Showing 1387 items
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Tennis Australia
Plaque, Unknown
Brass sculpture of hand giving 'V' gesture and holding a tennis ball between fingers. Mounted on a base with unidentified Asian language characters (Korean?). Materials: Wood, Brass/Metal compositetennis -
Wangaratta Art Gallery
Ceramic, Tom Strachan, Untitled Bowl, 2004
Wangaratta Art Gallery CollectionA hand sculpture ceramic square bowl glazed in green, blue, white and grey featuring an pattern engraved and stamped into the glaze. Design of the bowl is based on the 16th Century Japanese Oribe ware.tom strachan, after 16th c japanese oribe ware, ceramic bowl -
Flagstaff Hill Maritime Museum and Village
Pen holder
Pen holder, rectangular block of white marble with a metallic sculptured hand resting on surface. Fastened by 2 screws. Hand has decorative sleeve, nails and sleeve have been painted.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Port Melbourne Historical & Preservation Society
Letter - Sculpture to commemorate Allan WHITTAKER, 1983
This was a joint project of the Waterside Workers Federation and the Port Melbourne Council. The project developed to a high level of detail. Was never realised. Note that Allan WHITTAKER was referred to as 'James' at the time.Material relating to the proposed installation of a sculpture to commemorate Allan WHITTAKER (referred to as James WHITTACKER), shot by police at Hogan's Flat in 1928. Letter from Waterside Workers Federation in support of project.societies clubs unions and other organisations., local government - city of port melbourne, memorials, actu, waterside workers federation, frederick robert winduss, allan whittaker, matcham skipper, perce mcguire white, perce white -
Federation University Art Collection
Photograph, Erin McCuskey, 'Shiney Man' by Erin McCuskey
Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Scancolour Australia, 1950c
Demetri Cah, a young Italian migrant, made this carving that was sent to Frank and Nancy Crea, proprietors of the Glenara Motel, in appreciation of their encouragement, following his employment with themColour postcard of sculptured carving on an internal wall of the Glenara Motel,Lakes Entrance, Victoria, showing Pontius Pilate symbolising washing his hands of taking any responsibility for the fate of Christ.Condemnation of Christ by Pontius Pilate (on back)motels, arts, rsl clubs -
Bendigo Historical Society Inc.
Document - BENDIGO SALEYARDS COLLECTION - ACCOUNT CODE REFERENCE LISTING - EXPENDITURE ACCOUNTS, 26/01/1989
Account Code Reference Listing - Expenditure Accounts dated 26/1/89. Items mentioned are: Computers, Bicentennial Program, Bendigo Sculpture, Building Control, Saleyards, and Saleyards: Scales Construction.bendigo, council, cattle markets, bendigo saleyards collection - account code reference listing - expenditure accounts, city of bendigo -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Smokey send-off for art, 13/09/2017
Popular wooden sculptures inspired by wartime characters were set on fire and farewelled in a special ceremony over the weekend. The sculptures, created by chainsaw artist Leigh Conkie had stood at War Memorial Park for over a decade. They will be replaced by the Homefront Project.News article 1 page, black text, colour image.greensborough war memorial park, wooden sculptures, banyule city council, leigh conkie, homefront project -
Greensborough Historical Society
Article and Photograph, Greensborough War Memorial Park, removal of chainsaw sculptures, 2017_
Photographs of the burning of the Conkie chainsaw sculptures at Greensborough War Memorial Park on 09/09/2017. These original statues had become weather damaged over time and were replaced by the Homefront Project chainsaw sculptures. Photographs from Homefront Facebook page.This text and photographs were copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Photographs and text sourced from social media.chainsaw sculptures, greensborough war memorial park, leigh conkie, homefront project -
Eltham District Historical Society Inc
Negative - Photograph, "The Fences Act 1968" 1989-1994, Tony Trembath, 1998c
Sculpture at gateway to Edendale Farm, 30 Gastons Road, ElthamRoll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5eltham, edendale farm, gastons road, sculptures, the fences act 1968, tony trembath -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Redmond Barry Statue, 11/10/2011
Sir Redmond Barry was the first trustee of the Ballarat School of Mines.Four photographs in digital format showing the Redmond Barry Statue outside the State Library of Victoria in Swanston Street, Melbourne.On base of sculpture " Erected by a grateful public to perpetuate the memory of invaluable services rendered to Victoria by Sir Redmond Barry Kt. Doctor of laws and a Judge of the Supreme Court Obiit MDCCCLXXX' [1880]redmond barry, state library of victoria -
Port Melbourne Historical & Preservation Society
Photograph - Sculpture, Mission Arts Centre, Missions to Seamen buiding, Port Melbourne, Alison Kelly, c. 1988
One of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Black and white photo of sculpturemissions to seamen, arts and entertainment, celebrations fetes and exhibitions, mission arts centre -
Port Melbourne Historical & Preservation Society
Photograph - Missions to Seamen, Port Melbourne. Interior, Alison Kelly, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, colour view of sculpture in Huntingfield Hall, showing wave motif on ventilators, mural by Brian Couldrey 1987. From album of photos mostly by Alison Kelly:missions to seamen, built environment -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2002
Colour photograph group of people, TAFE students, visitors, standing along the foreshore, fishing boats in background, following the unveiling of the War World 1 sculptures memorial plaque. Lakes Entrance Victoriaschools -
NMIT (Northern Melbourne Institute of TAFE)
Magazine: Preston Technical School 1951-1969, Preston Technical School magazine 1951-1969
Preston Technical School opened in 1937. Magazines held include 1951-1960. The school changed its name to Preston Technical College and magazines held for this entity range from 1963-1967. Preston Institute of Technology: Girls' section magazines for 1968 and 1969. Boys' section 1968 held.The school magazines present a record of each year's school events such as staffing, programs, outings and includie student writings and drawings, reports and photos of events and teams. Preston Technical School: 1951 issue consists of 48 pages, with a drawing of the school building on the front cover. Preston Technical College magazine 1963-. From 1964 the cover image changed to a graphic image of Kupper's sculpture which stood in the foyer of the WJ Baker Memorial Hall. Preston Institute of Technology: Girls' section, and Boys' section also has the sculpture image on the cover. Electronic copies of PTS magazine (editions 1953-1956) have been scanned and available on CD.preston techinical school, school magazines, preston technical college, preston institute of technology, nmit -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - galvanised wrought iron, David Wood, Spirit of place, 2021
David Wood, Spirit of place 2021, galvanised wrought iron, 375 x 300 x 300 cm. Bayside City Council Art and Heritage Collection. Commissioned 2021public art, sculpture, reeds, spirit of place, david wood, elsternwick park, phragmites australis -
Bendigo Art Gallery
Sculpture, Michael KUTSCHBACH, Go you little dynamo, go! (pink), 2008
sculpture, surreal, australian artist, alien, metal, dynamo, fibreglass -
Bendigo Art Gallery
Sculpture, Benjamin ARMSTRONG, Conjurer III, 2012
sculpture, woodwork, parsnip, conjurer, australian artist, plywood, creature -
Federation University Art Collection
Sculpture, 'Fire Pit' by Glenn Romanis, 2004
My visual stories seek to inform about the natural and cultural histories that attribute to the experience of country (place), in order hat the audience gains respect, understanding and a sense of belonging to the place. My practice involves various mediums in two and three dimensional form, which include permanent and ephemeral installation, paving, stonework, woodwork, metal work, lighting design, illustration, mural painting and mosaic work. I am competent in using all these mediums, but do have a preference to stone and wood. Having been involved in public and community art as a designer and sculpture/maker in both individual and collaborations for the past fifteen years, I have been fortunate to work with and partake in various collaborations and project teams; working with council organizations, landscape designers, art practitioners, artisans and arts workers. (https://www.glennromanis.com/biography, accessed 08 June 2022)Glenn ROMANIS Wurundjeri/woi wurrung and Boonwerrung This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A fire pit with sculpted redgum seats in the shape of a gum leaf. It was created for the Arts Victoria 'Artlands' Conference held in Horsham in 2004. Artlands is a national event designed to reflect and respond to emerging trends and shine a spotlight on arts in regional Australia. It is designed to showcase new thinking, present contemporary work, and generate exchange and conversations. The programming champions best practice and strengthens a national network of artists and practitioners working in regional, rural and remote Australia. Presented and delivered by Regional Arts Australia, Artlands is positioned as a multi-art, cross-industry and inter-generational. It presents a critical survey of the contemporary regional cultural landscape; and provides much-needed opportunities for artists to gather, present work and enter into meaningful exchange.art, artwork, aboriginal, glenn romanis, sculpture, campsite, camp fire -
Federation University Historical Collection
Sculpture, Metal sculptures
A metal bird, flower and six petaled flower, thought to have been made at the Ballarat Technical Art School.sculpture, metalwork, ballarat technical art school, bird, flower, flora, fauna -
Federation University Art Collection
Sculpture, 'The Collaboration of Commonality and Difference' by Cassandra McArthur, 2014
The 'Collaboration of Commonality and Difference' has its conceptual roots in teh notion that only when we accept and nurture both commonality and difference, can we, humankind, foster unity. With the acceptance and nurturing of commanality and difference, peoples of the world are afforded equal validity for a collaborative approach towards peaceful resolution and possible unity. Integral to the conceptual foundation of the work is the use of papers sourced from around the world. Paper is at once universal and individual, and in this instance is representative of humanking. The jigsaw design draws on the understanding that each piece is integral to the creation and resolution of the whole. Commanality is suggested through repetition, however, no two pieces are the samem emphasizinf the beautym strength and validity of difference. Established in 2004, generously supported by George Lucato, the Lucato Peace Prize was an annual acquisitive art award open to all enrolled Federation University Australia tertiary students and all senior secondary students enrolled at any City of Ballarat secondary school or college. Prizes were awarded to the applicants whose work best illustrates or expresses the idea that 'peaceful alternatives are always preferable to armed confrontations'. First prize of $2250.00 was awarded to Cassandra McArthur for her work, Commonality and Difference, 2014, and it was the last Lucato Peace Prize Awarded after the death of George Lucato in 2014. Cassandra McArthur was undertaking a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy when this artwork was produced. Winner of the Lucato Peace Prize 2014 artists, artworks, sculpture, mcarthur, cassy mcarthur, lucato peace prize, alumni -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Monkey, 1940's
Carving from stone of a figure of a monkey in a sitting poisition with it's tail in its mouth. Painted brown with cream flecks. Text and marking have been etched in to the stoneRicordo POW (ricordo translated means remember or memory)monkey, sculpture, ricordo, bilney r, ww 2 camp, handrafts, italian pow -
Greensborough Historical Society
Photograph - Digital Image, Homefront: Reunion [boy], 11/07/2018
"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture "Reunion" represents the joy of reunion and what has been happening on the ‘Homefront’ while soldiers are serving overseas. The two sculptures are placed apart, facing each other. The excitement on the young boy’s face as he runs to his father is a joy to see. Dad waits patiently, taking in the sight of his boy. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project -
Greensborough Historical Society
Photograph - Digital Image, Homefront: Reunion [father], 11/07/2018
"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture "Reunion" represents the joy of reunion and what has been happening on the ‘Homefront’ while soldiers are serving overseas. The two sculptures are placed apart, facing each other. The excitement on the young boy’s face as he runs to his father is a joy to see. Dad waits patiently, taking in the sight of his boy. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project -
Camberwell Historical Society
Book, Morgan, Marjorie, Legacy in Sculptured Wood: an appreciation of the work of John Kendrick Blogg 1851-1936, 1993
Biography of John Kendrick Blogg and on woodcarving. Contains article on 'The Art of Woodcarving' by John K. Blogg. First published 1993. sculpture, woodcarving -
Phillip Island and District Historical Society Inc.
Sculpture - Figurehead, Late 19th Century
Saved from the ship Speke which ran aground on the coast of Phillip Island on the 22nd of February 1906. The figure head of the Speke was in the shape of woman, wearing a flowing white dress with blue cuffs and collar and carrying a large bunch of daffodils. It was originally nine feet four inches long. This sculpture went missing after the event and decades later the head only was re-discovered in Mr Thompson’s garage. It was then restored by Headmaster Kevin and the senior children of Cowes State school in 1940.The Speke was an all steel ship built in Wales in 1891. She was delivering wheat to Geelong and confused a bushfire in Cowes for navigation lights. Many local people salvaged goods from the resulting wreckage.Large wooden figure head, carved to resemble a woman. Painted aspects of hair, face, collar. Mounted on an undecorated wooden shield.phillip island, speke, kitty miller bay, figurehead, cowes state school -
Greensborough Historical Society
Article, Vietnam vet, Justin the dog feature in revived timber war memorial, by Carolyn Webb, 23/04/2019
Bill Cantwell, Vietnam veteran, was the model for the new sculptures in Greensborough War Memorial Park 1 p. transcribed article with colour photographbill cantwell, greensborough war memorial park, homefront sculptures, homefront project -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/11/1992 12:00:00 AM
Pyramid of Ra houses a massive tree root sculpture cleaned and polished by Jack RamsdellBlack and white photograph taken during removal of Pyramid of Ra from Ramsdells sawmill and installation at Mingling Waters Nowa Nowa Victoriaaccommodation, hotels -
Federation University Historical Collection
Photograph, Mount Helen Campus Buildings, c2003
.1) Former Art building at Mt Helen. In 2005 it was used by IBM. .2) Roundabout in Chancellor Drive, looking towards the Geoffrey Blainey Auditorium. .3) Peter Blizzard sculpture in front of the Geoffrey Blainey Auditorium. art building, a building, mount helen campus, ibm, geoffrey blainey auditorium -
Port Melbourne Historical & Preservation Society
Letter - Sculpture to commemorate Allan WHITTAKER, 1983
This was a joint project of the Waterside Workers Federation and the Port Melbourne Council. The project developed to a high level of detail. Was never realised. Note that Allan WHITTAKER was referred to as 'James' at the time.Material relating to the proposed installation of a sculpture to commemorate Allan WHITTAKER (referred to as James WHITTACKER), shot by police at Hogan's Flat in 1928. Correspondence from Jean McLEAN (ACTU) to Perce WHITE and Claude CUMBERLIDGE, 1983societies clubs unions and other organisations, local government - city of port melbourne, memorials, allan whittaker, actu, waterside workers federation, frederick robert winduss, perce mcguire white, perce white, matcham skipper