The flames closed in on the house and Granny and the children were terrified. But meanwhile, high in the sky above them, exercising his powers in scientific rainmaking, was The Flying Dogtor. The sky was filled with rain and it put out the fire. Crafty Carson Carpetbag and Old Man Redback, with the help of Elvis Evil Eagle, got a hold of the rainmaking powder and schemed to start a flood.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 5 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Crafty Carson Carpetbag, Old Man Redback and Elvis Evil Eagle stole the rainmaking kit from The Flying Dogtor's plane. Elvis Evil Eagle (aka The Bodgie Bird) flew up again and sprinkled the powder into the clouds. The rain started filling the gully and the creek flooded into the homestead. The Flying Dogtor jumped in his plane to confront Elvis Evil Eagle.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

The Flying Dogtor and Elvis Evil Eagle crashed mid air and the Dogtor helped Elvis gain control and rescued him. Thee Dogtor then tried to loosen a pile of logs that were blocking the creek and making the flood worse, but the effort sent his plane into a spin.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pagesPage 1: spelling correction, hand writtenthe flying dogtor, robin boyd, crawford productions, manuscript

Elvis resumed pouring the rainmaking powder onto the clouds and the Dogtor could not loosen the logs that were blocking the creek bed. Because the Dogtor had been so nice to Elvis, in the end, Elvis helped the Dogtor dislodge the logs and the flood subsided. But Crafty Carson Carpetbag and Old Man Redback lay waiting, scheming, planning their next nasty surprise.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

List of bush children characters in The Flying Dogtor series. Some of these are illustrated on the reverse side of item D194.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, foolscap, 1 pagethe flying dogtor, robin boyd, crawford productions, manuscript

After the fire was distinguished and the flood subsided, on his way flying home, the Dogtor heard voices repeatedly on his radio "Calling Flying Dogtor". A sick voice asked for the Dogtor's help in the main street of Ghostville, the old mining town across Dry Gulch Gully, now a ghost town. He got to the abandoned address, 13 ("unlucky number") Spook Street. The Dogtor is about to open the door...The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesPage 1: Left hand side has been amended and is attached with tape. Written corrections on right hand side.the flying dogtor, robin boyd, crawford productions, manuscript

The Dogtor knocked at 13 Spook Street and a faint voice said "Come in". Behind another door inside, came a faint child's voice "Help me" which led the Dogtor down a passageway. It was of course, Crafty Carson Carpetbag setting a booby trap to kill him by using a trick string and a huge stone. The Dogtor braced himself and pushed open the door...The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

There was an enormous crash and Crafty thought he had finally squashed the Dogtor but he was not harmed when the great stone fell, using his stethoscope to open the door. Crafty was hiding behind a shed in the yard waiting for the dust to settle. The Dogtor used his teeth to catch Crafty by the end of his tail but Crafty twisted and escaped through an opening in the back fence. He slipped into an old mine shaft and planned his next trap for the Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Robin Boyd most likely saw Solstar at Asher Bilu's exhibition at South Yarra Gallery in September 1968. In November 1968, Robin Boyd arranged for the loan of this painting from South Yarra Gallery to Australian Pavilion at Expo '70 in Osaka, where Boyd was appointed Exhibit Architect. It hung in the bedroom over a bed, containing a life-size cut-out figure by Bruce Petty, in the Model House Interior exhibit on modern living in the Space Tube. On its return from Expo, the painting was in transit at the Boyd's home in Walsh Street and they liked it so much that they decided to buy it. Solstar originally hung on the wall at the end of the galley kitchen. The artwork at the Boyd's home in Walsh St has been moved several times over the years. Solstar now hangs above the dining table, but at the time of Solstar's acquisition, the Boyds hung the painting "Winter Triumphant" (1920) by Penleigh Boyd, Robin Boyd’s father, above the dining table. In early 2021, Asher and Luba Bilu visited Walsh St to view Solstar again. Asher was extremely happy with how the painting looked and its condition 53 years after painting it. He requested it be hung a little higher and he returned in April to make some minor restorations to remove scratches. Silver mixed media with large black circular area in the central lower half. On reverse has the title: Solstar/A. Bilu/Arrow showing which way up. Unsigned on the front.asher bilu, penleigh boyd, expo 70, osaka, robin boyd, south yarra gallery, walsh st artwork, ohm2022, ohm2022_13

This painting was purchased at an exhibition at Australian Galleries in 1968. It originally hung in Robin Boyd's office in East Melbourne, and was only brought to Walsh St after he died in 1971. The Australian Galleries was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. Two figures (one seemingly with three hands) partially hidden by an artist's easel.Woods '68 in lower right cornertony woods, purves, australian galleries, robin boyd, walsh st artwork, ohm2022, ohm2022_7

This painting is dedicated to Patricia Boyd, Robin Boyd's wife, on the reverse side. "Night of Love" was exhibited as a complimentary pair with "Days of Gold" at Laycock's 1965 exhibition at South Yarra Gallery, where Robin Boyd purchased it. It hangs in the living/dining room. "Three of the Players", the 1953 painting by John Brack, hung in this position in the Mark Strizic photograph in Robin Boyd's book "Living in Australia" p 80. The Brack was in the Boyd home until 2010, when it was sold.Abstract composition, predominantly in red tones but with blue tones in the bottom right hand corner.Initials and date (DL 65) in centre at the bottom. On the reverse side - "1506" ; label on rear with cutting instructions, and" To Pat".donald laycock, south yarra gallery, paricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_18

“Metung” by Kevin Connor was a birthday present from Robin Boyd to his wife Patricia circa 1964.Predominantly blue and green landscape of trees, sky and river.Signature and date on lower right.kevin connor, patricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_26

The painting was purchased at an exhibition at Australian Galleries. This Melbourne institution was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. After hanging this artwork in the living room, Robin Boyd arranged to have the three-seater sofa in this room reupholstered in red (previously yellow) to match the Wood's painting. Tony Woods won a Harkness Scholarship in 1968 and travelled to the USA - he abandoned figuration after leaving Australia. Another figurative painting by Tony Woods, titled "In the Studio Psychologically Challenged", also hangs in Walsh Street.Man with closed eyes, with various arm positions, on a red sofa.The reverse is inscribed with Australian Galleries and the title and Woods '67.tony woods, australian galleries, purves, robin boyd, walsh st artwork, ohm2022, ohm2022_19

This artwork was a gift from Michael Shannon to Robin Boyd, (thought to be in thanks for opening Shannon's 1961 exhibition at South Yarra Gallery).Buildings and chimney in a landscape.Signature "Shannon '57, for Robin Boyd 1961" in lower left hand corner. michael shannon, south yarra gallery, robyn boyd, walsh st artwork, ohm2022, ohm2022_23

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

This artwork was purchased by Patricia Davies (previously Boyd). Nine frames of boats on the sea in blues and brown tones. Signed and dated DOROTHY BRAUND '74 in lower right.dorothy braund, patricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_36

The Ericofon, sometimes known as the 'Cobra' for its distinctive single-piece design, was distributed by the Postmaster General from around 1963. Components were imported from Sweden, with the outer casing produced at the Ericsson factory in Broadmeadows. LM Ericsson Rotary Cobra Handset - grey upright handsetwalsh st furnishings, robin boyd

These two chairs are Grant Featherston prototypes of the 1947 Relaxation Chairs. These chairs came from the Boyd family's Camberwell home (666 Riversdale Road, Camberwell, formerly 158 Riversdale Road) and were originally upholstered with webbing. The fixings were modified in the final product Relaxation chairs. Robin Boyd designed the Ivanhoe home of Grant and Mary Featherston (1967).Dark orange with black fine check woven wool. Nine self-covered buttons. Laminated timber legs and arms (no frame). Three visible timber pegs/bolts connect arms to the body.walsh st furnishings, robin boyd, grant featherston, ohm2022, ohm2022_33

This wrought iron "ladder-frame" bookcase, which includes a drop-down table, is located in Suzy's bedroom. A second "ladder-frame" bookcase with desk is located in Penleigh's bedroom (item F085). They were both designed by Bruce Anderson - in the past they have been incorrectly attributed to Clement Meadmore. This type of furniture was featured in 'The Age' Small Homes Service and a similar one was featured in 'The Age' Dream Home Exhibition in 1955. From 1947 to 1953, Robin Boyd was the director of The Small Homes Service, set up by the Royal Victorian Institute of Architects in conjunction with 'The Age' and he produced a weekly article for 'The Age'.Wrought iron black frame with 10 ladder slots, and 3 cross brace frames, with 4 timber shelves. In the centre, there is a drop down table to use as a desk. Shiny metal feet, rubber covering top of metal frame. bruce anderson, robin boyd, dream home, small homes service, walsh st furnishings, ohm2022, ohm2022_39

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of Revere kitchenware, which carries the prized "Process Patent" maker's mark on the thick copper bases. Mandie Boyd recalls: "I don’t remember a lot of cooking going on in them, if any, as they were a pain to clean but looked fabulous hanging on the wall absolutely gleaming. We would all check our hair and make up in them."A set of Revere Ware Saucepans and Frying Pans. A set of four Revere Ware copper clad, stainless steel saucepans with lids and black handles and hanging rings. A set of three Revere Ware copper clad, stainless steel pans with black handles and hanging rings. The largest flat one has no lid. Saucepans: largest 175mmx140mm, smallest 120mmx180mm. Frying Pans: largest 350mmx10mm, smallest 80mmx50mm.Revere Ware company engraving. Made under process patent #2363973. 'Revere Ware 1801' 'Patent # 22726091'revere, revereware, revere ware, cookware, walsh st kitchenware, robin boyd, ohm2022, ohm2022_10

This artwork is thought to have come from Robin Boyd's East Melbourne office after his death in 1971. Robin Boyd was a long time friend of Grahame King and sculptor Inge King and he designed their Warrandyte home and studio in three stages between 1952 and 1964. This artwork may have been a gift from them.Red and black abstract composition.Signature and date on lower right. 3/20grahame king, inge king, robin boyd, walsh st artwork, ohm2022, ohm2022_22

Robin Boyd designed a supermarket and dwelling in Jordanville (now Ashwood). This design was the unique ctesiphon system of construction where walls and roof form one self supporting unit. This building is registered on Heritage Council Victoria. External perspective of a proposed shop and dwelling and environment. Has a mount, unframed.On the top right "Proposed shop and dwelling at the corner of High Street Rd and Cleveland Rd, Jordanville for Mr W. Wood. Sketch from North End. Robin Boyd architect June '53".ctesiphon, jordanville, robin boyd, heritage, ashwood, ohm2022, ohm2022_27

This pair of RS161 Grant Featherston Contour Settees (1951) were previously in the Boyd home in Camberwell. Robin Boyd designed the Ivanhoe home and Grant and Mary Featherston (1967).Two two-seater settees, with four timber cigar shaped legs with round flat metal brass feet. Olive green/copper loose weave fabric. Wool/silk blend fabric. Twenty five self-covered buttons. Curvaceous contour shape.walsh st furnishings, settee, featherston, robin boyd

Robin Boyd designed this three-seater sofa. The sofa was featured in the promotional brochure for Domain Park Flats in 1962. The original sofa is in similar tones to the Featherston chairs (item F002) - it is currently stored offsite.Rectangular three-seater sofa. 6 timber cigar shaped legs with round flat brass metal feet. Olive green/copper loose weave fabric. Wool/silk blend fabric. Armless.walsh st furnishings, sofa, domain park, robin boyd

This three-seater sofa is a reproduction of the Robin Boyd designed sofa featured in the promotional brochure for Domain Park Flats in 1962 (item F003) from the 2017 Boyd Collection by furniture makers K5.Rectangular three-seater sofa. 6 timber cigar shaped legs with round flat brass metal feet. Orange wool fabric. Armless.walsh st furnishings, sofa, domain park, robin boyd

Robin Boyd designed this coffee table. It is similar to those he designed for the John Batman Motel circa 1967.Victorian oak timber, 4 tapered legs (attached with metal plates to underside of table top), brass metal disc circular feet.john batman motel, walsh st furnishings, robin boyd

Robin Boyd designed this wooden platform bed specifically for the Walsh St house. It is in keeping with the space's dual purpose as a sitting room and master bedroom.Wooden platform bed with solid base and 4 cigar shaped legs with round flat brass metal feet.walsh st furnishings, robin boyd

Slipcover to fit the bed. Woven wool, chocolate brown with lighter fleck.walsh st furnishings, robin boyd

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton turquoise, rust, charcoal, mustard, beige stripe with tassels along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd