Found in the donor's house in Service Street, Clunes, Victoria, AustraliaSMALL LEATHER BELLOWS WITH STEEL PIPE PROTRUDING FROM TOP OF BELLOWS, TIMBER FRAMED WITH UPHOLSTERY TACK TO JOIN LEATHER TO FRAME.Nilbellows, fire implements

Opened in 1857, St Kilda Railway Station is the oldest surviving railway station in Victoria. In the 1920s it was the second busiest station in Victoria after Flinders Street. Competition from motor traffic led to the decline of the station and of St Kilda itself. Services on the line were reduced in 1981 and it was converted to a tram route in November 1987. In 1989, several fires damaged the timber station building and by December, the roof had been destroyed. Metropol Apartments at 60 & 64 Fitzroy Street, completed by 2002, were constructed on the station forecourt site. The former station has been heavily redeveloped and now houses bars, restaurants and retail outlets. Colour photographst kilda, st kilda railway station, st kilda train, fitzroy street

GARFIELD ž Kilmartin Road, Cooma.|John Thomas Dougherty, an American, came to the Tatura area in 1874. He married Emily Whitnell from Whroo in 1883 and they had nine children.|He started building Garfield in 1886 and it was not completed until 1897. The building was named after President Garfield of America.|The building still contains the original Ericson wall telephone with its tag inside dated 1906. The house contains many features such as Jacobean over mantel and fire surround in the dining room, stained glass, a push button bell, and a stair well leading to an underground living area used in the summer for coolness. A new glass stair well was installed in the 1980®s to allow more light into the area. J.T. Dougherty died 1936.Photos and foolscap sized documents in a black A 4 size folder.documents, agreements

The Bassett family home at 'Eloora', Lake Bolac. The original house was burned down in the 1944 fire and this was the replacement building.lake bolac, bassett, 'eloora', 1944 fire

Boyd discusses exemplar cases of historical preservation, and many lost opportunities. The task of preserving Australia's historic relics is left to volunteers and amateurs, with notable exception of Nunawading, unlike almost every other countries In other countries, the Government recognises its responsibility and Boyd presents examples. He suggests a model that Australia could follow.Original manuscript of an article published in "The Australian", 23.10.1965Typewritten (c copy), quarto, 9 pagesst matthew's church, francis greenway, robe, ormerod cottages, robe customs house, avoca lodge, andrew hayward newell, preservation, conservation, robin boyd, manuscript

The flames closed in on the house and Granny and the children were terrified. But meanwhile, high in the sky above them, exercising his powers in scientific rainmaking, was The Flying Dogtor. The sky was filled with rain and it put out the fire. Crafty Carson Carpetbag and Old Man Redback, with the help of Elvis Evil Eagle, got a hold of the rainmaking powder and schemed to start a flood.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 5 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the main bedroom of Villa Alba. The original 1880s white marble mantel surround has a raised iron and brass cast iron grate with hearth and side tiles by Mintons Ltd. The marble fire surround has being carved in a conventional style and lacks the opulence of what was at the time described as the grandest bedroom in the Colony, whereas the raised grate features decorative brass sun symbols and scrolling on the iron panels. The 'grey monochrome' surround tiles, of which there are eight in situ were produced to design by John Moyr Smith by Mintons Ltd as part of the 'Waverley' series (No, 1607) of which there were twelve subjects (Mintons Catalogue, p. 62/206). The selection conforms to William Greenlaw's desire to symbolically represent Scottish themes in the decoration of the house. It also relates to the mural in the dining room architrave of scenes from the novels of Sir Walter Scott. The three rows of hearth tiles employ a repeated geometric pattern.fireplaces, mintons, mintons - tiles, villa alba - main bedroom

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the fourth bedroom of Villa Alba. This is the only replacement fire place setting in the house. It was purchased with the support of a grant from the Bendigo Community Bank - Kew East Branch. The mantel, like that in the. third bedroom features garlands of polychrome painted flowers on the three panels. The mantel is inset with monochrome surround and hearth tiles. The latter is incomplete, missing the front row. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba - fourth bedroom

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Council room in the Capitol Building - Williamsburg, Virginia, USA. (Capitol Building in Williamsburg, Virginia. Location of both Houses of the Virginia General Assembley from 1705 to 1780. The building was rebuilt twice, after a fire in 1747, and 1832.). (Architects: Perry, Shaw and Hepburn.)Council Room, The Capitol / RB / E (All Handwritten)mit bemis professorship, mit, robin boyd, slide

The disused cottage was owned by Alec Lloyd who was the fruiterer in Sunbury. It was situated on a sheep run on the Diggers Rest-Toolern Vale Road and was destroyed by fire in the early 1990's.A coloured photograph of a weatherboard farm cottage in a paddock with tall gum trees behind the house. The cottage with a pitched roof over the main structure and a lean-to with skillion roof at the rear is used as a storage for hay. The remains of a tank are on one side of the house and sheep are grazing around the property.farm cottages, sheep farming, lloyd, alec, george evans collection

This photograph was taken when the Sunbury Fire Brigade attended the Fire Brigade Demonstration Day in Geelong in 1936. Demonstration Days were a regular event.A black and white photograph of twelve men from Sunbury Fire Brigade in uniform standing in front of a corrugated iron fence.written on back: No. 2 / Geelong 1936|stamp: Lloyd / chemist / Sunburycountry fire authority, firefighters, sunbury fire brigade, sunbury, wileman, herb, boardman, eric, reilly, houses, corrugated iron, construction materials, brick, uniforms, george evans collection

These small heavy flat irons were used to iron clothes prior to electric irons being invented. They were heated on a wood fire stove top and used quickly before they lost heat to iron items of clothing and other small items. These irons were very heavy so that they retained the heat when heated by a wood fire stove top prior to electricity being connected to houses. Flat irons were used in the 1800's and in the early 1900's.Heavy black small flat iron with handle on top. Iron tapers from flat wide base to rounded point. It has a round logo on front under the handle.Unreadable round possibly manufacturers logo.social history, irons, ironing, domestic items, 1800's

Holtermann Photo 1874Main Street looking West from Layzell Street. On left Heide's European Hotel with Heide's two boys out front, David Nicholas Hotel. Foresters Hotel on corner of Patrick street, Fire damaged wall of Mechanics Institute. Top roofline of J. Allingham Drapers in distance. From right R.W. Dane Grocer on corner. Union Bank of Australia, Bennett & Bristow, A.B. Clemes, J. Punchard Furniture Mart, J. Punchard's Timber Yard. Oriental Bank, Bank of Victoria, D Telford Produce and Grocer, Chadwick & Co Drapers & Outfitters / London House, Stawell Auction Market Auctioneer.stawell

PHOTOGRAPH OF JUNCTION OF FRASER & BAILEY STREET, CLUNES. FIRE BRIGADE REEL SHED IN FOREGROUND. LUFF'S TWO STOREY HOUSE IN BACKGROUND.ORIGINAL SEPIA PHOTOGRAPH OF VIEW OF CLUNES,TAKEN FROM FRASER STREET.local history, photography, photographs, clunes township

PHOTOCOPY OF A PHOTOGRAPH OF A HOUSE, SHOWING THREE WOMEN AND A YOUNG GIRL ON THE FRONT VERANDAH. THIS COULD BE THE HOMESTEAD AT SCALE PARK CLUNES, LATER DESTROYED BY FIRElocal history, photography, photographs, carter family

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire

David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield.

Tulach Ard was the home of the McKenzie family, a long time local family, which was located at 13 Macs St, adjoining the Post Office. It is estimated that this occurred in the 1960's and it was not rebuilt. In photo 2 the lady in the lower right corner, beside the telephone box is Dawn Irvine.The McKenzie family were Peterborough pioneers and descendants still live in the area. Their home, Tulloch Ard, burnt to the ground. Photocopy of two photographs on one page showing McKenzie's home, Tulach Ard on fire.Pencilled inscription "B. Jenkins 2013"peterborough, house fires, mckenzie family, tulach ard, tulach ard guesthouse, tullach ard

The Royal Australian Naval Bridging Train (RANBT) was formed of 300 men based initially at Kangaroo Beach on the Gallipoli Peninsula from 1915, during WWI. They built and maintained jetties and were constantly under fire. Some of these men lost their lives and a number were wounded during their 5 months of service here. As a result the RANBT was the most highly decorated unit during WWI. The unit then continued to the Middle East, operating bridges over the Suez Canal before the unit was disbanded (Australian War Memorial online, 2014).These badges represent a highly specialised and decorated Unit from WWI. The RANBT was made up of 300 men who served in Gallipoli and in the Middle East from 1915-1917. The badges are associated with Australian defense and form significant links to ANZAC history. A pair of brass shoulder titles "NBT" from the Naval Bridging Train attached to paper card. They have a loop shank at the back for fastening."NBT" Naval Bridging Trainshoulder title, royal australian naval bridging train, ranbt, navy shoulder badge

Diamond House Stawell Built by John HearneB/W Photo of Diamond House from across half of Seaby St. Showing Prince St sign , fire hydrant, Prince St. .and footpath Trees across Princes Street façade. Seaby St. façade shows two windows, chimney and diamond pattern with extension.stawell

This house was effectively in the middle of Scallan and Byrne Street intersection. Purchased by the council to be demolished c1975 to allow road to be aligned.House in centre of image. Old Fire Station on right looking down Scallan Street.

This pole was used in the construction of the first Torquay Lifesaving Club clubhouse in 1945. it was dug up by club members from the mouth of Spring Creek, where it had been laid as part of defence strategy during WW2. In the 1940s 'Tank Traps' were placed across low lying Victorian Beaches to stop potential invading Japanese forces. This pole was salvaged from the ashes of the fire which destroyed the first TLSC clubhouse in 1970.This wooden pole was used in the foundations of the first Torquay Surf Life saving Club club house. Timber pole associated with WW2 and Torquay SLSC, damaged by fire in 1970.torquay lifesaving club, 'tank traps', world war 11, local war defences

Part of the original fittings of the house when M's Dobson purchased the home. Matches a gas fire in the lounge room.Cream enamelled METTERS Gas Copper, complete with lid, burners, flue and drain cock. Consists of internal copper boiler . external enamelled surround and mounted on four legs.Light Here|Metter K.F.B. Pty Ltd Footscray. Gas Wash Boiler| N.T.I. 35000 B.Th. U/hr at 3' W.G|Capacity 12 Gallons| Serial Number No. 85domestic items, laundering