The Ithacan Philanthropic Society, 'The Ulysses' celebrated its 80th Anniversary at the Debutante Ball on Saturday 21 September 1996 at the Carlton Crest Hotel Grand Waldorf Ballroom. Much loved Ithacan actress Irini Papas was MC for the evening and guest of honour was the Consul of Greece, Mr. George Veis. Dance instructor and coordinator of the debutante group was Olga Black who worked with the fourteen debutantes and their escorts and the young flower girl to prepare for the memorable night. Pictured (above left) are debutantes Faye Baker and Angela Thomas. For the Ithacan Philanthropic Society to endure as an active organisation for eighty years was a memorable achievement. Debutante balls was an Anglo tradition that was taken up by the Ithacan Philanthropic Society and were particularly popular in the period 1940 - 1960. There was a resurgence in popularity in the 1980s - 2000. A black and white newspaper photograph of five debutants and one flower girl on the dance floor. The photograph has been backed onto white cardboard and laminated. The photograph is one of a pair which was published in the 'Neos Kosmos' newspaper.

From the outset the Ithacan Philanthropic held at least one family picnic a year. They either took place at a popular seaside locations or at popular picnic sites in the nearby hills around Melbourne. The first annual picnic was held in 1918. The Ithacan Greeks worked long hours in family food and restaurant businesses in Melbourne. On Sundays the shops were closed so it was seen as an opportunity to relax outdoors away from the city. The Ithacan Philanthropic Society continues this tradition holding an annual picnic in late summer.A black and white panoramic photograph of a large picnic group of men, women and children standing in an open area with trees around the perimeter. Eight children are sitting on the ground in front of the adults and a group of ladies are sitting on a bench to the left of the group. Some of the party are holding long walking sticks which must have been used when they went on a hike or walk.families, picnics, leisure time.

Bibliography, Index, Chronology, ill (plates, col, b/w) maps. p.452.non-fictionFrom longbow, pike, and musket to Challenger tanks, from the Napoleonic Wars to the Gulf campaign, the Duke of Marlborough to Field Marshal Montgomery, The Oxford Illustrated History of the British Army recounts the history of the British army from its medieval antecedents to the present day. Drawing on the latest scholarship, this survey shows how British fighting forces have evolved over the last five centuries. The continuities revealed are sometimes surprising: narrow recruitment patterns, friction between soldiers and civilians, financial constraints and recurrent political pressure for economies are constant themes. Commanders, campaigns, battles, organization, and weaponry are covered in detail within the wider context of the social, economic, and political environment in which armies exist and fight. The British army has been remarkably successful in fighting terms, losing only one major war (of American Independence 1775-83). As one of the engines of empire it has been active all over the world, as well as shaping the internal destiny of the nation in civil war and revolution. Its history is charted in a sequence of chronological chapters, each containing special feature articles, beginning with the medieval, Elizabethan, and Restoration army and moving on through the eighteenth and nineteenth centuries to the two world wars of the twentieth. The book concludes with accounts of the army of British India, the amateur military tradition, the British way in warfare, and an assessment of what the future may hold in the light of the Options for Change review. Extensively illustrated in black and white and colour, and with a detailed chronology and further reading lists, this is the definitive one-volume history of the British army for specialists and non-specialists alike.great britain - military history, great britain - military tradition

Index, Notes, Bibliography, ill (b/w)non-fictionThe Australian digger represents all the virtues Australians hold dear - mateship, equality, bravery and irreverence. But before 1914 Australia had no military tradition. Jane Ross has analysed the nature and origins of the myth of the digger.australian army - history, australia - military culture

Index, bibliography, ill, maps, p.302.non-fictionWorking as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 - red cross - women

Index, bibliography, notes, p.329.non-fictionPost-traumatic stress disorder increasingly afflicts veterans of modern warfare. To begin healing, says Edward Tick, we must see PTSD as a disorder of identity itself. War's violence can cause the very soul to flee and be lost for life. Drawing on history, mythology, and thirty years of experience, Dr. Tick reveals the universal dimensions of veterans' soul wounding. He uses methods from ancient Greek, Native America, Vietnamese, and other traditions to restore the soul so that the veteran can, at last, truly return home. His work is invaluable for veterans of any war as well as for their families and all who would help thempost traumatic stress disorder - treatment, veterans - mental health - united states

Ill, bib, p.55.non-fictionA tribute to ANZAC day by Australia Post and special stamp issue.anzac day, postage stamps - australia

Index, bib, ill, notes, p.288.non-fictionBefore the First World War most Australians shared the emotions and traditions of the British Empire. Proud of their British heritage, anxious to raise the Imperial status of Australia, they were eager to fight and, if need be, to die in defence of their race and country. But the horror and tragedy of the conflict brought fundamental changes in outlook. Many of the pre-war enthusiasms persisted, but the days of unquestioning allegiance to Empire were beginning to come to an end, to be replaced by the bittersweet tradition of Anzac. Dr Gammage shows how and why these changes took place. Using the diaries and letters of one thousand front-line soldiers of the First Australian Imperial Force, most of them now part of a unique collection housed in the Australian War Memorial in Canberra, he reconstructs the motives and expectations with which these men volunteered and the experiences they encountered. He highlights and examines the new attitudes to war and to the homeland that developed and foreshadows the important effects in Australia of the changed outlook brought home by the survivors. Those who have returned from war will recognise immediately the raw realities faced by the 'diggers', the growing disillusionment, and the hopes for the future. Those with fathers, husbands, or brothers who served, and all those concerned with what happens to men at war, cannot fail to be moved by the simple dignity of the men{u2019}s accounts, or by the understated courage with which they wrote to their families of the miseries they endured. This book, written with sensitivity and scholarly care, must be read if we are to understand war and its impact on the ethos of a nation. world war 1914-1918 - personal correspondence, world war 1914-1918 - social conditions

Index, bib, ill, maps, p.224.Within three months of the Japanese entering World War II on December 8, 1941 over 22 000 Australians had become prisoners-of-war. They went into camps in Timor, Ambon, New Britain, Java, Sumatra, Borneo, Singapore and Malaya, and a few were scattered to other points in what was briefly part of the Japanese empire. Later most of the prisoners were to be shifted further north into South-east Asia, Formosa, Korea, Manchuria and Japan itself. They were captives within lands and cultures and to experiences alien to those known to all other Australians. At the end of the war in August 1945, 14315 servicemen and thirty service women were alive to put on new, loose-fitting uniforms and go home. One in three of the prisoners had died. That is, nearly half of the deaths suffered by Australians in the war in the Pacific were among men and women who had surrendered. Another 8174 Australians had been captured in the fighting in Europe, the Middle East and North Africa: but of these men only 265 died as a result of wounds, disease or execution.By any quantitative measure the imprisonment of so many Australians is a major event in Australian history. For many soldiers it was living --and dying --in captivity which made World War II different from that of World War I. But the prisoners have received no permanent place in Australian history. Their story is not immediately recalled on celebratory occasions. In a general history of the nation in which a chapter is given to the war the prisoners might be mentioned in a sentence, or part of a sentence. Where the horror, stoicism and gallantry of Gallipoli have become part of a common tradition shared by all Australians, the ex-prisoners are granted just the horror. The public may be sympathetic; but the horror is for the prisoners alone. To make another comparison: in five months of fighting on the Kokoda Trail in 1942 the Australians lost 625 dead, less than the number who died on Ambon. Yet the events on Ambon are unknown to most Australians. There were no reporters or cameramen on Ambon and, for the 309 who defended Ambon's Laha airfield, no survivors. How many of them died in battle or died as prisoners will never be known. But there are more than just practical reasons why the record of the prisoners of war is so slight and uneven in the general knowledge of Australians. They have not tried to find out. No historian has written a book to cover the range of camps and experiences, and only in specialist medical publications has anyone investigated the impact of prison life on subsequent physical and mental health. The complexity of the experience and its impact on particular lives have not been expressed in a way to give them significance for other Australians.world war 1939 – 1945 - prisons and prisoners – japanese, world war 1939-1945 - personal narrativies - australia

Index, bib, p.578.non-fictionAUSTRALIA IN PEACE AND WAR is the first work to trace the development of Australia’s external relations from their colonial origins to the present. It shows how successive Australian governments have seen the world, what their attitudes have been, their actions and (much more often) their reactions. This important and controversial book details the successes and failures of Australian foreign policy over two centuries. It shows how geographical aspects of the world's largest island, anchored off the south-east corner of Asia, have increasingly impinged on perceptions and attitudes historically derived from Europe. It pleads for recognition that Australia can adapt the best of its European traditions in coming to terms with and helping to shape its Asia-Pacific environment. australia - foreign relations, australia - history - military

Skates were and still are widely used in winter time in The Netherlands, when the rivers, canals, creeks, ponds etc. are frozen solid. Paintings out of around 1600-1700 show models of skates very much like the one shown. Even until as recent as 40 years ago, the wooden skates (with steel blade) that are tied to the shoe with leather strap and laces, were widely used in the Netherlands. Even now they are still made in children sizes, because of there flexibility in adjusting to a range of shoe sizes.Skating is a tradition which remains popular.Wooden skates, with brown leather straps. It has a metal strip on the base of the wood, which is necessary for gliding on ice.Letter R for right foot No letter for left footdutch migration skates wood

Although this publication has no date it is obviously from the 2nd half of the 20th century and put together by the local historic society in an effort to record certain traditions and promote the local area. It is aimed at visiting tourists and includes maps with walk and cycle routes.A colourful 32pp booklet published as extra-edition of the historic Bunschoten periodical 'Bunscote'.Names of the editing team, co-ordinator, graphic artist and printer are all recorded.

At the conclusion of a term in office, the Dean of the Faculty of Anaesthetists would have their portrait taken.This photograph is one in a series which documents the history of the development of the Faculty of Anaesthetists through portraits of past deans. The tradition has continued through to the development of the Australian and New Zealand College of Anaesthetists, although that also marked a transition to oil paintings rather than photography. This portrait was photographed by renowned photographic artist, Athol Shmith. As such it holds both historic and artistic significance.Black and white image of Dr Robert Orton, wearing the robes of office of the Dean of the Faculty of Anaesthetists of the Royal Australasian College of Surgeons (predecessor to the Australian and New Zealand College of Anaesthetists).robert orton, faculty dean, dean's robes, official portrait

raaf history and aircraft

A book with colour cover of soldier on duty in a forest. One soldier is taking care of an injured soldier while others are on the look out.non-fictionIt became a tradition for infantry battlaions to write the history of their Tour of Duty in Vietnam. For most this was achieved soon after their return to Australia, 9RAR was an exception.9th battalion, 9rar, vietnam 1968-1969

fictionA savagely powerful novel of the Vietnam War - in the tradition of "Chicken hawk" and "Let A Soldier Die"vietnam war, 1961-1975 - fiction

This book sets a new and higher standard for Western scholarship on Vietnams modern political history.intellectuals -- vietnam, vietnam -- history -- 1858-1945

It became a tradition for infantry battlaions to write the history of their Tour of Duty in Vietnam. For most this was achieved soon after their return to Australia, 9RAR was an exception.australia. army. royal australian regiment. battalion, 9 rar

The complete story of the Australian fighting man, of the reputation earned at Anzac Cove, Tobruk, and in New Guinea, is told here in the first attempt to trace Australia's military tradition from its inauspicious beginnings to the present day. australia - armed forces - history, australia - history, military, australia. wars, 1885-1972

The complete story of the Australian fighting man, of the reputation earned at Anzac Cove, Tobruk, and in New Guinea, is told here in the first attepmt to trace Australia's military tradition from its inauspicious beginnings to the present day.australia - armed forces - history, australia - history, military, australia. wars, 1885-1972

The complete story of the Australian fighting man, of the reputation earned at Anzac Cove, Tobruk, and in New Guinea, is told here in the first attempt to trace Australia's military tradition from its inauspicious beginnings to the present day. australia - armed forces - history, australia - history, military, australia. wars, 1885-1972

the customs and traditions of the Australian Army are in the main based on those of the British Army. Over the years they have been adapted where necessary to meet Australian conditions and requirements.australia. army - military life, australia. army - officers, etiquette - australia

Victorian aborigines distinguished themselves at war overseas and on the home front this century. Many of them came from a long tradition of warriors; their forebears waged war last century on the European settles who had occupied their traditional homelands.aboriginal australians - biography, australia - armed forces - aboriginal australians - history

The Rising Sun crafted from timber by Alan Darwin of Wangaratta Woodworkers Inc., and presented to the Wangaratta RSL Sub Branch to commemorate the 100 year ANZAC campaignProudly worn by soldiers of the 1st and 2nd Australian Imperial Force in both World Wars, the 'Rising Sun' badge has become an integral part of the digger tradition. The distinctive shape of the badge, worn on the upturned side of a slouch hat, is commonly identified with the spirit of AnzacCarved timber badge in the shape of the Rising Sun above crown and bannerCarved "The Australian Army" Gold plaque engraved"To commemorate the 100 year ANZAC campaign "rising sun, anzac

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951

Hardcover w/ Dust JacketBirthday Card inserted inside - "To Trishy, from Lucy, Mummy + Daddy"tradition philosophy pluralism, walsh st library