This restored porthole frame was recovered from the wreck of the Falls of Halladale at Peterborough Victoria. The Falls of Halladale- The ship was an iron-hulled, four-masted barque, used as a bulk carrier of general cargo. She left New York in August 1908 bound for Melbourne and Sydney. In her hold was general cargo consisting of roofing tiles, barbed wire, stoves, oil, benzene, and many other manufactured items. After three months at sea and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland on the 15th of November, 1908. The captain and 29 crew members survived, but her cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson's navigational error, not too technical failure of the Clyde-built ship. The Falls of Halladale was built in1886 by Russell & Co., at Greenock shipyards on the River Clyde, Scotland for Wright, Breakenridge & Co of Glasgow. She was one of several designs of the Falls Line of ships named after waterfalls in Scotland. The company was founded between 1870- 1873 as a partnership between Joseph Russell, Anderson Rodger, and William Todd Lithgow. During 1882-92 Russell & Co. standardised designs sped up their building process so much that they could build 271 ships during that time. The Falls of Halladale had a sturdy construction built to carry maximum cargo and was able to maintain full sail in heavy gales, one of the last of the 'windjammers' that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previously, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new, raised catwalk-type decking allowed the crew to move above the deck in stormy conditions. This artefact is important as it is an example of the materials and design of late-19th century ship’s rigging equipment. The object is also significant for its association with the historic sailing ship Falls of Halladale, wrecked in local waters in the early 20th century. The clipper ship Falls of Halladale shipwreck is of historical significance and is listed on the Victorian Heritage Register, No. S255. She was one of the last ships to sail the Trade Routes. She was one of the first vessels to have fore and aft lifting bridges. The vessel is an example of an International Cargo Ship's remains and represents aspects of Victoria’s shipping industry. Porthole frame; cast brass circular frame with several fixing holes, and hinged frame for holding the glass window. The frame has two screw dogs and a solid hinge. The porthole frame has been recondition and the layer of concretion has been removed. The porthole frame was recovered from the wrecked FALLS OF HALLADALE.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, falls of halladale, shippwreck, shipwreck artefact, porthole, pprthole frame, ship's window, ship construction, shipwreck, peterborough, 1908 shipwreck, peterborough shipwreck, russell & co., greenock, wright breakenridge & co. glasgow, clipper ship

Framed photograph showing a band and large group of people processing along Warrenheip Street, Buninyong around 1900. The procession may have been part of the ceremony surrounding the opening of the Rotunda in the Buninyong Botanical Gardens in 1901. Framed photograph showing a band and large group of people processing along Warrenheip Street, Buninyong around 1900. The procession may have been part of the ceremony surrounding the opening of the Rotunda in the Buninyong Botanical Gardens in 1901. buninyong, buninyong botanical gardens, bands, streetscapes

This framed photograph is of the Victoria Challenge Shield which was presented in 1888 by the Warrnambool firm of Cramond and Dickson for competition among the Victoria Garrison Artillery members in Victoria. There were 8 garrison groups in Victoria at that time. The shield was 22 inches wide and two feet six inches high.The quality of the shield can be gauged by that fact that it was exhibited at the Glasgow International Exhibition of 1888 and was one of the items inspected by Queen Victoria. The stipulation by the donors was that the competition had to be held in Warrnambool. The Warrnambool artillery group won the trophy in 1898 and this is noted in one of the newspaper cuttings included with the photograph of the shield. The Cramond and Dickson general store in Warrnambool was founded in 1855 by John Cramond and James Dickson and was a prominent business in Warrnambool until it closed in 1973. This photograph is of considerable interest as it is a reminder of the Victoria Challenge Shield that was a competition prize for competing groups of the Victoria Garrison Artillery in the times when volunteer militia groups were strong in Victorian country towns ( from the 1860s to the beginning of the First World War). This is a framed oval photograph of the Victoria Challenge Shield. The photograph is of poor production and fading. The shield details include images of War and Peace, Coat of Arms, militia figures and guns and a rifle match (in the centre). There are two newspaper cuttings included in the frame and a handwritten date. The photograph has a beige background and is under glass in a wooden frameVictoria Challenge Shield inspected by Her Most Gracious Majesty the Queen at the Glasgow International Exhibition 24th August 1888 presented by Messrs Cramond & Dickson Warrnambool cramond & dickson warrnambool, victoria challenge shield, garrison artillery groups in victoria

Displayed in History House. Borough of Portland (1864-1949)Large black and white photograph of a man with receding grey hair and a neat rounded white beard and moustache. He is wearing a three-piece suit with a dark tie and white shirt, and holding folded white paper in his left hand. Mounted in a wood veneer matt in a wide wooden frame, under glass.Front: Cr Hill/August 1920-1932/Mayor 1926-27, 1928-29 (engraved on plawue, lower centre frame)civic photography, portrait, councillor, city of portland

Black and white photograph mounted on dark brown frame. 18 young men posing for photograph in 3 row structure - on the background, arena style sitting area - and serious man on top left, dressed in 'detective' style. They are all in Victoria Police Football Club uniform, white or dark shorts, socks to the knees, sporting boots and shirts with VFP letters.Handwritten in the front of the frame, bellow photograph: Victorian Police Football Club June 1926 Handwritten on the back of the frame: 41502 // Bill 20 years Victoria Police Football // Team 1926 // Premiers Mid Week Association // 1926 BILL POULTER // FRONT ROW EXTREM RIGHTvictoria police museum, police officers, police academy, police force, football, sports, vpfa, william, poulter, bill poulter, victoria police football team, victoria police football club

Art collection Previously located in History HouseThe painting depicts a large body of water surrounded by tree-covered riverbank. Depicted in shades of blue and grey, the water features patches of brown and blue which illustrate the reflections of riverbank trees. In the foreground to the left of the water is a large tree which extends up to cover the top left skyline of the work. Featured in the background is a dense patch of trees completed in shades of blue. To the right of the water is a dense patch of trees completed in shades of brown and black. These trees reach into a purple and blue cloud-filled sky. The work has a gilded ornate frame with cardboard and gold mount and exposed canvas.Front: A.S. Murray Plaque attached to frame: SCENE on the RIVER MURRAY Back: (no inscriptions)

Ray Simpson VC, DCM. Refer 630 for his service history, WW2, Korea, Malaya, Vietnam. This portrait came as an extra to a large framed print of Australia’s 96 at the time Victoria Cross winners.Dark brown marbled effect timber frame, with gold inner edge glass, gold metal look name plate glued to glass at lower edge. Coloured print of a water colour painting of soldier RAYENE STEWART SIMPSON in uniform. Black print on gold name plate: SIMPSON Rayene Stewart VC Rank Warrant Officer Class II Unit: Australian Army Training Team: Vietnam Date: 6 and 11 May 1969 Place: Kontum Province, South Vietnam (now the Socialist Republic of Vietnam)portraits, illustrations-watercolour, aattv, vc

For Trafalgar Day, 20 October 1914, the Archbishop of Canterbury in England had "drawn up a new form of private prayer to be offered up specially for the sailors of the Fleets in the present crisis. He suggested its use particularly at noon as a silent prayer, when those at work may be reminded by the ringing of the " Angelus" bell to lift up their hearts to the Lord. The prayer was as follow: "O Thou that slumberest not nor sleepest, protect, we pray Thee, our sailors from the hidden perils of the sea, from the snares and assaults of the enemy. In the anxious hours of waiting, steady and support those on whom the burdens of responsibility lies heavily, and grant that in dangers often, watching often, in weariness often, they may serve Thee with a quiet mind, through Jesus Christ our Lord. Amen.” The prayer illustrated by English artist G.M. Langley became popular. Prints were sold as gift for 7/9 each with an oak frame. As mentioned in the ' Quarterly Jottings from our log" no 47 midwinter 1917: the etching was gifted to the Mission for display in the new Chapel by the Godfrey sisters. The frame was gifted by their cousin's wife, Mrs William Scott Purves Godfrey ( ' Quarterly Jottings from our log" no 48 Michaelmas 1917).The print was gifted by the Misses Godfrey, influential and long term members and supporters of the Ladies Harbour Light Guild. At the time of the completion of the St Peter's Chapel in September 1917, it was dedicated to the memory of all merchant seamen serving in the long war. The print subject, of the sailor guarded by Jesus was no doubt intended to inspire faith and hope but also acknowledges and reflects the anxious days of waiting not only of the sailors and seafarers negotiating the dangerous waters and oceans but also the challenge for families, experiencing the widespread anxieties of a world at war. Wood framed and glazed engraved print of Jesus Christ with sailor in the foreground and printed inscription on mount belowSignature of artist lower left of print.: G M Langley Printed on mount at lower right: "In the Anxious hours of waiting"g.m. langley, prints, engravings, merchant seamen, seafarers, ww1, godfrey family, ethel augusta godfrey, frederica godfrey, first world war, great war, mrs william scott purves godfrey, rica godfrey, rita godfrey, artwork-paintings

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4836)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Once a row of shops wase situated here and then the Eltham RSL sub branch occupied this site from the 1950s. The War Memorial obelisk was relocated here from it oriiginal site and situated in front of the building. After the branch amalgamated with Montmorency in 2012, the building was subsequently sold and demolished. The memorial was relocated. Units now occupy the site. Changing streetscapeRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscape - RSL branch merged with Montmorency. Land sold and since developed into units.Roll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingmonuments, church, eltham rsl sub-branch, eltham uniting church, main road

Changing streetscapeRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numberingchurch, pitt street, st margaret's anglican church

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering

Possibly the Bassett-Smith propertyRoll of 35mm colour negative film, 6 stripsUnidentified; half-frame numbering