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Robin Boyd Foundation
Journal, Mungo MacCallum and Ove Arup, Bennelong designs, Apr-66
Three articles under the title 'Bennelong Designs" (1) Drawing a dream by Mungo MacCallum (2) Dream into sculpture", (3) Consultant's role by Ove Arup. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper booklet of 24 pages, Nation No 192. pp. 12-15sydney opera house, utzon, sydney opera house project, walsh st library -
Lorne Historical Society
Photograph, Sign on G.O.R
Photograph of sign that appears to have been painted on rocky hill side of road' It states "THERES NO PLACE LIKE HOME - SOUND YOUR HR & YOU WILL GET THERE"g.o.r: early example of roadside graffiti -
Kiewa Valley Historical Society
Photograph – black and white photograph of children playing in the school yard at Bogong Village Primary School, Circa late 1960s to early 1970’s
The early forties saw rapid growth of Bogong Village, with single and married men’s quarters, workshops, mess huts and administrative offices. The facilities necessary for communal living were quickly in place- a post office, police station, co-op store, medical centre, community hall/theatre, tennis courts and school. Bogong Primary School opened in 1941 to provide an education for the families of employees of the State Electricity Commission of Victoria. The school had up to date equipment and received glowing reports from school inspectors. It closed circa 1970.The Bogong State School was opened for the children of S.E.C.V. workers who lived in Bogong in a remote part of north east Victoria. The nearest school would have been 14 miles away and over mountain roads subject to heavy construction traffic and extremes of climatic conditionsBlack and white photograph of a group of 6 children playing on play equipment in the schoolyard at Bogong Primary School. The area is enclosed by tall trees in a bush-like settingbogong state school; secv; kiewa hydro electric scheme; -
Orbost & District Historical Society
woomera
A woomera is a wooden Australian Aboriginal spear-throwing device . It is an extension of the human arm that enables a spear to travel at a greater speed and force than possible with the unaided arm.The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This woomera is an example of an implement used by early Indigenous people.A flat hand-made dish like wooden spear thrower with curved edges. It has a small spike tied at one end and hardened black gum at the other.woomera aboriginal hunting spear-thrower -
Tatura Irrigation & Wartime Camps Museum
Badges - brass
Badges belonged to Major W. C. Scurry MC DSM Commandant internment camp 4. Army uniform insignia.Set of 6 identical diamond shaped metal badges which have 4 sides of star like serrations. A split pin is attached to the back to attach to a garment.Tria Juncta In Uno (three are united in one)major w. c. scurry, brass badges, army uniform insignia -
Nillumbik Shire Council
Print (drypoint): Rick AMOR (b.1948 Melbourne, AUS), Rick Amor, 'The Ruin' from 'The Baldessin & Friends' commemorative folio, 2016
Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018 -
Nillumbik Shire Council
Public Art: Ernst FRIES (b.1934 Wurzburg, Germany - arrived 1959 Aus), Ernst Fries, Surveyor of Suburban Environs, Location: Alistair Knox Park, Main Road, Eltham, 1991
'Surveyor of Suburban Environs' was one of the acquisitions from the 1991 Eltham Art Awards (now known as the Nillumbik Prize - and formally the Nillumbik Art Awards). This was the first piece acquired from this award which was suitable for a public space. Nillumbik is referred to as the "Green Wedge" and the sculpture "Surveyor of Suburban Environs" suggests a watchful observer of the surrounding landscape. The sculpture's central motif represents an eye held up on a pedestal by a tail. Its form has been likened to the Eye of Horus, an ancient Egyptian symbol of protection, royal power and good health personified in the goddess Wadjet or 'green one'. This likeness would suggest that the observer or surveyor has a divine status and spiritual connection to its environment. Polished stainless steel sculpture comprising an eye reminiscent of ancient egyptian hieroglyphics, which is held up with a tappered and jaggered tail like pedestal. Concrete base. N/Apublic art, fries, spiritual, eye, stainless steel, goddess, surveyor, sculpture, environment -
Tatura Irrigation & Wartime Camps Museum
Badge
Formerly possession of local Ex RAAF serviceman, Flight Lieutenant Ren SmithOval shaped decorative filigree brass badge with with wreath - like leaves. Sides and crown at top. Letters RAF form the centre. Evidence of missing stud on back. smith, ren, badge, raaf -
Tatura Irrigation & Wartime Camps Museum
Domestic object - CIgarette Box, 1940's
Crafted by Camp 1 interneeVarnished cigarette box with a lid and a brass hinge. Slot for cigarettes in the box and a pull out draw like cavity at the bottom to release the cigarettes. There is a black knob in the draw.camp 1 -
Hume City Civic Collection
Photograph, c1893
This photo taken before a detachment from the Sunbury Battery left for England to participate in the Military Tournament in May 1893.B/W framed photo 13 men (in uniform) of the Sunbury Battery in May 1893. Photo unframed, mounted on cardboard with a paper-like frame pasted on surround.(written in ink) OUR BOYS AT HOME / in May 1893 Driver Wallace, Gunner Breen, Gunner Harrison, Major F. C. Hughes, Driver W. Paterson, Driver Ryan, / Sergt. Looney. Driver T. Paterson, Lieut. C. G. Ryan, Corp. MacKinnon, Sergt. Shannon. Corp. Nicholson, Sergt. Shields / The Detachment from Sunbury Battery now on the way to England to participate in the Military Tourament.rupertswood, battery, breen, - (gunner), wallace, - (driver), harrison, hughes, f. c. (major), paterson, w. (driver), ryan, looney, - (sgt), t. (driver), mackinnon, - (driver) (corp), c. g. (lieut), shannon, nicholson, - (corp), shields, military, england, armed forces, 1890s, uniforms, clothing and dress, george evans collection -
Flagstaff Hill Maritime Museum and Village
Folder
Folder marked "Letters". Box like with hinged lid and metal latch. Resembles a book. Constructed from wood and cardboard and covered with brown patterned paper, faded.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Port Melbourne Historical & Preservation Society
Book - Memoir, George A Loutit, My Reminiscences, May 1901
Medium, hardback red coloured book. 120 pages. Written by George A. Loutit, trying to explain to his grandchildren what life was like in the early 20th century.transport - tramways, education - other, george a loutit -
Coal Creek Community Park & Museum
Concertina Accordian, Gebr. Ludwig Accordeon
Black concertina accordion with some snake skin like pattern on box, gold trim around keys and silver trim. Made by Gebr. Ludwig Accordeon, Germany -
Geoffrey Kaye Museum of Anaesthetic History
Syringe, 1853
Charles Gabriel Pravaz (1791-1853) was a French orthopedic surgeon and inventor of the hypodermic syringe. In 1844, Irish physician Francis Rynd (1811-1861) invented the hollow needle. In 1853, French physician Charles Pravaz developed the first practical metal syringe. Pravaz added a fine, hollow needle to the end of his syringe instead of the tube. This was an important innovation. Yet in the pre-antiseptic era it was a mixed blessing. The use of injections rather than oral drug administration can more readily promote the spread of disease as well as facilitating its cure. An understanding of the germ theory of disease - and the cardinal importance of using sterile needles - awaited the discoveries of Lister, Pasteur and Koch. But intravenous injection allows extremely rapid pain-relief - and the induction of general anaesthesia when suitable agents were developed.Small ornate metal syringe with raised ridge at either end and in the middle. Tapers to a point at the distal end with pencil like extrusion. Finger ring at the proximal end.pravaz, intravenous, hyperdermic, subcutaneous, syringe, needle -
Parks Victoria - Maldon State Battery
Covers
Unknown use but probably removed from use due to damage to the part.A pair of circular iron lids concave in shape with three handle like appendages with square holes and a handle on top. The base on the second is thicker and therefore it is a heavier lid -
Nillumbik Shire Council
Sculpture: Angela NAGEL, Angela Nagel, How to Explain Genetics to a Thylacine, 2009
Entry into the 2009 Nillumbik Prize. Angela holds a Masters of Fine Art and has worked with clay for over 20 years. Her work is held in collections around Australia.Angela Nagel's creative practice is informed by an interest in the human condition, universal symbols, mythology and Jung's theory on the 'collective unconscious'. Her hybrid part human/animal creatures reference introduced species and indigenous Australian animals as a way for her to explore a personal mythology, and narrative, of home and environment. Recent work is developing around the relationship of ceramics to other materials such as glass, printmaking and found objects. Angela holds a Masters of Fine Art and has worked with clay for over 20 years. Her work is held in collections around Australia.Human and animal like figure in the stance reminiscent of classical sculpture. Hand built ceramics with engobes, oxides, glaze and gold leaf Medium: Porcelain, oxide, underglazeangela nagel, nillumbik shire council collection, victoria, nillumbik prize, ceramic -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - construction site, Portland, 1960s
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, construction -
Wodonga & District Historical Society Inc
Decorative object - Decorative metal Ornaments, c1900
These small Chinese-influenced ornaments were popular in Australia in the early 1900s.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. 2 small metal containers with with embossed designs. The rectangular container has a leaf design whilst the rectangular container has dragon-like creatures on each side.decorative items, jewellery, lacquerware -
Melbourne Tram Museum
Photograph - Black and White photograph, Melbourne & Metropolitan Tramways Board (MMTB), late 1940's
Black and white photograph of a MMTB Leyland TD5c in the Central Bus garage North Fitzroy. Post 1945, looks like it has hit shop awning corner. tramways, buses, north fitzroy, accidents, leyland, double deck buses, mmtb buses, td5c class, central bus garage -
Bendigo Historical Society Inc.
Accessory - QC BINKS COLLECTION: SILVER RING WITH ENGRAVINGS
A silver ring that was discovered by QC Binks while he was out metal detecting for gold. The ring also has engravings on it which look like falling leafs.bendigo, gold mining, qc binks, qc binks -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF GERTRUDE PERRY
Black and white photograph of Gertrude Perry , dressed in costume relative to the Act of the show. Black top with broad satin like collar and similar marterial in her skirt.entertainment, theatre, costume -
Robin Boyd Foundation
Letter, Andrew Fabinyi (Pergamon Press) to Robin Boyd, 25.08.1971
Letter summarising main points of recent conversation with Robin Boyd - agreement to publish Robin Boyd's manuscript for "The Great, Great, Australian Dream" early in 1972 with some minor revisions, to be received in a fortnight. Attachment included (see item D336.2)Typewritten, quarto, 1 page. -
Warrnambool and District Historical Society Inc.
Booklet, Songbook, Circa mid 20th century
This booklet contains a collection of songs which would have been popular at the time, such as Old King Cole, Come Lasses and Lads and I dream of Jeannie. Some are patriotic such as Bugles of England, Rule Brittania, Song of Australia , There will always be Australia,An individual item which shows songs which would have been popular at the time.Dark red cover with paper label pasted to front. 39 pages most of which have handwritten entries of songs. Index of these songs at the front.S McDonald Sen Commercial on front label. Shirley McDonald inside front and back covers.shirley macdonald, early australian songs, warrnambool -
Bendigo Historical Society Inc.
Document - BUSH COLLECTION: PAMPHLET/FLYER OF CONCERT AND PRESENTATION TO MR H G A WINKELMANN
Single sheet pamphlet/flyer re Complimentary Concert and Presentation to Mr H G A Winkelmann, Payne's Theatre Royal, Bairnsdale Wednesday March 30 1898. Programme (songs and piano solo) including song ''Gondola Dreams'' sung by Mr Bush. Presentation to Mr Winkelmann by Dr Duncan. Tickets - One shilling. Printer: Vogt, Bairnsdale. (Two copies in similar condition).person, individual, bush collection - personal -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Grevillea Aquifolium (Prickly Grevillea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Illustration of a plant with prickly pointed leaves (holy-like) and pink flowers with thin tubular petals and yellow stamens (toothbrush-like in appearance). New leaves are at top with brown-red colouring. To mid-right of plant are two seed pods with a pink petal tube emerging from end. Mounted in double matt (faun on orange), framed under glass in gold, blue and brown wooden frame.Front: CE Woolcock (lower left) (green pencil) Back: Grevillea aquifolium (Variable Prickly Grevillea) (Sticky label, blue pen) CE Woolcock (signature)collin woolcock, botanical, woolcock collection, cema -
Vision Australia
Photograph - Image, Neil and Elizabeth Maxwell with their John Wilson award
Summary update of Centenary AppealNeil and Elizabeth Maxwell with the John Wilson award and citation, which they received in 2000 in recognition of their many years of service and contribution to the Association for the Blind and Vision Australia Foundation.1 colour photograph of Neil and Elizabeth Maxwellnon-fictionHandwritten on the reverse: Neil & I when we got an award a couple of years ago. A bit like Ma & Pa Kettleelizabeth maxwell, neil maxwell, vision australia foundation -
Bendigo Military Museum
Book - SOUVENIR BOOK, Vandyke Printers LTD, London Scene, C.WW2
Souvenired by Fred Davey on a visit to London during WW2, it was sent to the recipient on 21.9.1943, part of the Frederick Gardner Davey DFC RAAF collection. Refer Cat No 3536P for his service records.Book, soft cover with stapled pages, front cover features a sepia tone photograph of ships in dock, a group of men on a barge is in the foreground, book title in white lettering on a dark background, pages are not numbered and feature sepia tone photo’s with captions, picture on the rear cover features, boats on a river with buildings in the foreground.Hand written on front cover in black ink, “ 21/9/43. With love Fred. These pictures are exactly like the real thing”souvenirs, london, -
National Vietnam Veterans Museum (NVVM)
Functional Object - Cigarette Lighter
Bronze Zippo Lighter with inscription. "IT"S BEEN\A HARD DAY\I'VE BEEN\WORKING LIKE DOG", Vietnam Binh Long 65-66, Eagle in Flightlighter, 1961-1975 - vietnam -
Robin Boyd Foundation
Newspaper - Clipping, Ron Kennedy, On how to recognise an Aussie, Sep-72
A copy of an extract of Robin Boyd's book 'The Great, Great Australian Dream', and a brief review, published in 'The Times' in Hamilton New Zealand It is accompanied by a letter dated 19 September 1972 from Andrew Fabinyi from Pergamon Press to Patricia Boyd.Photocopy of an article, with an original letter enclosed in an envelope.walsh st library -
Federation University Art Collection
Artwork, Troy Firebrace, 'A Galaxy Swirl' by Troy Firebrace, 2015
Troy FIREBRACE (c1994-) Country/Language: Yorta Yorta Troy is a Shepparton born Yorta Yorta man, whose career is on the rise after winning the prestigious Federation University Acquisitive Award for Work by a Victorian Regional Artist at the 10th Victorian Indigenous Art Awards. He completed Year Twelve at Shepparton Secondary College in 2010, and in 2015 Troy was studying Creative Arts at La Trobe University, Bendigo where he has pursued his interest in his Aboriginal identity and art. He is largely influenced by the art of his Uncle Chris Firebrace and he enjoys the design aspects of creating a painting. Usually Troyʼs works contain a narrative, or at least hint of a meaning that he would like to convey to people. Influenced by the imagery of his Aboriginal cultural background he works at bringing together references of landscape, environmental processes and concerns, looking at the way in which we as humans relate to the natural world. Troy seeks to find and demonstrate a connection between humanity and the environment, exploring the idea of harmonious co-existence. Artist's statement: "‘Stories are being told and shared like particles in the universe, a constant swirl of words filled with emotions creating a pattern — explosions — smashing into each other creating a layering effect — creating worlds, planets — well nourished and suited to sustain life, and from this life new stories will emerge, to be told, to be shared — a continuous galaxy swirl. I like the idea that we are a part of something bigger — yes, the earth is massive, but we are just a speck of something far beyond the Milky Way itself.” The work was inspired by the work of abstract expressionist painter Jackson Pollock, science and space. This work won the 2015 Victorian Indigenous Art Awards Federation University Acquisitive Award for work by a Victorian regional artist. His canvas 'A Galaxy Swirl' was described by judges as ‘‘a vibrant and dynamic painting that, as the artist explains, epitomises a bringing together of modernism and Aboriginal arts’’.victorian indigenous art awards, troy firebrace, artwork, artist, indigenous, aboriginal, painting, indigenous artist