A book of photographs of paintings of the waterfalls of Victoria painted by Dacre Smyth.A book of photographs of paintings of the waterfalls of Victoria painted by Dacre Smyth. Each painting has the name of the waterfall, the date the painting was painted and a short poem accompanying the photograph. Commodore Dacre Henry Deudraeth Smyth, AO was a senior officer in the Royal Australian Navy, an artist and a poet. He joined the RAN in 1940, and participated in the D-Day landings and the Battle of the Coral Sea before retiring as a commodore in 1978. He served as Deputy Chairman of the Trustees of Melbourne's Shrine of Remembrance and was a Life Governor of the Shrine. He became well known after his retirement for landscape and seascape painting, publishing fourteen books containing his paintings and poems. He married Jennifer Haggard in 1952, and had four daughters and a son. He died in 2008.Hardcover. Front dust cover has a photograph of a painting of Erskine Falls painted by the author. Back cover has 4 photographs of paintings of Wannon and Nigretta Falls in summer and winter. Inside cover of book, both back and front have a map of Victoria with various towns shown and the location of all the waterfalls in Victoria.Signature of the author and painter, Dacre Smyth. Artist's Acknowledgements / I am most grateful to all who helped in the production of this book:- / Alan Copeland / Allan Tuite and staff at Crystal Offset Printers for the production and printing of this book / Photography Ralph Petty / Colour Separations front & back cover Scanagraphix & Image Scan / Binding J.P. Bookbinderswaterfalls, victoria, melbourne, paintings, poem, poetry, photograph, dacre henry deudraeth smyth, royal australian navy, d-day landings, battle of the coral sea, shrine of remembrance, jennifer haggard

Colour photograph of Clare Gervasoni posing for a photograph with her Grandfather, Gus Gervasoni, on the first day of school. Clare is wearing the old St Anne's East Kew summer uniform. The winter uniform was the same, but the tunic was in wool, and the grey shirt had long sleeves. It was worn with a blue jumper and blazer, and in winter a tie.gus gervasoni, ann gervasoni, school uniform, first day of school, st anne's east kew

Double page spread from 'The Graphic' newspaper of Summer 1886 entitled 'ALL ABOUT OUR LAWN-TENNIS CLUB'. A cartoon style composition by Arthur Hopkins narrating the story of a club establishing their courts on rough country fields. Framed under UV glass. Materials: Ink, Paper, Glass, Metal, Woodtennis

Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans died on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents actions taken by the Falls Creek Tourist Area Management Committee in their role overseeing the Tourist Area.A circular updating news prior to 1966 snow season. It includes information related to sewerage, Summer programme, parking and road transport, tows, snow conditions, Medical service, visiting skiers and the possible site for a ski jump. Other topics included Ski School, new buildings, behaviour, village entry and publicity.falls creek tourist area management committee, falls creek administration, preparations for winter season

Fw 190A-3 (Werk Nr 0313) at Farnborough, Hampshire, summer 1942. Faber's Fw 190A-3 now with British markings and being test flown by the RAF. There is no doubt that its study and that of the engine measurably assisted in the development of the Centaurus installation design of the Typhoon II (later to become the Tempest II, and eventually the Hawker Fury). Nevertheless its capture in no way compromised the appearance of the much faster A-4, and no doubt gave false confidence in the Spitfire IX's ability to out-fly the Fw 190. Rectangular shaped glass covered photo frame

Hat ribbons were worn around the winter felt hat and the summer straw hat. These ribbons were worn by Megan Rayner (CPLC1965) and her aunt (CLC 1920s)Hat ribbon with embroidered crests; one navy ribbon with white border and yellow/white embroidery. One mid-blue ribbon with white border and fine yellow edge border, white and yellow embroidery. rayner, ribbons, clarendon-presbyterian-ladies-college, clarendon-ladies-college

Summer weight buggy rugs were used in the early part of the century in horse drawn vehicles to keep dust from earth roads from soiling traveller's clothing.White cotton rug with red stripes and fringing in red and white.personal effects, travel goods

This garment would have been worn by young girls as a summer fashion, perhaps in the 1970s. Similar- patterned garments may still be worn today but perhaps without the cuffs on the legs. This garment is retained as an example of women’s fashions in the mid to late 20th century and will be useful for display. This is a pair of women’s shorts. They are made of cotton (velveteen) and are multi-patterned with a dark red background with pink, orange and yellow flowers. There are cuffs at the end of the legs and a zip down the side. The waist is lined with white material and there are five buttons attached to the waist band. The maker’s label is also attached to the waist band.‘Styro SW All Cotton’ladies fashion, hotpants

Drones, out of control burn offs and badly executed barbecues could lead to a fire disaster across the Diamond Valley and other rural areas this summer, the CFA has warned.News article 1 page, black text.cfa, bushfire warnings, bushfires, country fire authority

A view of the village of Kioni was taken by Diamanto (Manto) Raftopoulos in 1972. Kioni is a beautiful harbour village on the island of Ithaca. In the summer months it is a popular destination for tourists and for yachts sailing the Ionian.Man Ithacans from the village of Kioni migrated to Australia and settled in Melbourne. A black and white copy of a photograph of the harbour at Kioni taken from Rahi.

Agfa plastic mount (blue base, white cover) with a photo of Bendigo No. 16 Manchester Loop, near Jackson St. Taken c1962, spring or early summer. No. 16 has a tram following indicator on the front dash panel and destination of Charing Cross. Note wall behind tram remains in situ 8/2004."BES 20" in penciltramways, trams, bendigo, eaglehawk, tram 16

The cattlemen's huts on the High Plains were used as shelter during the herding of the cattle on the Bogong High Plains during summer. Wallace's Hut is the oldest cattleman's hut and was owned by the Wallace family.This long handled spade was used by the 3 Wallace Brothers to dig 6 post holes for the posts of Wallace's Hut in 1889. On the 6th hole they struck rock 6 inches down but they persevered and succeeded in chipping away the rock to the required depth of 3 feet. This is the post in the south east corner.This long handled spade was made in Birmingham and was used by the 3 Wallace Brothers to dig 6 postholes for Wallace's Hut on the bogong high Plains in 1889.Birmingham 3 Cast Steel 234bogong high plains. wallace's hut. cattlemen's huts. tool.

Biography of Charles F. Summers, sculptor of the Statues in the Pavilion, Ballarat Botanical Gardens. How they came to be classical statues through the influence of his father who was a sculptor and his studies in Rome.Link between Summers' famous Melbourne statue and studies in Italy and sculptor Benzoni with his works presently housed in the Pavilion, Ballarat Botanical Gardens01 Photocopy with coloured photo, top right corner. 02 Newspaper article, no date, very likely from the Courier Ballarat. 03 one almost illegible handwritten sheet with advertisements in colour, left hand side of page.sculptors, pavilion, charles francis summers, ballarat botanical gardens pavilion, statues in the ballarat botanical gardens. "flight of pompei, "modesty", "ruth", "rebecca", "suzanne". "burke and wills" statuemelbourne., australian sculptor, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat, statues

Photos of Legacy Widows at a function, possibly a Christmas Concert. There are numerous events throughout the year for the widows to attend and be part of. The summer outfits imply it might be a Christmas event. The names and date are unknown.A record of a event for the Legacy widows.Colour photo of widows at a concert.Printed on the back "widows, concert, christmas

Bendigo Advertiser "The way we were" from Friday, April 23, 2004. Love in hard times: there was a simple hand written inscription on the back of this photograph. It said "the marriage of LAC John Summers RAAF, to sapper Yvonne Gledhill, Army, Fortuna, 28 May, 1945. By Father Thomas at St Killians, with army girls in the background".newspaper, bendigo advertiser, the way we were

Colour photograph of Stella Montague (Bill's first wife),crouching down in the orchard with 2 dogs. One dog is black and tan and the other, named Rajah, is a golden Labrador, with a frisbee or ball in its mouth. The apple trees behind Stella are about 2 metres high. Stella is wearing a blue and white striped summer frock.

B&W photo of Dave and Peg Johns of Menzies Creek, with their children: Lynette (held by Dave), Geoff, Barry, Dorothy, and Malcolm. Mrs Johns and her daughters are in summer dresses. Mr Johns is in shirtsleeves and has a striped tie. The boys are in shirts and shorts. The group is standing near the corner of a building and there are trees in the background. Dated c.1950.

Memorandum hand written on preprinted ruled paper with rounded corners dated Friday 11/5/1962, titled "Tramway Traffic" detailing the Revenue and wages along with passenger counts for weekdays, Saturdays, Sundays after 8pm and Sundays after 9pm. Not detailed whether a date or an average over the summer loading. Wages for the crews only.,trams, tramways, closure, fares, wages, revenue, passengers

Agfa plastic mount (blue base, white cover) with a photo of Bendigo No. 4 and a single trucker, possibly No. 16 at Manchester Loop. Taken c1962, spring or early summer. No. 4 has a Whitehorse Whiskey advertisement and a tram following indicator on the front dash panel, a Castrol and a SEC Electric Cooking roof advertisements and destination of Eaglehawk."BES 19" in penciltramways, trams, bendigo, eaglehawk, manchester loop, tram 4

BHS CollectionBendigo Advertiser ''The way we were'' from Monday, January 19, 2004. In form: Matthew Turley concentrates on the jack as he prepares to send his bowl down during the Secondary School's Summer Sports Day competition in 1989. Watching closely are team members Nathan Turley, Nathan Thompson and Brett Johnson. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Note the Summer House has not yet been built. E.E. Pescott is probably one of the tall men. Photograph used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 34.2 copies black and white photograph. 3 men standing on the lawn near the Luffmann/Lily ponds.On reverse of 1 copy, "1911."e.e. pescott, green grows our garden, a.p. winzenried, ponds, garden view, luffmann ponds, lily ponds

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Standard sized fringed plaid blanket in red and blue with black and yellow accentsMothproofed/Godfrey Hirst/100% Pure Wool Rugwool, blanket fever, travel rug, godfrey hirst, geelong

This artwork is a story of life over coming darkness. Rebirth and renewal. As a Bunurong person this story means a lot to my people, this represents community past, present and future and the struggles we have had to overcome to become the people we are today in the world we are today. Kobi Summers is a young emerging Aboriginal Artist, who is a Proud Bunurong Man living in Melbourne. He specialises in Digital Art, Contemporary aboriginal Canvas Art, Mural Art and Clothing Art.australian first nations art, bunurong, cultural story

Building a stack at harvest time at 'Pigeon bank', Kangaroo Ground. Mrs Agnes Cameron and family; On hay wagon: Jessie and Jim Stuart (standing), From left to right Archie, Flora Crighton, Gordon, Vera. Evelyn in front, Mrs Cameron, Maggie McInnes, Tom. In the background is one of the earliest shepherd huts still standing in 1914. Source: Family Story: The Bells of Scotland Kangaroo Ground and Yarra Flats by Vera Jackson, 1986 Supplementary unknown source states: Top L-R: Jessie Cameron, mother of Vera (Mrs E.M. Jackson donor of photograph and later resident at 'Pigeon Bank"), John Stewart (with fork) Lower L-R: Tom Cameron, Fiona Crighton, Gordon Cameron, Vera Cameron, Evelyn Cameron (sitting), Mrs Cameron (in black), Maggie McInnes, Archie Cameron About 1910 James Stuart worked as a gardener and farmhand at Pigeon Bank. He was also employed at Gulf Staton. He and other family members are buried at Kangaroo Ground. Source: Olive Hailes (nee Stuart) This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kangaroo ground, pigeon bank, haystack, cameron family, stacks, hay, farming, summer

Items issued or made for Henry T RIDGE V57996 & VX148845 CMF & 2nd AIF. Refer Cat No 475.10 for service details..1) Coat, Service Dress, Kahki, winter, 2 x Rising Sun Epaulettes badges, 2 x Australia badges, 2 x colour patches, rectangular white over red with grey surround, Lieut rank badges, 2 on one side, one on the other (missing one), metal buttons. .2) Belt-cloth, Kahki, metal buckle, leather adjustment straps on inside, for .1) .3) Coat, Service Dress, summer, light Kahki, 1 x Rising Sun lapel badge (one missing), 2 x combined cloth Australia and Lieut shoulder badges, 4 pockets, plastic buttons. .4) Shirt, light weight, Kahki, Service Dress summer style, short sleeve, plastic buttons..1) “Wilkes Todhunter, Civil and Military Tailors”, “H.T.Ridge 9/7/41” .3) “Wilkes Todhunter, Civil and Military Tailors”, “H.T.Ridge 3072, 15/7/1941” .4) “Wilkes Todhunter, Civil and Military Tailors”, “H.T.Ridge 7976, 14/1/44uniform ww2, army, officer

The gouache was presented to Cr Jill O'Brien, Mayor of Kew in 1983-4, who was instrumental in the purchase of the window. The same Kewriosity article, referred to in the physical description, states that the window was originally commissioned from the artist by a Kew timber merchant, and following ownership by successive owners found its way back to Kew. The framed photograph is part of the Jill O'Brien collection which was gifted to the Kew Historical Society following her death in July 2016. The collection includes important primary sources relating to a number of areas in which Jill O'Brien made a significant contribution including the establishment of the Villa Alba Museum, local government, the Kew Historical Society, the Yarra Bend Trust, and the arts.Framed gouache on paper of the design by the artist Alan Sumner for his window, The Four Seasons. The window, now in Kew Library was purchased to commemorate Kew's 125th Anniversary. An article in a contemporary issue of Kewriosity states: The window is approximately three metres in diameter and divided into one central and four outer panels. Clockwise from the top is Autumn with sinuous lines in yellow and brown, then winter in cool blues and mauves with lines and circles suggesting rain, snow and hail. Spring follows in the bottom left quadrant with organic ovaloid shapes richly coloured and lines evoking growth. Then to the top where summer explodes with the colours of fire and blue of the sky at the height of summer. The centre panel has a powerful image of sun, moon and stars which links the surrounding panels".jill o’brien, public art - kew (vic), stained glass - kew (vic), alan sumner - the four seasons, kew library, public art

A typical long black crepe skirt worn by women in Moorabbin Shire c1910 whilst doing housework during spring and summer. The early settler women were skilled dressmakers and made the clothing for their familiesTypical day wear skirt worn by women in the early settler families of Moorabbin Shire c1910 The family of Nance Blackburn were early settlers. Lady's black long crepe skirt with drawstring waist and inserted side pockets blackburn nance, early settlers, moorabbin, cheltenham, bentleigh clothing, dressmaking, moorabbin shire

The two girls pictured at Mornington Beach are Eula Flocas Collins and Theodora (Beba) Lucas Pappas. Beba's maternal grandparents lived in Mornington and their home was a popular holiday destination for many Ithacans during the summer. A laminated photograph of two girls in bathing togs sitting together on the sand at the beach. Other picnickers are in the background.