1. & 2. Shorts, black coloured nylon fabric with black colour polyester cotton lining, inside fob pocket, elastic and draw cord waistband. Yellow, red and black embroidered "Rising Sun Badge" with lettering "THE AUSTRALIAN ARMY" on lower left leg. White colour cotton/polyester fabric manufacturers label - inside back waistband.Manufacturers information on label - black ink print. 1. & 2. "afw/afw pty ltd/ Size: XX Large/Nylon outer/ Polyester Cotton Lining/ CC? CVC/ NSN; 8415-66-139-3924/ Apr. 2016/ Made in China/ Care Instructions/ Nylon Outer/Polyester Cotton Lining/ Warm hand wash/ Do Not Bleach/ Warm Rinse/ Drip Dry in Shade/ Warm Iron".uniform, army, physical training shorts

Watsonia Returned and Services League was established in 1952 in a then outer suburb of Melbourne subdivided for war service homes and lacking in most community facilities. Watsonia RSL was incorporated in 1998; and celebrated it's 50th Anniversary as one of Victoria's foremost clubs. This sticker commemorates this event in 2002. Dark blue sticker with yellow and white text and logo (?) in yellow Watsonia RSL 50th Anniversary 1952-2002sticker, watsionia, watsonia rsl, rsl, anniversary, 50th anniversary

This camera comes from the 1920s and originally belonged to a member of the Shadbolt family but no information has been found on this family. The Kodak junior camera was very popular in the first half of the 20th Century This camera has no known local provenance but is retained as an interesting example of an early Kodak camera This is KODAK junior camera in a leather covering with a leather handle. It has a concertina mechanism. It has an outer leather case with a leather strap and a broken metal catch. The cover is much scuffed and rubbed. The camera is rectangular in shape with curved ends.1. Kodak No.1a Autographic Kodak Jr. .2 Molly Shadbolt Ulverstone Tasmania M.A. Shadbolt Burnleigh Church Terrace Walkerville A Mitchell Hyde Park history of warrnambool, kodak cameras

MAJOR THOMAS GLAZEBROOK AM, RFD, ED AM ( member of the order of Australia) RFD ( Reserve Force Decoration) ED ( Efficiency Decorations with Rosette Regt No 3137211 Enlisted as recruit Sapper 22.9.1950, promoted L/Cpl same day, promoted to Sgt 29.9.1951, promoted to Lieutenant 28.6.1956, Captain in May 1966 then qualified as Major and Administering Command of 104 Construction Sqd RAE, promoted to Major Officer Commanding 104 Sqd 8.7.1968, retired from the Services 7.5.1975..1) Jacket- navy, wool, polyester, yellow metal buttons, efficiency decorations with rosette. Metal lapel badges. ROYAL AUSTRALIAN ARTILLERY .2) Trousers- navy, wool, polyester, red felt stripe on each outer leg.ROYAL AUSTRALIAN ARTILLERY BADGE- “UBIQUE” ( everywhere)uniform army, glazebrook

Cattlemen used cooking pots when on the High Plains.Used by the Cattlemen on the Bogong High Plains at Roper's Hut.This cast iron lid fits the cast iron pot. It has a handle (cast iron) on top. The lid is domed. The outer 1 cm edge is flat. Inside this edge the lid dips 2 cms before rising into the dome.Albion / No. 15 / Maryboroughbogong high plains. cattlemen. camp oven. cooking. roper's hut.

Bomber jacket in black outer material. Beige coloured, silky lining. Home made. Zippered front with colourful embroidery on both sleeves. Dragons on both sleeves; a tiger on the right front & a map of Vietnam, 66-67 on the back.Embroidery - "Fighters by Day, Lovers by Night; Drunkards by choice." Viet-Nam 66-67.bomber jacket

This trophy provides information on the handicap winners of the Geelong West Cycling Club Memorial Road RaceThis trophy provides information on the handicap winners of the Geelong West Cycling Club Memorial Road RaceWooden Trophy depicting winners of the Geelong West Cycling Club Road Race during the years 1971-1980. There are three uprights standing on a wooden base. The two outer uprights and wooden and the middle is a burnished/silver metal cylinder. "GEELONG WEST CYCLING CLUB/ALEX CROOKSHANKS/MEMORIAL/ROAD RACE/1971R. HAYWOOD Hcp 8 Minutes/1972 Geo. O'Dwyer Hcp 10min 30secs/1973 I. Hendry Hcp 9mins 30sec/1974 F. Hamers Scratch/1975 Jack Holt Hcp 12 mins/1976 D. Ferguson Hcp 15mins/1977 I. Hendry Hcp 11 mins/1978 P. Fry Hcp 4 mins/1979 D. Wilson Scratch/1980 D. Carson Hcp 11 mins/1981 Peter Evans Hcp 6mins 30secs/1982 David Long Hcp 9 mins/1983 Don Wilson Scratch/1984 Paul Robertson Scratch/1985 Jack Griffen Hcp 11.5mins/1986 Zbig Szalinski Hcp 3 mins/1987 Neil Freeman Hcp 16mins 30secs/Winner Paul Baulch/1989 W. Dempsey Hcp 2min"geelong cycling club; geelong west cycling club; alex crookshanks; geo. o'dwyer; i. hendry; f. hamers; jack holt; d. ferguson; p. fry; d. carson; peter evans; david long; don wilson; paul robertson; jack griffen; zbig szalinski; neil freeman; paul baulch; w. dempsey;

Worn by the staff at Sunbury AsylumBib-front wrap-around apron, coarse white cotton, outer edges formed from selvedge. Back panels each have two darts and two buttonholes. Bin has shoulder ties, each with one buttonhole.Labels on waist band "XOS"costume accessories, nurses, sunbury asylum, uniforms, george evans collection

Painting of Yarran Dheren Reserve, Mitcham by Whitehorse Historical Society member, Barbara Rogalski. One of a set of 4 paintings.Small oil painting of bushland with bush of pink & white blossom in foreground. Mounted in beige cotton fabric with inner beige plastic frame. Outer frame of brown wood with gold trim. Yarran Dheren Reserve is located in Mitcham.Yarran Dheren '88 Barbara Rogalski.painting, yarran dheren, barbara rogalski

BHS CollectionWhite Badge Blue outer writing Red Cross Voluntary Worker Badges Numbered 6425 9700 9071x2 9707 with number Inner circle red cross Back has metal pin attachment. Circle 4.5 circumference.badges, pins

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Bunjil the eagle used to be a man called Karringalabil. As a man he created the first man and woman out of bark from the sacred manna gum tree and clay from the river bed. He created the plants, animals, mountains, waterways, sky and under Country. After which he turned himself into an eagle. He has two wives, Kunuwarra the black swan sisters. After he completed all of creation he flew up into the sky at Lal Lal Falls and he now watched over us as a star in the night sky and as an eagle by day.Brown, red and white tone feather motif with yellow eye design on outer clock, red and black diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

The first local government authority for Marong was the Marong Road District (an early form of single-purpose local government), which was proclaimed on 19 August 1860. Its boundary was altered twice in 1862 and on 12 December 1864 it was re designated as a shire. It absorbed Raywood Borough in 1915, and was proclaimed a Rural City in 1990. On 2 December 1994, with the creation of Greater Bendigo City Council, it was abolished by being amalgamated with Bendigo City, Eaglehawk Borough, Huntly Shire, part of McIvor Shire, part of Metcalfe Shire and Strathfieldsaye Shire to form Greater Bendigo City.Manufactured by Blashki and Son this circular medal hangs from a royal blue gosgrain ribbon. The medallion has a gold edging with blue enamel outer band. Centre depicts Australia coat of arms and the Shire of Marong coat of arms.PRESIDENT / SHIRE OF MARONG / DIEU ET MON DROIT / INDUSTRIAshire of marong, marong presidents medal, city of greater bendigo ceremonial item

Colour photograph of the fishing boat Southern Hope approaching the entrance channel, from the ocean, shows sandy beach each side of entrance piers and shallow water over the outer bar, sea calm. Lakes Entrance Victoriaships and shipping, waterways, fishing industry

Council collectionRetouched photograph on opaque glass. Portrait in three-quarter view of a man with red hair and beard in a brown suit jacket. Mounted in brown matt with gold edging. Inner frame is gold-coloured metal. Outer frame is timber.Front: A.D. Stewart Es./1888-89 (brass plaque, lower centre) Back: (no inscriptions)portland portrait photography, portrait

These glasses appear to be mainly sunglasses or ones for outdoors as the tinted glass and the shades indicate this. They would have been used commonly in the past (100 years ago or more) by those able to afford the cost of the item. Eye glasses were first used in the 13th century and bi-focals were invented in the late 18th century.These items have no known local significance and are kept as interesting souvenirs of eye glasses used in the past.This is a pair of spectacles or glasses in a case. The glasses are made of thin metal and contain dark tinted glass. The eye-glass pieces are oval in shape. On the outer rims of the eye-glass pieces are two curved metal mesh covers attached to the metal rims by two screws on each side. These act as shades for the sun and side protection for the eyes and fold down when not in use. One of the shades is detached from its metal rim. The glasses case is made of cardboard and has a black mottled outer covering and a light brown inside lining. The case is much scuffed. household items, history of warrnambool, spectacles

Cutting from 'Whitehorse Gazette, 10/9/97 re launch of the new booklet 'Chaos', the Community Houses Association of the Outer Eastern Suburbs. The 31 Community and Neighbourhood Houses in the Outer East have joined forces to put together a network booklet detailing the activities of each house. Margaret Banks, co-ordinator, Vermont South Community House said networking was essential among Community houses and the booklet would help to put each organisation in the context of the wider movement which is made up of more than 900 houses Australia wide.The 31 Community and Neighbourhood Houses in the Outer East have joined forces to put together a network booklet detailing the activities of each house. vermont south community house, banks, margaret, neighbourhood houses

This earthenware dinner plate was donated by Lorna Jensen. It had belonged to her father Wally O’Brien, who was a cyclist and had ridden in the long Melbourne to Warrnambool Cycle Classic twice. Wally was given this plate by a diving friend who had recovered it from the wreck of the LOCH ARD, on the southwest coast of Victoria. The plate had been sitting in Lorna’s mum’s china cabinet until recently when she and her husband drove to Warrnambool to donate it to Flagstaff Hill Maritime Village. When they stopped at a friend’s home along the way the friend removed it from its plastic bag and tea towel and carefully wrapped it in protective packaging for the rest of its journey. The plate is very similar to other plates recovered from the wreck of the LOCH ARD. It is uncertain whether the plates were personal belongings or part of the cargo. The Asiatic Pheasant pattern is a transfer design and was the most popular design of the 19th-century Victorian era. It is still being produced today. The design was produced as high-quality, decorative dinnerware by the potters in the Staffordshire, England, area from the late 1830s, but no one is sure exactly who the original designer was. The industrial age made the production of this design more affordable to the ordinary person who purchased and proudly displayed settings in their homes. The high demand for production resulted in the loss of quality in both potting and design, particularly between 1860-1914 when the design reached its height of popularity, and the results were often a poor match for the earlier pieces’ quality and detail. Some engravers would make copies of the Asiatic Pheasant design (and other designs) onto copper plates and sell them to more than one pottery producer (the Copyright Act of 1842 was intended to control this very thing). Consequently, the list of Makers’ Marks associated with the Asiatic Pheasant is well over 100. A single pottery factory could have several owners, all with their own Marks. These factors all make the dating of pieces difficult. Also, after 1891, pieces produced for export were required to be stamped with “ENGLAND”, but pieces produced for the domestic market in England did not need this stamp, so early pieces and pieces produced for the domestic market would all be without the “ENGLAND” stamp, confusing the matter. Over time the body shape of the pieces changed, the feathered, curved and fluted edges giving way to simpler, cheaper oblong shapes. The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square-rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29-year-old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that were intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3 am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open a case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some were washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register.Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history.Plate, earthenware dinner plate recovered from the wreck of the Loch Ard. Blue transfer design (Asiatic Pheasant) with a clear over-glaze. The outer rim is scalloped. Printed within cartouche on underside of plate "_ H E C L " Printed within cartouche on plate "_ H E C L "flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, tom pearce, eva carmichael, loch ard, asiatic pheasant design, dinnerware, ceramic plate, wally o’brien, dinner plate

These badges were produced in World War One in Australia to raise funds for the war effort. ANZAC Day is an important national holiday in Australia commemorating the landing of Australian and New Zealand troops on Gallipoli on 25th April 1915. The national day was instituted on 25th April 1916 and badges such as these would have been sold on the anniversary of the landing day. Badges were sold on trams, buses, at railway stations, other public buildings and at rallies held on or about ANZAC Day. These badges are a significant reminder of the many fund raising activities held in Australia to raise funds for the war effort.Three circular slightly concave metal badges featuring the profile of an Australian soldier in a slouch hat blowing a bugle. The background depicts sunrise in yellow and orange colours and text. The outer edge is gold coloured . The reverse has a metal clip.ANZAC DAYanzac day, badges

Item in he collection of John Eric Wiles VX 16067, refer Cat No 5410P for his service details.Plaque wood with red background, centre has crown gold & red, rising sun in gold, unit colour patch over, grey outer with brown over red inner, boomerang in black with inscription in gold, clip on rear for hanging.On boomerang, “2/7th Aust INF BN”plaques, association, 2/7th bn, wiles

Military issue as part of a soldiers kit and equipment.Water bottle pouch, green colours, water proof outer, soft felt inner, two folding flaps with press studs, back has a webbing section sewn on with 3 types of attachment to a webbing belt, 2 off steel.pouches water, equipment military

HENRY HOLMBERG No's 334, 26673, 8th L.H Regt AIF. Refer 54P for full service records re Henry and brother Carl. Also 626.Framed photo showing mounted bandsmen with trees in the background. HENRY HOLMBERG is 2nd from left. The tan wooden frame has moulding on the outer edge. Black & white photo is mounted on grey background with gold edging around glass.On back in black texta: H Leslie In gold lettering RH bottom corner of grey background: Frazer & Vallance Melbournemilitary history - army, army bands, photography-photographs, frame accessories

This plate, a polished brass altar salver, is part of the original furnishings of St Nicholas Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. The plate is sometimes called a salver, a paten or a communion plate. It is used for serving the communion bread. The plate was presented to the Mission to Seamen, in memory of Kenneth Wyatt McVilly, who passed away on December 4th 1943. The letters on the lip of the plate, A.D.G., stand for the Greek Alpha Delta Gamma, and are used to represent "For the Glory of God". THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This memorial plate is significant as it is associated with a member of the community, Kenneth McVilly, and was presented in his memory after he died in o1943. This plate is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. Plate, polished brass altar salver, or communion plate. It is round with decorative initials in the centre. Outer lip has an inscription of dedication to Kenneth Wyatt McVilly, December 4th 1943. This plate is in our St Nicholas Seamen's Church Collection. “A.D.G. / and in memory of / KENNETH WYATT MCVILLY / December 4th 1943” and initials "I H S"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, church furnishings, mission to seamen victoria, st nicholas church williamstown, brass plate, kenneth wyatt mcvilly, altar salvar, religious service, memorial plate, altar salver, communion plate, paten, communion service, a d g

Indian Packet Tea Medal: Medallion advertising Indian packet Tea. Round medallion with inscription, outer edge SSAM & DARJEELING TEAS. Inner circle ÍNDIAN PACKET TEAS ARE THE STRONGEST AND BEST' Female figure on the back. Box 625numismatics, medals - civil, indian packet tea.

Large round rattan Chinese food basket with lid and handle (6.5 cm).Double layer of woven can and bamboo, inner section in herringbone pattern and outer layer in horizontal pattern. Red and green decoration around the basket and on the handle.domestic equipment, food storage & preservation, chinese