaked hat and sculpture, with attached stem and barrel ring. The pendant is held by a cable chain and decorative S hook with curlycues.Intersecting MS mark; sticker with 37; two pin holes at 1 and 7.matcham skipper, pendant, necklace, silver, jewellery

Newspaper articles relating to Arts Centre sculpturecouncillor, mayor, jack campbell, dan wollmering, veronica martens

Robert JENYNS (1944- 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings he has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Humour and subtle satire is a focus of his work. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns Family, 2021Painting of a blue truck painted onto stretched canvas.truck, bob jenyns, robert jenyns, available, transport

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest

first nations artist, sculpture, dog, ku, animal, pet

first nations artist, sculpture, dog, ku, animal, pet

Michael KITCHING (1940 - ) Born Hull, England Arrived Australia 1952 Without any formal art education, sculptor, painter, print maker and designer Mike Kitching emerged as one of the original voices of the 1960s art movement in Australia. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Metal and timber 3-dimensional wall artwork in grey and red.art, artwork, michael kitching, kitching, sculpture, wall art

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ronnie stelelenburg, sculpture, horsham available, horsham campus art collection

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mobileart, artwork, marge hynes, mobile, sculpture, horsham campus art collection

Anderson HUNT Anderson Hunt is associated with Down Street Studios. He studied a Graduate Diploma in Visual Art at the Gippsland Centre of Art and Design (GCAD) This work was purchased by the Gippsland Campus Enhancement Project, 1996.artist, artwork, anderson hunt, sculpture, gippsland campus, alumni

This photo depicts Shire President J.Dickie Esq.J.P.1911-12,and councilors J.Baird,(J.P),J.Feery (J.P),D.Walton,(J.P),J.Mitchell,(J.P.)M.Ryan,(J.P.).H.W.Symons (J.P.),J.Troup,T.Jones,(Secretary and Engineer)H.T.Hughes,(Rate Collector) and R.L.Medwell.It was presented to the Ballarat Shire Council by President J.Dickie.Esq.J.P. Original Historic Photo or 1911-12.Photo depicting President J.Dickie and councilors.Set in light brown frame with decorative sculpture on inner edge, mount is a light pinkish tan and decorated with white/blue/brown decorative features. Presented to the Ballarat Shire Council.J.Dickie Esq. J.P. President, 1911-12.ballarat shire council, medwell r l, ryan m, mitchell j, symons h w, dickie j esq j p, 1911 12, feery j, walton d, troup j, jones t secretary engineer, hughes h t rate collector, baird j

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Festival Plaza, space frame (Architects: Tomoo Fukuda and Koji Komiya) with sculpture ‘Tower of the Sun’ (Artist: Taro Okamoto), Expo 70, Osaka, 1970Made in Australia / 1 / MAY 70M3expo 70, osaka, robin boyd, slide

Black and white photoghraph taken from top of Fortuna Villa, looking down on garden with Bendigo city in background. Large palms in garden. Three sculptures over entry to Villa.bendigo, house, fortuna villa

Popular wooden sculptures inspired by wartime characters were set on fire and farewelled in a special ceremony over the weekend. The sculptures, created by chainsaw artist Leigh Conkie had stood at War Memorial Park for over a decade. They will be replaced by the Homefront Project.News article 1 page, black text, colour image.greensborough war memorial park, wooden sculptures, banyule city council, leigh conkie, homefront project

Sculpture at gateway to Edendale Farm, 30 Gastons Road, ElthamRoll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5eltham, edendale farm, gastons road, sculptures, the fences act 1968, tony trembath

Photographs of the burning of the Conkie chainsaw sculptures at Greensborough War Memorial Park on 09/09/2017. These original statues had become weather damaged over time and were replaced by the Homefront Project chainsaw sculptures. Photographs from Homefront Facebook page.This text and photographs were copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Photographs and text sourced from social media.chainsaw sculptures, greensborough war memorial park, leigh conkie, homefront project

Councilor William Sanders Dougall was elected to council in 1919 serving until 1931.He served one term as Shire President in 1925-26.Original Historic PhotoPhoto of William Sanders Dougall 1925-26,Sepia photo,set in brown frame with sculptured finish,mount is brownish maroon in colour.Oval photo is surounded by gold trim (wider at the top).Councilor William Sanders Dougall,Shire President,Shire of Ballarat,1925-26.ballarat shire council, shire president 1925 26, william sanders dougall

Pen holder, rectangular block of white marble with a metallic sculptured hand resting on surface. Fastened by 2 screws. Hand has decorative sleeve, nails and sleeve have been painted.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Account Code Reference Listing - Expenditure Accounts dated 26/1/89. Items mentioned are: Computers, Bicentennial Program, Bendigo Sculpture, Building Control, Saleyards, and Saleyards: Scales Construction.bendigo, council, cattle markets, bendigo saleyards collection - account code reference listing - expenditure accounts, city of bendigo

Wangaratta Art Gallery CollectionA hand sculpture ceramic square bowl glazed in green, blue, white and grey featuring an pattern engraved and stamped into the glaze. Design of the bowl is based on the 16th Century Japanese Oribe ware.tom strachan, after 16th c japanese oribe ware, ceramic bowl

A wooden panel trophy, featuring two cast metal racquet sculptures, adhered with glue. Presented to winner of 1982 Robina International Tennis Test. Materials: Wood, Metal, Plastic, Gluetennis

Brass sculpture of hand giving 'V' gesture and holding a tennis ball between fingers. Mounted on a base with unidentified Asian language characters (Korean?). Materials: Wood, Brass/Metal compositetennis

Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available