WW11.Copy of Historical Document including message in Japanese and English. Certificate of Surrender.Contains wording PEACE HAS COME. JAPAN SURRENDERED. CEASE FIGHTING. PEACE HAS COME. Corner of "Certificate" has Allied Colours. Red, White and Blue.

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Children's Peace Monument, Hiroshima, Japan. (Architects: Kazuo Kikuchi and Kiyoshi Ikebe.)13slide, robin boyd

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (Plates 77-82).Colour slide in a mount. Garden at Sogetsu Art Center (1958), Tokyo, JapanMade in Australia / 16tokyo, slide

Japanese Prisoner of War record for Sgt Ignacio EISMA, 1st Howitzer Battalion, Dutch East Indies Army. Sgt EISMA died 3.1943 at the Rin Tin POW Camp on the Thai Burma Railway. refer Cat No’s 3669P and 3670.Photo copy of a Japanese Prisoner of War record.record, administration, pow, japanese

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Interior staircase of Kurashiki Town Hall (1960), Kurashiki, Japan. (Architect: Kenzo Tange.)Made in Australia / Inscribed 19 / Encircled 29 (Handwritten)japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. Colour slide in a mount. Interior (staircase and tiled walls), Okayama Prefectural Government Building, Okayama, Japan, 1957.Made in Australia / Inscribed 9slide, robin boyd, unknownjapan61

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Memorial Museum 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)4japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Memorial Museum 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)7japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Memorial Museum 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)5japan research trip, slide

Items in the collection re Clarence Shearing, refer Cat No 7089.16P for his service details.Series of 16 colour enhanced photos various sizes of Japan. Eight have a text on the front cover or rear. Eight are of different buildings and place.On rear, "Sacred Cam at Shinto festival" "Aerial view Marunouchi the business centre of Tokyo" "Akamon (entrance) of Imperial Palace" On rear, "Entrance to Palace Tokyo" "Bridge Mijyubashi in Tokyo" "-abukiza (Theatre)"photographs, bcof, japan

The poodle was purchased at the PX store in Vietnam by a soldier returning home as a present for his girlfriend (later to become his wife). Andrew Clyne, Service no: 3799091, served in 110 Signal Squadron, Vietnam, in 1971.Two-toned blue synthetic toy poodle with a gold collar and chain around its neck. It has two brown glass eyes, a black plastic nose and red felt tongue. A metal zipper under belly conceals the mechanism of a transistor radio.Transister Japan/ Novelty/ Vol/ Tuner/ Made in Japan on tag attached to hind leg. Red NOVELTY printed on control. toy poodle, japan, transistor radio, clyne, 110 signals, andrew clyne

Framed image of a Japanese temple in wooden frame with small silver plaque"IN COMMEMORATION OF THE MAIDEN VOYAGE/ M/V "TOYOFUJI NO.8"/ FEBRUARY 1983/ TOYPFUJI KAIUN KAISHA, LIMITED" On reverse: "WMA 20" "PMA 0322" Japanese writing on silver plaque

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. In the Nineteenth and Twentieth centuries, there were large numbers of games produced for children and adults. These included: arcade games, board games, playing cards and puzzles. A representative sample, many now rare survivors, can be found in the collection.Eight paper numbers. No 9 is missing. Numbers to be arranged in a square so that the addition of any row, vertical, diagonal, horizontal adds up to 15."These 9 figures can be arranged within the square in such a manner that the addition of any row whether vertically, horizontally or diagonally is 15. Try it! Arrange the square this way / Made in Japan"educational games, number puzzles, arithmetic games

Korean War/Japanese occupation period historical significance.Pair of flying gloves from Korean War/Japanese Occupation period belonging to A34219 Stuart SimpsonNil

‘WITNESS OF A BOMB” “S ens of an A-Bomb City/ Diary Hiroshima “Soft cover book Cover- cardboard, black and white on front and back covers. Cover illustration- three black and white photographs of bomb damage. 24 pages - cut, Palin, glossy white paper. Illustrated- collection of block and white photograph by Japanese cameraman YUICHIRO SASAKI Language - Japanese and English books, military history, ww2, japan

c.l; japanese charactersprint, printmaker, printmaking, woodblock, woodcut, japanese, japan, birds, flying, geese

These notes are generally referred to as Japanese Invasion Money (JIM). This note is one of a series issued by the Japanese forces of occupation in the Pacific theatre during the second world war. Following the fall of Singapore into the hands of Imperial Japan on 15 February 1942 the Japanese introduced new currencies to replace those previously in use in the occupied territories of Singapore, Malaya, North Borneo, Sarawak and Brunei between 1942 and 1945. The new currency in Malaya and Singapore were issued with the same value as the Malayan dollar and first entered circulation in 1942. This example of Japanese Invasion Money was intended for use in Malaya as indicted by the letter M in the block letters MN. The currency was also referred to informally as "banana money" because of the motifs of banana trees on 10 dollar banknotesGreen on cream lithographed banknote of ten dollar denomination. The face features a tropical scene with palms and a hand of bananas. A pair of block stamped serial letters (MN), in black, appear at the bottom of the note. The reverse is printed with a pattern featuring the value and a beach scene with palms centrally located.The Japanese Government promises to pay the Bearer on demand ten dollarsww2, currency, japanese, japanese invasion money, banana money

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (Plates 77-82).Colour slide in a mount. Sogetsu Art Center (1958), Tokyo, Japan. (Architect: Kenzo Tange.)Made in Australia / 14japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. The Sogetsu Art Center (1958) was also known as the Sogetsu Hall and Office. Boyd called it the Sogetsu Art Center in his book “Kenzo Tange”, where it is extensively illustrated (plates 77-82).Colour slide in a mount. Sogetsu Art Center (1958), Tokyo, Japan (Architect: Kenzo Tange.)Made in Australia / 15 / 9 (Handwritten)slide, robin boyd

WWII Japanese anti aircraft shells removed from magazines beside a gun at Balikpapan a port city on the island of Borneo, in Indonesia by RUSSELL A EBDON VX123702Two Anti aircraft shells, brass cases, black metal projectile with copper collar.arms - ammunition, military history, passchendaele barracks trust

The postcard image depicts the torpedo tubes with caps in position of a Japanese midget submarine that was involed in the attack on Sydney Harbour on May 31st, 1942. On the 31st of May 1942, in the midst of World War Two, Sydney found itself under attack from three Japanese midget submarines that entered Sydney Harbour under the cover of night. The first submarine became trapped in anti-torpedo nets and the third submarine was sunk in Taylor Bay. The second submarine fired on the heavy cruiser the USS Chicago. One of the torpedoes exploded near the depot ship the HMAS Kuttabul, killing 21 sailors.Black and white rectangular postcard printed on cardReverse: 7525-1/ POST CARD/ 2/ This postcard is a/ souvenir of the Exhibition/ of Japanese Midget Sub-/ marines sunk in Sydney Har-/ bour on the night of Sunday,/ May 31st, 1942, the night/ that the first attack on/ Sydney by a foreign power/ took place and was/ frustrated./ caps of the/ torpeto tubes/ 30th JULY 1942/ SERIAL No. 2/ Torpedo tubes of Japanese midget submarine with/ caps in position/military album, beechworth, burke museum, ww2, world war two, wwii, maritime, sydney harbour, sydney, japanese, japan, submarine, torpedo

During World War II, following the Fall of Singapore in February 1942, the Japanese military detained about 3,000 civilians in Changi Prison, which was built to house only 600 prisoners. The Japanese used the British Army's Selarang Barracks, near the prison, as a prisoner of war camp, holding some 50,000 Allied—predominantly British and Australian—soldiers.[1] Although POWs were rarely, if ever, held in the civilian prison, the name Changi became synonymous in the UK, Australia, and elsewhere with the POW camp. About 850 POWs died during their internment in Changi during the Japanese Occupation of Singapore,[2] a relatively low rate compared to the overall death rate of 27% for POWs in Japanese camps.[3] However, many more prisoners died after being transferred from Changi to various labour camps outside Singapore, including the Burma Railway and the Sandakan airfield.this item is of historical significance because it is supposedly one of the few surving keys to Changi Jail and donated by Mr.Robertson . Changi is significant as it was a major prison camp during WWII Changi Jail Key. Blackened metal key, Wooden tag attached with Japanese print on it. Kanji Characters read Middle Gatechangi, fall of singapore, key, p.o.w.

Was used to keep Japanese gold paint and was sold like this. Label is missing.Cylindrical gold paint container - Japanese. Small round tan wooden - red to brown. Label is missing.container domestic japanese-gold-paint

Japanese propaganda leaflets x 4 and two cards depicting planes.Black gloss frame with silver inner trim containing six Japanese propaganda leaflets on black backgroundjapanese propaganda, ww2

Sister Moore holding one of the Japanese babies borne at the camp hospital. A.A.N.S. Beatrice Moore holding Japanese internee baby in doorway of Army hut. Uncurtained window in background.a.a.n.s., beatrice moore, internees, camp 1, sister beatrice moore, sister moore