Skein holder is from c1890-1900 and used by four generations of the donor's family who lived around Woori Yallock and Yellingbo. Donor's family descended from settler John Douthie (1831-1897), his son Andrew Douthie married Jessie Sands Smith (1875 - 1948). Item believed to have been owned by Jessie who passed it on to her fourth child, Mary, who passed it to her child Lillian who passed it to her daughter Leanne, the donor. No makers mark on item. Mary worked as a teacher and sewing mistress at Woori Yallock Primary School and used the item in her personal time to make clothing for the family.An umbrella-style wooden skein holder with a metal clamp at the base to allow it to attach to a table or similar. When not in use, item is small and compact, however once unfolded the arms extend out in an umbrella shape with thin timber rods bound together with leather ties.

Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including withdrawal of the Country Concert Party due to the influenza epidemic, efforts being made to develop a Sewing Guild, continuation of Bark Plaiting to make small baskets, introduction of a French Polishing and Boot Repairing classes, the need for a separate building at Brighton to house the ill and the establishment of fund towards this with a 100 pound donation from the Felton Bequest, and the unfortunate increase in deaths amongst members due to the epidemic including past President T. Lowe, Country Concert Party singer Miss N Gray, and the return from active service of Dr Grey.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports

A copy of note that was given to donors to thank them for their donations it was sent with their receipt. Was part of a folio of proforma stationery from the 1960s. The flyer gives some information about Legacy House. It mentions the facilities available for the benefit of widows and children. Including two large well equipped gymnasia which are attended by more than 700 junior legatees each week. A dental clinic were Junior Legatees under 17 years of age are able to receive free dental examinations and treatment. Free medical examinations are carried out here too. Meeting rooms for Junior Legacy Mothers' Club and Senior Widows Club (those over 50 years of age). When printed the Senior Widows Club numbered more than 5,200. It mentions room for fetes run by a number of auxiliaries to raise funds. Also a sewing room fitted with 5 electric sewing machines to make costumes for the Annual Demonstration. A well equipped library for use of the Junior Legatees. A ladies lounge and television room where widows may rest when visiting the city. Rooms for speech training and mathematics coaching classes. A maintenance workshop where all sporting and general equipment used by widows and children can be repaired and/or constructed. Sundry committee meeting rooms where members of Legacy meet to consider and find solutions for the many problems which arise in respect of the families they care for. Sundry equipment and costume storerooms. Office accommodation for permanent staff including welfare and pension officers. Was compiled in a folio of proforma stationery. A similar set of proformas are at 00338.A record of forms and items used in Legacy's business practices in the 1960s.Yellow brochure thanking donors and a flyer about Legacy pasted on brown paper from a folio of forms and brochures from the 1960s.Pencil mark '1960/1'.proformas, stationery, forms, dureau house

The cards were sent from Leonard James Kennedy Myers No 593 B Coy 38th Bn. .2) Main text of letter is that he is alive and well and that they have been in and out of the Trenches. .3) Main text is that he is alive and well and that they will be going to France by the end of the month. Refer Cat No 5062.2P for his service details and death..1) Xmas card folding 4 pages joined by a brown ribbon in a bow, front has a raised gold Rising Sun with text and music bars, centre has a 4 line short poem followed by a Xmas greeting, hand written at the bottom in ink. .2) Silk Post card with card surround, centre has silk sewing with flags, flowers, writing in gold, an open section that allows for a small card insert with message on, rear has a hand written letter in pencil. .3) Post card B & W with drawing at top followed by a poem of 5 verses, signed in pencil, rear has a hand written letter in pencil..1) Inside, “From Jim to Father” .2) On silk, “I’m thinking on you”. On small card, “From your loving son”. On rear, “France 31.4.1917, Dear Mother, love from Jim xxx”. .3) On front, “To my truest of Pals, my Mother, from Jim”. On rear, “Nov 6th 1916, Dear Mum, goodbye from Jim”.postcards, xmas, 38th bn, b coy

Black and white photographs (s) mounted on rectangular brown board. House, two storey, brick, roughcast above dado height, upper storey has shingles under windows shingles below front gable. Brick verandah piers with wooden freized upperparts. Two stepped masonry approaches, two event verandahs. Roughcast to lower walls below floor level, lower window with six lights [5 leadlighted] On back of photo ' Phillips, Carpenter Street. £2500 sewered with all furnishing including wireless set but not including sewing machine, piano or organ and £3000 with all furniture'. 2012 photo of house attached to record.bendigo, business, t c watts & son

Set of 17 large and 7 small TB uniform clothing buttons. Large Button about 23 diameter, with TB crest, with backing piece and lug for sewing on rear. Nickel plated silver? Most have two holes in the rear as well. All but one made by Stokes and Sons, Victoria. One large button made by K. G. Luke A/Asia. Small button, approx. 16 diameter, as above, with or without holes in the rear. One button by K. G. Luke A/Asia, four by Stokes and Sons, Victoria and the other two difficult to determine due to dirt etc. Donated by Peter Winspur, from his surplus collection - Nov. 2006 tram, trams, mmtb, melbourne tramways, uniforms, buttons

Set of three coat buttons: 1 - Small Prahran and Malvern Tramways Trust - PMTT - made by Stokes and Sons Melbourne - approx. 20mm dia. The badge backing piece is brass. 2 - Large PMTT - heavily worn - made by Stokes and Sons Melbourne - approx. 26mm dia - missing lug. 3 - MMTB button or Badge - damaged - made by Buttons of Birmingham UK - approx. 25mm dia. Each button has a backing piece on rear with a lug (except for 2) for sewing onto a jacket and have name of manufacturer stamped on rear part. "Buttons Ltd" of Birmingham, England has their trade mark, a pair of fully opened scissors.trams, tramways, mmtb, melbourne tramways, uniforms, buttons, pmtt

Pupils and staff at Wickliffe State School no 948, 1916. Teacher: Mr John Aldie. Sewing Teacher: Miss Nell Ford. Back: Donald Gale, Jack Cleary, Alan Grimmer, Fred Prust, Geoff McInnes, Jim Farrell, Claude Pagels, Jim Ford, Albert Smith. 2nd Row: Hilda Farrell, Jean McInnes, Mona Wileman, Inez Farrell, _________, Marg Prust, Sid Prust, Ray Grimmer. 3rd Row: Mary McInnes, Eileen Cleary, Evie Jackson, Nell McInnes, mMillie Blacjham, Stella Pagels, Kathie Ferguson, Gertie Pagels, Bill Blackham. 4th Row: Ruby Prust, Nell Grimmer, Keith McInnes ,_________, G Wileman, ___________. Front: Allan Gale, Robert Stuart McInnes.wickliffe state school no 948. blackham, cleary, farrell ,ferguson, ford, gale, grimmer, jackson, mcinnes, pagels, prust, smith, wileman.

Postcard with raised 8.5cm x 8.5cm coloured image of Crystal Palace London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 51' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss Dean McKenzie Street Golden Square Victoria Australia. 1 penny stamp attached.W.N. Sharpe Sole Publisher Bradfordpostcard

Postcard with raised 8.5cm x 8.5cm coloured image of Royal Exchange London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 52' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss Dean Golden Square Victoria Australia. 1 penny stamp attached and postmarked Johannesburg.W.N. Sharpe Sole Publisher Bradfordpostcard

Postcard with raised 8.5cm x 8.5cm coloured image of Buckingham Palace. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 43' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss G Dean Golden Square Victoria Australia. 1 penny stamp attached.W.N. Sharpe Sole Publisher Bradfordpostcard

These thread spools come from the Fletcher Jones Factory in Warrnambool. They would have been used in the sewing and manufacture of the men's and ladies' garments made at the factory. The Fletcher Jones factory was established by David Fletcher Jones in 1948. David Fletcher Jones (1895-1977) set up as a travelling hawker selling drapery in the Western District in the 1920s. In the same decade he opened a shop in Warrnambool manufacturing men's clothing, specialising in the production of men's trousers. In 1946 a Fletcher Jones shop was opened in Melbourne and a company, Fletcher Jones and Staff, was established in 1951. The company expanded to manufacturing both men's and women's clothing, opening outlets in all States and becoming well-known Australia-wide. The company was dissolved in 2011 and the Warrnambool factory was sold.These items are of interest as a memento of the Fletcher Jones Factory and the Fletcher Jones company, one of the most important businesses ever established in Warrnambool and certainly one of the most cherished by the local Warrnambool community..1 A wooden stand with upright spikes holding 11 spools containing coloured thread (various colours). The threads are on blue and black plastic reels. .2 A wooden stand with upright spikes holding 16 spools containing coloured thread (various colours). The threads are on blue and black plastic reels.fletcher jones and staff pty ltd, fletcher jones factory warrnambool

This full length lobster tail bustle was owned and worn by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. Bustles of this form date from the mid-1860s however this example probably dates from the mid 1870s, and perhaps from before her marriage to John Hindson in 1876. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An exceptionally rare and fine, floor length, 'lobster tail' bustle that belonged to Alice Henty possibly worn with her two-piece pink silk gown but also with other dresses that she owned that required a bustle of this shape. The structure of the bustle includes an outer layer of polished cotton with inserted steel hoops and ties at the front. The lower four hoops have flounces of the same fabric. Overall, the bustle contains 12 hoops, crossed nearer the waist and semi-circular for the remainder of the undergarment. [One of the tapes of the bustle is imprinted with the word lockstitch. Elias Howe invented the lockstitch sewing machine in 1846.] Measurements (mm): BUSTLE: Girth - Waist 660 Vertical - Front waist to hem 914, Back waist to hem 965.fashion -- 1870s, alice frances (henty) hindson, women's clothing, bustles, underwear

This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori

A marlinspike is a tool used in marine rope work it is shaped in the form of a polished metal cone tapered to a rounded or flattened point, it is used in such tasks as unlaying rope for splicing or untying knots. For drawing a marline tight and using a marlinspike hitch as well as for joining toggle ropes under tension in a belaying pin splice. Most marlin spikes are 15–30 cm long, but may reach 61 cm and more for working heavy cables and ropes. They are usually made from iron or steel, whereas fids, similar in shape and function, are formed from wood or bone. The marlinspike may be a separate tool or as an item on a pocket knife. Sailors who become proficient at knot tying, splicing, and sewing using the marlinspike are said to have mastered marlinespike seamanship, earning them the right to be known as marlin spikes or marlinspike seamen.A tool still very much in use today wherever a rope or cable requires joining, splicing etc the marlin spike tool design has not changed since first invented centuries ago as a sailors tool to splice and make repairs to ropes and cables on board a ship. This item gives a snapshot into the life sailors have on board sailing vessels past and present. Marlin Spike made of solid steel. Handle is bulbous and spike end is rounded.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, marlin spike

Pupils and teachers attending the Lake Bolac State School No 854, circa 1908. Back from left: Louis Murray, Mrs J Cameron( Sewing teacher), Boyd Golding, Syd Metherall, Billy Richardson, George Henderson, Bessie Waller, Elsie Park, Isobel Leach, Jessie Leach, Marjorie McMillan, Queenie Cameron ,Mr Pye (Teacher), Vida Golding. Middle: Cliff Murray, Billy Waller, Cyril McMaster, Doris Cameron, Mona McMaster, Rita Golding, Myrtle Golding, Adeline Murphy, Madge Robertson, Kitty Graham, Mary Young, Ann Pitkethly. Front: Alec Murray, Donald Waller, Harry Gale, Les Meek, Eion Murray, Fred Blackham, Les Gale, Fred Walker, Bollie Meek, Jack Young, Lily Blackham, Ruby Young, Minnie Young.lake bolac state school no 854, blackham, cameron, gale, golding, graham, henderson, leach, mcmaster, mcmillan, meek, metherall, murray, murphy, park, pitkethly, pye, richardson, walker, waller, young.

Vintage Australian book for the homemaker c1958. The book is published prior to granting of equal pay, affirmation of women's rights, acceptance of working mother and career woman as the norm . The book reinforces the socially accepted concept of the married homemaker and mother as perceived at the time, now the idealised concept is questioned. At the time of publication and reprints this book was envisaged to empower women. Whether' a teenager, career woman,a young married or mother' as a 'guide, philosopher, and friend' The editor Alleyne Jukes was born in Warrnambool to Charles and Mary Jukes of the Floral Farm Warrnambool. She attended Braemar Grammar School and Warrnambool High School. She lived and worked in Melbourne as a journalist and secretary living in St Kilda and Elsternwick 1949, Bentleigh 1954, Oakleigh 1963. In 1961 she gathered together a number of writers and consultants to produce Woman's World, a book designed as the woman's Bible to enable her to have access to expert advice and information about home and outside work fields.The book was hailed at the time at the time as the only work of its type produced entirely for Australian conditions and was an immediate success appealing to a wide range of readers. A similar subject book of smaller size and format has been sighted 'The People's Home Library', 1910 reprinted in 1923 by RC Barnum published by The Oceanic Publishing Company. A Library of three practical books, Medical 478 pp, Home Recipe 238 pp and Home Stock 315pp.This book is a guide for everything from how to answer a telephone correctly to sorting out marital problems. A reference guide for how to be a complete and successful young woman. Courses on Beauty, Fashion, Poise and Personality, Cooking,Every Wise Woman, Love and Marriage, The Home, The Family and Interests and Hobbies. This book has significance for Warrnambool as Alleyne Jukes was born in Warrnambool and has strong family connections to the district.A hardback reference book 'Woman's World' with a cream vinyl binding of flecked fabric outside cover and spine. Gold gilt lettering for the title and a gold gilt rose motif on the front; gold gilt lettering and publisher's name on the spine; plain back cover. The endpapers are repeated of black and white pen ink drawings showing the roles of women on varying splashes of a vairety of mono-coloured backgrounds. A general index on page 602 plus cooking index page 606 and dressmaking and sewing index page 607. The 607 pages are printed on thick, gloss white paper for 64 pages and coarser, white matt paper for the remainder. The table of contents lists a pictorial Introduction and nine chapters (courses) 'that is a 'bible' to the woman 'cares' and is vital to her as her femininity'. The editor has a heading "WOMAN" The Unacknowledged Specialist" and signed with her printed signature...Alleyne Jukes.' No dedication included although a text from Proverbs.alleyne m jukes, woman, self improvement, 'bible', warrnambool

A school sampler from the 1930's, demonstrating a mastery of numerable sewing skills: Buttonholes- both bound;6 bound buttonholes. Button loop fastening 17 rouleau loops. Seams: Plain flat seam, machine stitched-part neatened by hand, and part neatened by machine. An overlapped flat seam-machine stitched. Fasteners: Press-studs (3) Buttons (4) shanked and f;flat. Metal hook-and-eyes (3), one eye hand stitched, all attached in buttonhole stitch. Pockets: (2) Machine stitched. Collar: (1) Rounded ''Peter Pan"" collar, with bound placket opening, one pearl button, and hand stitched loop. Facings (3). One square, one round, one Vshaped. Pintucks: 4 machine stitched pintucks.textiles, domestic, school needlework sampler 1930's

A large thick, heavy green hardcover Girl's Own Annual Volume 46 with a large square picture depicting two women walking in the snow holding bunches of holly. The title is in red print and there is holly surrounding the illustration. The spine has the title printed in gold lettering, holly leaves and Vol 46 in black type at the bottom. It is a 1924 edition of this series. The end papers show green tinted woods and a stream. The coloured frontispiece is of a woman decorating a Christmas Tree from the story - The Christmas Fairy. Tissue paper protects this page. The contents of the book are for girls and women with stories, knitting and sewing patterns, handy home hints, factual information and more. There is an emphasis on Royal Family life. Inside is a 1997 religious bookmark for a Ekankar Seminar, Brisbane Australia. A bookplate is pasted at the front of the book. non-fictionThe contents of the book are for girls and women with stories, knitting and sewing patterns, handy home hints, factual information and more. There is an emphasis on Royal Family life.books, children's books, awards, adventure stories, family life fiction, family life

SHOW GIRL COMPETITION by Margaret Joy Harding (nee Joy Chapman.) In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting.Digital file only - Newsclipping on loan for scanning by EDHSeltham lower park, joy chapman, lyons garage, margaret harding, miss eltham 1965, miss victoria show girl, show girl competition

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

From its beginning, the Royal Victorian Institute for the Blind grew in size and its number of employees and benefactors. These bound volumes of annual reports contain the information sent to subscribers of the Institute and outline the notable events and difficulties facing the blind and the RVIB. In this report praise for both the school and the work of the Insitute by external agencies is mentioned, the program of allowing children to handle exhibits courtesy of the Museum of Victoria, Hugh Jeffrey has just attained his degree as a Bachelor of Music (only the second to do so), honours also to Arthur McKay and other pupils who received Honours passes at university, over 1000 piano tunings were carried out this year by RVIB trained specialists, the Institute classes in cooking and hand and machine sewing have proven useful to single and married women of Melbourne, the Institute supports two cricket teams as well as other physical culture, and providing advisc to the Post Master General concerning telephone dials.1 volume bound with illustrations.royal victorian institute for the blind, annual reports

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women.This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.Bronze and gold embroidery and bead work on black mesh.needlework, beading, sewing, sew, hamilton-smith collection, hamilton-smith, ellwood, handmade, domestic, women, women's history

1. National Trust 2005 calendar titled 'Early Images of Central Victoria' . 2. A4 sized Deidre Chesney correspondence to Jim Evans thanking him for inclusion of two BHS donated photographs. 3. Order Form. Calendar images in consecutive order 1. Bicycle Race Bendigo c1930. [BHS] 2. First Locomotive leaving Thompson's Foundry Castlemaine. 3. Portrait of Five Sisters. 4. Hanging Rock Races 1890. 5. Heath's Grocery Store. 6. Bendigo Women's Sewing Circle for the Boer War held in Fortuna Villa. 7. The Corner 'Ballarat first Mining Exchange'. 8. Clunes Children in Fancy Dress. 9. Walking Group ,Trentham Falls 1920. 10. Motorcyclists outside the Dunn & Allan store Ararat 1920. 12. Daylesford Lacrosse Team, 1910.bendigo, history, early images

Black and white photograph of W6 994 in Smith St. Collingwood/Fitzroy, in bound on route 90 to City - Spencer St., picking up passengers at a tram stop. Pole obscuring front of tram. Tram has destination "City Spencer St" and run number "P44" Tram appears to be fairly crowded already. Photo taken c1956 with a number of motor cars in the street including some Holdens. In the background are a number of shop fronts, with signs for "Singer Sewing Machines", "Freddo frogs", "Peters Ice Cream", Davies Hardware, John Cornish. On the side of the photograph is the first part of a Woolworths store front. The address of the John Cornish, Mercer, was 205 Smith St. Fitzroy and Woolworths were at 182 -184 Smith St. Collingwood. See 1968 Sands and McDougal Director of Victoria for Smith St. details.trams, tramways, mmtb, smith st., w6 class, bourke st., tram w6 994

This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion

Slide photograph of ladies preparing costumes in Legacy House in the 1950s or 1960s. There is a sewing machine in the background. The lady in centre back is Miss Enez Domec Carre who ran the girls classes for many years. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Costumes for the Annual Demonstration were extremely elaborate and were often reused in different years. The beautiful costumes were made by members of the Junior Legacy Mothers' Club, senior girls, and the Melbourne Legacy Wives' Association. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the the work done for the Annual Demonstration.Colour slide of costume preparations at Legacy House in a navy blue Hanimount cardboard mount.annual demonstration, costumes

Rosemary Myers spoke about Lizzie Daley in May 2012. She described the house as having lots of ornaments, and how she enjoyed going thereto buy ribbons and laces for a pair of baby booties she knitted for her school handwork at Melton P S 430. Margaret Nolan's memories of Lizzie: When we were young kids we would go down to visit our cousins, the Myers who lived on the Highway. My great grand mother Mary Luby lived in Reserve road when she came to Melton, she was married here in 1857. Her sister Ann nee Dowling was married to Henri Miers [Myers] in 1867. Her other sister Eliza married William Daley in 1862. He had a Bootmakers shop in the High street. Their daughter Lizzie later turned it into a haberdashery shop. We would go there to buy sewing threads and ribbons. Margaret nee Nolan Brooks memories recorded on the 20th September 2013 Book was from Lizzie Daley's shop in High Street, Meltonlocal identities

This item was bought by George Henry Douglas Russell when he married Hilda Raymond, a parson's daughter, in 1920. This galvanised metal wash tub was manufactured for domestic use prior to household plumbing, running water or waste removal in Australian homes. On farms in the late 19th / early 20th centuries there were no built-in coppers and concrete troughs with reticulated water. Thus the washing for the family of five daughters was done with this tub. .Tubs of this type vary in size and were used for washing dishes (It was the “ kitchen sink”) or for washing smaller items of clothing “the delicates”. This tub could also have been used to bathe the children. The water was heated on a wood fired stove, then carried to the tub. This could be a lengthy and physically demanding exercise. Much more labor intensive than loading the dishwasher. After use the water may have been “recycled”by being poured onto vegetable gardens and fruit trees. Later at harvesting this tub held maize and beans to top up the three bushel bags of the threshing machines. This was before the hand sewing of the top of the bags with needle and twine.This tub is an indication that items for domestic use in the early 20th century were “made to last” and not manufactured for planned obsolescence.A large galvanized iron was tub, circular with the sides tapering slightly to the flat base. It is seamed on both sides, made from two shets of iron. The base has been soldered on. and the top rim is folded. On either side handles are rivetted on.domestic laundry was-tub galvanized-iron