Owner 'Labro'?? converted it then left the areaColour photograph of scallop boat Subron TVE at sea off. Two men working the dredge table. Lakes Entrance Victoriafishing industry, ships and shipping, waterways

Owner 1980's SotirakisColour photograph of the scallop fishing boat Komuta in Bass Strait. Bagged scallops on deck, two men sorting at the dredge table. Lakes Entrance Victoriafishing industry, ships and shipping, ocean

Vassilieff dynamited rock from his own property to build his house. Stonygrad is reminiscent of a grotto and in parts, of a sculpture. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p135 Stonygrad, the home built by Expressionist painter and sculptor Danila Vassilieff, is reminiscent of a grotto and in parts, of a sculpture. Vassilieff, who amongst others influenced painter Sydney Nolan and Albert Tucker, was a member of the artists group the Angry Penguins. He was also a highly regarded art teacher at the nearby Koornong Experimental School and taught at Eltham High School. Art critic Robert Hughes described Vassilieff’s painting as ‘lyrical without social commentary’, and said Vassilieff was ‘the most oddly neglected artist in recent Australian History’. Vassilieff, who was born in 1897 in Russia, had an unusually adventurous life before he settled in Warrandyte. The 12th of 18 children, he lived on a farm in the Don Basin. Vassilieff trained with the Imperial Military Academy at St Petersburg and fought in World War One as an officer in the White Russian Army against the communists. In 1920 he was captured, then escaped from prison, stole a horse and rode bareback 150 miles to the Black Sea, helped at first by Tartar freebooters. He then travelled to India, Shanghai and arrived in Queensland as a refugee in 1923 where he began painting. He and his wife Anisia bought a sugar farm near Ingram, and later he constructed railway lines at Mataranka, in the Northern Territory.4 In 1929 Vassilieff went to Brazil for formal art training from former fellow-officer Dmitri Ismailovich, but he soon left to travel up the Amazon River. He then worked as a sidewalk artist in the West Indies and travelled for two years in England, France and Spain. In 1937 he arrived in Melbourne where he lived until his death in 1958. His first major Australian series was the Carlton streetscapes and from 1951 he sculpted in local hard limestone. Vassilieff rejected all dogma and regarded religious subjects as suitable only for decorative arts. In 1944 he helped defeat a communist attempt to take over the Contemporary Art Society. For a short time, from around 1955, Vassilieff taught at various Victorian schools. The Angry Penguins painted mainly between 1937 and 1947, and included Arthur Boyd, Albert Tucker, Sidney Nolan and Joy Hester. The group formed as they felt isolated from European thought and art (including Surrealism) from which their work was derived. They were also angry at what they considered to be the complacency and insularity of their society. They maintained Australians at first were scarcely aware of the threats of the Wall Street Crash and Hitler and were little interested in the Spanish Civil War. The Angry Penguins also objected to the White Australia Policy. Hughes said although most of the Melbourne Expressionists in the 1940s were unskilled and their work crude in style, they helped jolt Australian painting from its pastoral complacency. Their style influenced nearly every painting produced by significant figurative artists in Melbourne in the 1950s such as Charles Blackman. From 1939 Vassilieff built Stonygrad, mainly with local stone. The house stands at the end of a private road surrounded by trees with the quiet occasionally broken by the sounds of bellbirds. To build his house Vassilieff dynamited rock and cut trees from his own property. The original section of the three-level house is of irregular-shaped pieces of solid stone, exposed inside like the exterior. Vassilieff later built sections with timber and brick. Inside is rustic and cave-like, and several rooms are linked by arched openings with no doors. One undulating wall was carved out of rock from which two sculptured heads protrude. Several ceilings are of rough-hewn logs and the built-in table and bookcase are rough, as is a timber ladder leading to a bedroom. Not for the elderly or unsteady! Yet the general impression in the muted light is beautiful, with artistic originality.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, danila vassilieff, hamilton road, north warrandyte, stonygrad

Colour photograph of the scallop fishing boat Yarandoo, showing two people at dredge table, one other person on deck in Bass Strait off Lakes Entrance Victoriaboats and boating, fishing industry, ocean

Order docket books used at Koki Fondue and Carvery Restaurant in Falls Creek during 1975. Shows menu items and price as well as how orders were taken. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. Sigi was a long time resident of Falls Creek, owning and operating Koki Lodge for many years with his wife, Lee. He was Falls Creek CFA Captain from 1995 until 1998 although he served in the Fire Brigade for much longer. Sigi had many involvements in the community. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek.This item is significant because it has clear links to an iconic business established in Falls Creek, VictoriaTwo order docket books for Fondue and Carvery Licensed Restaurant, with paper connected at top edge with glue, each page containing name of restaurant at top of page with list of menu items and price in grid with section for table at left and order number at right. All printed in red. 'Koki / Fondue & Carvery / Licensed Restaurant'dining, 1970s dining, falls creek, koki, george shirling, sigi doerr

The photograph was published in the Herald with caption: "A snapshot at the breakfast given to Archbishop Head by the Harbor Light Guild at the Seamen's Mission today. From right, Archbishop Head, the Chaplain Superintendent of the Mission (Rev. F. L. Oliver), the assistant chaplnin (Rev. R. L. Kerdel), Misses L. Rae, A. Phillips, and J. Johnson. (Story in page 8).Photograph depicting a group of one man sitting next to 3 women at a table dressed with cups, teapot. Behind him are two men standing and smilingWritten on verso with blue ink by Beverley Kent nee Oliver: 1935/36 / Abp Head, Dad, Padre Kernel, Miss Norman, Alma Philips, Jean Johnsonpadre oliver, reverend frank leslie oliver, archbishop head, harbour lights guild, hlg, r.l. kerdel, l. rae, a. phillips, j. johnson, breakfast, table, meal, alma phillips, jean johnson

A large number of people sit at tables inside a tent/marquee. The men are dressed in three piece suits with ties and the ladies have floor length dresses and most wear hats. Two men wear darkened glasses. Vines and flowers are strung around the two tent poles in the centre,, with one vine attaching both poles and holding a Christmas bell shape between them. On the tables sit cups and small plates, with larger empty plates possibly holding sandwiches or slices, suitable for a garden party event. No people have been identified, although in an associated letter, Phyl Matthews puts forth that that one man is not her grandfather.B/W photograph of group having tea inside a tentassociation for the advancement of the blind, phyllis matthews

Two male teenagers sit at a table covered in a white tablecloth. One is being served by a waiter, who is placing potatoes on his plate from a silver tray, whilst the other sits with his plate complete with potato and other foodstuffs that also look a bit like potatoes in variety of ways. Two glasses sit before the teenagers, as does salt and pepper shakers and a small plate with what looks like half a boiled potato topped with slices of cucumber. In the background another waiter is walking past towards a man in a dark white and white shirt (only just visible). The room has wooden panelling and a beige concertina window, possibly concealing the kitchen behind. The wording under the picture reads "Lance and Darren experiencing silver service at a C.O.H.A.T restaurant". This could have been part of a dining experience between students who came to Burwood school and a local TAFE college.Digital image of two boys at a restaurant with a waiterrvib burwood school, education

Situated in King Street, Eltham, Alistair Knox built his home and office in 1962-1963 with mud-bricks made from the local soil and recycled materials blending the house with bush around it. Knox popularised the Eltham earth building movement, begun by Montsalvat founder, Justus Jorgensen. Alistair Knox (1912-1986) was also an Eltham Shire Councillor 1971-1975 and Shire President in 1975. Knox established the inaugural Eltham Community Festival in 1975. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p145 Lack of money was a strong incentive for Alistair Knox to do what he did best when he built his house and office at King Street, Eltham in 1962-63. He used mud-bricks from local soil and recycled materials, characteristically blending the house with the bush around it. The result was a work of art. Knox popularised the Eltham earth building movement,1 begun by Montsalvat founder Justus Jörgensen. He was also an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. For Knox mud-brick building was not just a building style, but a spiritual experience and a way of relating with nature. At 40 he rediscovered God and his building reflected his theological, political, philosophical and particularly environmental world view, which was far ahead of its time.2 He also contributed to building development in his use of concrete slab foundations when stumps and bearers were the norm. Knox was introduced to mud-brick construction in 1940 by Jörgensen, then shortly after, Knox joined the Navy. In 1946 Knox studied Building Practice and Theory at Melbourne Technical College (now RMIT University). There he befriended fellow student and artist Matcham Skipper who belonged to what was then called the Jörgensen Artists’ Colony. Knox decided to build an earth building in Eltham, partly because the post-war huge building demands resulted in expensive and scarce building materials. He asked artist Sonia Skipper for help who, with Matcham, had constructed mud-brick buildings at the Artists’ Colony. The simple rectangular low-lying house at King Street is framed by native plants and a 3.6 metres wide pergola surrounds the building. Wedded to the landscape, a door in every room at the perimeter, opens outside. The property also includes a forge, a small hut built by son Macgregor at 15, and a mud-brick tower for chickens. Building materials were foraged from a wide variety of sources. Some of the joinery material came from old whisky vats. When the Oregon of the highest quality ‘was put through the wood-working machines, it gave off a deep smell of whisky that made the whole atmosphere exotic and heady’.3 Amateur builders, including schoolboys from Knox’s Presbyterian Church, made some of the mud-bricks. But the building was finished with the professional help of Yorkshire builder, Eric Hirst. Inside, the light is subdued with the mud-brick, beamed timber ceilings and floors of slate, timber or orange-brown tiles. Skylights, with rich blue and red leadlighting, illuminate one entrance area and this feature is repeated as edging on the door. The centre of the house is like a covered courtyard, with rooms built around it. The central room, 11 metres x 7 metres, was built in the same proportions as Knox’s mud-bricks. Clerestory windows on four sides infuse the room with a soft light. A huge brick fireplace extends beyond one corner and opposite is a small one where timber can only be placed vertically. The slate for the floor was discarded from the Malthouse Brewery now used as a theatre in Southbank. In the middle is a large refectory table and benches that seat 18. Like much of the house, it is rugged, yet beautiful. Made of Western Australian Jarrah by Macgregor with a chain saw and an adze, it retains knot and nail holes. Each wall has an opening, 2.4 metres at the ends and 3.6 metres at the sides. Only one has doors and these concertina doors are made of the backs of old church pews. The main bedroom has an ensuite with a marble hand basin discarded from the Victorian Parliament building; and a dressing room, where two wardrobes of polished timber recovered from a tip are attached to the walls. Separate from the house is the strikingly original circular-shaped office made of bluestone sourced from the original Army campsite at Broadmeadows.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair and margot knox house, alistair knox design, mudbrick construction, eltham, king street

Hawthorn hedges are important reminders of Kangaroo Ground's Scottish heritage. They are Registered on the Victorian Heritage Register. They are "historically significant because the planting of hawthorn hedges reflects the adoption of Eurorpean farming techniques by the Kangaroo Ground population in the period following settlement and because the grid pattern of paddocks that the Hawthorn hedges define is very different to today's farm landscapes." Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p21 Hawthorn hedges bordering Kangaroo Ground’s gently rolling farmlands are important reminders of its Scottish heritage and are rare so close to Melbourne.1 As early as the 1840s newly arrived farmers from Scotland planted hawthorn hedges around their properties, to protect crops from the numerous kangaroos and wallabies. Many of these hedges survive today. These farmers had the good fortune to settle some of the most fertile land available for cropping in the Colony of Victoria. At that time the black volcanic soil could sustain an amazing two crops a year. By the mid 1850s, 500 acres (202ha) of wheat were growing in Kangaroo Ground. But the crops were threatened by kangaroos, which were so plentiful, that Surveyor-General, Robert Hoddle, named the district Kangaroo Ground in 1838. As post-and-rail fences proved inadequate barriers for the bounding kangaroos, the Scots planted hawthorn hedgerows as they had done in Scotland. Some also used the hedges to net birds, presumably for the table. Interestingly the farmers in the bordering townships of Panton Hill and Christmas Hills, did not plant hawthorn hedges around their properties. Perhaps it was because by the time they settled in the 1860s and 1870s most of the wildlife had been gunned down by residents.2 The canny Scots planted the hedges on public land outside their own farms, as the hedgerows could spread to about five yards (five m) in width. With this impenetrable barrier Kangaroo Ground’s industrious farmers flourished to gain the economic power that saw the Shire of Eltham governed from Kangaroo Ground for 79 years (1858-1937). The Scots jealously guarded their land, so hard to get in Scotland. That is why they refused to release any of it ‘for local roads to follow easier grades as was the case in surrounding districts where roads generally followed ridgelines or streams’.3 Instead the roads were built in accordance with the magnetic bearings of their first survey in 1847 whether that suited the steep topography or not. This could force traffic to diverge when wet through Greensborough and Diamond Creek. Until 1921, the Eltham-Yarra Glen Road beside Wellers Restaurant, ‘dipped down into the upper reaches of Stony Creek’.4 Later some corners were compulsorily cut for the increasing motor traffic. As late as the 1960s, corners were cut to form sweeping curves above and alongside the Kangaroo Ground Cemetery and opposite the Emergency Operations Centre. In the latter case, the farmers – understanding their hedgerows as important heritage – insisted upon their reinstatement to conform to the altered road alignment. Kangaroo Ground’s ancient manna gums also point to the district’s history and to that of the hedgerows. The Aboriginal people had transformed the original forests into grasslands with the fires they lit to attract kangaroos, (which the Scots were to exclude by planting hedgerows). But the Wurundjeri hunters left the gums (Eucalyptus vimminalis cygnetensis), on the grasslands as ‘stalking trees’ to hunt kangaroos. The hawthorn hedges in Kangaroo Ground were neglected for around 60 years from about the middle of the 20th century. Bushfires had created gaps and the hedgerows were not trimmed. Then in late 2005, local historian Mick Woiwod, formed a group to lobby the Nillumbik Shire to restore the hedges, which could last for many centuries. Some hedges in parts of Britain date back to AD 800.5 Although the original Scottish farmers have gone, the hedges are a reminder of when they flourished in the district, which has changed little in 150 years.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham-yarra glen road, hawthorn hedgerow, kangaroo ground

A black and white postcard of Marysville Chalet that was produced by the Valentine Publishing Co Pty. Ltd. as a souvenir of Marysville.A black and white postcard of Marysville Chalet that was produced by the Valentine Publishing Co Pty. Ltd. as a souvenir of Marysville.V.6. VALENTINE'S/ POST CARD A GENUINE PHOTOGRAPH OCT. 1949 Dear Mum & Dad/ and kids,/ This is a photo of the Chalet, you can't see/ our room its right around the other side./ Gordon and Jean have a room right on the/ front. We are having a marvellous time,/ have been on two trips so far. It is raining/ today, so we are staying here, we are in/ the Ballroom in front of a fire. Arthur is/ playing Table Tennis, they have the tables etc/ down here. We have another honeymoon couple/ with us. Norm and Phil, they are very nice. Will/ write again later. Lots of Love Pat & Arthurmarysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, valentine publishing co pty ltd, postcard, souvenir, v.6.

With the advent of audio content available through i-phones and other small devices, the demand for a dedicated audio, easily portable player for the blind and vision impaired became louder and louder. Two organisations competed to deliver this and Canadian company Humanware developed the Victor Classic as a table top player that relied on discs. As CDs had been introduced into the library some years before, this allowed borrowers to have the advantages of 4 track cassettes within a digital medium. The Victor Reader Classic used simple features that made it easy for clients to navigate through a book or magazine. The player played both DAISY and music CDs. The function keys included controls for variable tone, volume, speed and creation of bookmarks, sleep time and you could navigate by chapter and page on DAISY books. A carry handle is included for ease of use.Grey square object with buttons for navigational controlsaudio equipment, assistive devices

Map showing MMTB tram and bus routes following the closure of the Point Ormond line on 22/10/1960 and before the closure of the Footscray lines on 10/3/1962. Shows route numbers at termini and along the route and points of interest in a reference table. Yields information the MMTB services c1961.Map - printed in two colours on paper. Two copies held.tramways, map, mmtb, tram, bus, routes

This bluestone weir is one of two in the same section of Darebin Creek and is a remanent from early farming days. A vineyard was established by Thomas Bear and produced award wining table wines in the 1860-70s. Orange trees were later grown on the slopes below Rockbeare Grove and mixed market gardening was established in this area as the land was progressively sub-divided and leased. The weirs were used to dam the creek and pumps used to pump water to the vineyards and orange grove.B&W photograph showing remains of bluestone weir across Darebin Creek This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.

Sepia photograph of two children, boy & girl, boy standing on chair, girl seated on table."Perc & Elsie A.K/Cornish".percy cornish, elsie cornish

Mary Margaret Baird, born circa 1834, was the daughter of John and Elizabeth Logan, of Butterdean, Berwickshire. In 1860 in Victoria, she married Matthew Hamilton Baird, a well-known pastoralist and grazier, the owner of Mt Bute Station near Linton, as well as other rural and metropolitan properties. Margaret Baird lived at Mt Bute in the 1860s and early 1870s, after which it is understood she lived mostly in Melbourne. She died in 1910 at 'Waratah', Clendon Road, Toorak. Margaret and Matthew Hamilton Baird had nine children born between 1861 and 1877, not all of whom survived to adulthood. They are both buried in the Linton cemetery.Framed, hand-coloured/modified photograph of Margaret Baird. Portrait shows a lady in an elaborate gown, seated at a small, round table, her hands on a book. Two other books also on table. Large, draped window to RHS of sitter shows glimpse of garden. (Backdrop appears to be painted rather than photographed.) Lady wears a ring on her 3rd left finger, and a brooch at her neck. Hair neatly parted and coiled.mary margaret baird, mathew hamilton baird, mt bute station

One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Linen table cloth with printed images of birds of Australia with a two-tone green borderlisa sylvan, household linen, table cloths, australiana, australian birds

Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and the Civic Collection holds a number of important items within its collection.Two plates produced by Bendigo Pottery with hand painted designs depicting iconic Bendigo landmarks. 0408.1 Front: FCC-A JU HUI (To get together) / Bendigo 2010. Verso: Stamped Bendigo Pottery Est 1858 / Australia, signed FB (Faye Brady). 0408.2 Front: Bendigo / Australia. Verso: Stamped Bendigo pottery Est 1858city of greater bendigo tourism, bendigo pottery, faye brady artist

Arthur Douglas was the secretary of the Bendigo Division of the Tramway Employees Association for 30 years.Two newspaper articles reporting on Mr Arthur Douglas's Retirement Dinner. Headlines: 'Trams on the Table' and 'Tramway Men Honour T.E.A Secretary'. Handwritten on side '29.9.1951'Written in blue ink - 29/9/51cottage, miners

Vessels for storing water such as these are common throughout the ages and evident in the pottery of the middle east, Mediterranean and Africa. Between 1880 and 1910 Bendigo Pottery produced these as part of their terracotta ware range. Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and art pieces and the Civic Collection holds a number of important items within its collection.Polished terracotta water holder with saucer and stopper. Globular body with rounded base. The shoulders taper into long cylindrical neck, no handle or pouring spout. Surface is undecorated expect for two rings at base of neck. This is the smaller of the two. 0430a stopper; 0430b vessel; 0430c saucerNone foundbendigo pottery, george gutherie, city of greater bendigo tourism

Vessels for storing water such as these are common throughout the ages and evident in the pottery of the middle east, Mediterranean and Africa. Between 1880 and 1910 Bendigo Pottery produced these as part of their terracotta ware range. Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative ware, as well as artistically, being responsible for training and supporting many local potters. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and art pieces and the Civic Collection holds a number of important items within its collection.Polished terracotta water holder with saucer and stopper. Globular body with rounded base. The shoulders taper into long cylindrical neck, no handle or pouring spout. Surface is undecorated except for two rings at base of neck. This is the larger of the two. 0431a stopper; 0431b vessel; 0431c saucerNone foundbendigo pottery, city of greater bendigo tourism, george guthrie

Australian Defence Industries (ADI) - two Capability Statements booklets: a) ADI red logo on front cover. Statement for "ADI Limited Group, Engineering". End of each page identifies: CS-JAN99. Table of contents on first page Vision Mission statements, ADI Ltd, ADI Engineering Organisation, Structure, Customer Profile, Projects Bendigo & Lithgow Facilities, Quality, Safety & Environmental Policies. Paper statements with thick card binding. b0 ADI red logo and plant photos on front cover with title "ADI's heavy and Precision Engineering Facility Bendigo Aust." First page statement Oct 1997. Next page contents includes ADI Ltd. and introduction to Bendigo Factory.local history, adi history

The photograph was taken on board the English four-masted barque Crocodile which was a a regular visitor of the Port Phillip bay ports, transporting wheat from Australia to the UK. A rare photograph of seamen's intimate life on board.Sepia photograph depicting two seamen sitting at a table in the galley of the ship Crocodile. In the background we can see the portholes of the ship. On the table, there is a loaf bread, tin cups and ware. One of the sailors is holding is forehead with his hand and the other one seems like is eating.Written in pencil at the back: "12"cook, barque crocodile, liverpool, tureen, goldsmith album, life on board, meals, steward, portholes, galley, kitchen

(number in album 03377.2)Black and white photograph of Variety Club Bash participants,Ian and Cathy Clifford, Jason Kitto and cancer patient Brett Finneran, sitting at table enjoying drinks, prior to taking part in the Canteen Australia Trek for two days raising funds for teenagers with cancer. Lakes Entrance Victoriacharities, clubs, fundraising

Table Tops was a free daily newspaper produced for Australian Army personnel, published in the Atherton Tableland Training Area in Queensland, Australia, with regional editions produced abroad for serving personnel. Table Tops was produced by the staff of the AIF News, who were part of the First Australian Army Printing and Press Unit.The newspaper was produced seven days a week: weekday and Saturday editions were four pages long while Sunday editions were eight pages. The pages were demy quarto size. Occasional special editions were produced in addition to the daily editions. It contained news on the progress of the war, as well as home news such as current events in Australia and sport results.Two page cream coloured newspaper with rising sun badge top left corner of heading Table Tops - Free to the Troops Air Special No 501 Issued Daily by the Australian Military Forces Tues 3 Oct., 1944table tops, ww2

The Warrnambool Table Tennis Association has been operating since 1958. The centre is located is in Cramer Street, Warrnambool in Albert Park. Many local churches have table tennis centres. It is a popular recreational activity. This badge is retained as memento of the Warrnambool Table Tennis Association. It is useful for display purposes.Cloth square most likely used for attaching to a uniform. The centre features a shield shaped white outline inside of which is text , two red table tennis bats and a white ball. Inside at the bottom of the shield is text enclosed in a further white outline. The background is blue. The above is printed on white cloth which surrounds the badge on all sides. WARRNAMBOOL T.T.A. table tennis

Black and white copy of original photograph of two young ladies seated in a garden with a small table with cakes, a vase of flowers and teacups in front of them. Both ladies are in dark dresses with foliage tucked into their bodices."Ethel Greenwood (L) + Mrs Flo Lancaster (nee Tuckfield) G/D of Mary Linton"ethel greenwood, mrs flo lancaster (nee tuckfield)

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Large group of soldiers at Royal Park, Melbourne. Vehicles and buildings in background. Foreground has soldiers around a table with lots of bottles on it."12,922. THE PARADE OF THE AUSTRALIAN EXPEDITIONARY FORCE. Lunch Time at / Royal Park, Melbourne."stereographs, australian expeditionary force

Two guides or leaflets: 1. A Cherry Growing in Victoria Bulletin 67 from The Department of Agriculture, Victoria, Australia. Pp. 24. It has full details and photographs for cherry growing contributed by several writers. Advertisements for agriculture are inside the front and back covers. Price 3D. is printed towards the bottom of the front cover. 2. A very damaged four page leaflet titled, Fruit Spraying Guide for the Home Gardener compiled by two contributors, (Reprinted from The Journal of the Department of Agriculture, Victoria.) It has several tables for various fruits, diseases, symptoms and treatment. (It is reprinted from The Journal of the department of Agriculture, Victoria.) Two Invoices are included in this entry: 1. F.W. Britton & Son Timber and Hardware Merchants. Invoice No. 2441 12 June 1948 for three items sold. 2. An account Sales Note Barrow Bros. Commission Agency Proprietary Limited Produce & Dairy Produce merchants and Manufacturers in Melbourne. Four items were sold, plus cartage on 23.3.50.non-fictionThe Cherry Growing in Victoria booklet and Fruit Spraying Guide for the Home Gardener leaflet were useful for understanding how to grow the local produce in Victorian conditions at the time. dockets, receipts, sales records, leaflets, information sheets, information booklets, instruction leaflets, fruit growing, fruit pests

Six cabinet cards produced by Bendigo Photographers. All subjects unnamed. Black and white/sepia. A. 1. Photographer F De Kock & Co Cnr Mitchell and King Streets. Subject is two men, one standing and one seated, dressed formally in jackets, ties and pants. One is holding a hat, while the other's hat is by his elbow. 2. Photographer is Verey & Co Castlemaine and Daylesford. Subject is three men, two seated and one standing, dressed formally in coats and pants. The middle man is holding a cane. B 1. Photographer is Bartlett Bros View Place Sandhurst. Subject is a woman seated in a dining chair with a book on a table. She is dressed in a patterned long sleeved dress adorned with ribbons and lace. 2. Photographer is Bartlett Bros View Place Sandhurst. Subject is a woman posed in profile head and shoulders. C 1. Photographer is Bartlett Bros View Place Sandhurst. Subject is an infant, seated on a fur and dressed in a knitted outfit. 2. Photographer is Bartlett Bros View Place Sandhurst. Subject is a man head and shoulders shot.photograph, portrait