Ill, p.263.non-fictionWith only their bare hands and the crudest of homemade tools, they sank shafts, built underground railroads, forged passports, drew maps, faked weapons, and tailored german uniforms and civilian clothes. They developed a fantastic security system to protect themselves from the German "ferrets" who prowled the compounds with nerve-racking tenacity and suspicion. It was a split-second operation as delicate and as deadly as a time bomb. world war 1939-1945 - prisoners of war, world war 1939 1945 - escapes

The South Vietnamese allies were ridden with healousy, corruption and security leaks.vietnam war (1961-1975) - united states, vietnam war, 1961 - 1975, personal narratives, american, green berets

The decorative elements of this carpet/rug symbolises Australia's commitment to Operation Catalyst - a post-invasion operation dedicated to the stabilization, rehabilitation and reconstruction of Iraq CATALYST began on the 20th of March 2003 and defined the role of the Australian Defence Force in assisting multinational forces in the stabilization and security of Iraq. It also involved ADF support in the implementation of the country’s recovery programs. The 31st of July 2009 marked the end of Operation CATALYSTTeal green, grey and gold carpet with two small flags of Australia and Iraq at top, cross swords above a circle above a kangaroo and a camel. Carpet attached to timber at either endOperation Catalyst 2006 IRAQ 2006operation catalyst, iraq, 2006

From research from PROV, maker could be Arthur Apps, a Victorian Railways employee (Head Office liftman), who was making those lamps to sell for his "favourite" charity, the Children's Hospital where he was a Life Governor. (Victorian Railways newsletter April 1948, p 11)The lighthouse is the symbol of hope and security for seafarers.Lighthouse shaped lamp with art deco lamp shade. Base is mallee wood, lighthouse is kauri wood.lighthouse, lamp, maritime art, art deco

Flag of the Force Logistic Support Group (FLSG) - This flag was flown at the Headquarters of FLSG and 145 Signal Squadron until all Units returned to Australia in June 2000The International Force East Timor (INTERFET) was a multinational non-United Nations peacemaking taskforce, organised and led by Australia in accordance with United Nations resolutions to address the humanitarian and security crisis that took place in East Timor from 1999–2000 until the arrival of UN peacekeepers.Large red rectangle flag with large central white circle containing silver image of a horseflag, force logistic support group, timor, interfet

INTERFET (International Force East Timor) brassard worn by all service personnel from all participating nations in Timor between October 1999 and February 2000, prior to the United Nations resuming control. INTERFET was commanded by an Australian, Major General Peter Cosgrove and approximately 7000 Australian service personnel were deployed. The International Force East Timor (INTERFET) was a multinational non-United Nations peacemaking taskforce, organised and led by Australia in accordance with United Nations resolutions to address the humanitarian and security crisis that took place in East Timor from 1999–2000 until the arrival of UN peacekeepers. Dark green army brassard with three patches.Australian flag patch, Interfet patch, International Force East Timor Peace patch.brassard, arm band

The design of this small disc is from the Australian Colonial period. The cedar wood desk was made in Australian by Foy & Gibson in the 1880s, most probably in the business’s works in Collingwood, Victoria. The heavy brass locks fitted into the desk drawers were made by the famous Hobbs & Co of London, mid-late 19th century. In 1860 the business changed hands but the locks were still branded Hobbs & Co. The desk is branded with the symbol of Victoria’s Public Works Department. There is currently no information on when, where and by whom this desk was used. However, a very similar desk with Hobbs & Co. locks is on site at the Point Hicks Lightstation in Victoria and was formerly used by the Point Hicks head light keeper there. Other light stations also have similar desks from the P.W.D. (see also ‘Desk, Parks Victoria – Point Hicks Lightstation, Victorian Collections’.) HOBBS & CO., LONDON Alfred Charles Hobbs, 1812-1891, was American born. He became an executive salesman in 1840 for renowned lock manufacturer Day & Newell. His technique of exposing the weaknesses of people’s current locks was very successful in generating sales. He represented Day & Newell at London’s Great Exhibition of 1851, competing with other lock makers. Through the Exhibition he became famous for picking the best trusted Bramah and Chubb locks. Hobbs’ fame led him to found his own company in 1851 then register it in 1852 as Hobbs & Co., London. Hobbs was awarded the Telford Medal by the British Institution of Civil Engineers in 1854 for his paper 'On the Principles and Construction of Locks'. In 1855 the very successful company added partners and became Hobbs, Ashley and Co. In 1860, it traded under the name of Hobbs, Hart & Co. and was based in Cheapside London, where the business remained. Hobbs then returned to America, having sold the complete company to John Mathias Hart. He briefly returned to attend the 21st anniversary celebrations of the successful business in 1872. Hobbs kept himself busy in America, inventing and manufacturing firearm ammunition, for which he held several patents. He passed away there in 1891, a month after his 70th birthday. FOY & GIBSON Mark Foy wan an Irish draper who migrated to Bendigo, Victoria in 1858, attracted by the gold rush. He lived and worked in the area, establishing a drapery business. In the 1870s he moved to Melbourne where there were better prospects for expansion. He chose a place in Smith Street, Collingwood, a suburb of Melbourne, and started his business at the rear. In 1883 Foy retired, bringing in William Gibson as a partner, and then transferred his own share of the company to his son Francis Foy. Not long afterwards Francis sold his half share to Gibson, and the business continued under the name of Foy & Gibson. Francis Foy and he and his brother Mark Foy (junior) moved to Sydney. They established a business there in 1885, named after their father, Mark Foy. Gibson added to his business by starting his own manufacturing works from 1887, producing clothing, millinery, furniture, bedding and hardware for his stores. The factories, warehouses and stores complex became one of Victoria’s largest employers. He set up branches of his stores in Perth, Brisbane and Adelaide and two more branches in Melbourne. Foy & Gibson (usually referred to as Foys) became one of Australia’s largest retail department stores. In 1931 Foy’s little house in Collingwood was still part of the entrance to Foy & Gibson Emporium. In 1955 the company was bought out by Cox Brothers. Later on the stores were sold to various businesses such as David Jones, Woolworths and Harris Scarfe. In 1968 Cox Brothers went into receivership, ending almost 100 years of the business known as Foy’s. The former Foy & Gibson Complex is registered by Heritage Council Victoria. “Designed by William Pitt, this magnificent 19th and early 20th century complex of factories, warehouses and showrooms saw the production of a remarkable range of goods for Foy & Gibson, Melbourne’s earliest department store chain”. (Quoted from the Plaque erected by the Collingwood Historical Society 2007) P.W.D. – Public Works Department, Victoria The desk is stamped “P.W.D,” signifying that it is from the Public Works Department in Victoria, which operated from 1855-1987. The department was responsible for, among other things, the design and supply of office furniture and equipment for public buildings and organisations. This desk is significant historically as it originated from Foy & Gibson, a colonial Australian company that had a positive and strong impact on employment, manufacturing and retailing in Melbourne, Victoria and Australia. The significance of Foy & Gibson to Victoria’s and Australia’s history is marked by the Collingwood Complex being registered in both Heritage Victoria Register (H0755, H0897 and H0896) and National Trust Register (B2668). This locks on this desk are significant for their connection with their manufacturer, Hobbs & Co, who invented a lock that surpassed the security of any other locks produced in the mid-19th century. Desk; Australian Colonial cedar desk, honey coloured. Desktop has a wooden border with a rolled edge and a fitted timber centrepiece. The four tapered legs are tulip turned. Two half-width drawers fit side by side and extend the full depth of the desk. The drawers have dovetail joints. Each drawer has two round wooden knob handles, a keyhole and a fitted, heavy brass lever lock. Inscriptions are on the desktop, drawers, desk leg and lock. Made in Australia circa 1880 by Foy & Gibson, lock made by Hobbs & Co, London.Impressed into timber frame of one drawer “FOY & GIBSON” Impressed into lock “HOBBS & CO / LONDON”, “MACHINE MADE”, “LEVER” Impressed along the front edge of the desktop [indecipherable] text. Impressed into the timber of right front leg “P. W. D.” below a ‘crown’ symbol Handwritten in white chalk under a drawer “206” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, desk, cedar desk, colonial desk, 1880s desk, australian colonial furniture, furniture, office furniture, office equipment, australian made furniture, colonial furniture, colonial hardware, foy & gibson, alfred charles hobbs, hobbs & co london, hobs & co lever lock, cabinetry lock, machine made lever lock, p.w.d., public works department victoria, day & newell, great exhibition of 1851, bramah lock, chubb lock, telford medal 1854, cheapside london, mark foy, mark foy – bendigo draper, smith street collingwood, william gibson, foy & gibson emporium, foy & gibson complex, cox brothers

non-fictionThis book is about the life and times of Doug McLaggan starting with the vanished era of the 1920s and 1930s, which led up to the Second World War in which so many youngsters eagerly enlisted. McLaggan among them, saw action only briefly before becoming a POW after the fall of Singapore. It shows the young private soldier's viewpoint of the POW experience; of the mateship, humour and above all the courage and determination and willpower to live under circumstances ranking among the the most appalling of the 20th century. Even during the most trying periods, McLaggan risked his own security by keeping a meticulous diary. From these diaries emerges an extraordinary account of one man's will to survive when men unfit to work on the railway were so cruelly treated by the Japanese engineers in charge of its construction. The story of the POWs under the Japanese has been told before, but McLaggan's account, simply and honestly told, combined with his often forthright views makes this a fascinating and moving story of an ordinary man faced with an extraordinary test of body and mind. (Back cover)doug mclaggan, world war 1939-1945, prisoners of war

Index, p.159.non-fictionExamines the growth of the Commonwealth to independent Dominion status; the use made of that status when Japan attacked; developments in policy up to 1944; and problems of future security ... also progress in the Pacific, the acquisition of New Guinea, the White Australia policy and Australian-American relationsaustralian - foreign relations - 20th century, australia - foreign relations - asia - pacific region

The Certificate of Naturalisation was issued to Nicholas Paizis on 6 August 1928. At the time he was residing at 30 Bay Street, South Melbourne.By becoming an Australian citizen an immigrant gained greater security and freedom in the adopted country. It was an important step that many migrants have taken since arriving in Australia.A photograph of Naturalisation papers issued by the Commonwealth of Australia.

Michael's Building was the club rooms for the Ithacan Philanthropic Society from its inception in 1916 until 1958 when the society acquired its own building at 329 Elizabeth Street.The Ithacan Club occupied the first and second floors of Michael's Building. A 'kafeneo' was located on the first floor and social activities such as dances, children's parties and Christmas and New Year's celebrations were held on the second floor. For many of the early Ithacan migrants to Melbourne, the Ithacan Philanthropic Society was like a home away from home. It gave them a sense of belonging and security within their community.A coloured photograph of a three storey building in Melbourne. It is a photographic retail shop as there are boards over the verandah advertising various photograph icx items.

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Paperback book, white with title - 'Onkaparinga' in red writing on front coverOnkaparinga - The Story of a Mill/Carol Brockhoffblanket, blanket fever, onkaparinga, woollen mill, lobethal, carol brockhoff