Showing 1412 items
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Robin Boyd Foundation
Slide, Robin Boyd, 1970
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Festival Plaza, space frame (Architects: Tomoo Fukuda and Koji Komiya) with sculpture ‘Tower of the Sun’ (Artist: Taro Okamoto), Expo 70, Osaka, 1970Made in Australia / 1 / MAY 70M3expo 70, osaka, robin boyd, slide -
Federation University Art Collection
Painting, Robert Jenyns, 'Deux Cheveux' by Robert Jenyns, 2008
Robert JENYNS (1944- 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings he has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Humour and subtle satire is a focus of his work. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns Family, 2021Painting of a blue truck painted onto stretched canvas.truck, bob jenyns, robert jenyns, available, transport -
Vision Australia
Audio - Sound recording, Tilly Aston bell soundscapes
Recordings made for the City of Melbourne, for incorporation with the Tilly Aston bell sculpture in Kings Domain. The first recording looks at the history of Tilly Aston and the Association for the Advancement for the Blind. Nadine Riches then talks about how she orientates herself as a person who is blind, and finally artist Anton Hassell who created the sculpture explains how sound is an important component of the sculpture and provides an explanation for the imagery on the bell.Audio file of the three soundscapes recorded for the Tilly Aston bellassociation for the blind, nadine riches, anton hasall -
Glen Eira Historical Society
Article - Mayor Jack Campbell 1987-88 (1 of 2)
Newspaper articles relating to Arts Centre sculpturecouncillor, mayor, jack campbell, dan wollmering, veronica martens -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Early Forestry Industries), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest -
Bendigo Art Gallery
Sculpture, Garry NAMPONAN, Ku, 2012
first nations artist, sculpture, dog, ku, animal, pet -
Bendigo Art Gallery
Sculpture, Roderick YUNKAPORTA, Ku, 2012
first nations artist, sculpture, dog, ku, animal, pet -
Federation University Art Collection
Sculpture - Sculpture - Metal, 'Laser' by Michael Kitching', 1967
Michael KITCHING (1940 - ) Born Hull, England Arrived Australia 1952 Without any formal art education, sculptor, painter, print maker and designer Mike Kitching emerged as one of the original voices of the 1960s art movement in Australia. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Metal and timber 3-dimensional wall artwork in grey and red.art, artwork, michael kitching, kitching, sculpture, wall art -
Federation University Art Collection
Sculpture - Limestone & mixed media, Untitled by Ronnie Stekelenburg, 1989
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ronnie stelelenburg, sculpture, horsham available, horsham campus art collection -
Federation University Art Collection
Sculpture - Artwork, Hynes, Marge, 'Exploding Defrags' by Marg Hynes
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mobileart, artwork, marge hynes, mobile, sculpture, horsham campus art collection -
Federation University Art Collection
Sculpture, 'Vehicle of Transience' by Anderson Hunt, 1994-1995
Anderson HUNT Anderson Hunt is associated with Down Street Studios. He studied a Graduate Diploma in Visual Art at the Gippsland Centre of Art and Design (GCAD) This work was purchased by the Gippsland Campus Enhancement Project, 1996.artist, artwork, anderson hunt, sculpture, gippsland campus, alumni -
Learmonth and District Historical Society Inc.
Photo - Dougall W.S, Unknown, Councilor William Sanders Dougall, President 1925-26, "Circa 1926
Councilor William Sanders Dougall was elected to council in 1919 serving until 1931.He served one term as Shire President in 1925-26.Original Historic PhotoPhoto of William Sanders Dougall 1925-26,Sepia photo,set in brown frame with sculptured finish,mount is brownish maroon in colour.Oval photo is surounded by gold trim (wider at the top).Councilor William Sanders Dougall,Shire President,Shire of Ballarat,1925-26.ballarat shire council, shire president 1925 26, william sanders dougall -
Flagstaff Hill Maritime Museum and Village
Pen holder
Pen holder, rectangular block of white marble with a metallic sculptured hand resting on surface. Fastened by 2 screws. Hand has decorative sleeve, nails and sleeve have been painted.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Historical Society Inc.
Document - BENDIGO SALEYARDS COLLECTION - ACCOUNT CODE REFERENCE LISTING - EXPENDITURE ACCOUNTS, 26/01/1989
Account Code Reference Listing - Expenditure Accounts dated 26/1/89. Items mentioned are: Computers, Bicentennial Program, Bendigo Sculpture, Building Control, Saleyards, and Saleyards: Scales Construction.bendigo, council, cattle markets, bendigo saleyards collection - account code reference listing - expenditure accounts, city of bendigo -
Port Melbourne Historical & Preservation Society
Letter - Sculpture to commemorate Allan WHITTAKER, 1983
This was a joint project of the Waterside Workers Federation and the Port Melbourne Council. The project developed to a high level of detail. Was never realised. Note that Allan WHITTAKER was referred to as 'James' at the time.Material relating to the proposed installation of a sculpture to commemorate Allan WHITTAKER (referred to as James WHITTACKER), shot by police at Hogan's Flat in 1928. Letter from Waterside Workers Federation in support of project.societies clubs unions and other organisations., local government - city of port melbourne, memorials, actu, waterside workers federation, frederick robert winduss, allan whittaker, matcham skipper, perce mcguire white, perce white -
Wangaratta Art Gallery
Ceramic, Tom Strachan, Untitled Bowl, 2004
Wangaratta Art Gallery CollectionA hand sculpture ceramic square bowl glazed in green, blue, white and grey featuring an pattern engraved and stamped into the glaze. Design of the bowl is based on the 16th Century Japanese Oribe ware.tom strachan, after 16th c japanese oribe ware, ceramic bowl -
Tennis Australia
Trophy, 1982
A wooden panel trophy, featuring two cast metal racquet sculptures, adhered with glue. Presented to winner of 1982 Robina International Tennis Test. Materials: Wood, Metal, Plastic, Gluetennis -
Tennis Australia
Plaque, Unknown
Brass sculpture of hand giving 'V' gesture and holding a tennis ball between fingers. Mounted on a base with unidentified Asian language characters (Korean?). Materials: Wood, Brass/Metal compositetennis -
Federation University Art Collection
Photograph, Erin McCuskey, 'Shiney Man' by Erin McCuskey
Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Scancolour Australia, 1950c
Demetri Cah, a young Italian migrant, made this carving that was sent to Frank and Nancy Crea, proprietors of the Glenara Motel, in appreciation of their encouragement, following his employment with themColour postcard of sculptured carving on an internal wall of the Glenara Motel,Lakes Entrance, Victoria, showing Pontius Pilate symbolising washing his hands of taking any responsibility for the fate of Christ.Condemnation of Christ by Pontius Pilate (on back)motels, arts, rsl clubs -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Smokey send-off for art, 13/09/2017
Popular wooden sculptures inspired by wartime characters were set on fire and farewelled in a special ceremony over the weekend. The sculptures, created by chainsaw artist Leigh Conkie had stood at War Memorial Park for over a decade. They will be replaced by the Homefront Project.News article 1 page, black text, colour image.greensborough war memorial park, wooden sculptures, banyule city council, leigh conkie, homefront project -
Greensborough Historical Society
Article and Photograph, Greensborough War Memorial Park, removal of chainsaw sculptures, 2017_
Photographs of the burning of the Conkie chainsaw sculptures at Greensborough War Memorial Park on 09/09/2017. These original statues had become weather damaged over time and were replaced by the Homefront Project chainsaw sculptures. Photographs from Homefront Facebook page.This text and photographs were copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Photographs and text sourced from social media.chainsaw sculptures, greensborough war memorial park, leigh conkie, homefront project -
Eltham District Historical Society Inc
Negative - Photograph, "The Fences Act 1968" 1989-1994, Tony Trembath, 1998c
Sculpture at gateway to Edendale Farm, 30 Gastons Road, ElthamRoll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5eltham, edendale farm, gastons road, sculptures, the fences act 1968, tony trembath -
Port Melbourne Historical & Preservation Society
Photograph - Sculpture, Mission Arts Centre, Missions to Seamen buiding, Port Melbourne, Alison Kelly, c. 1988
One of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Black and white photo of sculpturemissions to seamen, arts and entertainment, celebrations fetes and exhibitions, mission arts centre -
Port Melbourne Historical & Preservation Society
Photograph - Missions to Seamen, Port Melbourne. Interior, Alison Kelly, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, colour view of sculpture in Huntingfield Hall, showing wave motif on ventilators, mural by Brian Couldrey 1987. From album of photos mostly by Alison Kelly:missions to seamen, built environment -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2002
Colour photograph group of people, TAFE students, visitors, standing along the foreshore, fishing boats in background, following the unveiling of the War World 1 sculptures memorial plaque. Lakes Entrance Victoriaschools -
NMIT (Northern Melbourne Institute of TAFE)
Magazine: Preston Technical School 1951-1969, Preston Technical School magazine 1951-1969
Preston Technical School opened in 1937. Magazines held include 1951-1960. The school changed its name to Preston Technical College and magazines held for this entity range from 1963-1967. Preston Institute of Technology: Girls' section magazines for 1968 and 1969. Boys' section 1968 held.The school magazines present a record of each year's school events such as staffing, programs, outings and includie student writings and drawings, reports and photos of events and teams. Preston Technical School: 1951 issue consists of 48 pages, with a drawing of the school building on the front cover. Preston Technical College magazine 1963-. From 1964 the cover image changed to a graphic image of Kupper's sculpture which stood in the foyer of the WJ Baker Memorial Hall. Preston Institute of Technology: Girls' section, and Boys' section also has the sculpture image on the cover. Electronic copies of PTS magazine (editions 1953-1956) have been scanned and available on CD.preston techinical school, school magazines, preston technical college, preston institute of technology, nmit -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Redmond Barry Statue, 11/10/2011
Sir Redmond Barry was the first trustee of the Ballarat School of Mines.Four photographs in digital format showing the Redmond Barry Statue outside the State Library of Victoria in Swanston Street, Melbourne.On base of sculpture " Erected by a grateful public to perpetuate the memory of invaluable services rendered to Victoria by Sir Redmond Barry Kt. Doctor of laws and a Judge of the Supreme Court Obiit MDCCCLXXX' [1880]redmond barry, state library of victoria -
Federation University Historical Collection
Sculpture, Metal sculptures
A metal bird, flower and six petaled flower, thought to have been made at the Ballarat Technical Art School.sculpture, metalwork, ballarat technical art school, bird, flower, flora, fauna -
Bendigo Art Gallery
Sculpture, Michael KUTSCHBACH, Go you little dynamo, go! (pink), 2008
sculpture, surreal, australian artist, alien, metal, dynamo, fibreglass